349:, and outside it was a signboard with the words "I wanted to bring MIKE over." The catalogue displayed digitally altered photographs of a missing Merlion in Singapore, as well as a fictitious newspaper article that lauded the successful feat of bringing over the statue to Venice. The work has been interpreted as a work that signalled the height of the shift towards conceptual art in Singapore, which had started in the 1970s.
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275:. A graduation project of the pioneer class of the Theatre Training & Research Programme (TTRP), it was the final culmination of work by the nine graduating students from the TTRP Class of 2001, which involved the active participation of Ong, Lim, and Lok Meng Chue. An immersion into the works of Lim, five exercises were introduced based on Lim's works, transferring them into physical and theatrical frames.
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286:, a project addressed to the public. The proposition delineated that "enterprising" individuals who collected certain pages from the 2004 Biennale of Sydney catalogues would be receive use of the Artspace Gallery 1, AUD$ 4000, 4 nights hotel accommodation and official inclusion as an invited "artist" to the biennale.
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Lim's practice alters the conditions of contexts such as a gallery space, an exhibition, or a catalogue, leading viewers to critically re-evaluate their perceptions and assumptions of social, economic, cultural and political processes. Described as ‘alterations’, ‘gaps’ or ‘delays’, such
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interventions are typically ‘discovered rather than ‘exhibited’. Lim further describes his work as getting institutions to "entertain the possible", or being concerned with "offering" solutions to possible problems.
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qualities, Lim sought to literally send a rain of love down upon the world capital of romance. The work was unrealised, being dismissed by French authorities despite Lim proposing collaboration and consultation with
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located at the military firing range located one kilometre away from the campus. The project was eventually unrealised, with the bureaucratic, legal, and ethical concerns preventing the work from being carried out.
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works that involve designing or constructing subtle interventions within systems, leading viewers to re-evaluate their perceptions and assumptions of social, economic, cultural and political processes.
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Lee, Weng Choy (2012). "The
Assumption of Love: friendship and the search for discursive density". In Ly, Boreth; Taylor, Nora (eds.).
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LIM TZAY CHUEN: A graduation project of the pioneer class of the
Theatre Training & Research Programme
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The first solo presentation at the Venice
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statue from
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Lim has exhibited both in
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in
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Toh, Charmaine (2015). "Shifting
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Lim was born in
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Modern and
Contemporary Southeast Asian Art: a Critical Anthology
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the clouds over the city with a non-toxic quantity of organic
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Siapa Nama Kamu? Art in
Singapore Since the 19th Century
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William Farquhar Collection of Natural History Drawings
518:. Singapore: Theatre Training & Research Programme.
603:. Southeast Asia Program Publication. pp. 1–20.
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578:. National Gallery Singapore. pp. 90–104.
725:at Biotechnics.org (Singapore Art Archive) by
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628:. Singapore: LASALLE-SIA College of the Arts.
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699:A Work by Lim Tzay Chuen
697:Langenbach, Ray (2005).
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624:Langenbach, Ray (2005).
354:A Work by Lim Tzay Chuen
243:, executed by a trained
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1419:Light to Night Festival
1319:Other visual art venues
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878:Plastique Kinetic Worms
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514:Lok, Meng Chue (2003).
325:, curated by Eugene Tan
1608:RMIT University alumni
1161:& school galleries
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235:In 2002, for the work
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1506:National Arts Council
1135:Malay Heritage Centre
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835:Singapore Art Society
653:"ITI: Lim Tzay Chuen"
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158:artist known for his
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1298:Commercial galleries
1091:Singapore Art Museum
680:MIKE: Lim Tzay-Chuen
319:51st Venice Biennale
176:51st Venice Biennale
1613:Singaporean artists
1475:Art Stage Singapore
1465:Affordable Art Fair
1386:Nokia Singapore Art
1321:& organisations
1252:The Artists Village
1241:Independent Archive
903:Venice Art Biennale
868:The Artists Village
825:Equator Art Society
191:LASALLE Art College
1434:Singapore Art Week
1398:Singapore Biennale
1392:Singapore Art Show
1289:The Private Museum
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1067:School of the Arts
905:Singapore Pavilion
893:Vertical Submarine
830:Modern Art Society
289:At the art event,
280:Biennale of Sydney
172:Biennale of Sydney
151:; born 1972) is a
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1494:State bodies
1481:S.E.A. Focus
1075:Art museums,
967:Vincent Leow
954:
925:Matthew Ngui
919:Salleh Japar
789:Chen Wen Hsi
727:Chng Nai Wee
698:
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278:At the 2004
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99:Chinese name
18:
1598:1972 births
1574:Visual arts
1224:5th Passage
1046:Art schools
1015:Shubigi Rao
997:Charles Lim
991:Ho Tzu Nyen
937:Heman Chong
858:5th Passage
804:Lim Hak Tai
339:bureaucracy
307:aphrodisiac
258:Ho Tzu Nyen
232:number 37.
153:Singaporean
148:Lín Zàichūn
103:family name
55:Singaporean
51:Nationality
1592:Categories
1372:Art events
1208:NUS Museum
1198:NTU Museum
1003:Zai Kuning
961:Tang Da Wu
943:Francis Ng
708:9810541902
689:981053373X
635:9810541902
550:15 October
412:15 October
373:References
335:capitalism
299:Pheromones
223:art critic
160:conceptual
1564:Singapore
1477:(defunct)
1458:Art fairs
1394:(defunct)
1388:(defunct)
1355:(Defunct)
1348:Objectifs
1285:(Defunct)
1248:(Defunct)
1232:(Defunct)
1226:(Defunct)
1115:(Defunct)
1096:SAM at 8Q
985:Ming Wong
973:Jason Lim
352:In 2005,
303:Alter #16
250:Alter #11
237:Alter #11
219:Alter #10
61:Education
45:Singapore
873:Trimurti
863:Group 90
809:Liu Kang
731:archived
544:Archived
472:: 48–51.
406:Archived
404:. 2005.
213:For the
193:and the
97:In this
86:Movement
1522:General
331:Merlion
295:seeding
203:Cao Fei
135:Chinese
109:Chinese
71:, 1997)
1470:ART SG
1017:(2022)
1011:(2019)
1005:(2017)
999:(2015)
993:(2011)
987:(2009)
981:(2007)
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969:(2007)
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489:Frieze
245:sniper
209:Career
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111::
101:, the
1328:72-13
883:PHUNK
321:with
180:MIKE.
178:with
107:Lim (
1333:DECK
703:ISBN
684:ISBN
630:ISBN
605:ISBN
580:ISBN
552:2020
496:2020
440:2020
414:2020
323:MIKE
39:Born
364:Art
228:in
139:林载春
122:Lín
105:is
65:BFA
30:林载春
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