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at the beginning of the 1930s, raising that sum proved to be extremely difficult. The Museum of Modern Art managed to negotiate the amount down to $ 750,000 initially and eventually to $ 600,000. This amount could be raised by a few large donations. Abby
Aldrich Rockefeller contributed $ 200,000; her
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After the death of Arthur B. Davies in
October 1928, several exhibitions were held to preserve his memory; Bliss borrowed many works of art for them. In the auction of his art collection, Bliss and Abby Aldrich Rockefeller were among the buyers and both developed a plan to form an institution devoted
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From 1924 to 1929, Bliss traveled to Europe once per year to discuss the latest artistic developments - especially in France. Purchases for her collection, however, were made almost invariably at New York art dealers or the New York branch of
European galleries. In these years, in addition to current
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The vaguely defined "secure financial basis" in Bliss's will, a sort of endowment to maintain and expand the collection, led to protracted negotiations between Bliss's brother
Cornelius Newton Bliss, the executor of her will, and the board of the Museum of Modern Art. The basis for the endowment sum
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in 1921. Quinn lent 26, Bliss twelve (including five Cézannes and her Degas painting) and
Havemeyer two works (both women were anonymous). The press complained about Quinn as a secret leader of this issue, criticized the self-appointed citizens committee and described the exhibition as "dangerous".
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To the surprise of her friends from the Museum of Modern Art, she donated most of her art collection, 150 works of art, to that institution. The museum, at first thought of only for exhibition purposes, was thus given the foundation of a proper permanent collection. The conditions attached to this
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by
Daumier were excluded from this stipulation. These works could never be sold, only given to the Metropolitan Museum if not suitable for the Museum of Modern Art. The two Cézanne paintings are still in the Museum of Modern Art, the Daumier painting was transferred to the collection of the
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and five other women in March 1911. Lillie P. Bliss joined this union a few months later. She became a lifelong friend of Abby
Aldrich Rockefeller. Their common interests later led to the founding of the Museum of Modern Art. In the same year, the
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In addition to the Lillie P. Bliss
Bequest, the Lillie P. Bliss International Study Center commemorates museum's co-founder. This study center of historical research in the field of modern art is located at the Museum of Modern Art.
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One stipulation in her will proved to be proactive and helpful for the future museum collection: her collection of works of art could be sold or exchanged for other works of art. Only three pictures, the two Cézanne paintings
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Although Bliss was weakened by cancer the last months of her life, she participated actively in the formation of the Museum of Modern Art until shortly before her death. For example, March 2, 1931, she visited the exhibition
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and the New York
Association for Improving the Conditions of the Poor with financial contributions. She bequeathed part of her art collection to the Metropolitan Museum of Art, including works by Arthur B. Davies and
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opened in rented spaces in the
Heckscher Building at 730 Fifth Avenue at the corner of Fifth Avenue and 57th Street in Manhattan. Bliss contributed some paintings from her collection to the first exhibition, entitled
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1237:, among others, was legally transferred to the museum. It forms the basis of the museum collection, and the money raised has served to expand the collection since then as the Lillie P. Bliss Bequest.
344:. In her youth, her main artistic interests were of both classical and contemporary music. In her thirties, she began to promote financially young pianists and opera singers. She also supported the
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in the Bronx. Two months after her death, the Museum of Modern Art presented as its 12th exhibition Works by 24 Artists from the Collection of Lillie P. Bliss, in memory of the Museum co-founder.
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In late May 1929, Abby Aldrich Rockefeller invited Bliss and Mary Quinn Sullivan for lunch in order to discuss the establishment of a museum of modern art. Another invited guest was art collector
317:, born in 1874, reached adulthood. When she was two years old, her family moved to New York City. She did not go to school but was taught by private tutors. Her father held the office of
313:(1833–1911) and his wife, Mary Elizabeth Bliss, born Plummer (1836–1923). Since childhood, her family and friends called her Lillie P. Bliss. Of her three siblings, only her brother,
159:. After her death, 150 works of art from her collection served as a foundation to the museum and formed the basis of the in-house collection. These included works by artists such as
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would be the value of the collection donated to the museum. An expert opinion of the New York gallery Ferargil valued the collection at $ 1,139,036.00, with Cézanne's three works
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563:. She lent these works to the Armory Show and also helped with funds to enable the exhibition. From the exhibition, she bought a large number of works of art, including
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legacy in the will included a "secure financial basis" to be provided by the museum within three years. Meeting this condition would permanently secure the collection.
