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Linda Sormin

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206:"The most impressive work in the show is Linda Sormin’s gargantuan agglomeration of tangled clay tubes, numerous video screens of varying size, a section of a spiral staircase, a dragon head used in Chinese festival dances, and detritus, arcing through the air within and around a zigzag metal framework. Though static, the form suggests exuberant motion, like a whiplashing fire hose. The creation might seem at first apocalyptic, a triumph of disorder; to the contrary, its title, 181:"Linda Sormin’s sculptures are a journey through personal archeology. Her open-ended ceramics enfold many voices and labors, from the donated memorabilia of friends and strangers in distant places, to the hands of those assisting, to the dumpster diving, searching for the discarded. The complex membranes of pinched clay provide a porous conduit bridging and breaking bonds, entwining stories and histories among those who define themselves through their separations." 194:"Linda Sormin’s tangle of jagged sheet metal, video screens, iron pipe and vibrant clay and ceramic forms make a good case; it’s a chaotic amalgam of material and form so ragged and violent it looks like the aftermath of a natural disaster. I like what it’s saying: Tear it down, start again. The rules have changed." 176:
In her non-linear, ambiguous, and generative work, Linda Sormin explores the charged lives of her materials. Assembling her sculptures from discarded objects, textural ceramics, and flickering gold leaf, the artist sees her art on a continuum with that of her Indonesian and Chinese-Thai ancestors.
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Migratory, oceanic, and fluctuating, Sormin’s multi-media treatment of the Asian diasporic experience is fragmented and sutured, but expansive. Sormin brings disparate stories and unexpected forms into conversation with one another through creative alignments and misalignments. In his review of
408: 210:(2020–21), highlights the video images of flowing water and abstract patterns as well as the sculpture’s overall fluid aerial configuration, recalling the acrobatics of flying dragons in Chinese myth and art." 82:(born 1971, Bangkok, Thailand) is a Canadian artist known for her ceramics and installations. As a young child Sormin immigrated from Thailand to Canada. She attended 142: 382: 433: 624: 619: 467: 552: 281: 161: 614: 533: 146: 153: 133:
London and Wiltshire locations. The same year, she mounted a site-specific, monumental installation entitled
609: 409:"'Ceramics in the Expanded Field' artists explore intersection of history, culture, identity through clay" 483: 604: 110: 122: 95: 83: 589: 508: 463: 256: 106: 91: 357: 87: 579: 332: 165: 114: 228: 598: 130: 584: 306: 202:, and noted the scale and accumulative nature of Sormin's installation: 462:. Washington, DC: Smithsonian American Art Museum. pp. 228–238. 177:
One of Sormin's gallerists describes her work in the following terms:
553:"Symbol of Substance: "Ceramics in the Expanded Field" at MASS MoCA" 145:. She also created a site-specific, multimedia installation for the 383:"No Boundaries: Contemporary Canadian Ceramics at Messums London" 109:. In 2013 she was selected one of the 5 participants in the RBC ( 113:) Emerging Artist People’s Choice Award competition held at the 580:"Artist Linda Sormin Connects to Hokusai" on MFA Boston website 152:
Her work is in the collection of the Gardiner Museum and the
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Art Gallery. In 2021 Sormin was included in the exhibition
68: 585:"Linda Sormin pushes the limits of clay" on YouTube 458:Savig, Mary; Atkinson, Nora; Montiel, Anya (2022). 438:
Victoria and Albert Museum: Explore the Collections
63: 55: 47: 28: 21: 251: 249: 117:. In 2018, she held a solo exhibition entitled 101:In 2011 her work was included in the exhibition 198:Janet Koplos reviewed the same exhibition in 127:No Boundaries: Contemporary Canadian Ceramics 8: 460:This Present Moment: Crafting a Better World 534:"At Mass MOCA, ceramic art proves it power" 282:"Linda Sormin Shares New and Upcoming Work" 18: 307:"Overthrown: Clay Without Limits feature" 590:Linda Sormin at Patricia Sweetow Gallery 143:Massachusetts Museum of Contemporary Art 220: 59:Ceramics, mixed-media, installation art 7: 532:Whyte, Murray (16 December 2021). 14: 358:"Linda Sormin: Fierce Passengers" 488:Smithsonian American Art Museum 362:Carleton University Art Gallery 233:Smithsonian American Art Museum 168:'s 50th Anniversary Campaign. 162:Smithsonian American Art Museum 103:Overthrown: Clay Without Limits 188:Ceramics in the Expanded Field 139:Ceramics in the Expanded Field 1: 484:"Ta Saparot (pineapple eyes)" 551:Koplos, Janet (2022-03-24). 