102:
29:
19:
195:
144:
132:. His drawings were dated, frequently by month, between 1664 and 1666 and convey a picture of a busy living city filled with ruins. This was a change from the more staged approach of classicizing painters. The panoramic settings of the drawings and the precise technique are believed to have set a standard for veduta designers and painters after him such as the Dutchman
581:
111:
He travelled to Rome where he resided from 1664 to 1675. He travelled in Italy and was in Venice in 1676. He spent time in France between 1680 and 1684 and returned to Ghent in 1684. He made trips to France and is recorded in Paris in 1688. In Ghent he was again involved in an architectural design
159:
to enhance the dignity of Rome and himself as the Head of the
Catholic Church. Cruyl's drawings with their idealised view of Rome can to a certain extent be regarded as propaganda for pope Pope Alexander VII's urban vision of Rome. The views of Lieven Cruyl were also published to meet the demand of
154:
Cruyl's drawings depict the topographical aspects of the urban landscape. He preferred unusual and complex perspectives which reflect the scientific construction of his drawings. His drawings reconstruct the city anew according to a specific aesthetic taste and guidelines of a graphic structure.
127:
Lieven Cruyl is mainly known for his drawings and graphic work depicting cityscapes. He made series of drawings as well as individual renderings of the landmarks of Rome. Several of the drawings were later engraved by himself and others including by
73:
son of
Joannae (Joanna) Meyerts and Guglielmus (Willem) Cruyl. The details about his life are not always clear, including with respect to the periods of his overseas residences. He studied theology, architecture, drawing and
28:
53:
of landscapes, seascapes, and architectural views. The drawings and etchings he made during his extended stays in Italy and Paris contributed to the development of the topographical views known as
101:
18:
293:
373:
Egbert
Haverkamp-Begemann, Sir John Wyndham Pope-Hennessy. Fifteenth- to Eighteenth-century European Drawings: Central Europe, the Netherlands, France, England
591:
614:
Colin Eisler – Power to Europe's Chosen
Peoples. A New Maccabean Page for Louis XIV by Liévin Cruyl, in: Artibus et Historiae no. 17 (IX), 1988, pp. 31–38
332:
45:(name variations: Levin Cruijl, Lievin Cruijl, Levin Cruyl, Livinus Cruylius, Cruylius Livinus) (5 September 1634 – before 1720) was a
533:
512:
87:
633:
628:
566:
433:
445:
503:
297:
155:
Rome's cityscape was undergoing significant changes at the time because of the extensive building works promoted by pope
658:
643:
638:
413:
663:
194:
79:
585:
137:
70:
282:
472:
459:
524:
143:
653:
648:
604:
129:
46:
498:
562:
547:
529:
508:
429:
428:
Krautheimer, Richard (1985). The Rome of
Alexander VII 1655–1667. Princeton University Press.
372:
133:
95:
396:
519:
346:
311:
417:
221:
113:
539:
86:
near Ghent from 1660 to 1664. He was involved as an architect in the completion of the
622:
183:
156:
94:
troubles of the 16th century. He made a design for the unfinished western tower in a
312:
De
Inventaris van het Bouwkundig Erfgoed Parochiekerk Sint-Michielskerk (ID: 25841)
599:
559:
Lievin Cruyl e la sua opera grafica: un artista fiammingo nell'Italia del seicento
384:
23:
Eighteen Views of Rome – The
Quattro Fontane Looking Toward Santa Maria Maggiore
462:
Grove Art Online. Oxford Art Online. Oxford
University Press. Web. 26 May. 2014
328:
91:
171:
and of places in Paris. He further drew a number of imaginary cityscapes of
172:
98:
style in 1662. The design was finally not implemented due to cost concerns.
580:
116:. His design for a Baroque spire dated 1684 was finally not implemented.
551:
347:
De
Inventaris van het Bouwkundig Erfgoed Parochiekerk Belfort (ID: 24555)
164:
83:
410:
75:
608:
168:
54:
50:
544:
Vedute romane di Lievin Cruyl: paesaggio urbano sotto
Alessandro VII
613:
411:
Elisa Silva, The Space of Representation and Falda’s Images of Rome
142:
66:
90:, the construction of which had been interrupted because of the
140:'s engravings of contemporary and antique structures in Rome.
180:
View of the construction of the Pont-Royal, Paris, in 1687
546:(exhibition catalog). Rome: Accademia americana in Roma.
160:
foreigners who wanted to keep souvenirs of their visit.
206:
A set of Twenty-three Plates of Ancient and Modern Rome
528:, 34 volumes, edited by Jane Turner. New York: Grove.
163:
He also made drawings of other Italian cities such as
600:
Works of Lieven Cruyl at The Cleveland Museum of Art
561:. Brussels/Rome: Institut historique belge de Rome.
33:Veduti: Prospectus Basilicę Vaticanę D. Petri.
8:
375:, Metropolitan Museum of Art, 1999, p. 280
594:Prospectus locorum urbis Romae insicnium
448:Prospectus Locorum Urbis Romae Insignium
193:
112:project, this time for the spire of the
100:
27:
17:
234:
406:
404:
368:
366:
333:Netherlands Institute for Art History
324:
322:
283:Lieven Cruyl’s veduti (or city views)
278:
276:
274:
241:Jatta 1992, pp. 7 (birth), 9 (death).
212:A set of Views of Roman Ruins &c.
7:
136:. He also had a subtle influence on
397:Robert C. Smith, The Ruins of Rome
218:The Triumphs of the Roman Emperors
14:
579:
71:illegitimate (later legitimised)
460:Anna Menichella, et al. "Rome."
186:in London in 2009 for £97,250.
208:; L. Cruyl del. et scul. 1665.
