Knowledge

List of Caribbean idiophones

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2478: 100:, among others). Because of the different materials present in the islands, African slaves had to construct their instruments differently, and thus new instruments began to be developed. 124: 2297:
DjeDje, Jacqueline Cogdell (Spring–Autumn 1998). "Remembering Kojo: History, Music, and Gender in the January Sixth Celebration of the Jamaican Accompong Maroons".
117: 1847: 601:
Two types of beating tubes: a length of bamboo laid upon two y-shaped sticks in the ground, and a hollow wooden cylinder; both are beaten with sticks
2473: 1606:, and filled with dried seeds, with a handle attached where the calabash stem had been, not normally decorated or painted, may be placed in a pair 110: 2468: 2115:
Hill, Donald R. (Spring–Autumn 1998). "West African and Haitian Influences on the Ritual and Popular Music of Carriacou, Trinidad, and Cuba".
72:, most idiophones were introduced in the Caribbean between the 17th and 19th centuries by enslaved Africans, which were ethnically diverse ( 33:. Some areas of South America that are not geographically part of the Caribbean, but are culturally associated with its traditions, such as 69: 2416: 2349: 2210: 1884: 157: 1334: 1027: 1653: 1628: 1595: 1485: 1273: 328: 147: 580:
Wooden box played as a bass drum, with hands held in front of the face, often while sitting on the instrument while playing
549:
with a hole, which the player plugs during performance, where the stem used to be, covered in beaded webbing, used in the
1656:, made from a single tin can and a few loose pebbles, often played by children practicing for the use of the more common 1757: 1737: 1671: 1644: 1587: 1176: 785: 537: 488: 436: 142: 1503:
Rattle used in both secular and religious purposes, with a specific rhythm for the spirit associated with each ritual
2279: 2080:
Glazier, Stephen D. (Spring–Summer 1997). "Embedded Truths: Creativity and Context in Spiritual Baptist Music".
695:
with a hole, which the player plugs during performance, where the stem used to be, covered in beaded webbing
278:
with a hole, which the player plugs during performance, where the stem used to be, covered in beaded webbing
2402:
Garland Encyclopedia of World Music, Volume Two: South America, Mexico, Central America, and the Caribbean
2338:
Garland Encyclopedia of World Music, Volume Two: South America, Mexico, Central America, and the Caribbean
1785: 2252: 1343:
Box mounted with metal strips that can be plucked, used as a bass instrument in rural folk genres like
2284:
Los instrumentos de la mĂşsica afrocubana: Los tambores xilfĂłnicos y los membranĂłfonos abiertos, A a N
1812: 1789: 1619: 1437: 1160: 1061: 782: 643: 572: 2463: 1793: 2164:
Ramnarine, Tina K. (1998). ""Brotherhood of the Boat": Musical Dialogues in a Caribbean Context".
