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and Anna
Dorothea Lund, and she was the first actress to have a carriage and a private maid paid for by the theatre. Danish society was not accustomed to this degree of public exposure and the profession of actress was not yet respectable; a result was that Lisbeth acquired a reputation among her
79:. In the absence of any theatre school, Lisbeth learned from her colleagues and her own talent. When Anna Catharina Materna left the theatre in 1753 and Caroline Thielo died in 1754 she quickly rose to become the primadonna of the theatre; in 1756: she was given the same salary as
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to Danish for the theatre, and she also wrote plays; her first play had its first performance in 1772 with herself in the leading role. In 1762, the theatre school was founded and she became the first female instructor; among her pupils were
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In 1779 she married her colleague
Christopher Pauli Rose, with whom she had had an affair long before. He died in 1784. She gave her last performance in 1792 and died the year after in poverty: the theatre had to pay for her funeral.
64:; she declined, but Lisbeth asked if she could come instead. She was accepted and made her debut on the stage as Pernille in Holberg's play "Kildererejsen" in 1752.
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plays; until 1760, she was also a dancer, as no distinction had yet arisen between actors and dancers in
Denmark. She translated plays from French and
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33:, one of the first professional native actresses in Denmark, and also referred to as the greatest actress in 18th century Denmark. She was also a
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She enjoyed great popularity, but also experienced great pressure, being given parts in everything from comedy to tragedy, from both Danish and
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The theatre had been founded only four years earlier, and only five other actresses were employed there: Utilia
Lenkiewitz,
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visited her father's shop and asked her sister to work in the newly established
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Rose was the daughter of the goldsmith
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26:(25 September 1738 – 23 February 1793) was a
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179:18th-century Danish translators
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