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567:, although not an actual war memorial, was directly linked to the 1914–18 war. Léon Vogt, a pupil of Bourdelle, owned potash mines in Alsace and in 1914 his mother vowed that if the family property was kept from destruction during the war she would commission a statue to celebrate this. She died during the war but after the war, Léon commissioned Bourdelle to execute a suitable statue. Bourdelle completed various studies and the second study, enlarged to 2.5m, was placed in the crypt at Hartmannswillerkopf. The same study but now 6m high was placed on the slope of the wooded hill above Niederbruck in the Manavaux valley to fulfil Mme Voigt's vow. The work was exhibited in the "Section d'Art Religieux" at the Salon d'Automne" of 1921–22. In Bourdelle's work the baby Jesus is held above her shoulder by the Virgin Mary, His arms are outstretched so his body takes on the form of a Cross. The inscription on the statue also gives thanks for Alsace-Lorraine's return to France after the war.
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1570:'s Musée des Beaux-Arts. Bourdelle had secured the commission through an Argentinian friend in Paris, Rodolfo Alcorta, and travelled to Argentina in 1912 to make some provisional studies and work on the preparation of a maquette. This maquette secured the commission but on the outbreak of the war in 1914, Bourdelle and family returned to Montauban. There he was to work on the commission throughout the war years, assisted by Mlle Markovitch, gradually increasing the size until he was able to exhibit the full-size figures at the Salon of the Société National des Beaux-Arts of 1920. Casting was completed in 1923 in time for the bronze to be exhibited in the Salon des Tuileries. The final unveiling took place in 1926. In 1914, Bourdelle also made studies for a Bolivar Monument but the commission was never received.
2001:. Bourdelle had long been interested in working on a monument to Mickiewicz and needed no persuasion to accept the commission when approached in 1908. He knew much of the great champion of Polish national freedom and when visiting Poland in 1908 as a member of the jury judging the competition for the Chopin monument, he saw at first hand the Pole's suffering since the 3rd Partition of 1795. The ever fastidious Bourdelle produced maquettes in 1909 and 1910 and in that year was able to show the "Head of Mickiewicz" at the Salon de la Société Nationale des Beaux-Arts. It was not until 1928 that the work was completed, with the casting by Rudier and the unveiling taking place in 1929. The figure of Mickiewicz stands on a column at the base of which are bas-reliefs inspired by Mickiewicz' work;
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his would be unique but
Bourdelle refused and the work was returned to him only to be purchased immediately by Prince Eugène of Sweden. It still remains at Waldemarsudde near Stockholm. Thomas then changed his mind but had to make do with one of the second castings (2.48 metres). The first and second castings are limited to ten casts of each and there is a third plaster version of 2.52 metres. The model for the figure of Hercules was Doyen Parigot, a fitness fanatic serving as Commandant de Cuirassiers. He was killed in 1916 at Verdun. The copy at Le Vésinet is a bronze casting by Alexis and Eugène Rudier dating to 1923 and commissioned for the Luxembourg museum. Bourdelle added two reliefs to the work-
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1820:'s National Gallery whilst the smaller sized version with a height of 1.20 metres can be seen in Paris' Petit Palais, in Amsterdam, in Lille and Tokyo's Bridgestone Museum. In the 1905 version, Penelope carries a spindle reminding us of her method of forestalling her many suitors during Odysseus' long absence; she told them that she could not choose between them until she had finished work on a tapestry, but what she wove by day she unravelled by night. The spindle was omitted for the 1907 version as was the case with all subsequent versions. In the 1907 version the height was increased by 61 cm. The final monumental version was completed in 1912.
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stages. This often meant a long gestation period from an original idea and design drawing through to a final sculpture. The sculpture of
Penelope is a good example of this and it was developed in four stages, through two small studies in 1905 and 1907, and a half-size version of 1909 (1.20 metre in height) before the monumental sculpture was completed in 1912, in time to be exhibited at the Salon de la Société Nationale des Beaux Arts. Examples of the full size version, 2.40 metres in height, can be seen in Holland's Krollermuller d’Otterlo Museum, in the Honolulu museum and in
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502:) and were shown in 1899 under the title "La Guerre, les figures hurlantes". Originally intended to form part of the Montauban monument to the dead of the 1870 war they were not in fact used for this work but used at Capoulet-et-Junac independently when the mayor Paul Voivenel asked Bourdelle's widow to allow the work to be reproduced and cast in bronze for the Capoulet-et-Junac war memorial. The sculpture certainly recreates the horror which must have been experienced by those fighting in the trenches
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2417:. Within the theatre itself the sculptural decoration is limited to the pair of narrow low-reliefs in marble at the feet of the stairs-"L'Ame passionée" and "l'Ame Heroique" but Bourdelle executed several paintings for the theatre ceiling. One of the reliefs on the building's façade "La Sculpture et l’Architecture" celebrates the interrelationship of the two art forms of architecture and sculpture, something that concerned Bourdelle deeply who saw sculpture as architectural.
1355: depicting St Barbe which is held by the Lyon Musée des Beaux-Arts. Bourdelle was asked to create the votive by the family of his brother-in-law, Dr Couchoud, as protection for their son who was away fighting in the artillery. Originally it was placed in the church of St Julien de l'Herm near Lyon before being transferred to the museum. The piece is in polychromed cement. There are copies of the work located in Stockholm, Rome, Bruxelles and Luxembourg.
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344:"Musée du Souvenir" at the École St-Cyr although the group of serpents which stood next to the figure of France in Bourdelle's original composition and part of the lance carried by the figure were lost. A fourth casting was carried out by the Hohwiller foundry and this was erected outside the Palais de Tokyo as part of a monument honouring the "Free French" and the "call" of 18 June 1940 by de Gaulle. See later entry. Bourdelle himself believed
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later that the monument was erected for although the commission went to
Bourdelle he did not like the designs proposed by the adjudicating committee and had his own ideas on the form the monument would take. Above all he wanted the monument to stress that the men honoured were from the mining industry. He began his work in 1919 and actually visited the mines to make studies. When the monument was completed in 1930 the sculptor had
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Petsche, the Under
Secretary of State for the Arts and the Parliamentary Deputy for Briançon, who acquired it for his town's war memorial where it was erected on a spot overlooking the Durance valley near Vauban's great fortress above the town. Another cast was made for the Montauban monument aux morts. The statue commemorating the entry of the Americans into the war was never erected by the lighthouse built in the
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approached as early as 1893 and finally chosen in 1897 for what was a most prestigious work. A maquette was submitted to the adjudicating committee and
Bourdelle set about the commission, creating many plaster studies along the way as was his practice. He executed some 49 studies for the four heads involved, 34 in full size and submitted some to the
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would have been used in the 1920s, including a lamp. Another shows a miner who has enlisted and is saying farewells to his mother, sister and/or wife. In the third, three sappers are shown in a tunnel fixing support shafts whilst in the final relief we have a dead soldier held in the arms of a winged angel who represents the motherland and wears a
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covered by a large bronze shield is an ossuary which contains the remains of 12,000 unidentified soldiers. There are also
Protestant and Jewish altars and a Catholic chapel. On the esplanade, which is situated above the crypt, is the Altar de la Patrie with the cast of the intermediate size of the work
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from 1925 to 1927 and in 1927 created a 1.13m high composition which depicted the artist clutching his lithographic stone. He did not in fact receive the commission but the head was subsequently scaled up further, well after
Bourdelle's death, and this now sits on a high pedestal in Marseille's Place
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This work in bronze stands in front of
Montauban's Théâtre Olympe-de-Gouges in the Place de la Comédie. The plaster version can be seen in the Musée Bourdelle. Bourdelle first worked on this composition in 1887 and reworked it in 1924 but on a larger scale. Two versions were exhibited in the Pavillon
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Gabriel Thomas was a financier and
Chairman of the Societe de la Tour Eiffel and the Musée Grevin for which Bourdelle had produced reliefs in 1909. He had also been the first purchaser of "Heracles the Archer". He conceived the idea of building a large modern theatre and purchased land on the Avenue
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Gabriel Thomas of the Société du Théatre des Champs-Elysées and this is thought to have led Thomas to ultimately work on the famous decorations of the theatre. Thomas certainly encouraged Bourdelle to produce studies for that project. Thomas tried to ensure that no further copies were made so that
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was shown for the first time in 1912. Spurning the ever-increasing trend amongst sculptors for direct carving or working from fully sizes models, Bourdelle was very much a traditionalist and for the most part began projects with a maquette then refining and enlarging the sculpture through successive
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A bronze version of this work stands in Montauban's Rue de l'HĂ´tel de Ville / Rue Marie Lafon. The work dates back to 1911 and was ordered for Buenos Aires by its mayor Jorge Lavalle Cobo. Cobo had seen and liked a small sculpture of a centaur which he had seen at the sculptor's Paris studio in 1911
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The 1903 version in bronze of Bourdelle's study of the German composer. Between 1887 and 1929 Bourdelle worked on various ideas for sculptures of Beethoven and many of these can be seen at the Musée Bourdelle. A plaster version of the d'Orsay bust was shown at the 1902 Salon of the Société Nationale
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The Bourdelle bust of the poet is positioned on a pedestal. Quercy was a good friend of Bourdelle and played an active role in promoting Bourdelle's work in Montauban. He chaired the committee which organised the award to Bourdelle for LĂ©on Cladel's bust and was a force behind securing Bourdelle the
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The composition used for Niederbruck had been used earlier for this sculpture. The figure of the Virgin Mary was said to have been based on Bourdelle's wife Cléopatre, and the child Jesus on his daughter Rhodia. His wife was also a sculptor and the head-scarf worn by the Virgin was inspired by one
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Cladel the French writer was a good friend of Bourdelle and after his death in 1892 a committee was formed to organize a sculpture, Bourdelle received the commission, and the resultant bust was erected in one of Montauban's public squares in 1894. In 1937 it was transferred to the Ingres museum who
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It was in 1919 that a committee was set up to organize Montauban's 1914–18 war memorial and the commission went to Bourdelle in 1921. The huge temple, an integral part of the monument, was not completed until 1930 and the inauguration until 1932 and, as he died in 1929, Bourdelle was not to see his
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bonnet. In her hand she holds the soldier's medal. Below the bas-reliefs are lists of the dead, not just those from Monceau but also those from the neighbouring villages of Blanzy, Ciry, Gourdon, Saint-BĂ©rain and Pouilloux. At a later date the names of those lost in the Second World War were added.
