Knowledge (XXG)

Lina Bruna Rasa

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In the early 1930s Bruna Rasa had begun showing signs of the mental illness which was to cause her premature retirement from the stage. This worsened with the death of her mother in 1935. She suffered a severe breakdown which led to her spending increasingly longer periods away from the stage, often
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before a crowd of 35,000 people. Mascagni was struck by her dramatic intensity and her powerful yet beautiful voice. She was to become his favourite Santuzza. He subsequently conducted many of her performances in the role both in Italy and abroad and chose her for the 1940 recording of
20: 356:"Her marvelous voice came to life as soon as she began her scenes. This happened only onstage. We were all very affectionate toward her, but when not on the stage, she was passive, apathetic, would not speak and remained doggedly clinging to her handbag." 343:
recording recalled that during the recording sessions she would insistently ask him if he had noticed the white horses in the wings that she believed were waiting to take her away, but would become completely lucid when the music began. The tenor
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and began her music studies at age 14, studying with Guido Palumbo and Italiano Tabarin in her native Padua, and later in Milan with Manlio Bavagnoli. Her appearance in a 1925 concert at the
953: 1157: 368:. It was to be her final performance in a staged opera. Lina Bruna Rasa spent the last 36 years of her life in a mental hospital in Milan, where she died. 563: 164: 92: 251:. In 1929, she was engaged by the theatrical impresario, Faustino Da Rosa, for a series of performances in South America. She made her debut at the 331:
which marked the 50th anniversary of its premiere. It is the only full-length studio recording of the work which is conducted by Mascagni himself.
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where she made her debut on 16 November 1927. She went on to sing in many notable performances there including the world premieres of Mascagni's
1137: 857:- opera in three acts by Litterio Butti (1864-1930), an Italian composer, poet, philosopher and classical scholar. Set in 9th century 1085: 1069: 1048: 1032: 988: 1121: 1097: 1054: 971: 1142: 1022: 697:(above) and extra tracks of Lina Bruna Rasa singing: "L'altra notte in fondo al mare" and "Spunta l'aurora pallida" from 879: 118:
created a sensation. By the end of that year, at the age of 18 she made her operatic debut singing the role of Elena in
1075: 994: 978: 1038: 192:. In a departure from her usual repertoire, she sang Mathilde for La Scala's celebration of the 100th anniversary of 835:- opera in three acts by Vincenzo Michetti who also wrote the libretto. This re-working of his earlier opera 796: 705: 159: 87: 133: 1009: 248: 937: 571: 1152: 1147: 457: 449: 425: 302: 198: 169: 53: 25: 693:
Orchestra and Chorus; Lorenzo Molajoli, conductor). This album also contains extracts from the 1931
673:; La Scala Orchestra and Chorus; Pietro Mascagni, conductor). Originally recorded in 1940. Label: 670: 642: 471: 433: 188: 114: 1107: 816: 345: 1111: 1102: 1081: 1065: 1044: 1028: 984: 885: 686: 521: 417: 261: 183: 146: 58: 19: 1115: 909: 783: 323: 151: 137: 109: 63: 41: 933: 662: 495: 311: 71: 49: 252: 649:
Orchestra and Chorus; Lorenzo Molajoli, conductor). Originally recorded in 1931. Label:
913: 841: 479: 409: 386: 37: 1131: 967: 961: 716: 650: 638: 266: 75: 820: 674: 634: 593: 256: 119: 205:
In the years between 1926 and 1933 Bruna Rasa sang throughout Italy as well as in
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on 4 April 1931 with Paul-Henry Vergnes as Don José and René Hérent as Escamillo.