1:
504:Benezit Dictionary of Artists
298:Nouvelle Biographie Nationale
106:Prospectus Turris Babylonicae
88:Saint Michael's Church, Ghent
49:priest and a draughtsman and
680:
542:; Connors, Joseph (1989).
522:, vol. 8. p. 220, in
501:, vol. 4, p. 249, in
360:Benezit 2006; Esther 1996.
557:Jatta, Barbara (1992).
199:Prospectus Fori Agonali
138:Giovanni Battista Falda
634:18th-century engravers
629:17th-century engravers
518:Esther, J.-P. (1996).
268:Jatta 1992, pp. 7, 23.
201:
151:
108:
35:
25:
525:The Dictionary of Art
197:
146:
104:
82:. He was a priest in
31:
21:
588:at Wikimedia Commons
473:"Sale 7743 / Lot 32"
294:Biographical details
80:University of Leuven
416:27 May 2014 at the
387:at Budapest Auction
659:Artists from Ghent
202:
152:
119:He died in Ghent.
109:
36:
26:
644:Clergy from Ghent
639:Flemish engravers
592:Facsimile of the
584:Media related to
178:A drawing of the
148:The Tiber at Rome
134:Gaspar van Wittel
96:Brabantine Gothic
671:
583:
507:. Paris: Gründ.
497:Benezit (2006).
485:
484:
482:
480:
469:
463:
457:
451:
443:
437:
426:
420:
408:
399:
394:
388:
382:
376:
370:
361:
358:
352:
351:
344:
338:
337:
326:
317:
316:
309:
303:
302:
291:
285:
280:
269:
266:
260:
257:
251:
248:
242:
239:
679:
678:
674:
673:
672:
670:
669:
668:
664:Flemish priests
619:
618:
576:
520:"Cruyl, Lieven"
499:"Cruyl, Liévin"
494:
489:
488:
478:
476:
471:
470:
466:
458:
454:
444:
440:
427:
423:
418:Wayback Machine
409:
402:
395:
391:
383:
379:
371:
364:
359:
355:
349:
345:
341:
335:
327:
320:
314:
310:
306:
300:
292:
288:
281:
272:
267:
263:
258:
254:
249:
245:
240:
236:
231:
222:Andrea Mantegna
192:
125:
114:Belfry of Ghent
65:He was born in
63:
12:
11:
5:
677:
675:
667:
666:
661:
656:
651:
646:
641:
636:
631:
621:
620:
617:
616:
611:
602:
597:
589:
575:
574:External links
572:
571:
570:
555:
540:Jatta, Barbara
537:
516:
493:
490:
487:
486:
464:
452:
446:Lievin Cruyl,
438:
421:
400:
389:
377:
362:
353:
339:
318:
304:
286:
270:
261:
252:
243:
233:
232:
230:
227:
226:
225:
215:
209:
191:
190:Selected works
188:
124:
121:
62:
59:
13:
10:
9:
6:
4:
3:
2:
676:
665:
662:
660:
657:
655:
652:
650:
647:
645:
642:
640:
637:
635:
632:
630:
627:
626:
624:
615:
612:
610:
606:
603:
601:
598:
596:
595:
590:
587:
582:
578:
577:
573:
568:
564:
560:
556:
553:
549:
545:
541:
538:
535:
534:9781884446009
531:
527:
526:
521:
517:
514:
513:9782700030709
510:
506:
505:
500:
496:
495:
491:
474:
468:
465:
461:
456:
453:
450:
449:
442:
439:
435:
431:
425:
422:
419:
415:
412:
407:
405:
401:
398:
393:
390:
386:
381:
378:
374:
369:
367:
363:
357:
354:
348:
343:
340:
334:
330:
325:
323:
319:
313:
308:
305:
299:
295:
290:
287:
284:
279:
277:
275:
271:
265:
262:
259:Benezit 2006.
256:
253:
247:
244:
238:
235:
228:
224:; ten plates.
223:
219:
216:
213:
210:
207:
204:
203:
200:
196:
189:
187:
185:
181:
176:
174:
170:
166:
161:
158:
157:Alexander VII
149:
145:
141:
139:
135:
131:
122:
120:
117:
115:
107:
103:
99:
97:
93:
89:
85:
81:
77:
72:
68:
60:
58:
56:
52:
48:
44:
40:
34:
30:
24:
20:
16:
605:Lievin Cruyl
593:
586:Lieven Cruyl
558:
543:
523:
502:
492:Bibliography
477:. Retrieved
475:. Christie's
467:
455:
447:
441:
424:
392:
385:Lieven Cruyl
380:
356:
342:
329:Lieven Cruyl
307:
289:
264:
255:
250:Esther 1996.
246:
237:
217:
211:
205:
198:
182:was sold at
179:
177:
162:
153:
147:
130:Giulio Testa
126:
118:
110:
105:
92:iconoclastic
64:
43:Lieven Cruyl
42:
39:Lievin Cruyl
38:
37:
32:
22:
15:
654:1720 deaths
649:1634 births
301:(in French)
623:Categories
567:9074461034
434:069104032X
350:(in Dutch)
336:(in Dutch)
315:(in Dutch)
184:Christie's
173:Jeruzalem
150:, drawing
552:22188145
436:, p. 3–7
414:Archived
220:; after
165:Florence
84:Wetteren
331:at the
296:at the
214:; 1667.
78:at the
76:etching
47:Flemish
609:artnet
565:
550:
532:
511:
479:26 May
432:
169:Venice
69:, the
55:veduta
51:etcher
229:Notes
67:Ghent
563:ISBN
548:OCLC
530:ISBN
509:ISBN
481:2014
430:ISBN
167:and
123:Work
61:Life
607:on
41:or
625::
403:^
365:^
321:^
273:^
175:.
57:.
569:.
554:.
536:.
515:.
483:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.