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and the lighthouse was in fact blown up by the Germans during the 1940s occupation. However, another bronze casting, 9 meter high, was made by Rudier, and this graced the terrace of Algier's Musée des Beaux-arts but in 1961 and just before Algerian independence, the monument, a symbol of France and
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but he persuaded his colleague Bourdelle to accept it and Bourdelle had the first maquette ready in 1922. Meanwhile, the building of the lighthouse had gone ahead but consumed the major part of the funds allocated for the project, leaving little to fund Bourdelle moving to the next point. Bourdelle
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Inaugurated in 1787 the Marseille Opera House was destroyed by a fire in November 1919. It was rebuilt between 1921 and 1924, various artists being involved, and the plans being designed by the architects Gaston Castel, Henri Ebrard and George Raymond. Bourdelle completed a pigmented stucco relief
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The museum hold a bronze version cast by Alexis and Eugène Rudier with a gold leaf patina. Various editions of the work were cast and it can also be seen in the Musée Bourdelle and the museums of Lausanne, Montpellier and Stockholm. Interesting to note that Bourdelle started studies of the head of
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It was on the 17 November 1918, only days after the war had ended, that Montceau-les-Mines decided to erect a memorial to those 690 sons of Montceau-les-Mines who had lost their lives in the 1914–18 conflict. A competition was organized and the award decisions made. However, it was only many years
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however managed to complete a version of the work but with a height of 4.5m, half the full size planned, which was shown at the 1923 Salon. The French State then asked Bourdelle to execute the statue in the full 9 metres height which was then cast in bronze and used to decorate the entrance to the
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could be restored. The complete monument was shown at the Salon of the Société Nationale des Beaux-Arts in 1902 and finally erected in that year. The composition moved away from that traditionally used for such memorials. Louis Gillet the art critic described the work as a "tumultuous mass" which
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was exhibited at the Salon des Tuileries. 1928 saw a retrospective exhibition to celebrate the inauguration of the Brussels Palais des Beaux-Arts and 1929, the year of his death, saw the Monument to Adam Mickiewicz inaugurated. Bourdelle died on the 1 October 1929 at VĂ©sinet whilst a guest of the
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This monument, using Bourdelle's sculptures, was erected in 1929 shortly before his death. The monument had a long drawn-out genesis, not helped by Bourdelle's declining health and was first discussed in 1908. It is a celebration of the great Polish writer and poet, the patriot Adam Mickiewicz.
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The plaque depicted a postman delivering mail against a backdrop of ruins including a burning church. He is handing a letter down to a woman who appears to be in a shelter whilst he consoles a young girl who clings to him. Presumably the letter contains an announcement of the death of a husband/
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died, but what emerged was a unique monument which consists of a square pedestal on which sits a representation of a miner's lamp. The pedestal bears four bas-reliefs, executed between 1924 and 1928, each measuring 2.40m by 1.45m. One depicts three miners working in the pit using the tools which
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and she carries a lance and shield and wears a helmet. After the exhibition closed the sculpture was put into storage with the intention of using it at some future date as part of the project to build a Palais des Arts DĂ©coratifs Modernes but whilst languishing in storage it was seen by Maurice
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The National Monument of the Hartmannswillerkopf was inaugurated on 9 October 1932 and is in fact a crypt carved from the mountain's bedrock. The entrance is approached by a cutting from the road and is flanked by two bronze over-life-size "Angels of Victory" by Bourdelle. Inside the crypt and
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This monument dedicated to those men of the Tarn-et-Garonne region who gave their lives in the Franco-Prussian war was Bourdelle's first major commission. It had long been the practice in France to award commissions to local born artists but given his inexperience Bourdelle was fortunate to be
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Bourdelle's statue of Joan of Arc is located in La chapelle Sainte Jeanne d'Arc. Bourdelle produced a maquette for this work in 1909 and exhibited the definitive version at that year's Salon d'Automne. It is a stone sculpture with a height of 2.31 metre and shows Joan of Arc carrying her
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near where the Americans had disembarked in 1917 and the architects had the idea of constructing a lighthouse in front of which would be placed a colossal statue depicting France searching the horizon for a sight of the Americans. At first the commission to create the statue was given to
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427:(see entry above) is 9 metres high and stands before a white pillared temple like structure. In her right arm the female allegory has a long vertical lance whilst her left arm is raised in a gesture of victory. She carries a shield on which is depicted St Michel slaying the dragon (
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312:. It was after the 1914–18 war that a project was launched to create a sculpture to commemorate the 1917 entry of the United States of America into that war and the architects Ventre et Damour were asked to design it. The first thoughts were to erect the monument at the
1956:. The Musée Bourdelle hold a 1923 plaster model but there are copies in many of the leading international museums. The photograph below shows the copy in Lyon's Musée des Beaux-Arts. The sculpture features in the Toulouse War Memorial. See entry under "War memorials".
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This bronze study of a shepherd trying to control a ram was cast in bronze by Alexis Rudier and his brother. Bourdelle had a deep love of animals and the countryside engendered by the holidays spent with his grandfather in the Causses. He had once described himself as
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The first casting in bronze of this composition dates to 1909, after several preliminary studies (circa 60 cm high) and it was exhibited at the 1910 Salon of the Société Nationale des Beaux-Arts. The height was 2.50 metres. It was purchased for his garden at
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The stone statue executed for Vitry-le-François proved such a success that casts in bronze were commissioned for Bordeaux and another church. The Bordeaux bronze was cast by Eugène Rudier in 1910. The plaster model is held by the Bordeaux Musée des Beaux-Arts.
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In the early 1900s, Bourdelle found great inspiration from mythology and the story of Penelope, the ever faithful wife of Odysseus, who waited ten years for her husband to return from the Trojan war, is an example of this and a full size version of the bronze
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in 1899. Many of the plaster casts involved were lost when on their return from a Belgian foundry, who had made several bronze casts, they were badly damaged; the foundry had sent them back by railway without adequate packaging/protection! Only the
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Here are details of some of these busts, including the acclaimed studies of Beethoven which occupied Bourdelle over a long period of time. Bourdelle often submitted portrait busts to the Salons in the hope of attracting commissions. The bust
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Champsaur was an influential art critic who became a close friend. He wrote a highly complimentary article on Bourdelle for the " Courier de Montauban". These two busts were shown at the Société National des Beaux-Arts Salon of 1891.
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Bourdelle executed this rectangular pressed metal plaque as part of the campaign to raise funds for the orphans of employees of the French Post and Telecommunications centered on the "Foyer de Cachan". It was inscribed
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This bronze statuette was cast by the foundry of Adrien-Aurélien Hébrard. It is said that the inspiration for the work came from Cléopâtre Sevastos a young Greek student of Bourdelle's who became his second wife.
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A work commissioned by the Société Archéologique de Tarn-et-Garonne. Bourdelle executed two versions. One is held by the Montauban Musée Ingres and a smaller version with a terracotta coloured patina is held in
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1853:, at work. Copies of this bronze can be seen outside Paris' Hôtel de Ville and in Lyon's Musée des Beaux-Arts. 2.46m in height the bronze was shown at the 1909 Salon of the Société Nationale des Beaux-Arts.
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and had commissioned the larger version. Although ordered in 1912, the 1914–18 war delayed its casting in bronze, and it only reached Argentina in 1916. It can be seen near to the Place de la Recoleta.
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1738:(a studio assistant who helped complete works in marble) that he completed this plaster composition of a mother and child which was cast in bronze as a limited edition in 1914 by the HĂ©brard foundry.
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View of Montceau-les-Mines War Memorial in front of the parish church. We can see the bas-relief showing a soldier saying his farewells before going off to war and the reproduction of a miner's lamp.
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was another of the allegories Bourdelle created for the Alvéar monument. Also cast in bronze by Alexis Rudier from the 1920 plaster model, this sculpture stands outside the Musée d'Orsay alongside
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1195:"I don't know if in fact my face has all that gravity, all that philosophical profundity; but... I should be glad if after my death this portrait alone was kept and all the others destroyed"
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Bourdelle had moved away from the banality of the usual war memorial compositions with wounded soldiers in heroic poses and people with flags, etc., etc. and vividly shows the horror of war
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and the Musée Bourdelle. The Petit Palais was built for the 1900 Universal Exhibition and now houses the City of Paris Museum of Fine Arts (Musée des Beaux-Arts de la ville de Paris).
95:. 1910 also saw his divorce from Stéphanie Van Parys and in 1911 Rhodia Bourdelle was born to him and Cléopâtre Sévastos. In 1913 an exhibition of modern art in New York included his
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Towards the end of his life, Bourdelle returned to studies of Beethoven with this study with the composer framed by grapes and vines. At this time he also executed his
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This bronze was part of the Montauban Franco-Prussian war memorial and was cast in bronze in 1956 as a separate work. One copy can be seen in the Hirshhorn museum.
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which Bourdelle was commissioned to execute in 1913. He completed the final model in 1922, this comprising the General astride a horse and four allegorical figures-
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of 1909 shown at the Salon and this was a huge success! A version of this work is held in the Musée d'Orsay. Whilst working as a sculptor he also taught at the
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A bronze version of this work, cast by Alexis Rudier from Bourdelle's 1920 plaster model, stands on the terrace outside the Musée d'Orsay in the rue de Lille.
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In 1905, he mounted an exhibition of his work at the Galerie HĂ©brard in Paris, showing 38 sculptures, 18 paintings and 21 drawings. The sculptures included
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548:. Bourdelle completed the maquette, the intention being that the final marble statue would be 3.25m high. The project was not pursued by the French State.
528:, a memorial honouring the Deputies who had died in the 1914–18 war. He was keen on placing the memorial in the central niche of the Salle du Roi in the
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was appointed the designing architect and Bourdelle was commissioned to execute a series of marble friezes for the theatre's façade, as well as for the
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Montauban's Great War memorial consisting of an allegory of a victorious France standing before a white 12 pillared temple. Again Bourdelle used his
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571:"En reconnaissance de la protection divine sur la vallée de Masevaux et du retour de l’Alsace-Lorraine à la France les époux Joseph Vogt 1914–1918"
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over the church's entrance. The church, built in reinforced concrete, the Perret "trade mark", is regarded as the first "modern" French church.