375:. Her father was a member of this club and its president from 1902 to 1906. The club exhibited regularly works of living artists. For example, thirty-four paintings by
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in 1913, she also contributed to other exhibitions concerned with raising public awareness of modern art. In 1929, she played an essential role in the founding of the
594:, 1875) soon after the closure of the Armory Show from the collection of her friend Arthur B. Davies. Unaffected by negative reviews, Bliss acquired the painting
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were shown there in 1891. After her father's death in 1911, Bliss, who never married, lived with her mother in an apartment on 37th Street in
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which were on display in the exhibition. Undeterred by such criticism, a little later Bliss acquired this painting for her collection.
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in 1913, whose aim was to bring the latest trends in art before the American public. Other venues, such as the conservative dominated
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being valued at $ 40,000. Following this estimate, Bliss and the Museum Board initially agreed to raising a sum of $ 1,000,000.
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each donated $ 100,000. In March 1934, the amount agreed upon was available and the Bliss collection, which included works by
823:, a friend both to Bliss and Rockefeller, who hosted a literary salon in New York. On November 7, the first exhibition of the
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with the proceeds and an additional $ 10,000. By the sale of three other works from the Bliss collection, Vincent van Gogh's
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Over the years, Bliss acquired numerous paintings by Kuhn and all three played a significant role in the preparation of the
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512:, accompanied her piano playing occasionally as a recreational cellist. Through him she met his sister-in-law, the painter
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from 1897 to 1899. As his wife was often ill and indisposed, his daughter frequently accompanied him to official events in
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132:, 1885–1887, Museum of Modern Art, formerly collection Lillie P. Bliss. Oil on canvas, 97 × 127 cm (38.19 × 50.00 in)
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As allowed by her will, the museum sold off the Bliss art collection pieces one by one. For example, Degas's
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In 1951, three more works from the Bliss collection were sold to the Metropolitan Museum: Odilon Redon's
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Among the most important works from the Bliss collection in the Museum of Modern Art today are Cézanne's
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paintings, she bought some older works of art as well. For example, in 1927 she bought a work by the
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to exhibit art of the late 19th century and works by contemporary artists played a decisive role.
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At receptions at the home of her parents, artistically inclined Lillie P. Bliss met actors like
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In turn, the Museum of Modern Art acquired through the Lillie P. Bliss Bequest paintings by
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donation to the Museum of Modern Art. Oil on burlap, 114.3 × 62.6 cm (45.00 × 24.65 in)
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to organize exhibitions of modern art in New York. The steadfast refusal of the
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donation to the Metropolitan Museum of Art. Oil on canvas, 65.7 × 101.3 cm
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One of her earliest encounters with modern art were exhibition visits at the
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Alfred H. Barr, Jr. and the Intellectual Origins of the Museum of Modern Art
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form one focal point of her collection. Bliss acquired her first Cézanne (
914:, 1895–1898, donation to the Museum of Modern Art. Oil on canvas, 27 × 36
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was constituted; among its co-founders were Arthur B. Davies, the artist
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was sold in the late 1930s for $ 18,000, in order to purchase Picasso's
421: in this section. Unsourced material may be challenged and removed.
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1014:, 1911, donation to the Museum of Modern Art. Oil on prepared paper, 21
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devoted to musical training. Among her friends were the music critic
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Six weeks before the Armory Show, Bliss acquired two landscapes by
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and eight watercolors by Cézanne from the exhibition compiled by
1172:" (73.7 × 92.1 cm). Acquired through the Lillie P. Bliss Bequest
1162:, 1889, Museum of Modern Art. Saint Rémy. Oil on canvas, 29 × 36
974:, 1888, donation to the Museum of Modern Art. Oil on canvas, 21
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today Metropolitan Museum of Art. Oil on wood, 48.9 × 33 cm
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People associated with the Museum of Modern Art (New York City)
944:, 1917, donation to the Museum of Modern Art. Oil on canvas, 51
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a painting and a pastel, at the New York branch of the gallery
1427:. Cambridge: Belknap Press of Harvard University Press, 1971,
853:. On March 12, 1931, Bliss died in New York and was buried in
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One of her earliest purchases of art works was a painting by
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Notable American Women, 1607–1950: A Biographical Dictionary
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James, Edward T., Janet Wilson James and Paul Boyer (ed.):
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Loan Exhibition of Impressionist and Post-Impressionist Art
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today Cincinnati Art Museum. Oil on canvas, 54 × 65 cm
548:, at this time refused to support current artistic trends.
