Knowledge (XXG)

Line of beauty

Source 📝

338: 258: 73: 319: 998: 143: 32: 941: 306:
art, the serpentine line is not primarily dictating the whole composition of a canvas. Instead, the line should be understood as being found in specific subject matter, like the human figure. A composition is created by employing various kinds of lines in various relations to each other without
295:. According to this theory, S-shaped curved lines signify liveliness and activity and excite the attention of the viewer as contrasted with straight lines, parallel lines, or right-angled intersecting lines, which signify stasis, death, or inanimate objects. 337: 318: 285:
line) appearing within an object, as the boundary line of an object, or as a virtual boundary line formed by the composition of several objects. This theory originated with
102: 777: 808: 801: 440: 836: 1039: 625: 411: 982: 689: 556: 633: 484: 289:(18th-century English painter, satirist, and writer), and is an essential part of Hogarth's theory of aesthetics as described in his 1753 book 257: 815: 822: 729: 1068: 829: 244: 226: 124: 59: 665: 456: 434: 1073: 753: 160: 45: 591: 207: 164: 179: 1032: 404: 375: 923: 789: 697: 85: 975: 548: 186: 95: 89: 81: 1078: 598: 532: 508: 475: 463: 153: 1083: 1058: 540: 448: 193: 106: 1025: 1005: 524: 397: 325: 769: 564: 175: 968: 858: 737: 611: 291: 263: 641: 516: 721: 1063: 619: 500: 761: 705: 681: 51: 713: 673: 20: 997: 892: 649: 492: 1009: 952: 745: 572: 282: 200: 657: 420: 286: 1052: 913: 358: 918: 948: 908: 142: 278: 384: 299: 298:
In contrast to grand compositional lines, which are regularly found in
303: 940: 389: 256: 363: 393: 274: 136: 66: 25: 1013: 956: 901: 885: 869: 850: 788: 583: 427: 167:. Unsourced material may be challenged and removed. 94:but its sources remain unclear because it lacks 778:Sigismunda mourning over the Heart of Guiscardo 1033: 976: 405: 324:The line of beauty denoted on Hogarth's 1751 8: 281:used to describe an S-shaped curved line (a 60:Learn how and when to remove these messages 1040: 1026: 983: 969: 785: 441:Emblematical Print on the South Sea Scheme 412: 398: 390: 245:Learn how and when to remove this message 227:Learn how and when to remove this message 125:Learn how and when to remove this message 690:Captain Lord George Graham in his Cabin 557:Credulity, Superstition, and Fanaticism 343:An illustration from the title page of 314: 485:Strolling Actresses Dressing in a Barn 7: 994: 992: 937: 935: 634:Scene from Shakespeare's The Tempest 165:adding citations to reliable sources 730:The March of the Guards to Finchley 16:S-shaped curved line, theory in art 1012:. You can help Knowledge (XXG) by 955:. You can help Knowledge (XXG) by 14: 41:This article has multiple issues. 996: 939: 666:Portrait of Captain Thomas Coram 457:A Just View of the British Stage 336: 317: 261:Serpentine lines from Hogarth's 141: 71: 30: 754:Hogarth Painting the Comic Muse 152:needs additional citations for 49:or discuss these issues on the 592:The Assembly at Wanstead House 1: 698:David Garrick as Richard III 549:Satire on False Perspective 307:destroying its simplicity. 1102: 991: 934: 533:The Four Stages of Cruelty 509:Characters and Caricaturas 477:The Company of Undertakers 273:is a term and a theory in 18: 541:Columbus Breaking the Egg 449:The Bad Taste of the Town 1069:Works by William Hogarth 525:Beer Street and Gin Lane 80:This article includes a 802:The Marriage Settlement 565:Five Orders of Periwigs 109:more precise citations. 