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du Livre at the Musée des Arts Décoratifs in 1925, including the 1925 bronze version in Montauban cast by the Fonderie de Coubertin based in
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When a young man Bourdelle was said to have looked very much like Beethoven which might explain his obsession with creating portraits of him.
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shown in the photograph in the gallery below, a copy of which is held in the musée Bourdelle. The monument is a gift from Poland to France.
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won "an honourable mention" at the Salon of French Artists. It was purchased by the Marquise de Mari who presented it to the Musée Ingres.
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was submitted to the Salon des Artists Français in 1888 and he had submitted his bust of Armand Saintis in 1884, Delard in 1885, the actor
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In Bourdelle's composition a man represents "Day" his eyes turned skywards. A hand is on his shoulder, the hand of an indistinct "Night".
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A bust in Terra cotta of the younger Coquelin entitled "Coquelin Cadet en Mascarille". Mascarille was one of Moliére's great characters.
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278:) as its centre-piece and was erected in memory of all those sportsmen who died in the 1914–18 war, including the Toulouse rugby player
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Bronze head of Hercules cast by Adrien-Aurélien Hébrard. In fact a reprise of part of Montauban's Franco-Prussian war monument.
536:' paintings and designed the memorial so as not to clash with these works. The female figure in the statue, said to be based on
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is an allegory for Poland's tormented history partitioned by Russia, Austria and Prussia. Part of Bourdelle's composition is
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traced recurrent patterns in the myths and religious practices of early cultures around the world. Of this bust Frazer wrote
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1885 saw Bourdelle move into the studio on the Impasse du Maine - which is now the Bourdelle museum., and his plaster model
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472:"Aux volontaires des Forces Françaises Libres morts / pour l'honneur et la Liberté de la France / 18 juin 1940 - 8 mai 1945"
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A bronze bust of the French architect who was a pioneer in the use of reinforced concrete. The bust was first shown at the
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over the proscenium arch of the Opéra de Marseille. The figures are painted in brick red and evoke the birth of beauty-
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between from 1902 to 1911. The bronze version was cast by the Coubertin foundry and there are bronze casts both in the
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This work is thought by many to be a watershed marking a fundamental change in Bourdelle's work. Cannon-Brookes wrote
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A bronze bust of Dr. Koeberlé, an Alsatian surgeon who is credited for developing a precursor of present-day surgical
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founder Rudier. In 1931 there was a great retrospective of Bourdelle's work at the Paris Orangerie. He is buried in
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in the Pavillon du livre. 1926 finally saw his Alvéar monument inaugurated after 10 years of work and a version of
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for the Marseille Opera House. In 1925 he exhibited at the Exposition internationale des Arts décoratifs showing
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was shown at the Salon de la Société Nationale des Beaux-Arts in 1920. There is another plaster model held by
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Apollo and three of the nine muses. One of Bourdelle's reliefs on the front of the Théâtre des Champs-Élysées
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seems wholly appropriate but many critics were scathing in their comments. One critic described the work as
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One of the two Bourdelle's statues by the entrance of the National Monument of the Hartmannswillerkopf.
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to be his greatest masterpiece. Casts of the 4.60m version are held by the Brooklyn Museum and others.
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Birth certificate of Émile Antoine Bordelles, Ministère de la Culture et de la Communication, Leonore
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and being 2.08m high. When adding his monogram to the work, Bourdelle added the dates "1887–1925".
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533:
390:
375:
104:
18:
1001:. The composition "Ă la colonne" was a variation on the small depiction of Beethoven known as the
431:). This female allegory stands in front of the temple which is 20 metres high and has 12 pillars.
1780:
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80:
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111:
45:
3185:
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479:
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27:
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67:. Bourdelle's father died in 1906 and in 1909 he left Rodin's studio. The year 1910, saw his
4422:
4189:
3529:
3484:
2922:
2741:
2677:
2003:
457:
387:
92:
84:
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2193:
1974:
439:
378:. The stamp celebrated the hundredth anniversary of the establishment of the mining town.
332:
313:
4486:
2390:
1395:" Moi je suis Bacchus / qui pressure / pour les hommes / le nectar délicieux / Beethoven"
1005:
a plaster work presented to the Paris salon in 1902 and inscribed with Beethoven's words
518:
Bourdelle worked on this rather sombre war memorial which has little sculptural content.
88:
1508:
3718:
2656:
Chemin de mémoire : Thèse sur P. Voivenel par Cécile Lestrade Interne des Hôpitaux
2382:
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2189:
1994:
1871:
1855:
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1495:
1334:
1212:
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933:
914:
643:
Héraklès archer de Toulouse. Monument in memory of the dead athletes to the 1914–18 war
537:
529:
4501:
2013:
1934:
370:
341:
2160:"Bourdelle's development as a sculptor had taken a decisive turn in a new direction"
540:, held a huge short sword and held aloft a round shell of the type carried by Greek
48:, an art museum dedicated to his work, located at 18, rue Antoine Bourdelle, in the
3480:
2918:
2737:
2198:
1998:
1786:
1606:
This work was also shown at the 1920 Salon de la Société Nationale des Beaux-Arts.
1539:
323:
168:
76:
490:
The three figures in Bourdelle's composition represent fear, suffering and death (
326:
at the 1925 Éxposition des Arts Décoratifs. Bourdelle based the central figure on
284:
171:
cemetery. In 1924 he had been made Commandeur de l'Ordre de la LĂ©gion d'honneur.
4274:
1906:
564:
449:
300:
3655:
3372:
308:
The bronze statue in Briançon is one of several castings of the Bourdelle work
4112:
374:
In 1956, Bourdelle's monument appeared on a postage stamp in an engraving by
4438:
2439:
2393:. It dates to 1912. The museum also have the plaster moulds for the reliefs
2258:
1325:
1163:
969:
The years 1901 to 1910 were to see further studies of Beethoven. Apart from
560:
410:
237:"Il a la vision de la mort brutale; ses têtes sont expressives, démentes..."
201:
41:
1008:"Moi je suis Bacchus / qui pressure pour les hommes / son nectar délicieux"
266:
This memorial stands in the Place HĂ©racles in Toulouse and is known as the
4361:
2814:
2192:
commission Bourdelle to execute large bas-reliefs "Les Nuages" above the
1817:
1802:
1726:
1567:
1338:
1309:
1289:
1271:
1124:
891:"Mon doémaine c'est l'air / quand le vent se lève / mon âme tourbillonne"
541:
258:
252:
2836:
524:
Apart from the war memorials mentioned above Bourdelle also worked on a
3885:
3348:
3226:
3161:
3138:
3115:
3092:
3069:
3046:
3023:
2958:
1883:. Cast in bronze in 1927 by Rudier and given as a gift to the museum.
1478:
507:
1274:
or banner at the coronation of Charles VII in the Cathedral of Reims.
245:"Monument aux Combattants et Défenseurs du Tarn-et-Garonne de 1870–71"
2432:
1944:
1352:
327:
26:
The following is an incomplete list of artworks by the French artist
4371:
1558:
The maquette and working models of the sculpture can be seen in the
1317:
A copy of the 1909 work mentioned above but in reinforced concrete.
197:
Monument aux Combattants et Défenseurs du Tarn-et-Garonne de 1870–71
1435:
from 1908 to 1909, "Bélier Couché" in 1908 and "La Truie" in 1909.
683:
Capoulet-et-Junac War Memorial. An evocation of the horrors of war.
655:
The Montauban memorial to the dead of the 1870 Franco-Prussian war.
615:
Monument honouring the "Free French". Bourdelle here used his work
436:"Le monument de la France libre"-The monument to the "Free French"
2489:
2455:
2418:
2275:
2197:
2171:
Apollo when still employed as an assistant (practicien) to Rodin.
1957:
1884:
1854:
1821:
1690:
1607:
1571:
1507:
1200:
1162:
1086:
1063:
1039:
1011:
927:
901:
861:
791:
748:
283:
240:
17:
404:. Behind the monument is a French Military cemetery and ossuary.
2234:
This bronze is located in Montauban's square du Général Picard.
452:
and stands outside the Palais de Tokyo. Bourdelle's allegory of
4375:
1506:
This bust sits on a pedestal at the foot of the Eiffel tower.
469:, the symbol of the Free French movement, with the dedication
4203:
4201:
1989:
Mickiewicz spent time as an exile in Paris and taught at the
1849:
Bourdelle depicts Carpeaux, the great French sculptor of the
951:
The original plaster version is held by the Musée Bourdelle.
4092:"La mort du dernier centaure/The Death of the Last Centaur"
1392:
des Beaux-Arts. At the front of the pedestal are the words
1187:
was an eminent anthropologist, whose widely-read 1890 book
2513:
Bourdelle executed preliminary sketches for a monument to
2389:
and the plaster mould for this can be seen in Montauban's
831:
Busts of FĂ©licien Champsaur and his wife Madame Champsaur
22:
Antoine Bourdelle and American dancer Grace Christie, 1925
2356:
she used when carving, to keep the dust out of her hair.
2338:. Above a young shepherd holds Pan's pipes to represent
1062:
A work in terracotta. Shown at the Paris salon of 1910.
4050:"Monument to Antoine Bourdelle with Self Portrait 3"
4029:"Monument to Antoine Bourdelle with Self Portrait 2"
3318:
General and Gastrointestinal Tract Surgery in France
2484:
the composer's head emerging from a block of stone.
2269:
In 1925 another bronze casting was placed in Paris'
2040:
Images of Mickievicz monument, including bas-reliefs
812:
A bust in terracotta of the Montauban photographer.
4471:
4409:
2077:Two of the bas-reliefs on the Mickievicz monument.
4008:"Monument to Antoine Bourdelle with Self Portrait"
3845:"Notes from Canberra Art Gallery on the sculpture"
2758:"The National Monument of the Hartmannswillerkopf"
2116:One of the bas-reliefs on the Mickievicz monument.
2097:Two of the bas-reliefs on the Mickievicz monument.