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Endowment Fund raised to secure Bliss Collection for MOMA.
1125:, 1884, today Detroit Institute of Arts. Oil on canvas, 17
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Painting and sculpture acquisitions at MoMA, 1948–1950
803:, who had previously served as a board member of the
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Still Life with Ginger Container, Sugar and Oranges
749:from his collection was described by the newspaper
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1102:The first director of the Museum of Modern Art,
151:in New York. One of the lenders to the landmark
1449:(November 2003) Vol. 91, No. 11, p. 73–83.
527:Association of American Painters and Sculptors
1521:"The Lillie P. Bliss Collection, 1934 | MoMA"
602:at the Montross Gallery in New York in 1916.
16:American art collector and patron (1864– 1931
8:
1488:, May 25, 1931. Retrieved September 2, 2010.
1265:Portrait of Antoine Dominique Sauveur Aubert
845:to which she had contributed three works by
139:(April 11, 1864 – March 12, 1931), known as
115:• Lillie P. Bliss International Study Center
225:. Unsourced material may be challenged and
1470:, atimes.com. Retrieved September 2, 2010.
860:In her will, Bliss endowed charities like
787:The foundation of the Museum of Modern Art
716:Together with her friends, art collectors
29:
18:
1242:Jockeys on Horseback before Distant Hills
1123:Jockeys on Horseback before Distant Hills
724:, she persuaded the curator of painting,
481:Learn how and when to remove this message
301:Lizzie Plummer Bliss was born in 1864 in
289:Learn how and when to remove this message
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319:United States Secretary of the Interior
1279:(both now in private collections) and
972:Port-en-Bessin, Entrance to the Harbor
815:, a friend of Rockefeller, publisher
7:
1466:Liu, Henry C K (December 18, 2004),
419:adding citations to reliable sources
309:, as a daughter of textile merchant
223:adding citations to reliable sources
143:, was an American art collector and
1412:. New York: Abbeville Press, 1988,
1388:, and numerous other works of art.
830:Cézanne, Gauguin, Seurat, Van Gogh
583:, whose works she bought as well.
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771:(Port-en-Bessin, Harbor Entrance)
1405:. New York: Plantin Press, 1934.
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1564:Documentation of the collection
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520:in New York City together with
406:needs additional citations for
1445:Roob, Rona. "A Noble Legacy."
1442:. Cambridge: MIT Press, 2003.
1403:The Lillie P. Bliss Collection
1293:) and Pierre-Auguste Renoir's
954:× 32" (130.2 × 81.3 cm).
1:
1600:American women art collectors
1468:"Money, Power and Modern Art"
894:Metropolitan Museum in 1947.
373:Union League Club of New York
1570:Biography of Lillie P. Bliss
1549:Retrieved September 2, 2010.
1410:The Story of the Armory Show
1368:, as well as sculptures by
1110:The Lillie P. Bliss Bequest
871:The Rocky Cliffs at Étretat
387:Building the art collection
315:Cornelius Newton Bliss, Jr.
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1261:Etruscan Vase with Flowers
1049:Portrait of Anna Zborowska
794:Metropolitan Museum of Art
734:Metropolitan Museum of Art
546:National Academy of Design
510:Christian Archibald Herter
106:• Art collector and patron
1281:Henri de Toulouse-Lautrec
1247:Les Demoiselles d'Avignon
1235:André Dunoyer de Segonzac
1189:at $ 150,000 and Degas's
1081:Interior with Violin Case
821:Josephine Porter Boardman
819:, a friend of Bliss, and
518:Women's Cosmopolitan Club
113:• Lillie P. Bliss Bequest
28:
1525:The Museum of Modern Art
1510:Press release, 1933-34.]
522:Abby Aldrich Rockefeller
1595:American art collectors
1438:Kantor, Sybil Gordon.
