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265:". She uses colors red, white, and blue "to invoke the shared national iconography of both Liberia and the United States". Viktor says she wants to create a different perspective on "lost narratives" that connect the United States to Liberia. The central figure in these paintings represent the Libyan Sibyl, and this figure is wearing "patterns of Dutch Wax fabrics". The title of this series is inspired by
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90:(born 1987) is a New York-based British-Liberian visual artist who is known her paintings, sculptures, photographs, and performance art. Viktor combines ancient and modern art forms to create multimedia paintings. She does this by combing an ancient technique called
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and depicts a Libyan Sibyl "beside
Liberia's flag, as if posing for a formal portrait". Viktor experiments with portraiture and uses "uses textile patterns as backdrops" and uses similar photographic compositions from West African photographers like Oumar Ka,
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in New York City. Lina Iris Viktor in 2016 was thinking about creating artwork that corresponds to the history of
Liberia, but it took around a year for her to articulate this concept because of how “complex and misunderstood” Liberia is. In 2017, The
275:. The phrase "A Dream Deferred" is suppose to represent "the unrealized dreams and broken promises that punctuate Black American experience". Viktor hopes that this series educates others about the misconceptions of Liberia and the importance of the
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In this series Viktor creates mixed media paintings to depict the history of
Liberia. Throughout the series she incorporates bold red lines to mimic "tropical foliage" and geometric patterns to imitate "the crimson stripes of the
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124:, West Africa. Her parents left Liberia forcibly because there was a civil war going on in the 1980s, which is why they moved to the U.K. She traveled frequently as a child and for numerous years lived in
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in London. Eshun in this interview said that Viktor came to visit the
Hayward Gallery and was immediately inspired to create "two new sculptural works and three new paintings for the show".
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and illustrates a Libyan Sibyl figure holding a book in her left hand. The book, the robe, and the figures' posture are iconographic elements that pay tribute to the mosaic floor in the
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with photography and painting to create “symbols and intricate patterns." She overlays 24-karat gold over dark canvases to create works with “layers of light”. Allison K. Young in
235:. The Libyan Sibyl is a classical mythological figure that can depict the future. The Libyan Sibyl figure is also "used as a common motif in the art and literature of the
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Ekow Eshun says Viktor "knits together events and images both factual and fantastical, conjures
Liberia as an uneasy utopia, both a paradise lost and cautionary tale of
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Viktor integrates painting, sculpture, photography, sculpture, and gilding to portray the history of
Liberia while also investigating "the relationship between art,
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Rugoff, Ralph; Eshun, Ekow; Martin, Kameelah L.; Commander, Michelle D.; Hayward
Gallery, eds. (2022).
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439:, Zisa Zona Arti Contemporanee (ZAC) Manifesta European Contemporary Art Biennial 12, Palermo, Italy
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1150:"Rising Star Lina Iris Viktor Proves to Be More Than Just a Cause Celebre at the Armory Show"
766:"Rising Star Lina Iris Viktor Proves to Be More Than Just a Cause Celebre at the Armory Show"
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Edwards, Caroline (2023). "Reflecting on the Black
Fantastic: An Interview with Ekow Eshun".
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678:"This Liberian-British Painter Is Fixing The Art World's Historical Gaps Using 24K Gold"
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contacted Viktor for a solo show exhibition that “speaks to interconnected histories of
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733:"Artist Lina Iris Viktor and rapper Kendrick Lamar resolve Black Panther legal dispute"
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and historical preconceptions surrounding ‘blackness’ and its universal implications”.
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from
Liberia and the United States in hopes to emphasize "the depth and complexity of
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231:". In Viktor's multi media paintings the central figure pay homage to the figure of
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1279:"An Interview with the Artist Lina Iris Viktor in her New York Space Atelier LVXIX"
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1319:"Lina Viktor Paints a Multiverse of Black Womanhood With Her Stunning Visual Art"
1214:"Artist Sues Kendrick Lamar, Alleging Black Panther Music Video Copied Her Work"
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990:"Review: "Africa Forecast" shows how convention inspires Black women's spirit"
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1339:"This Artist Paints Black Women as Babylonian Goddesses and Western Madonnas"
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described her paintings as "queenly self-portraits with a futuristic edge".
898:"Artist Says Kendrick Lamar Video for 'Black Panther' Song Stole Her Work"
199:, and spiritual belief". Viktor is inspired by source imagery including "
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Indrisek, Scott; Forbes, Alexander; Gottschalk, Molly (March 8, 2018).
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1086:"Lina Iris Viktor on breaking the rules around painting with black"
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407:, The Cooper Gallery Harvard University, Cambridge, Massachusetts.
932:"Mariane Ibrahim Changes The Art World One Armory Show At A Time"
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she discusses the "mythic history" of
Liberia. In a book titled
347:, The Armory Show | Mariane Ibrahim Gallery, New York, New York
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This article about an artist from the United Kingdom is a
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Re-Significations: European Blackamoors, Africana Readings
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involving appropriation of her imagery for the video for "
1112:"Stepping Into the Expansive Worlds of Black Imagination"
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1171:"Golden girl: the 24-karat wonders of Lina Iris Viktor"
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Intangible Beauty: Beautiful Women and The Endless Void
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1234:"Golden era: On the edge of blue heaven - Times LIVE"
964:"Lina Iris Viktor: A Haven. A Hell. A Dream Deferred"
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In 2018, Viktor was involved in a legal dispute with
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Lina Iris Viktor - A haven. A hell. A dream deferred
501:"Everything This Young Artist Touches Turns to Gold"
1148:Cascone, Sarah; Goldstein, Andrew (March 9, 2018).