231:"A Hottentot horror...denying the laws of anatomy"
2791:"Montauban memorial to the dead of the Great War"
2225:Monument to Antoine Bourdelle with Self Portrait
384:The National Monument of the Hartmannswillerkopf
3909:"Oeuvre des orphelins des P.T.T.", Musée d'Orsay
2878:: CS1 maint: bot: original URL status unknown (
1161:A bronze bust cast by Alexis and Eugène Rudier.
1085:commission for the Montauban 1870 War Memorial.
3415:"Tate Gallery note on James George Frazer bust"
3186:"Coverage of all Bourdelle's Beethoven studies"
2164:
2158:
1917:
1415:
1393:
1192:
1183:There are many copies of this work around. Sir
1006:
889:
695:
569:
470:
460:
235:
229:
1751:In the college foyer are medallions depicting
44:, painter, and teacher. His studio became the
4387:
1779:Bourdelle worked on this sculpture depicting
1734:It was whilst working in Rodin's studio as a
1576:Force de la Volonté outside the Musée d'Orsay
1337:and his brother Gustave, Boudelle executed a
899:- Beethoven with cheek resting on one hand".
772:A bronze bust of the elder Coquelin brother.
747:A Bronze bust of this Montauban personality.
462:"Mère voici vos fils qui se sont tant battus"
423:sculpture "in situ". Bourdelle's statue, his
212:Salon of the Société Nationale des Beaux-Arts
8:
2860:. Archived from the original on 14 July 2014
2590:by Peter Cannon-Brookes. Trefoil Books Ltd.
1903:Plaque for war orphans from the 1914–18 war
1784:
3921:"Héraklès tue les oiseaux du lac Stymphale"
3530:Eglise Notre-Dame (oeuvre d'Auguste Perret)
2636:"The Franco-Prussian memorial in Montauban"
2196:and "Les nuées" for the museum's entrance.
1423:In the period 1907 to 1910, and apart from
526:"Monument aux Députés morts pour La France"
110:Many works by Bourdelle can be seen in the
4394:
4380:
4372:
2778:Entry on Alsace monuments of the Great War
2128:
1624:
1362:
1237:
720:
178:
2742:2 statues (figure colossale) : anges
1964:Héraklès tue les oiseaux du lac Stymphale
1929:Héraklès tue les oiseaux du lac Stymphale
1260:La collégiale Notre-Dame de l'Assomption.
897:"Beethoven, la joue appuyée sur une main"
276:Héraklès tue les oiseaux du lac Stymphale
69:Héraklès tue les oiseaux du lac Stymphale
40:, was an influential and prolific French
36:(31 October 1861 – 1 October 1929), born
4462:Monument to General Carlos M. de Alvear
2530:
2471:"Beethoven:Tete chapitaux aux raisins"
2385:. One of the bas-reliefs was entitled
2140:
2043:
1879:Bourdelle depicts Rodin working on his
1867:Rodin travaillant Ă sa Porte de L'enfer
1636:
1374:
1351:In 1916 Bourdelle also created a small
1249:
732:
581:
190:
2871:
2494:"Beethoven:Tete chapitaux aux raisins"
1486:This bronze statuette was also called
2583:
2581:
2579:
2577:
2575:
2573:
2571:
2569:
2567:
2565:
2053:"L’Épopée Polonaise"-The Polish epic.
983:"Large Beethoven, resting on his Arm"
7:
4192:, Ministère français de la Culture.
3532:, Ministère français de la Culture.
3487:, Ministère français de la Culture.
2925:, Ministère français de la Culture.
2744:, Ministère français de la Culture.
2680:, Ministère français de la Culture.
2606:
2604:
2563:
2561:
2559:
2557:
2555:
2553:
2551:
2549:
2547:
2545:
2163:and when Rodin saw the work he said
2612:"Louis Gillet article on Bourdelle"
2202:Reliefs on Musée Grévin-"Les nuées"
1715:An early Bourdelle work in bronze.
1651:A bronze of the Montauban painter.
895:In 1888 Bourdelle had produced his
578:Images of Bourdelle's war memorials
482:War Memorial. (monument aux morts)
4483:Jardin-musée Bourdelle d'Égreville
4417:List of works by Antoine Bourdelle
3501:"Église Saint-Martin Jeanne d'Arc"
2350:The National Gallery of Scotland.
1078:Montauban. Musée Ingres-Bourdelle
1056:Montauban; Musée Ingres-Bourdelle
1038:Bust of the great French painter.
975:"Beethoven, Grand Masque Tragique"
945:Mont-de-Marsan. Musée de la ville
741:Montauban. Musée Ingres-Bourdelle
510:War memorial (monument aux morts)
448:This monument is dedicated to the
356:War memorial (monument aux morts)
255:War Memorial (monument aux morts)
14:
2718:"Montceau-les-Mines War Memorial"
1919:"Oeuvre des orphelins des P.T.T."
1308:Église Saint-Église Saint-Martin
784:Musée Ingre-Bourdelle, Montauban
138:. From 1922 to 1923 he worked on
4360:
2815:"Capoulet-et-Junac War Memorial"
2678:Monument au sport et à Maysonnié
2411:"La Sculpture et l'Architecture"
2109:
2090:
2070:
2058:
2046:
1227:in 1923. Cast by Alexis Rudier.
779:Ernest Alexandre Honoré Coquelin
676:
660:
648:
636:
624:
608:
596:
584:
4508:Sculptures by Antoine Bourdelle
4431:Monument aux Morts de Montauban
4367:Sculptures by Antoine Bourdelle
4254:"The work "Sapho" in Montauban"
4113:"La mort du dernier centaure 2"
2415:"Une muse, dite Muse échevelée"
2166:"Ah Bourdelle, vous me quittez"
1889:Rodin at work on the sculpture
1657:La Première victoire d'Hannibal
926:also hold the plaster version.
336:Gaullism, was dynamited by the
142:and completed the maquette for
73:Académie de la Grande Chaumière
4166:"National Gallery of Scotland"
1725:National Gallery of Australia
1696:The Great Warrior of Montauban
1678:The Great Warrior of Montauban
906:"Beethoven aux grands cheveux"
874:"Beethoven aux grands cheveux"
820:Toulouse. Musée des Augustins
796:"Coquelin Cadet en Mascarille"
65:Great Tragic Mask of Beethoven
1:
2482:"Beethoven, a l'Architecture"
2254:"La mort du dernier centaure"
1801:Various locations, including
1669:The First Victory of Hannibal
1418:"Un bon Ă©collier des cchores"
1333:For this church, designed by
1205:Sir James Frazer by Bourdelle
1107:A bronze of the French poet.
1028:Jean-Auguste-Dominique Ingres
979:"Beethoven, dit Metropolitan"
577:
456:has at her feet the words of
429:the victory of good over evil
4317:"Monument to Honoré Daumier"
4230:"Théâtre des Champs-Élysées"
4209:"Théâtre des Champs-Élysées"
3097:Beethoven aux grands cheveux
2509:
2476:
2443:
2368:
2352:
2294:
2262:
2244:
2230:
2216:
2184:
2153:
1984:
1938:
1911:
1875:
1845:
1806:
1775:
1748:
1730:
1711:
1685:
1663:
1647:
1590:
1562:. The 1920 plaster model of
1526:
1502:
1482:
1462:
1446:
1409:
1387:
1329:
1322:Église Notre-Dame du Raincy
1313:
1293:
1265:
1219:
1179:
1157:
1141:
1119:
1103:
1080:
1058:
1034:
965:
947:
921:
880:
851:
836:
822:
808:
786:
769:
743:
712:"La Marquise Silvia de Mari"
515:
487:
444:
418:
395:
361:
304:
262:
205:
50:15th arrondissement of Paris
3546:"Votive depicting St Barbe"
2300:"La Naissance de la Beauté"
2280:La mort du dernier centaure
2228:Place Bourdelle, Montauban
1683:Bamberg Fondation Toulouse
1534:is part of the monument to
1304:"Jeanne d'Arc Ă l'Ă©tendard"
1280:"Jeanne d'Arc Ă l'Ă©tendard"
1167:Anatole France by Bourdelle
1044:Bust of Ingres by Bourdelle
987:"Beethoven assis au rocher"
270:. It uses Bourdelle's 1909
225:Grand Guerrier de Montauban
4544:
4190:Théâtre des Champs-Elysées
4071:"Self Portrait with a Hat"
3894:French Ministry of Culture
3394:"James George Frazer bust"
3357:French Ministry of Culture
3296:"Bust of Tristan Corbière"
3272:"Bust of Auguste Quercy 2"
3235:French Ministry of Culture
3170:French Ministry of Culture
3147:French Ministry of Culture
3124:French Ministry of Culture
3101:French Ministry of Culture
3078:French Ministry of Culture
3055:French Ministry of Culture
3032:French Ministry of Culture
2967:French Ministry of Culture
2407:"Apollon et sa méditation"
2362:Théâtre des Champs-Élysées
1993:becoming a good friend of
995:"Beethoven with Two Hands"
886:"Beethoven with long hair"
866:"Bust of François Moulenq"
3485:Jeanne d'Arc Ă l'Ă©tendard
2488:dates to the same period
2486:"Beethoven La Pathétique"
2239:Self Portrait with a Hat
1785:
1473:"Baigneuse Ă sa toilette"
1098:Bust of Tristan Corbière
846:Bust of François Moulenq
59:from 1888 as well as the
3251:"Bust of Auguste Quercy"
3166:Beethoven "Ă la colonne"
3074:Bust of François Moulenq
2450:Saint-Rémy-lès-Chevreuse
2248:A bronze self-portrait.
1931:("Heracles the Archer")
1288:Cathédrale Saint-André.
1177:Musée Ingres, Montauban
993:and 1908 saw the bronze
991:"Beethoven dans le vent"
963:Montauban. Musée Ingres
919:Montauban. Musée Ingres
878:Montauban; Musée Ingres
849:Montauban; Musée Ingres
817:Bust of CĂ©lestin Argaud
806:Montauban. Musée Ingres
777:Bust of Coquelin Cadet (
762:Benoît-Constant Coquelin
738:Bust of Emile Garrisson
591:"La France" at Briançon.