16:Thai-Canadian ceramic artist 158:Ta Saparot (pineapple eyes) 147:Museum of Fine Arts, Boston 641: 625:21st-century women artists 154:Victoria and Albert Museum 620:Canadian women ceramists 513:Patricia Sweetow Gallery 212: 196: 183: 160:, was acquired by the 407:Huberdeau, Jennifer. 204: 192: 190:, Murray Whyte wrote: 179: 615:Artists from Bangkok 387:Canada-UK Foundation 111:Royal Bank of Canada 413:The Berkshire Eagle 123:Carleton University 96:New York University 84:Andrews University 172:Style and process 119:Fierce Passengers 107:Denver Art Museum 94:. She teaches at 92:Alfred University 77: 76: 42:Bangkok, Thailand 632: 567: 566: 564: 563: 548: 542: 541: 529: 523: 522: 520: 519: 505: 499: 498: 496: 494: 480: 474: 473: 455: 449: 448: 446: 444: 430: 424: 423: 421: 419: 404: 398: 397: 395: 393: 379: 373: 372: 370: 368: 354: 348: 347: 345: 343: 337:Musing About Mud 329: 323: 322: 320: 318: 303: 297: 296: 294: 292: 278: 272: 271: 269: 267: 253: 244: 243: 241: 239: 225: 88:Sheridan College 73: 70: 51:Artist, educator 39: 37: 19: 640: 639: 635: 634: 633: 631: 630: 629: 595: 594: 576: 571: 570: 561: 559: 550: 549: 545: 531: 530: 526: 517: 515: 507: 506: 502: 492: 490: 482: 481: 477: 470: 457: 456: 452: 442: 440: 432: 431: 427: 417: 415: 406: 405: 401: 391: 389: 381: 380: 376: 366: 364: 356: 355: 351: 341: 339: 331: 330: 326: 316: 314: 305: 304: 300: 290: 288: 280: 279: 275: 265: 263: 261:Gardiner Museum 255: 254: 247: 237: 235: 227: 226: 222: 217: 174: 166:Renwick Gallery 164:as part of the 115:Gardiner Museum 67: 43: 40: 35: 33: 24: 17: 12: 11: 5: 638: 636: 628: 627: 622: 617: 612: 607: 597: 596: 593: 592: 587: 582: 575: 574:External links 572: 569: 568: 543: 524: 509:"Linda Sormin" 500: 475: 468: 450: 425: 399: 374: 349: 333:"Linda Sormin" 324: 313:. 8 April 2019 298: 286:NYU Steinhardt 273: 257:"Linda Sormin" 245: 229:"Linda Sormin" 219: 218: 216: 213: 200:Art in America 173: 170: 75: 74: 65: 61: 60: 57: 53: 52: 49: 48:Known for 45: 44: 41: 30: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 637: 626: 623: 621: 618: 616: 613: 611: 610:Living people 608: 606: 603: 602: 600: 591: 588: 586: 583: 581: 578: 577: 573: 558: 554: 547: 544: 539: 535: 528: 525: 514: 510: 504: 501: 489: 485: 479: 476: 471: 469:9781913875268 465: 461: 454: 451: 439: 435: 429: 426: 414: 410: 403: 400: 388: 384: 378: 375: 363: 359: 353: 350: 338: 334: 328: 325: 312: 308: 302: 299: 287: 283: 277: 274: 262: 258: 252: 250: 246: 234: 230: 224: 221: 214: 211: 209: 203: 201: 195: 191: 189: 182: 178: 171: 169: 167: 163: 159: 156:. Her piece, 155: 150: 148: 144: 140: 136: 132: 128: 124: 120: 116: 112: 108: 104: 99: 97: 93: 89: 85: 81: 72: 66: 62: 58: 54: 50: 46: 31: 27: 20: 560:. Retrieved 556: 546: 538:Boston Globe 537: 527: 516:. Retrieved 512: 503: 491:. Retrieved 487: 478: 459: 453: 441:. Retrieved 437: 428: 416:. Retrieved 412: 402: 390:. Retrieved 386: 377: 365:. Retrieved 361: 352: 340:. Retrieved 336: 327: 315:. Retrieved 311:Ceramics Now 310: 301: 289:. Retrieved 285: 276: 264:. Retrieved 260: 236:. Retrieved 232: 223: 207: 205: 199: 197: 193: 187: 184: 180: 175: 157: 151: 138: 134: 126: 118: 102: 100: 80:Linda Sormin 79: 78: 23:Linda Sormin 605:1971 births 557:ARTnews.com 69:lindasormin 599:Categories 562:2023-04-28 518:2023-04-28 215:References 493:1 January 443:1 January 418:1 January 392:1 January 367:1 January 342:1 January 317:1 January 291:1 January 266:1 January 238:1 January 149:in 2023. 131:Messum's 434:"Black" 141:at the 121:at the 105:at the 64:Website 34: ( 466:  208:Stream 135:Stream 90:, and 56:Style 495:2023 464:ISBN 445:2023 420:2023 394:2023 369:2023 344:2023 319:2023 293:2023 268:2023 240:2023 137:for 71:.com 36:1971 32:1971 29:Born 129:at 98:. 601:: 555:. 536:. 511:. 486:. 436:. 411:. 385:. 360:. 335:. 309:. 284:. 259:. 248:^ 231:. 86:, 565:. 540:. 521:. 497:. 472:. 447:. 422:. 396:. 371:. 346:. 321:. 295:. 270:. 242:. 38:)

Index

lindasormin.com
Andrews University
Sheridan College
Alfred University
New York University
Denver Art Museum
Royal Bank of Canada
Gardiner Museum
Carleton University
Messum's
Massachusetts Museum of Contemporary Art
Museum of Fine Arts, Boston
Victoria and Albert Museum
Smithsonian American Art Museum
Renwick Gallery
"Linda Sormin"


"Linda Sormin"
"Linda Sormin Shares New and Upcoming Work"
"Overthrown: Clay Without Limits feature"
"Linda Sormin"
"Linda Sormin: Fierce Passengers"
"No Boundaries: Contemporary Canadian Ceramics at Messums London"
"'Ceramics in the Expanded Field' artists explore intersection of history, culture, identity through clay"
"Black"
ISBN
9781913875268
"Ta Saparot (pineapple eyes)"
"Linda Sormin"

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