390:
Large rattle made from a calabash, and covered with a network of webbing laced with nuts or beads
2382: 2314: 2181: 2132: 2097: 2009: 1237: 2341: 2333: 1631:, made from a pair of tin cans, emptied, then filled with a few loose pebbles and soldered shut 361:
Oblong rattle made from a gourd, and covered with a network of webbing laced with nuts or beads
2345: 2206: 1880: 1680: 1492: 1463: 1254: 1225: 1104: 971: 793: 560: 497: 445: 429: 2374: 2306: 2173: 2124: 2089: 2057: 2001: 1961: 1539: 1036: 748: 464: 377: 348: 199: 65: 2286:(in Spanish). Havana, Cuba: DirecciĂłn de Cultura del Ministerio de EducaciĂłn. p. 127. 2265: 1573: 1040: 807: 789: 523: 93: 23: 22:(percussion instruments without membranes or strings) have been widespread throughout the 1873: 1823: 1204: 948: 923: 905:
Frying pans harnessed to the torso of the player and struck with spoons, played during
759: 714: 625: 593: 291: 266: 2457: 1694: 1581: 1514: 1471: 1445: 1400: 1370: 1355: 1330: 1152: 1131: 1083: 1057: 1001: 932: 906: 897: 875: 844: 821: 710: 683: 659: 616: 568: 531: 468: 414: 381: 352: 319: 232: 203: 73: 53: 42: 30: 1769:
stomping tubes, used as a substitute percussion instrument when drums were outlawed
1345: 1010: 956:
Metal scraper with small, closely spaced holes, played with a piece of wire or nail
423:
Metal bell, struck with a wooden stick; the location of the strike determines pitch
1550:
used to accompany social dancing, wooden box with three metal brackets on one side
1547: 1495: 1228: 1107: 629: 97: 2200: 102: 1276:
across the Greater and Lesser Antilles, and Central America, made from a hollow
1123: 633: 496:
Ordinary sitting bench, used spontaneously by banging against the ground in the
456: 89: 85: 884:
Tubular rattle with a looping basket-shaped handle, filled with chunks of wood
2177: 1965: 1374: 963: 853: 674: 212: 81: 77: 26: 2061: 1992:
Crowley, Daniel J. (September 1958). "The Shak-Shak in the Lesser Antilles".
1139:
Hollow iron tube with a slit along the side, played with an external striker
1318: 1299: 980: 19: 1409:
Iron bell, held upside down and struck with a beater; may be used in pairs
871: 410: 228: 2365:
Brown, Ernest D. (1990). "Carnival, Calypso, and Steelband in Trinidad".
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made of tin, with both ends conical and an attached handle, used by
2310: 2128: 2093: 2005: 1212:
Empty gourd filled with seeds; can also refer to the geared rattle
852:
Double-conical rattle, made of tin and held horizontally, known in
2424:. Centre de recherches CaraĂŻbes, UniversitĂ© de MontrĂ©al. p. 9 2418:
Les pratiques musicales, image de l'histoire, reflet d'un contexte
1599: 1277: 993: 206:) and other Yoruba traditions throughout the Caribbean and Brazil 2373:(1/2). The Black Perspective in Music, Vol. 18, No. 1/2: 81–100. 2243:
Goines, Leonard (Spring 1975). "The Black Perspective in Music".
1831:
Bamboo trumpet, played as an idiophone by tapping it with sticks
1479:
Box with two sloping sides, tapped with the fingers percussively
2123:(1/2). Black Music Research Journal, Vol. 18, No. 1/2: 183–201. 2048:
Courlander, Harold (July 1941). "Musical Instruments of Haiti".
1952:
Courlander, Harold (April 1942). "Musical Instruments of Cuba".
1522:
Bracelets with attached nuts and seeds, worn by drummers in the
1097: 802: 2305:(1/2). Black Music Research Journal, Vol. 18, No. 1/2: 67–120. 1875:
Popular Musics of the Non-Western World: An Introductory Survey