148:La Naissance d’Aphrodite
3677:"Force de la Volonté 3"
3656:"Force de la Volonté 2"
3051:Bust of CĂ©lestin Argaud
2963:Bust of Emile Garrisson
2780:, Retrieved 26 May 2014
2588:Emile Antoine Bourdelle
2474:Musee Ingres-Bourdelle
2065:The Mickievicz monument
1642:Bust of Pierre Laprade
1284:"Jeanne d'Arc au Sacre"
1256:"Jeanne d'Arc au Sacre"
1234:Cathedrals and churches
1136:Musée Despiau-Wlérick.
1032:Musée Ingres-Bourdelle
973:, 1901 saw him execute
834:Whereabouts not known.
767:Musée Bourdelle, Paris
753:Bust of Emile Garrisson
544:. The piece was called
79:, his pupils including
38:Émile Antoine Bordelles
3567:"Ludwig van Beethoven"
2817:. Histoire de l'Ariège
2495:
2465:
2424:
2320:"La Mémoire Théâtrale"
2281:
2203:
2168:
2162:
2125:Main works (continued)
1967:
1921:
1897:
1860:
1843:HĂ´tel de Ville. Paris
1838:Jean-Baptiste Carpeaux
1830:
1698:
1613:
1577:
1536:Carlos MarĂa de Alvear
1513:
1512:Bust of Gustave Eiffel
1421:
1397:
1359:Works in Musée d'Orsay
1206:
1199:
1168:
1092:
1069:
1045:
1021:
1010:
936:
907:
893:
867:
826:A work in terracotta.
803:Bust of Achille BouĂŻs
797:
754:
699:
573:
553:La Vierge Ă l'Offrande
532:, a room dominated by
474:
464:
402:la Vierge Ă l'Offrande
289:
246:
239:
233:
140:La Vierge à l’offrande
23:
4523:French male sculptors
4455:Bust of Auguste Rodin
4369:at Wikimedia Commons
3761:"Garçon de Montauban"
3635:"Force de la Volonté"
3459:Jeanne d'Arc au Sacre
2939:"Vierge Ă l'Enfant 2"
2493:
2459:
2422:
2304:"La Comédie musicale"
2279:
2201:
1961:
1888:
1858:
1825:
1694:
1612:Monument to de Alvear
1611:
1596:"Force de la Volonté"
1588:Musée d'Orsay, Paris
1575:
1564:"Force de la Volonté"
1524:Musée d'Orsay, Paris
1520:"Force de la Volonté"
1511:
1488:"VĂ©nus Ă sa toilette"
1204:
1166:
1090:
1068:Bust of Auguste Rodin
1067:
1043:
1015:
931:
905:
865:
795:
752:
546:"La Victoir du Droit"
288:"Monument aux Sports"
287:
244:
21:
4513:Sculptures by artist
3987:"Le Jour et la Nuit"
2210:"Le Jour et la Nuit"
1773:Petit Palais. Paris
1594:See entry above for
1381:Ludwig van Beethoven
551:Bourdelle's 1922/23
413:-monument aux morts
146:. He also completed
4447:Hercules the Archer
3316:Archives of Surgery
3120:Bust of LĂ©on Cladel
2900:on 14 December 2014
2894:"TrĂ´o War Memorial"
2858:"TrĂ´o War Memorial"
2837:"TrĂ´o War Memorial"
2373:Montaigne in 1910.
2328:"La Poésie lyrique"
2271:Salon des Tuileries
2099:"The Three Polands"
1705:Garçon de Montauban
1358:
1225:Salon des Tuileries
1185:James George Frazer
989:, 1904 to 1908 saw
693:Louis Gillet wrote
465:and below that the
391:Hartmannswillerkopf
359:Montceau-les-Mines
272:Hercules the Archer
268:Monument aux Sports
160:Masque de Bourdelle
105:Salon des Tuileries
4528:Art Deco sculptors
3866:"Carpeaux at work"
3573:on 14 October 2012
2661:2008-12-03 at the
2496:
2466:
2425:
2340:"Le Chant agreste"
2288:Opéra de Marseille
2282:
2204:
2188:The year 1900 saw
2031:L’Épopée Polonaise
1968:
1898:
1861:
1859:Statue of Carpeaux
1831:
1699:
1614:
1578:
1514:
1433:"Faune et Chèvres"
1429:"Petite Pastorale"
1207:
1189:"The Golden Bough"
1169:
1093:
1070:
1046:
1022:
1003:"dit Metropolitan"
937:
908:
868:
798:
755:
689:Busts by Bourdelle
485:Capoulet-et-Junac
393:Col-du-Silberloch
354:Montceau-les-Mines
290:
247:
116:Buste de Beethoven
81:Alberto Giacometti
24:
4495:
4494:
4403:Antoine Bourdelle
4365:Media related to
4134:"Marseille Opera"
3942:"Adam Mickiewicz"
3593:"Le bélier rétif"
3329:"Eugène Koeberlé"
2923:Vierge Ă l'Enfant
2522:
2521:
2322:and on her right
2037:
2036:
2025:. The bas-relief
1991:Collège de France
1895:The Gates of Hell
1618:
1617:
1425:"Le bélier rétif"
1403:"Le bélier rétif"
1349:
1348:
1262:Vitry-le-François
1231:
1230:
1174:Sir James Frazer
999:"Beethoven drapé"
942:Bust of Dr. Fege
557:Vierge Ă l'Enfant
522:
521:
480:Capoulet-et-Junac
467:Cross of Lorraine
319:Albert Bartholomé
280:Alfred Mayssonnié
220:Figures Hurlantes
216:Dragon sur Rocher
136:Vierge Ă l'enfant
34:Antoine Bourdelle
28:Antoine Bourdelle
4535:
4518:French sculptors
4396:
4389:
4382:
4373:
4364:
4349:
4348:
4346:
4344:
4334:
4328:
4327:
4325:
4323:
4313:
4307:
4306:
4304:
4302:
4292:
4286:
4285:
4283:
4281:
4271:
4265:
4264:
4262:
4260:
4250:
4244:
4243:
4241:
4239:
4234:
4226:
4220:
4219:
4217:
4215:
4205:
4196:
4195:
4183:
4177:
4176:
4174:
4172:
4162:
4156:
4155:
4153:
4151:
4145:
4139:. Archived from
4138:
4130:
4124:
4123:
4121:
4119:
4109:
4103:
4102:
4100:
4098:
4088:
4082:
4081:
4079:
4077:
4067:
4061:
4060:
4058:
4056:
4046:
4040:
4039:
4037:
4035:
4025:
4019:
4018:
4016:
4014:
4004:
3998:
3997:
3995:
3993:
3983:
3977:
3976:
3974:
3972:
3966:"Head of Apollo"
3962:
3956:
3955:
3953:
3951:
3946:
3938:
3932:
3931:
3929:
3927:
3917:
3911:
3906:
3900:
3899:
3883:
3877:
3876:
3874:
3872:
3862:
3856:
3855:
3853:
3851:
3841:
3835:
3834:
3832:
3830:
3820:
3814:
3813:
3811:
3809:
3799:
3793:
3792:
3790:
3788:
3778:
3772:
3771:
3769:
3767:
3757:
3751:
3750:
3748:
3746:
3740:"Pierre Laprade"
3736:
3730:
3729:
3727:
3725:
3715:
3709:
3708:
3706:
3704:
3694:
3688:
3687:
3685:
3683:
3673:
3667:
3666:
3664:
3662:
3652:
3646:
3645:
3643:
3641:
3631:
3625:
3624:
3622:
3620:
3610:
3604:
3603:
3601:
3599:
3589:
3583:
3582:
3580:
3578:
3569:. Archived from
3563:
3557:
3556:
3554:
3552:
3542:
3536:
3535:
3523:
3517:
3516:
3514:
3512:
3503:. Archived from
3497:
3491:
3490:
3478:
3472:
3471:
3469:
3467:
3453:
3447:
3446:
3444:
3442:
3436:"Auguste Perret"
3432:
3426:
3425:
3423:
3421:
3411:
3405:
3404:
3402:
3400:
3390:
3384:
3383:
3381:
3379:
3373:"Anatole France"
3369:
3363:
3362:
3346:
3340:
3339:
3337:
3335:
3325:
3319:
3313:
3307:
3306:
3304:
3302:
3292:
3286:
3285:
3283:
3281:
3276:
3268:
3262:
3261:
3259:
3257:
3247:
3241:
3240:
3224:
3218:
3217:
3215:
3213:
3203:
3197:
3196:
3194:
3192:
3182:
3176:
3175:
3159:
3153:
3152:
3143:Bust of Dr. Fege
3136:
3130:
3129:
3113:
3107:
3106:
3090:
3084:
3083:
3067:
3061:
3060:
3044:
3038:
3037:
3021:
3015:
3014:
3012:
3010:
3004:"Coquelin Cadet"
3000:
2994:
2993:
2991:
2989:
2979:
2973:
2972:
2956:
2950:
2949:
2947:
2945:
2935:
2929:
2928:
2916:
2910:
2909:
2907:
2905:
2896:. Archived from
2890:
2884:
2883:
2877:
2869:
2867:
2865:
2854:
2848:
2847:
2845:
2843:
2833:
2827:
2826:
2824:
2822:
2811:
2805:
2804:
2802:
2800:
2795:
2787:
2781:
2775:
2769:
2768:
2766:
2764:
2754:
2748:
2747:
2735:
2729:
2728:
2726:
2724:
2714:
2708:
2707:
2705:
2703:
2698:
2690:
2684:
2683:
2671:
2665:
2653:
2647:
2646:
2644:
2642:
2632:
2626:
2625:
2623:
2621:
2616:
2608:
2599:
2585:
2540:
2535:
2242:Musée Bourdelle
2214:Musée Bourdelle
2147:"TĂŞte d'Apollon"
2129:
2113:
2094:
2081:to the left and
2074:
2062:
2050:
1954:Le Lion de Némée
1950:L'hydre de Lerne
1891:Porte de l'Enfer
1881:Porte de l'Enfer
1790:
1789:
1709:Musée Bourdelle
1645:Musée Bourdelle
1625:
1363:
1238:
1145:A plaster bust.