764:Cascone, Sarah; Goldstein, Andrew (March 9, 2018).
591:Viktor, Lina Iris (2019). Young, Allison K. (ed.).
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98:says that these multimedia paintings suggest “the
414:Form, Performance, Notes, The Cooper Gallery and
446:, Dior and Bergdorf Goodman, New York, New York.
432:, Mariane Ibrahim Gallery, Seattle, Washington.
418:, Harvard University, Cambridge, Massachusetts.
799:"Pilar Corrias now represent Lina Iris Viktor"
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377:Africa Forecast: Fashioning Contemporary Life
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1277:Ogilvy, Flora Alexandra (January 27, 2016).
462:Some Are Born To Endless Night — Dark Matter
453:— Gifts Of Art By African American Artists,
867:. Cambridge, Massachusetts: The MIT Press.
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390:, The Cob Gallery, London, United Kingdom.
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116:Lina Iris Viktor was born in 1987 in the
314:A Haven. A Hell. A Dream Deferred Series
291:A Haven. A Hell. A Dream Deferred Series
256:A Haven. A Hell. A Dream Deferred Series
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1194:"The 20 Best Booths at The Armory Show"
1084:Thompson, Jessie (September 11, 2019).
1065:from the original on September 29, 2022
1033:from the original on September 29, 2022
988:Robinson, Shantay (November 11, 2016).
676:Copley, Jennifer (September 24, 2018).
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1000:from the original on November 12, 2021
944:from the original on December 23, 2022
778:from the original on November 30, 2022
372:, Kasher Potamkin, New York, New York.
340:, Amar Gallery, London, United Kingdom
149:”. Viktor’s solo exhibition is titled
896:Pogrebin, Robin (February 11, 2018).
840:. New York, NY: Thames & Hudson.
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1259:"10 questions with Lina Iris Viktor"
1110:Jansen, Charlotte (August 4, 2022).
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714:Dagenham: Science Fiction Foundation
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616:La Ferla, Ruth (December 12, 2016).
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180:and Lamar. The dispute was settled.
1337:Thackara, Tess (December 4, 2018).
1212:Kaplan, Isaac (February 21, 2018).
797:Westall, Mark (December 15, 2022).
618:"Afrofuturism: The Next Generation"
499:Thackara, Tess (December 4, 2018).
338:Black Exodus: Act I — Materia Prima
1530:British people of Liberian descent
1510:21st-century British women artists
1458:. You can help Knowledge (XXG) by
1257:Leiman, Layla (October 31, 2017).
930:Wagenknecht, Addie (May 7, 2018).
638:from the original on May 20, 2017.
381:Spelman College Museum of Fine Art
132:and photography and design at the
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352:A Haven. A Hell. A Dream Deferred
217:A Haven. A Hell. A Dream Deferred
151:A Haven. A Hell. A Dream Deferred
49:A Haven. A Hell. A Dream Deferred
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690:from the original on May 9, 2021
425:Magnan Metz, New York, New York.
398:Kentucky Museum of Art and Craft
1317:Sesay, Nadia (March 21, 2017).
1232:Khoabane, Rea (July 25, 2016).
96:Haven. A Hell. A Dream Deferred
1297:Osman, Hanan (March 6, 2017).
237:American abolitionist movement
215:". Specifically in her series
203:, Aboriginal dream paintings,
16:British-Liberian visual artist
1:
209:West and Central African myth
423:Lines, Motions, and Rituals,
279:and its cultural history.
333:, Gallery 151, New York, NY
268:Montage of a Dream Deferred
126:Johannesburg, South Africa.
80:https://www.linaviktor.com/
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968:New Orleans Museum of Art
356:New Orleans Museum of Art
139:New Orleans Museum of Art
358:, New Orleans, Louisiana
153:. In an Interview with
1021:"Resignifications 2018"
400:, Louisville, Kentucky.
320:titled Sibylla Lybica.
1053:"Hopes Springing High"
864:In the Black fantastic
683:Harper's Bazaar Arabia
473:In the Black Fantastic
183:She is represented by
130:Sarah Lawrence College
1520:Black British artists
651:"The Black Fantastic"
388:As The Cosmos Unfolds
185:Pilar Corrias, London
134:School of Visual Arts
1535:British artist stubs
1019:Amkpa, Awam (2018).
838:Africa state of mind
836:Eshun, Ekow (2020).
649:Eshun, Ekow (2020).
451:Hopes Springing High
395:Sisters of The Moon,
312:This is part of the
302:, and Mamma Casset.
289:This is part of the
221:Africa State of Mind
128:She studied film at
416:Harvard Art Museums
159:The Black Fantastic
1299:"LINA IRIS VIKTOR"
1179:. October 11, 2017
1116:The New York Times
1058:Crocker Art Museum
902:The New York Times
623:The New York Times
455:Crocker Art Museum
444:The Artsy Vanguard
383:, Atlanta, Georgia
105:The New York Times
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1263:House and Leisure
874:978-0-262-04725-8
847:978-0-500-54516-4
738:The Art Newspaper
602:978-88-572-3985-9
595:. Milano: Skira.
363:Group exhibitions
247:and experience".
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324:Solo exhibitions
277:African Diaspora
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