1074:Concepts in aesthetics 1008:-related article is a 951:-related article is a 859:The Analysis of Beauty 738:Humours of an Election 378:The Analysis of Beauty 345:The Analysis of Beauty 292:The Analysis of Beauty 267: 264:The Analysis of Beauty 924:Mary Edwards (Patron) 770:The Lady's Last Stake 642:Four Times of the Day 517:Industry and Idleness 260: 501:The Enraged Musician 161:improve this article 706:Painter and his Pug 682:The Graham Children 612:A Harlot's Progress 19:For the novel, see 791:Marriage A-la-Mode 722:Hogarth's Servants 714:The Gate of Calais 674:Taste in High Life 376:William Hogarth's 268: 82:list of references 21:The Line of Beauty 1079:Art history stubs 1021: 1020: 964: 963: 932: 931: 846: 845: 650:The Distrest Poet 620:A Rake's Progress 493:The Distrest Poet 255: 254: 247: 237: 236: 229: 211: 135: 134: 127: 64: 1091: 1084:Aesthetics stubs 1059:Aesthetic beauty 1042: 1035: 1028: 1000: 993: 985: 978: 971: 943: 936: 837:The Lady's Death 786: 746:Sealing the Tomb 626:The Tavern Scene 573:John Wilkes Esq. 414: 407: 400: 391: 385:Art Fundamentals 340: 321: 250: 243: 232: 225: 221: 218: 212: 210: 176:"Line of beauty" 169: 145: 137: 130: 123: 119: 116: 110: 105:this article by 96:inline citations 75: 74: 67: 56: 34: 33: 26: 1101: 1100: 1094: 1093: 1092: 1090: 1089: 1088: 1049: 1048: 1047: 1046: 990: 989: 933: 928: 897: 893:Hogarth's House 881: 865: 842: 809:The Tête à Tête 784: 658:The Shrimp Girl 579: 423: 421:William Hogarth 418: 372: 355: 348: 341: 332: 322: 313: 287:William Hogarth 251: 240: 239: 238: 233: 222: 216: 213: 170: 168: 158: 146: 131: 120: 114: 111: 100: 86:related reading 76: 72: 35: 31: 24: 17: 12: 11: 5: 1099: 1098: 1095: 1087: 1086: 1081: 1076: 1071: 1066: 1061: 1051: 1050: 1045: 1044: 1037: 1030: 1022: 1019: 1018: 1001: 988: 987: 980: 973: 965: 962: 961: 944: 930: 929: 927: 926: 921: 916: 911: 905: 903: 899: 898: 896: 895: 889: 887: 883: 882: 880: 879: 877:Line of beauty 873: 871: 867: 866: 864: 863: 854: 852: 848: 847: 844: 843: 841: 840: 833: 826: 819: 816:The Inspection 812: 805: 797: 795: 783: 782: 774: 766: 758: 750: 742: 734: 726: 718: 710: 702: 694: 686: 678: 670: 662: 654: 646: 638: 630: 616: 608: 596: 595:(c. 1728–1732) 587: 585: 581: 580: 578: 577: 569: 561: 553: 545: 537: 529: 521: 513: 505: 497: 489: 481: 473: 461: 453: 445: 437: 431: 429: 425: 424: 419: 417: 416: 409: 402: 394: 388: 387: 382: 381:(1772 edition) 371: 370:External links 368: 367: 366: 361: 354: 351: 350: 349: 342: 335: 333: 323: 316: 312: 309: 271:Line of beauty 253: 252: 235: 234: 149: 147: 140: 133: 132: 90:external links 79: 77: 70: 65: 39: 38: 36: 29: 15: 13: 10: 9: 6: 4: 3: 2: 1097: 1096: 1085: 1082: 1080: 1077: 1075: 1072: 1070: 1067: 1065: 1062: 1060: 1057: 1056: 1054: 1043: 1038: 1036: 1031: 1029: 1024: 1023: 1017: 1015: 1011: 1007: 1002: 999: 995: 986: 981: 979: 974: 972: 967: 966: 960: 958: 954: 950: 945: 942: 938: 925: 922: 920: 917: 915: 914:Sarah Malcolm 912: 910: 907: 906: 904: 900: 894: 891: 890: 888: 884: 878: 875: 874: 872: 868: 861: 860: 856: 855: 853: 849: 839: 838: 834: 832: 831: 827: 825: 824: 820: 818: 817: 813: 811: 810: 806: 804: 803: 799: 798: 796: 793: 792: 787: 780: 779: 775: 772: 771: 767: 764: 763: 759: 756: 755: 751: 748: 747: 743: 740: 739: 735: 732: 731: 727: 724: 723: 719: 716: 715: 711: 708: 707: 