699: 555: 513: 306:, the role for which she is best remembered today, were in 1927 in Lausanne and 174: 124: 1014: 800: 666: 336: 294: 206: 218: 888:
to a libretto by Luigi Illica. This reworking of Smareglia's earlier opera
86:. She also sang the role of Tsaritsa Militrisa in the Italian premiere of 917: 779: 690: 646: 601: 214: 141: 79: 281:
in its South American premiere. In August, Da Rosa's singers went on to
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The Teatro SolĂ­s: 150 Years of Opera, Concert, and Ballet in Montevideo
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to a libretto by Giovanni Targioni-Tozzetti and Guido Menasci based on
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In addition to the stage roles listed below, Bruna Rasa also sang in
365: 315: 711: 579: 349: 244: 232: 228: 129: 105: 18: 944:. Premiered 1896 at the Liceo Musicale Gioachino Rossini, Pesaro. 136:
in Turin in the same role on 21 February 1926 and was engaged by
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Rosenthal, H. and Warrack, J. (1979) "Rasa, Lina Bruna" in
44:. She was particularly noted for her performances in the 1018:. January 2000. Accessed via subscription 9 October 2008. 795:
According to Casaglia, she performed this role at the
1064:, 2nd Edition, Oxford University Press. p. 409. 56:. Bruna Rasa created the roles of Atte in Mascagni's 36:(24 September 1907 – 20 September 1984) was an 815:- opera in a prologue, two acts and an epilogue, by 140:
to sing Elena for the opening of the 1927 season at
1106:showing Mascagni with the premiere cast members, 782:by Rito Selvaggi and Emanuele Cecconi. Premiered 677:69987 (also issued on Naxos Historical 811071415) 300:Bruna Rasa's earliest assumptions of Santuzza in 1027:, University Press of New England, p. 280. 318:in July 1928 when he conducted a performance of 8: 1040:Operas Teatro ColĂłn: Esperando el centenario 314:, and Bruna Rasa met for the first time in 715:; "Rivedrai le foreste imbalsamate" (with 259:on 14 June 1929 as Maddalena de Coigny in 1158:20th-century Italian women opera singers 1124:of Pietro Mascagni with Lina Bruna Rasa. 974:, mascagni.org. Accessed 9 October 2008. 739: 689:, Emilio Ghirardini, Antonio Melandri; 1062:The Concise Oxford Dictionary of Opera 168:and some of the earliest performances 7: 964:811006667). Accessed 9 October 2008. 725:; and "Voi lo sapete, o Mamma" from 1001:. L'Almanacco di Gherardo Casaglia 980:Pietro Mascagni: A Bio-bibliography 269:as ChĂ©nier. She also sang there in 231:. Further afield, she travelled to 48:repertoire and was a favourite of 14: 1100:taken after the first reading of 892:premiered at the Teatro Verdi in 703:; "In quelle trine morbide" from 112:singing the "Suicidio" aria from 972:"Zandonai: Mascagni's «Student»" 845:) premiered at La Scala in 1928. 23:Lina Bruna Rasa as Santuzza in 1024:Pietro Mascagni and His Operas 983:, Greenwood Publishing Group. 339:who sang with her on the 1940 1: 1080:, Wesleyan University Press. 