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Demand for
Federico del Campo's views, particularly from English tourists, was so strong that he painted several views multiple times, and the same can be said of Reyna Manescau, that repeated the same urban landscapes in many occasions with minimal variations.
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as early as the 16th century. In the 17th century, Dutch painters made a specialty of detailed and accurate recognizable city and landscapes that appealed to the sense of local pride of the wealthy Dutch middle class. An archetypal example is
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367:. These artists responded to the large international market for their city views of Venice, and they made such big names for themselves through this genre that they painted nothing but Italian views.
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In the later 19th century, more personal "impressions" of cityscapes replaced the desire for topographical accuracy, which was satisfied instead by painted, and later photographed,
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anticipated developments during the 18th century, when there was a shift away from the classically oriented Roman landscapes of French
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Christine van
Mulders and Alain Jacobs. "Bloemen, van." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 5 Dec. 2014
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during his residence in Rome in the late 17th century. Cruyl's drawings reproduce the topographical aspects of the urban landscape.
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he executed at the end of the 17th century and beginning of the 18th century, the
Flemish painter
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painters in the first half of the 18th century. Through his more realistic representation in the
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recalled early ventures to the
Continent for aristocratic Englishmen. By the mid-18th century,
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families of Venice. Some of them went to work as painters in major capitals of Europe, e.g.,
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Rome, a view of the Tiber, Castel Sant'Angelo, Ponte Sant'Angleo, Saint Peter's
Basilica
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In other parts of 18th-century Italy, idiosyncratic varieties of the genre evolved.
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343:. There was a sizeable community of émigré artists active in Venice, such as
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457:, Philadelphia Museum of Art; Museum of Fine Arts, Houston, 2000, p. 336-338
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morphed into the scenes partly or completely imaginary elements, known as
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Genre of large-scale paintings or prints of a cityscape or other vista
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Federico del Campo, Peruvian, Gondolas by the Doge's Palace, Venice
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Westminster Bridge, with the Lord Mayor's
Procession on the Thames
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The
Quattro Fontane Looking Toward Santa Maria Maggiore
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59:) is a highly detailed, usually large-scale
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257:, who would become one of the leading
455:Art in Rome in the Eighteenth Century
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423:Lieven Cruyl's veduti (or city views)
179:became renowned as the centre of the
71:or some other vista. The painters of
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143:architect, draughtsman and engraver
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32:; 1734, oil on canvas, 47 × 72 cm,
237:artist to concentrate on painting
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331:, went through many printings.
163:became somewhat standardized,
102:Art Gallery of South Australia
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489:"Museo Carmen Thyssen Málaga"
440:, Penguin Books, 1980, p. 501
294:In later developments of the
183:. The genre was pioneered by
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167:of familiar scenes like the
493:www.carmenthyssenmalaga.org
320:was the foremost master of
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363:and the Peruvian painter
273:painters in Rome such as
159:As the itinerary of the
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376:Santa Maria del Rosario
347:, the Spanish painters
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357:Antonio Reyna Manescau
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255:Hendrik Frans van Lint
231:Giovanni Paolo Pannini
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30:Hendrik Frans van Lint
563:Landscape art by type
449:Edgar Peters Bowron,
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318:Giambattista Piranesi
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267:Jan Frans van Bloemen
217:
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549:at Wikimedia Commons
349:Martín Rico y Ortega
241:. The Dutch painter
49:for 'view';
345:Antonietta Brandeis
75:are referred to as
436:Rudolf Wittkower,
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382:Federico del Campo
365:Federico del Campo
314:veduta di fantasia
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34:private collection
568:Italian vedutisti
543:Media related to
243:Gaspar van Wittel
201:Bernardo Bellotto
93:View of Bracciano
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173:Grand Canal
169:Roman Forum
557:Categories
499:2018-11-20
410:References
161:Grand Tour
524:Canaletto
519:. (1991)
404:Cityscape
378:in Venice
341:panoramas
223:Canaletto
193:Canaletto
181:vedutisti
122:Paul Bril
114:landscape
98:Paul Bril
77:vedutisti
69:cityscape
393:See also
325:etchings
305:capricci
124:painted
118:Flanders
61:painting
205:Dresden
171:or the
139:. The
83:Origins
47:Italian
546:Veduta
384:, 1899
300:veduta
296:vedute
271:vedute
263:vedute
259:vedute
251:vedute
235:veduta
225:, 1747
209:Warsaw
197:London
189:Guardi
177:Venice
165:vedute
149:vedute
126:vedute
73:vedute
56:vedute
42:veduta
239:ruins
141:Ghent
110:genre
108:This
67:of a
65:print
359:and
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312:or
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