1291:Cleveland Museum of Art
1275:and Camille Pissarro's
942:Portrait Anna Zborowska
743:The Moon and the Earth)
708:, 1915. Donated to the
366:Charles Martin Loeffler
1568:Museum of Modern Art:
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1497:Museum of Modern Art:
1183:Still Life with Apples
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1034:" (54.6 × 54 cm)
912:Still life with apples
883:Still Life with Apples
843:Toulouse-Lautrec/Redon
508:Her friend, physician
311:Cornelius Newton Bliss
133:
1547:Alfred Barr jstor.org
1301:) were sold as well.
1299:Cincinnati Art Museum
1295:Brouillard à Guernsey
1203:Nelson A. Rockefeller
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849:and her paintings of
836:Last years and legacy
757:odious Bolshevik work
642:Brouillard à Guernsey
637:Pierre-Auguste Renoir
553:Pierre-Auguste Renoir
219:improve this section
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56:Boston, Massachusetts
1334:Alexander Archipenko
1322:Alexej von Jawlensky
1267:and Pablo Picasso's
1256:was bought in 1941.
1145:in. (44.9 × 54.9 cm)
924:" (68.6 × 92.7 cm).
825:Museum of Modern Art
805:Albright Art Gallery
415:improve this article
358:Juilliard Foundation
329:, during this time.
157:Museum of Modern Art
137:Lizzie Plummer Bliss
110:Museum of Modern Art
42:Lizzie Plummer Bliss
1401:Barr, Jr., Alfred.
1382:Constantin Brâncuși
1271:. Henri Rousseau's
1207:Carnegie Foundation
1057:Still Life in Green
817:Frank Crowninshield
755:as typical for the
739:Quinn Hina Te Fatou
581:Maurice Prendergast
503:Mary Quinn Sullivan
1506:2011-07-27 at the
1326:Alberto Giacometti
1273:Lion in the Jungle
1227:Amedeo Mogdigliani
1191:Rider before Hills
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1093:Roger and Angelica
994:" (54.9 × 65.1 cm)
801:A. Conger Goodyear
773:and a work of the
765:Post-Impressionist
718:Louisine Havemeyer
704:Arthur B. Davies,
569:Roger and Angelica
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1350:Theo van Doesburg
1318:Amedeo Modigliani
1263:, Paul Cézanne's
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855:Woodlawn Cemetery
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177:Pablo Picasso
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1211:Paul Cézanne
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869:'s painting
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664:Hina Te Fatu
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514:Adele Herter
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413:Please help
408:verification
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377:Claude Monet
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217:Please help
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169:Paul Gauguin
161:Paul Cézanne
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126:Paul Cézanne
72:(1931-03-12)
1590:1931 deaths
1585:1864 births
1378:Henry Moore
1286:May Belfort
1215:Edgar Degas
1196:Due to the
1179:The Bathers
1119:Edgar Degas
1041:The Bathers
706:The Dawning
561:Durand Ruel
557:Edgar Degas
542:Armory Show
535:Walter Pach
338:Ruth Draper
153:Armory Show
93:Nationality
1579:Categories
1530:2020-08-24
1454:References
1396:Literature
1047:painting,
1045:still-life
722:John Quinn
592:The Street
471:April 2024
441:newspapers
279:March 2024
249:newspapers
149:modern art
130:The Bather
48:1864-04-11
1338:Juan Gris
1277:Riverside
891:Laundress
586:Works by
531:Walt Kuhn
381:Manhattan
206:does not
1504:Archived
1205:and the
1043:and his
889:and the
666:, 1893,
644:, 1883,
497:painter
495:American
97:American
82:New York
1330:Balthus
1167:⁄
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1089:Silence
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1012:Silence
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809:Buffalo
775:realist
732:in the
565:Silence
455:scholar
348:led by
263:scholar
227:removed
212:sources
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303:Boston
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145:patron
1297:(now
1289:(now
462:JSTOR
448:books
270:JSTOR
256:books
1429:ISBN
1414:ISBN
1201:son
1185:and
1135:× 21
1091:and
1087:and
1024:× 21
984:× 25
885:and
720:and
567:and
555:and
434:news
340:and
242:news
210:any
208:cite
179:and
86:U.S.
67:Died
60:U.S.
38:Born
1283:'s
1095:by
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