1055:"Lina Brusa Rasa (1907-1984)" 823:. Premiered in Milan in 1902. 360:On 20 July 1942, she sang in 52:who considered her the ideal 132:. She made her debut at the 104:Lina Bruna Rasa was born at 128:at the Teatro Politeama in 1174: 993:Casaglia, Gherardo (2005). 235:in 1927 where she sang in 158:, the Italian premiere of 1138:Italian operatic sopranos 884:- opera in three acts by 908:- opera in four acts by 861:during the times of the 511:Elena and Margherita in 364:at the outdoor arena in 310:. The opera's composer, 16:Italian operatic soprano 1074:Salgado, Susana (2003) 1053:Rideout, Robert (1999) 778:) in three scenes to a 564:The Tale of Tsar Saltan 415:Maddalena de Coigny in 293:at the Teatro Solis in 289:(again with Thill) and 165:The Tale of Tsar Saltan 93:The Tale of Tsar Saltan 88:Nikolai Rimsky-Korsakov 1114:, Lina Bruna Rasa and 1021:Mallach, Alan, (2002) 932:- opera in one act by 709:; "Vissi d'arte" from 561:Tsaritsa Militrisa in 447:Santuzza and Lucia in 358: 178:, Vincenzo Michetti's 30: 1037:Plate, Leonor (2006) 952:Campion, Paul (2000) 354: 348:who sang with her in 229:Gran Teatre del Liceu 62:, Cecilia Sagredo in 22: 1143:Musicians from Padua 1043:, Editorial Dunken. 977:Flury, Roger (2001) 875:I pittori fiamminghi 765:Maggiolata veneziana 734:Notes and references 727:Cavalleria rusticana 658:Cavalleria rusticana 587:Trittico Francescano 543:I pittori fiamminghi 458:La forza del destino 450:Cavalleria rusticana 426:Un ballo in maschera 382:Maggiolata veneziana 362:Cavalleria rusticana 341:Cavalleria rusticana 329:Cavalleria rusticana 320:Cavalleria Rusticana 303:Cavalleria rusticana 271:Cavalleria Rusticana 84:Trittico Francescano 29:, her signature role 26:Cavalleria rusticana 1010:"Tempo di Mascagni" 1008:Innaurato, Albert 671:Giulietta Simionato 665:, Lina Bruna Rasa, 643:Salvatore Baccaloni 637:, Lina Bruna Rasa, 547:Cecilia Sagredo in 434:La campana sommersa 380:of Rito Selvaggi's 279:La campana sommersa 189:La campana sommersa 1108:Margherita Carosio 817:Alberto Franchetti 774:) - tragic opera ( 541:Elisabetta (?) in 378:radio performances 346:Giovanni Breviario 31: 1112:Aureliano Pertile 912:to a libretto by 886:Antonio Smareglia 819:to a libretto by 729:. Label: Gala 758 687:Gilda Dalla Rizza 619: 618: 352:in 1941 recalled: 1165: 1116:Apollo Granforte 1004: 945: 927: 921: 910:Franco Vittadini 903: 897: 880:Flemish Painters 872: 866: 852: 846: 837:MarĂ­a di Magdala 830: 824: 810: 804: 793: 787: 784:Teatro San Carlo 762: 756: 755:Innaurato (2000) 753: 747: 744: 651:Naxos Historical 394: 335:in sanatoriums. 324:Piazza San Marco 152:Franco Vittadini 110:Teatro La Fenice 64:Franco Vittadini 42:dramatic soprano 1173: 1172: 1168: 1167: 1166: 1164: 1163: 1162: 1128: 1127: 1122:1939 photograph 1098:1934 photograph 1094: 1002: 949: 948: 938:François CoppĂ©e 934:Pietro Mascagni 928: 924: 916:. Premiered at 904: 900: 890:Cornelio Schutt 873: 869: 853: 849: 831: 827: 811: 807: 794: 790: 786:, Naples, 1929. 