1101:Musée Bourdelle
721:
680:
664:
652:
640:
628:
612:
600:
588:
388:Soultz-Haut-Rhin
179:
128:Centaure mourant
93:Germaine Richier
85:Aristide Maillol
4543:
4542:
4538:
4537:
4536:
4534:
4533:
4532:
4498:
4497:
4496:
4491:
4479:Musée Bourdelle
4467:
4405:
4400:
4358:
4353:
4352:
4342:
4340:
4336:
4335:
4331:
4321:
4319:
4315:
4314:
4310:
4300:
4298:
4294:
4293:
4289:
4279:
4277:
4273:
4272:
4268:
4258:
4256:
4252:
4251:
4247:
4237:
4235:
4232:
4228:
4227:
4223:
4213:
4211:
4207:
4206:
4199:
4193:
4184:
4180:
4170:
4168:
4164:
4163:
4159:
4149:
4147:
4146:on 14 July 2014
4143:
4136:
4132:
4131:
4127:
4117:
4115:
4111:
4110:
4106:
4096:
4094:
4090:
4089:
4085:
4075:
4073:
4069:
4068:
4064:
4054:
4052:
4048:
4047:
4043:
4033:
4031:
4027:
4026:
4022:
4012:
4010:
4006:
4005:
4001:
3991:
3989:
3985:
3984:
3980:
3970:
3968:
3964:
3963:
3959:
3949:
3947:
3944:
3940:
3939:
3935:
3925:
3923:
3919:
3918:
3914:
3907:
3903:
3897:
3884:
3880:
3870:
3868:
3864:
3863:
3859:
3849:
3847:
3843:
3842:
3838:
3828:
3826:
3822:
3821:
3817:
3807:
3805:
3801:
3800:
3796:
3786:
3784:
3780:
3779:
3775:
3765:
3763:
3759:
3758:
3754:
3744:
3742:
3738:
3737:
3733:
3723:
3721:
3717:
3716:
3712:
3702:
3700:
3696:
3695:
3691:
3681:
3679:
3675:
3674:
3670:
3660:
3658:
3654:
3653:
3649:
3639:
3637:
3633:
3632:
3628:
3618:
3616:
3612:
3611:
3607:
3597:
3595:
3591:
3590:
3586:
3576:
3574:
3565:
3564:
3560:
3550:
3548:
3544:
3543:
3539:
3533:
3524:
3520:
3510:
3508:
3507:on 14 July 2014
3499:
3498:
3494:
3488:
3479:
3475:
3465:
3463:
3455:
3454:
3450:
3440:
3438:
3434:
3433:
3429:
3419:
3417:
3413:
3412:
3408:
3398:
3396:
3392:
3391:
3387:
3377:
3375:
3371:
3370:
3366:
3360:
3347:
3343:
3333:
3331:
3327:
3326:
3322:
3314:
3310:
3300:
3298:
3294:
3293:
3289:
3279:
3277:
3274:
3270:
3269:
3265:
3255:
3253:
3249:
3248:
3244:
3238:
3225:
3221:
3211:
3209:
3205:
3204:
3200:
3190:
3188:
3184:
3183:
3179:
3173:
3160:
3156:
3150:
3137:
3133:
3127:
3114:
3110:
3104:
3091:
3087:
3081:
3068:
3064:
3058:
3045:
3041:
3035:
3022:
3018:
3008:
3006:
3002:
3001:
2997:
2987:
2985:
2983:"Coquelin Ainé"
2981:
2980:
2976:
2970:
2957:
2953:
2943:
2941:
2937:
2936:
2932:
2926:
2917:
2913:
2903:
2901:
2892:
2891:
2887:
2870:
2863:
2861:
2856:
2855:
2851:
2841:
2839:
2835:
2834:
2830:
2820:
2818:
2813:
2812:
2808:
2798:
2796:
2793:
2789:
2788:
2784:
2776:
2772:
2762:
2760:
2756:
2755:
2751:
2745:
2736:
2732:
2722:
2720:
2716:
2715:
2711:
2701:
2699:
2696:
2692:
2691:
2687:
2681:
2672:
2668:
2663:Wayback Machine
2654:
2650:
2640:
2638:
2634:
2633:
2629:
2619:
2617:
2614:
2610:
2609:
2602:
2586:
2543:
2536:
2532:
2527:
2194:proscenium arch
2127:
2120:
2114:
2105:
2095:
2086:
2075:
2066:
2063:
2054:
2051:
2042:
1980:Place de l’Alma
1975:Adam Mickiewicz
1909:Musée du Temps
1623:
1560:Musée Bourdelle
1361:
1236:
1113:Eugène Koeberlé
1075:Auguste Quercy
932:Bronze bust of
913:Bronze bust of
760:Coquelin Ainé (
691:
684:
681:
672:
665:
656:
653:
644:
641:
632:
629:
620:
613:
604:
601:
592:
589:
580:
440:Palais de Tokyo
333:Pointe de Grave
314:Pointe de Grave
177:
124:Le bélier rétif
112:Musée Bourdelle
46:Musée Bourdelle
12:
11:
5:
4541:
4539:
4531:
4530:
4525:
4520:
4515:
4510:
4500:
4499:
4493:
4492:
4490:
4489:
4484:
4481:
4475:
4473:
4469:
4468:
4466:
4465:
4459:
4451:
4443:
4435:
4427:
4419:
4413:
4411:
4407:
4406:
4401:
4399:
4398:
4391:
4384:
4376:
4357:
4356:External links
4354:
4351:
4350:
4329:
4308:
4287:
4266:
4245:
4221:
4197:
4178:
4157:
4125:
4104:
4083:
4062:
4041:
4020:
3999:
3978:
3957:
3933:
3912:
3901:
3878:
3857:
3836:
3815:
3803:"Lycée Ingres"
3794:
3773:
3752:
3731:
3710:
3689:
3668:
3647:
3626:
3605:
3584:
3558:
3537:
3518:
3492:
3473:
3448:
3427:
3406:
3385:
3364:
3353:Onésime Reclus
3341:
3320:
3308:
3287:
3263:
3242:
3219:
3198:
3177:
3154:
3131:
3108:
3085:
3062:
3039:
3016:
2995:
2974:
2951:
2930:
2911:
2885:
2849:
2828:
2806:
2782:
2770:
2749:
2730:
2709:
2685:
2666:
2648:
2627:
2600:
2541:
2529:
2528:
2526:
2523:
2520:
2519:
2515:Honoré Daumier
2511:
2508:
2505:
2503:Honoré Daumier
2498:
2497:
2478:
2475:
2472:
2468:
2467:
2445:
2442:
2437:
2427:
2426:
2383:Isadora Duncan
2375:Auguste Perret
2370:
2367:
2364:
2358:
2357:
2353:
2351:
2348:
2347:"Virgin Mary"
2344:
2343:
2332:"La MĂ©ditation
2295:
2293:
2290:
2284:
2283:
2264:
2261:
2256:
2250:
2249:
2246:
2243:
2240:
2236:
2235:
2232:
2229:
2226:
2222:
2221:
2218:
2215:
2212:
2206:
2205:
2190:Gabriel Thomas
2186:
2183:
2180:
2174:
2173:
2155:
2152:
2151:Musée d'Orsay
2149:
2143:
2142:
2139:
2136:
2133:
2126:
2123:
2122:
2121:
2115:
2108:
2106:
2096:
2089:
2087:
2083:"The Captives"
2076:
2069:
2067:
2064:
2057:
2055:
2052:
2045:
2041:
2038:
2035:
2034:
2027:Trois Polognes
1995:Jules Michelet
1986:
1983:
1977:
1970:
1969:
1940:
1937:
1932:
1925:
1924:
1913:
1910:
1904:
1900:
1899:
1877:
1874:
1869:
1863:
1862:
1847:
1844:
1841:
1833:
1832:
1808:
1805:
1799:
1793:
1792:
1777:
1774:
1771:
1761:
1760:
1757:Jules Michelet
1753:François Arago
1749:
1747:
1744:
1740:
1739:
1732:
1729:
1723:
1717:
1716:
1713:
1710:
1707:
1701:
1700:
1687:
1684:
1681:
1673:
1672:
1665:
1662:
1659:
1653:
1652:
1649:
1646:
1643:
1639:
1638:
1635:
1632:
1629:
1622:
1619:
1616:
1615:
1592:
1589:
1586:
1580:
1579:
1528:
1525:
1522:
1516:
1515:
1504:
1501:
1500:Musée d'Orsay
1498:
1496:Gustave Eiffel
1492:
1491:
1484:
1481:
1475:
1469:
1468:
1464:
1461:
1460:Musée d'Orsay
1458:
1452:
1451:
1448:
1445:
1444:Musée d'Orsay
1442:
1438:
1437:
1411:
1408:
1407:Musée d'Orsay
1405:
1399:
1398:
1389:
1386:
1385:Musée d'Orsay
1383:
1377:
1376:
1373:
1370:
1367:
1360:
1357:
1347:
1346:
1335:Auguste Perret
1331:
1328:
1323:
1319:
1318:
1315:
1312:
1306:
1300:
1299:
1295:
1292:
1286:
1276:
1275:
1267:
1264:
1258:
1252:
1251:
1248:
1245:
1242:
1235:
1232:
1229:
1228:
1221:
1218:
1217:Musée d'Orsay
1215:
1213:Auguste Perret
1209:
1208:
1181:
1178:
1175:
1171:
1170:
1159:
1156:
1155:Musée d'Orsay
1153:
1151:Anatole France
1147:
1146:
1143:
1140:
1138:Mont-de-Marsan
1134:
1132:Onésime Reclus
1128:
1127:
1121:
1118:
1117:Musée d'Orsay
1115:
1109:
1108:
1105:
1102:
1099:
1095:
1094:
1091:Auguste Quercy
1082:
1079:
1076:
1072:
1071:
1060:
1057:
1054:
1048:
1047:
1036:
1033:
1030:
1024:
1023:
1018:"Ă la colonne"
971:"Ă la colonne"
967:
964:
961:
958:"Ă la colonne"
953:
952:
949:
946:
943:
939:
938:
923:
920:
917:
910:
909:
882:
879:
876:
870:
869:
858:Valence d'Agen
853:
850:
847:
843:
842:
838:
835:
832:
828:
827:
824:
821:
818:
814:
813:
810:
807:
804:
800:
799:
788:
785:
782:
774:
773:
770:
768:
765:
757:
756:
745:
742:
739:
735:
734:
731:
728:
725:
690:
687:
686:
685:
682:
675:
673:
666:
659:
657:
654:
647:
645:
642:
635:
633:
630:
623:
621:
614:
607:
605:
602:
595:
593:
590:
583:
579:
576:
538:Isadora Duncan
530:Palais Bourbon
520:
519:
516:
514:
511:
504:
503:
488:
486:
483:
476:
475:
446:
443:
437:
433:
432:
420:
417:
414:
406:
405:
397:
394:
385:
381:
380:
363:
360:
357:
350:
349:
306:
303:
298:
292:
291:
264:
261:
256:
249:
248:
207:
204:
199:
193:
192:
189:
186:
183:
176:
173:
101:Tête d’Apollon
61:Head of Apollo
13:
10:
9:
6:
4:
3:
2:
4540:
4529:
4526:
4524:
4521:
4519:
4516:
4514:
4511:
4509:
4506:
4505:
4503:
4488:
4485:
4482:
4480:
4477:
4476:
4474:
4470:
4463:
4460:
4457:
4456:
4452:
4449:
4448:
4444:
4441:
4440:
4436:
4433:
4432:
4428:
4425:
4424:
4420:
4418:
4415:
4414:
4412:
4408:
4404:
4397:
4392:
4390:
4385:
4383:
4378:
4377:
4374:
4370:
4368:
4363:
4355:
4339:
4333:
4330:
4318:
4312:
4309:
4297:
4291:
4288:
4276:
4270:
4267:
4255:
4249:
4246:
4231:
4225:
4222:
4210:
4204:
4202:
4198:
4191:
4187:
4182:
4179:
4167:
4161:
4158:
4142:
4135:
4129:
4126:
4114:
4108:
4105:
4093:
4087:
4084:
4072:
4066:
4063:
4051:
4045:
4042:
4030:
4024:
4021:
4009:
4003:
4000:
3988:
3982:
3979:
3967:
3961:
3958:
3943:
3937:
3934:
3922:
3916:
3913:
3910:
3905:
3902:
3895:
3891:
3887:
3882:
3879:
3867:
3861:
3858:
3846:
3840:
3837:
3825:
3819:
3816:
3804:
3798:
3795:
3783:
3777:
3774:
3762:
3756:
3753:
3741:
3735:
3732:
3720:
3714:
3711:
3699:
3693:
3690:
3678:
3672:
3669:
3657:
3651:
3648:
3636:
3630:
3627:
3615:
3609:
3606:
3594:
3588:
3585:
3572:
3568:
3562:
3559:
3547:
3541:
3538:
3531:
3527:
3522:
3519:
3506:
3502:
3496:
3493:
3486:
3482:
3477:
3474:
3462:
3460:
3452:
3449:
3437:
3431:
3428:
3416:
3410:
3407:
3395:
3389:
3386:
3374:
3368:
3365:
3358:
3354:
3350:
3345:
3342:
3330:
3324:
3321:
3317:
3312:
3309:
3297:
3291:
3288:
3273:
3267:
3264:
3252:
3246:
3243:
3236:
3232:
3231:Bust of Rodin
3228:
3223:
3220:
3208:
3202:
3199:
3187:
3181:
3178:
3171:
3167:
3163:
3158:
3155:
3148:
3144:
3140:
3135:
3132:
3125:
3121:
3117:
3112:
3109:
3102:
3098:
3094:
3089:
3086:
3079:
3075:
3071:
3066:
3063:
3056:
3052:
3048:
3043:
3040:
3033:
3029:
3028:Achille BouĂŻs
3025:
3020:
3017:
3005:
2999:
2996:
2984:
2978:
2975:
2968:
2964:
2960:
2955:
2952:
2940:
2934:
2931:
2924:
2920:
2915:
2912:
2899:
2895:
2889:
2886:
2881:
2875:
2859:
2853:
2850:
2838:
2832:
2829:
2816:
2810:
2807:
2792:
2786:
2783:
2779:
2774:
2771:
2759:
2753:
2750:
2743:
2739:
2734:
2731:
2719:
2713:
2710:
2695:
2689:
2686:
2679:
2675:
2670:
2667:
2664:
2660:
2657:
2652:
2649:
2637:
2631:
2628:
2613:
2607:
2605:
2601:
2597:
2596:0 86294 039 7
2593:
2589:
2584:
2582:
2580:
2578:
2576:
2574:
2572:
2570:
2568:
2566:
2564:
2562:
2560:
2558:
2556:
2554:
2552:
2550:
2548:
2546:
2542:
2539:
2534:
2531:
2524:
2516:
2512:
2506:
2504:
2500:
2499:
2492:
2487:
2483:
2479:
2473:
2470:
2469:
2463:
2458:
2454:
2451:
2446:
2441:
2438:
2436:
2434:
2429:
2428:
2421:
2416:
2412:
2408:
2404:
2400:
2396:
2392:
2388:
2387:"La Tragédie"
2384:
2380:
2376:
2371:
2369:1910 to 1913
2365:
2363:
2360:
2359:
2354:
2349:
2346:
2345:
2341:
2337:
2333:
2329:
2325:
2324:"La Tragédie"
2321:
2317:
2313:
2309:
2305:
2301:
2296:
2291:
2289:
2286:
2285:
2278:
2274:
2272:
2265:
2260:
2257:
2255:
2252:
2251:
2247:
2241:
2238:
2237:
2233:
2227:
2224:
2223:
2219:
2213:
2211:
2208:
2207:
2200:
2195:
2191:
2187:
2181:
2179:
2176:
2175:
2172:
2167:
2161:
2156:
2150:
2148:
2145:
2144:
2137:
2134:
2131:
2130:
2124:
2119:
2112:
2107:
2104:
2100:
2093:
2088:
2085:to the right.
2084:
2080:
2073:
2068:
2061:
2056:
2049:
2044:
2039:
2032:
2028:
2024:
2020:
2016:
2015:
2010:
2006:
2005:
2000:
1996:
1992:
1987:
1981:
1978:
1976:
1972:
1971:
1965:
1960:
1955:
1951:
1946:
1941:
1936:
1933:
1930:
1927:
1926:
1920:
1914:
1908:
1905:
1902:
1901:
1896:
1892:
1887:
1882:
1878:
1873:
1870:
1868:
1865:
1864:
1857:
1852:
1851:Second Empire
1848:
1842:
1840:
1839:
1835:
1834:
1828:
1824:
1819:
1814:
1809:
1804:
1800:
1798:
1795:
1794:
1788:
1782:
1778:
1776:1902 to 1911
1772:
1770:
1766:
1763:
1762:
1758:
1754:
1750:
1745:
1743:Lycée Ingres
1742:
1741:
1737:
1733:
1728:
1724:
1722:
1719:
1718:
1714:
1708:
1706:
1703:
1702:
1697:
1693:
1688:
1682:
1680:
1679:
1675:
1674:
1670:
1666:
1661:Musée Ingres
1660:
1658:
1655:
1654:
1650:
1644:
1641:
1640:
1633:
1630:
1627:
1626:
1620:
1610:
1605:
1601:
1600:"La Victoire"
1597:
1593:
1591:1919 to 1920
1587:
1585:
1584:"La Victoire"
1582:
1581:
1574:
1569:
1565:
1561:
1557:
1556:"l'Eloquence"
1553:
1549:
1545:
1544:"La Victoire"
1541:
1537:
1533:
1529:
1527:1914 to 1922
1523:
1521:
1518:
1517:
1510:
1505:
1499:
1497:
1494:
1493:
1489:
1485:
1480:
1476:
1474:
1471:
1470:
1465:
1459:
1457:
1454:
1453:
1449:
1443:
1441:"Combattant"
1440:
1439:
1436:
1434:
1430:
1427:he worked on
1426:
1420:
1419:
1412:
1406:
1404:
1401:
1400:
1396:
1390:
1384:
1382:
1379:
1378:
1371:
1368:
1365:
1364:
1356:
1354:
1344:
1340:
1336:
1332:
1327:
1324:
1321:
1320:
1316:
1311:
1307:
1305:
1302:
1301:
1296:
1291:
1287:
1285:
1281:
1278:
1277:
1273:
1268:
1263:
1259:
1257:
1254:
1253:
1246:
1243:
1240:
1239:
1233:
1226:
1222:
1216:
1214:
1211:
1210:
1203:
1198:
1196:
1190:
1186:
1182:
1176:
1173:
1172:
1165:
1160:
1154:
1152:
1149:
1148:
1144:
1139:
1135:
1133:
1130:
1129:
1126:
1122:
1116:
1114:
1111:
1110:
1106:
1100:
1097:
1096:
1089:
1083:
1077:
1074:
1073:
1066:
1061:
1055:
1053:
1052:Bust of Rodin
1050:
1049:
1042:
1037:
1031:
1029:
1026:
1025:
1019:
1014:
1009:
1004:
1000:
996:
992:
988:
984:
980:
976:
972:
968:
962:
959:
955:
954:
950:
944:
941:
940:
935:
930:
924:
918:
916:
912:
911:
904:
900:
898:
892:
887:
883:
877:
875:
872:
871:
864:
859:
854:
848:
845:
844:
839:
833:
830:
829:
825:
819:
816:
815:
811:
805:
802:
801:
794:
789:
783:
780:
776:
775:
771:
766:
763:
759:
758:
751:
746:
740:
737:
736:
729:
726:
723:
722:
719:
717:
716:"St Merlatti"
713:
709:
705:
698:
694:
688:
679:
674:
670:
663:
658:
651:
646:
639:
634:
627:
622:
618:
611:
606:
599:
594:
587:
582:
575:
572:
568:
566:
563:limestone at
562:
558:
554:
549:
547:
543:
539:
535:
531:
527:
517:
512:
509:
506:
505:
501:
497:
496:la souffrance
493:
489:
484:
481:
478:
477:
473:
468:
463:
459:
458:Charles PĂ©guy
455:
451:
447:
441:
438:
435:
434:
430:
426:
421:
415:
412:
409:War Memorial
408:
407:
403:
398:
392:
389:
386:
383:
382:
379:
377:
376:Pierre Munier
372:
364:
362:1924 to 1928
358:
355:
352:
351:
347:
343:
339:
334:
329:
325:
320:
315:
311:
307:
302:
299:
297:
294:
293:
286:
281:
277:
273:
269:
265:
260:
257:
254:
251:
250:
243:
238:
232:
226:
221:
217:
213:
208:
206:1893 to 1902
203:
200:
198:
195:
194:
187:
184:
181:
180:
175:War memorials
174:
172:
170:
165:
161:
157:
153:
149:
145:
141:
137:
133:
129:
125:
121:
117:
113:
108:
106:
102:
98:
94:
90:
86:
82:
78:
74:
70:
66:
62:
58:
53:
51:
47:
43:
39:
35:
31:
29:
20:
16:
4487:Musée Ingres
4453:
4445:
4437:
4429:
4421:
4416:
4359:
4341:. Retrieved
4332:
4320:. Retrieved
4311:
4299:. Retrieved
4290:
4278:. Retrieved
4269:
4257:. Retrieved
4248:
4236:. Retrieved
4224:
4212:. Retrieved
4186:Base Mérimée
4181:
4169:. Retrieved
4160:
4148:. Retrieved
4141:the original
4128:
4116:. Retrieved
4107:
4095:. Retrieved
4086:
4074:. Retrieved
4065:
4053:. Retrieved
4044:
4032:. Retrieved
4023:
4011:. Retrieved
4002:
3990:. Retrieved
3981:
3969:. Retrieved
3960:
3948:. Retrieved
3936:
3924:. Retrieved
3915:
3904:
3890:P.T.T plaque
3886:Base Joconde
3881:
3869:. Retrieved
3860:
3848:. Retrieved
3839:
3827:. Retrieved
3818:
3806:. Retrieved
3797:
3785:. Retrieved
3776:
3764:. Retrieved
3755:
3743:. Retrieved
3734:
3722:. Retrieved
3713:
3701:. Retrieved
3692:
3680:. Retrieved
3671:
3659:. Retrieved
3650:
3638:. Retrieved
3629:
3617:. Retrieved
3614:"L'Offrande"
3608:
3596:. Retrieved
3587:
3575:. Retrieved
3571:the original
3561:
3549:. Retrieved
3540:
3526:Base Mérimée
3521:
3509:. Retrieved
3505:the original
3495:
3481:Base Palissy
3476:
3464:. Retrieved
3458:
3451:
3439:. Retrieved
3430:
3418:. Retrieved
3409:
3397:. Retrieved
3388:
3376:. Retrieved
3367:
3349:Base Joconde
3344:
3332:. Retrieved
3323:
3311:
3299:. Retrieved
3290:
3278:. Retrieved
3266:
3254:. Retrieved
3245:
3227:Base Joconde
3222:
3210:. Retrieved
3201:
3189:. Retrieved
3180:
3162:Base Joconde
3157:
3139:Base Joconde
3134:
3116:Base Joconde
3111:
3093:Base Joconde
3088:
3070:Base Joconde
3065:
3047:Base Joconde
3042:
3024:Base Joconde
3019:
3007:. Retrieved
2998:
2986:. Retrieved
2977:
2959:Base Joconde
2954:
2942:. Retrieved
2933:
2919:Base Palissy
2914:
2902:. Retrieved
2898:the original
2888:
2862:. Retrieved
2852:
2840:. Retrieved
2831:
2819:. Retrieved
2809:
2797:. Retrieved
2785:
2773:
2761:. Retrieved
2752:
2738:Base Palissy
2733:
2721:. Retrieved
2712:
2700:. Retrieved
2688:
2674:Base Mérimée
2669:
2651:
2639:. Retrieved
2630:
2618:. Retrieved
2587:
2533:
2501:Monument to
2485:
2481:
2464:in Montauban
2461:
2460:Bourdelle's
2453:
2430:
2414:
2410:
2406:
2403:"La Comédie"
2402:
2398:
2394:
2391:Musée Ingres
2386:
2339:
2336:"La MĂ©moire"
2335:
2331:
2327:
2323:
2319:
2315:
2311:
2307:
2303:
2299:
2268:
2253:
2209:
2178:Musée Grévin
2169:
2165:
2159:
2146:
2117:
2102:
2098:
2082:
2079:"Old Halban"
2078:
2030:
2026:
2022:
2018:
2012:
2009:The Captives
2008:
2002:
1999:Edgar Quinet
1973:Monument to
1963:
1953:
1949:
1928:
1918:
1894:
1890:
1880:
1866:
1836:
1826:
1812:
1796:
1787:Petit Palais
1768:
1764:
1735:
1720:
1704:
1695:
1676:
1668:
1656:
1603:
1599:
1595:
1583:
1563:
1555:
1552:"La Liberté"
1551:
1547:
1543:
1540:Buenos-Aires
1531:
1519:
1487:
1477:La Piscine.
1472:
1456:"L'Offrande"
1455:
1432:
1428:
1424:
1422:
1417:
1416:
1402:
1394:
1350:
1303:
1283:
1279:
1255:
1194:
1193:
1188:
1017:
1016:Beethoven (
1007:
1002:
998:
994:
990:
986:
982:
978:
974:
970:
957:
896:
894:
890:
885:
873:
715:
711:
710:in 1886 and
707:
703:
700:
696:
692:
671:composition.
668:
616:
574:
570:
556:
552:
550:
545:
525:
523:
499:
495:
491:
471:
461:
453:
428:
424:
401:
367:
345:
324:Grand Palais
309:
295:
275:
271:
267:
236:
230:
224:
219:
218:in 1897 and
215:
196:
169:Montparnasse
163:
159:
155:
151:
147:
143:
139:
135:
131:
127:
123:
119:
115:
109:
100:
96:
77:Montparnasse
68:
64:
60:
56:
54:
37:
33:
32:
25:
15:
4464:(1913–1925)
4194:(in French)
3898:(in French)
3782:"Maternité"
3534:(in French)
3489:(in French)
3361:(in French)
3239:(in French)
3174:(in French)
3151:(in French)
3128:(in French)
3105:(in French)
3082:(in French)
3059:(in French)
3036:(in French)
2971:(in French)
2927:(in French)
2746:(in French)
2682:(in French)
2023:Old Haslban
1872:Musée Rodin
1736:"praticien"
997:, and 1910
981:, 1903 the
956:Beethoven (
934:LĂ©on Cladel
915:LĂ©on Cladel
860:'s mairie.
565:Niederbruck
450:Free French
346:"La France"
4502:Categories
4410:Sculptures
3824:"Pénélope"
3719:"Victoire"
3698:"Victoire"
2525:References
2507:Marseille
2399:"La Danse"
2316:"Le Chant"
2312:"l’Epopée"
2308:"La Danse"
2292:Marseille
1935:Le VĂ©sinet
1746:Montauban
1621:Main works
1604:"La Force"
1548:"La Force"
1532:"La Force"
416:Montauban
342:Coëtquidan
132:La Liberté
52:, France.
4439:The Fruit
4338:"Daumier"
4322:6 January
4296:"Daumier"
2440:Montauban
2395:"Musique"
2259:Montauban
2135:Location
2004:Wallenrod
1721:Maternité
1631:Location
1431:in 1907,
1369:Location
1326:Le Raincy
1244:Location
1125:hemostats
727:Location
718:in 1887.
669:La France
617:La France
561:chauvigny
534:Delacroix
454:La France
425:La France
411:Montauban
310:La France
296:La France
202:Montauban
185:Location
164:La France
144:La France
89:René Iché
3207:"Ingres"
2874:cite web
2694:"Athena"
2659:Archived
2518:Daviel.
2462:"Sappho"
2154:1900–09
2118:"Dziady"
2103:"Aldona"
1962:Copy of
1923:father.
1907:Besançon
1827:Pénélope
1818:Canberra
1813:Pénélope
1807:1905–12
1803:Canberra
1797:Pénélope
1765:Le fruit
1727:Canberra
1568:Grenoble
1343:tympanum
1341:for the
1310:Barentin
1290:Bordeaux
1272:standard
977:, 1902
708:"Marais"
559:in grey
542:hoplites
396:1922–24
371:phrygian
305:1920–23
301:Briançon
259:Toulouse
253:Toulouse
156:Le Livre
97:Héraklès
63:and his
57:La Nonne
42:sculptor
4472:Museums
4275:"Sapho"
2334:", and
1966:in Lyon
1479:Roubaix
500:la mort
492:la peur
4458:(1910)
4450:(1909)
4442:(1906)
4434:(1894)
4426:(1889)
4343:4 June
4301:4 June
4280:23 May
4259:23 May
4238:26 May
4214:22 May
4171:22 May
4150:26 May
4118:23 May
4097:23 May
4076:27 May
4055:29 May
4034:29 May
4013:29 May
3992:28 May
3971:26 May
3950:24 May
3926:24 May
3871:27 May
3850:25 May
3829:23 May
3808:27 May
3787:25 May
3766:27 May
3745:27 May
3724:21 May
3703:21 May
3682:21 May
3661:21 May
3640:21 May
3619:24 May
3598:23 May
3577:24 May
3551:3 June
3511:27 May
3466:3 June
3441:24 May
3420:26 May
3399:26 May
3378:27 May
3334:24 May
3301:27 May
3280:26 May
3256:26 May
3212:29 May
3191:29 May
3009:29 May
2988:4 June
2944:22 May
2904:29 May
2864:29 May
2842:29 May
2821:29 May
2799:26 May
2763:24 May
2723:26 May
2702:27 May
2641:24 May
2620:26 May
2594:
2433:Sappho
2379:atrium
2366:Paris
2182:Paris
2141:Notes
2019:Aldona
2014:Dziady
1982:Paris
1945:Meudon
1781:Pomona
1769:Pomone
1637:Notes
1375:Notes
1353:votive
1250:Notes
733:Notes
704:"Adam"
442:Paris
328:Athena
191:Notes
152:Sappho
4233:(PDF)
4144:(PDF)
4137:(PDF)
3945:(PDF)
3275:(PDF)
2794:(PDF)
2697:(PDF)
2615:(PDF)
2510:1949
2477:1924
2444:1925
2263:1914
2245:1929
2231:1925
2217:1903
2185:1900
2138:Date
2132:Name
1985:1909
1939:1929
1912:1915
1876:1910
1846:1909
1731:1893
1712:1885
1686:1898
1664:1885
1648:1881
1634:Date
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