1679:
Staff, used spontaneously by banging against the ground in the
106: 1383:
Slit drum made of thin wood, shaped like an elongated gourd
1308:
Set of wooden bars struck with mallets, descended from the
722:
Cylindrical percussive sticks of African origin, made from
1091:
Set of four rattles attached to a pair of crossed sticks
1236:
Bench with a wooden top, played with two sticks, from a
1805:, or against a bamboo tube or a log sitting on a stand 2479:
Central American and Caribbean percussion instruments
2043: 1453:
Jawbone of a mule or donkey, teeth acting as rattles
1070:
Gourd scraper of either TaĂ­no or West African origin
667:
Large cowbell with no clapper, struck on the outside
2041: 2039: 2037: 2035: 2033: 2031: 2029: 2027: 2025: 2023: 1746:
Made from tempered metal drums, tuned chromatically
805:
and hit with a beater in a horseshoe-shape, used in
2205:. Plymouth, UK: Scarecrow Press. pp. 16, 170. 2443:Bilby, Kenneth. "Netherlands Antilles and Aruba". 2075: 2073: 2071: 1872: 767:Notched stick played with a bamboo scraping blade 29:, which encompasses the islands and coasts of the 1702:Pair of normal spoons beaten together, common in 2224: 2222: 624:Hollowed out trunk hit with two sticks, used in 215:blade, struck with a nail or other heavy object 1430:Pieces of chain or other metal struck together 2000:(3). Ethnomusicology, Vol. 2, No. 3: 112–115. 1115:Pieces of any available metal struck together 118: 8: 1267:and other tribes (throughout the Caribbean) 2238: 2236: 2234: 1801:Wooden sticks, played against the rim of a 2150: 2148: 2146: 1987: 1985: 1983: 1981: 1979: 1977: 1975: 168: 125: 111: 103: 2202:Origins of Cuban Music and Dance: ChangĂĽĂ­ 979:Long tube scraper made of wood, used in 1947: 1945: 1943: 1941: 1939: 1937: 1935: 1933: 1931: 1929: 1927: 1925: 1923: 1899: 1855:Metal disks attached to a wooden board 829:Normal door, beaten with a hand during 2261: 2250: 1921: 1919: 1917: 1915: 1913: 1911: 1909: 1907: 1905: 1903: 299:Wooden board, sometimes attached to a 1879:. New York: Oxford University Press. 801:Steel rod, adapted from a piece of a 60:already existed among the indigenous 52:Although some idiophones such as the 7: 2400:Guilbault, Jocelyne. "Saint Lucia". 70:Spanish colonization of the Americas 2166:British Journal of Ethnomusicology 14: 1660:or adults at impromptu occasions 178:Hornbostel–Sachs classification 2474:Lists of percussion instruments 2445:New Grove Encyclopedia of Music 2367:The Black Perspective in Music 1622:and other Francophone islands 1284:, and filled with dried seeds 1064:and the rest of the Caribbean 477:Bell with an external striker 241:Belt with many attached bells 133:Lists of Caribbean instruments 1: 2469:Caribbean musical instruments 49:are also taken into account. 2299:Black Music Research Journal 2117:Black Music Research Journal 2415:Desroches, Monique (1981). 2082:Latin American Music Review 1740:originally, now widespread 2495: 2199:Lapidus, Benjamin (2008). 2178:10.1080/09681229808567270 1163:, played using a striker 138: 2332:McDaniel, Lorna (1999). 656:(for secular uses only) 1966:10.1093/mq/XXVIII.2.227 1035:Metal scraper, used in 1009:Metal scraper, used in 444:Hand bell, used in the 180: 177: 174: 171: 2340:. Routledge. pp.  2260:Cite journal requires 2062:10.1093/mq/XXVII.3.371 1871:Manuel, Peter (1988). 