776:tragedia lirica 763: 759: 754: 750: 745: 741: 736: 663:Beniamino Gigli 625: 620: 384:and Giordano's 374: 312:Pietro Mascagni 285:where she sang 221:where she sang 160:Rimsky-Korsakov 102: 50:Pietro Mascagni 34:Lina Bruna Rasa 17: 12: 11: 5: 1171: 1169: 1161: 1160: 1155: 1150: 1145: 1140: 1130: 1129: 1126: 1125: 1119: 1093: 1092:External links 1090: 1089: 1088: 1072: 1058: 1051: 1035: 1019: 1006: 991: 975: 968:Dryden, Konrad 965: 958:Andrea ChĂ©nier 947: 946: 922: 914:Giuseppe Adami 898: 867: 847: 842:Mary Magdalene 825: 805: 788: 757: 748: 738: 737: 735: 732: 731: 730: 695:Andrea ChĂ©nier 678: 654: 630:Andrea ChĂ©nier 624: 621: 617: 616: 612: 611: 605: 597: 589: 583: 575: 567: 559: 551: 545: 539: 531: 525: 517: 507: 506: 505: 499: 491: 483: 480:Guglielmo Tell 475: 467: 461: 453: 445: 437: 429: 421: 418:Andrea ChĂ©nier 413: 405: 392: 373: 370: 287:Andrea ChĂ©nier 262:Andrea ChĂ©nier 227:at the city's 101: 98: 76:Licinio Refice 15: 13: 10: 9: 6: 4: 3: 2: 1170: 1159: 1156: 1154: 1151: 1149: 1146: 1144: 1141: 1139: 1136: 1135: 1133: 1123: 1120: 1117: 1113: 1109: 1105: 1104: 1099: 1096: 1095: 1091: 1087: 1086:0-8195-6594-6 1083: 1079: 1078: 1073: 1071: 1070:0-19-311321-X 1067: 1063: 1059: 1056: 1052: 1050: 1049:987-02-2012-6 1046: 1042: 1041: 1036: 1034: 1033:1-55553-524-0 1030: 1026: 1025: 1020: 1017: 1016: 1011: 1007: 1000: 998: 992: 990: 989:0-313-29662-6 986: 982: 981: 976: 973: 969: 966: 963: 959: 955: 951: 950: 943: 939: 935: 931: 926: 923: 919: 915: 911: 907: 902: 899: 895: 891: 887: 883: 881: 876: 871: 868: 864: 860: 856: 851: 848: 844: 843: 838: 834: 829: 826: 822: 818: 814: 809: 806: 802: 798: 797:Salle Garnier 792: 789: 785: 781: 777: 773: 771: 766: 761: 758: 752: 749: 746:Dryden (2004) 743: 740: 733: 728: 724: 723: 718: 717:Carlo Galeffi 714: 713: 708: 707: 706:Manon Lescaut 702: 701: 696: 692: 688: 684: 683: 679: 676: 672: 668: 664: 660: 659: 655: 652: 648: 644: 640: 639:Carlo Galeffi 636: 632: 631: 627: 626: 622: 615: 610: 606: 604: 603: 598: 596: 595: 590: 588: 585:St. Clare in 584: 582: 581: 576: 574: 573: 568: 566: 565: 560: 558: 557: 552: 550: 546: 544: 540: 538: 537: 533:Desdemona in 532: 530: 526: 524: 523: 518: 516: 515: 510: 509: 508: 504: 501:Maddalena in 500: 498: 497: 492: 490: 489: 484: 482: 481: 476: 474: 473: 468: 466: 462: 460: 459: 454: 452: 451: 446: 444: 443: 438: 436: 435: 430: 428: 427: 422: 420: 419: 414: 412: 411: 406: 404: 403: 398: 397: 396: 395: 391: 389: 388: 383: 379: 371: 369: 367: 363: 357: 353: 351: 347: 342: 338: 332: 330: 325: 321: 317: 313: 309: 305: 304: 298: 296: 292: 288: 284: 280: 276: 272: 268: 267:Georges Thill 264: 263: 258: 254: 250: 246: 242: 238: 234: 230: 226: 225: 220: 216: 212: 208: 203: 201: 200: 195: 191: 190: 185: 181: 177: 176: 171: 167: 166: 161: 157: 153: 149: 148: 143: 139: 135: 131: 127: 126: 121: 117: 116: 111: 107: 99: 97: 95: 94: 89: 85: 81: 77: 73: 69: 65: 61: 60: 55: 51: 47: 43: 39: 35: 28: 27: 21: 1101: 1076: 1061: 1039: 1023: 1013: 1003:(in Italian) 996: 979: 957: 941: 929: 925: 905: 901: 889: 877: 874: 