703: 700: 699: 695: 692: 691: 687: 684: 683: 679: 676: 675: 671: 668: 667: 663: 660: 659: 655: 652: 651: 647: 644: 643: 639: 636: 635: 631: 628: 627: 622: 621: 617: 614: 613: 609: 606: 605: 601: 597: 594: 593: 589: 588: 586: 582: 575: 574: 570: 567: 566: 562: 559: 558: 554: 551: 550: 546: 543: 542: 538: 535: 534: 530: 527: 526: 522: 519: 518: 514: 511: 510: 506: 503: 502: 498: 495: 494: 490: 487: 486: 482: 479: 478: 474: 471: 470: 466: 462: 459: 458: 454: 451: 450: 446: 443: 442: 438: 436: 435:List of works 433: 432: 430: 426: 422: 415: 410: 408: 403: 401: 396: 395: 392: 386: 383: 380: 379: 374: 373: 369: 365: 362: 360: 359:S-curve (art) 357: 356: 352: 346: 339: 334: 330: 328: 320: 315: 310: 308: 305: 301: 296: 294: 293: 288: 284: 280: 276: 272: 266: 265: 259: 249: 246: 231: 228: 220: 209: 206: 202: 199: 195: 192: 188: 185: 181: 178: –  177: 173: 172:Find sources: 166: 162: 156: 155: 150:This article 148: 144: 139: 138: 129: 126: 118: 108: 104: 98: 97: 91: 87: 83: 78: 69: 68: 63: 61: 54: 53: 48: 47: 42: 37: 28: 27: 22: 1014:expanding it 1003: 957:expanding it 946: 919:Hogarth Club 876: 857: 835: 828: 823:The Toilette 821: 814: 807: 800: 790: 776: 768: 760: 752: 744: 736: 728: 720: 712: 704: 696: 688: 680: 672: 664: 656: 648: 640: 632: 624: 618: 610: 603: 599: 590: 571: 563: 555: 547: 539: 531: 523: 515: 507: 499: 491: 483: 476: 468: 464: 455: 447: 439: 377: 344: 329:sign painter 326: 297: 290: 270: 269: 262: 241: 223: 214: 204: 197: 190: 183: 171: 159:Please help 154:verification 151: 121: 112: 101:Please help 93: 57: 50: 44: 43:Please help 40: 1064:Art history 949:art history 327:Beer Street 217:August 2013 115:August 2013 107:introducing 1053:Categories 1006:aesthetics 830:The Bagnio 623:(1732–33, 283:serpentine 279:aesthetics 187:newspapers 46:improve it 762:The Bench 607:(1730–31) 584:Paintings 52:talk page 870:Theories 725:(c.1750) 661:(c.1740) 637:(c.1735) 353:See also 902:Related 886:Museums 311:Gallery 300:Baroque 201:scholar 103:improve 862:(1753) 794:(1745) 781:(1759) 773:(1759) 765:(1758) 757:(1757) 749:(1755) 741:(1755) 733:(1750) 717:(1748) 709:(1745) 701:(1745) 693:(1745) 685:(1742) 677:(1742) 669:(1740) 653:(1736) 645:(1736) 615:(1731) 600:Before 576:(1763) 568:(1761) 560:(1761) 552:(1754) 544:(1752) 536:(1751) 528:(1751) 520:(1747) 512:(1743) 504:(1741) 496:(1741) 488:(1738) 480:(1736) 472:(1736) 465:Before 460:(1724) 452:(1724) 444:(1721) 428:Prints 304:Rococo 203:  196:  189:  182:  174:  1004:This 947:This 909:Trump 851:Books 604:After 469:After 208:JSTOR 194:books 88:, or 1010:stub 953:stub 602:and 467:and 364:Ogee 180:news 302:or 277:or 275:art 163:by 1055:: 92:, 84:, 55:. 1041:e 1034:t 1027:v 1016:. 984:e 977:t 970:v 959:. 629:) 413:e 406:t 399:v 347:. 331:. 248:) 242:( 230:) 224:( 219:) 215:( 205:· 198:· 191:· 184:· 157:. 128:) 122:( 117:) 113:( 99:. 62:) 58:( 23:.

Index

The Line of Beauty
improve it
talk page
Learn how and when to remove these messages
list of references
related reading
external links
inline citations
improve
introducing
Learn how and when to remove this message

verification
improve this article
adding citations to reliable sources
"Line of beauty"
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message
Learn how and when to remove this message

The Analysis of Beauty
art
aesthetics
serpentine
William Hogarth
The Analysis of Beauty

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.