1184:Pair of large cymbals 259:can also refer to the 2334:"Trinidad and Tobago" 2050:The Musical Quarterly 1954:The Musical Quarterly 839:double-conical rattle 1598:, made from a dried 1362:mayohabao, bayohabao 1333:, introduced to the 1302:and southern Mexico 1758:Trinidad and Tobago 1738:Trinidad and Tobago 1672:Trinidad and Tobago 1177:Trinidad and Tobago 786:Trinidad and Tobago 538:Trinidad and Tobago 489:Trinidad and Tobago 437:Trinidad and Tobago 263:in Northern Haiti) 1683:musical tradition 1335:Dominican Republic 1238:squatting position 1028:Dominican Republic 500:musical tradition 448:musical tradition 64:population of the 1862: 1861: 1681:Spiritual Baptist 1548:Maroon instrument 498:Spiritual Baptist 446:Spiritual Baptist 166: 165: 56:and probably the 2486: 2449: 2448: 2440: 2434: 2433: 2431: 2429: 2423: 2412: 2406: 2405: 2397: 2391: 2390: 2362: 2356: 2355: 2329: 2323: 2322: 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1222: 1194: 1173: 1149: 1128: 1101: 1080: 1054: 1024: 998: 968: 945: 917: 894: 865: 841: 818: 779: 753: 707: 679: 648: 613: 590: 565: 510: 485: 461: 433: 400: 371: 345: 312: 288: 251: 225: 193: 167: 162: 134: 131: 24:Caribbean music 12: 11: 5: 2492: 2490: 2482: 2481: 2476: 2471: 2466: 2456: 2455: 2451: 2450: 2435: 2407: 2392: 2357: 2350: 2324: 2311:10.2307/779395 2289: 2271: 2262:|journal= 2230: 2228:Manuel, pg. 43 2218: 2211: 2191: 2156: 2154:Manuel, pg. 30 2142: 2129:10.2307/779398 2107: 2094:10.2307/780325 2067: 2056:(3): 371–383. 2019: 2006:10.2307/924654 1971: 1960:(2): 227–240. 1898: 1896: 1893: 1892: 1891: 1885: 1866: 1863: 1860: 1859: 1853: 1850: 1845: 1833: 1832: 1829: 1826: 1821: 1819:bois bourrique 1807: 1806: 1799: 1796: 1783: 1771: 1770: 1763: 1760: 1755: 1748: 1747: 1744: 1741: 1735: 1707: 1706: 1700: 1697: 1692: 1685: 1684: 1677: 1674: 1669: 1662: 1661: 1650: 1647: 1642: 1633: 1632: 1626: 1623: 1617: 1608: 1607: 1593: 1590: 1585: 1552: 1551: 1545: 1542: 1537: 1530: 1529: 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581: 578: 575: 566: 555: 554: 543: 540: 535: 502: 501: 494: 491: 486: 479: 478: 475: 472: 462: 450: 449: 442: 439: 434: 425: 424: 421: 418: 408: 392: 391: 388: 385: 375: 363: 362: 359: 356: 346: 337: 336: 326: 323: 313: 304: 303: 297: 294: 289: 280: 279: 272: 269: 264: 243: 242: 239: 236: 226: 217: 216: 210: 207: 197: 183: 182: 179: 176: 173: 164: 163: 161: 160: 158:Membranophones 155: 150: 145: 139: 136: 135: 132: 130: 129: 122: 115: 107: 18:Historically, 13: 10: 9: 6: 4: 3: 2: 2491: 2480: 2477: 2475: 2472: 2470: 2467: 2465: 2462: 2461: 2459: 2446: 2439: 2436: 2420: 2419: 2411: 2408: 2403: 2396: 2393: 2388: 2384: 2380: 2376: 2372: 2368: 2361: 2358: 2353: 2351:0-8153-1865-0 2347: 2343: 2339: 2335: 2328: 2325: 2320: 2316: 2312: 2308: 2304: 2300: 2293: 2290: 2285: 2281: 2275: 2272: 2267: 2254: 2246: 2239: 2237: 2235: 2231: 2225: 2223: 2219: 2214: 2212:9781461670292 2208: 2204: 2203: 2195: 2192: 2187: 2183: 2179: 2175: 2171: 2167: 2160: 2157: 2151: 2149: 2147: 2143: 2138: 2134: 2130: 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50: 48: 45:and parts of 44: 43:French Guiana 40: 36: 32: 31:Caribbean Sea 28: 25: 21: 16: 2444: 2438: 2426:. 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Index

idiophones
Caribbean music
area
Caribbean Sea
Guyana
Suriname
French Guiana
Brazil
mayohuacán
maraca
TaĂ­no
Greater Antilles
Spanish colonization of the Americas
Yoruba
Ewe
Fon
Igbo
Efik
Mandinka
Kongo
v
t
e
Aerophones
Chordophones
Idiophones
Membranophones
agogĂ´
LucumĂ­
Cuba

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