870: 854: 850: 840: 836: 833:La Maddalena 832: 828: 821:Luigi Illica 812: 808: 791: 775: 768: 764: 760: 751: 742: 726: 720: 710: 704: 698: 694: 681: 680: 657: 656: 635:Luigi Marini 629: 628: 613: 608: 600: 594:Il trovatore 592: 586: 578: 570: 562: 554: 548: 542: 534: 528: 520: 512: 503:La Maddalena 502: 494: 486: 478: 477:Mathilde in 470: 469:Gioconda in 464: 456: 448: 440: 432: 424: 416: 408: 400: 385: 381: 375: 361: 359: 355: 340: 333: 328: 319: 301: 299: 290: 286: 278: 274: 270: 260: 257:Buenos Aires 253:Teatro ColĂłn 249:Teatro Reale 240: 236: 222: 204: 199:William Tell 197: 187: 180:La Maddalena 179: 173: 170:Wolf-Ferrari 163: 155: 145: 134:Teatro Regio 123: 113: 103: 91: 83: 67: 57: 33: 32: 24: 1153:1984 deaths 1148:1907 births 954:Liner Notes 700:Mefistofele 591:Leonora in 527:Omòniza in 514:Mefistofele 493:Loreley in 485:Isabeau in 472:La Gioconda 455:Leonora in 410:L'Africaine 125:Mefistofele 115:La Gioconda 72:Saint Clare 1132:Categories 1015:Opera News 997:Bruna Rasa 942:Le Passant 906:La Sagredo 865:invasions. 801:Montecarlo 675:EMI Studio 667:Gino Bechi 623:Recordings 607:Silvia in 572:Tannhäuser 549:La Sagredo 439:Carmen in 423:Amelia in 407:SĂ©lika in 337:Gino Bechi 295:Montevideo 207:Montecarlo 156:La Sagredo 68:La Sagredo 653:811006667 599:Wally in 577:Tosca in 569:Venus in 553:Dolly in 463:Ricke in 431:Magda in 219:Barcelona 138:Toscanini 100:Biography 40:operatic 940:'s play 920:in 1930. 918:La Scala 896:in 1928. 813:Germania 780:libretto 772:May Song 770:Venetian 691:La Scala 647:La Scala 602:La Wally 519:Atte in 465:Germania 399:Aida in 215:Lausanne 184:Respighi 142:La Scala 80:oratorio 78:'s 1926 54:Santuzza 970:(2004) 930:Zanetto 894:Trieste 863:Saracen 855:Omòniza 719:) from 609:Zanetto 529:Omòniza 496:Loreley 488:Isabeau 322:in the 283:Uruguay 241:Omòniza 194:Rossini 46:verismo 38:Italian 1103:Nerone 1084:  1068:  1047:  1031:  987:  859:Sicily 682:Fedora 614: 536:Otello 522:Nerone 442:Carmen 387:Fedora 366:Pesaro 316:Venice 277:, and 182:, and 147:Nerone 59:Nerone 962:Naxos 878:(The 712:Tosca 580:Tosca 372:Roles 350:Lecco 291:Tosca 275:Tosca 265:with 245:Cairo 233:Egypt 130:Genoa 120:Boito 106:Padua 1082:ISBN 1066:ISBN 1045:ISBN 1029:ISBN 985:ISBN 722:Aida 402:Aida 308:Bari 239:and 237:Aida 224:Aida 217:and 211:Nice 172:'s 70:and 960:, ( 799:in 556:Sly 390:. 255:in 247:'s 243:in 196:'s 186:'s 175:Sly 162:'s 154:'s 122:'s 90:'s 74:in 66:'s 1134:: 1110:, 1012:, 956:, 669:, 645:; 641:, 297:. 273:, 213:, 209:, 202:. 150:, 96:. 82:, 1118:. 1057:. 1005:. 999:" 995:" 882:) 839:( 767:( 685:( 661:( 633:(

Index


Cavalleria rusticana
Italian
dramatic soprano
verismo
Pietro Mascagni
Santuzza
Nerone
Franco Vittadini
Saint Clare
Licinio Refice
oratorio
Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan
Padua
Teatro La Fenice
La Gioconda
Boito
Mefistofele
Genoa
Teatro Regio
Toscanini
La Scala
Nerone
Franco Vittadini
Rimsky-Korsakov
The Tale of Tsar Saltan
Wolf-Ferrari
Sly
Respighi

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