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vapour bubbles when exposed to the heat of the projector lamp with the heat filters removed. Consequently, randomly pulsing and moving blobs of colour were projected on the screen creating the light show. Before the projected layers totally dried out a new slide would be switched in the projector slide holder, meanwhile the old glass would be removed, cleaned and refurbished with new dyes and the projection process would continue. The surface tension of the liquids largely retained the mixtures between the glass slides, but the process was nevertheless very messy indeed and operators had their hands almost permanently stained by the dyes. A popular choice of colored liquids for light shows was
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Woodstock a mere few days later would lead them to an “audition” at the
Fillmore East in November of 1969 and through many performances elsewhere before taking over as House Light Show at Bill Graham’s Fillmore East in June of 1970 and as House Light Show at The Capitol Theatre in Passaic, NJ after the Fillmore’s closing in 1971. PLS also appeared weekly in the CBS Summer series “Comedy Tonight” with Robert Klein as well as Avco Broadcasting’s “Midsummer Pop” and ABC’s “Super Elastic Plastic Goggles” in 1970. After disbanding Pig Light Show (save for a show or two a year) Marc reintroduced Pig Light Show in 2007 in a digital improvisation performance platform.
453:) and his wife Joan Andersen with the help of their friend John Blackwell and his wife. Their vivid lightshows were a staple during the psychedelic music heyday and they did light shows (usually at the Fillmore) for such bands the Jimi Hendrix Experience, Pink Floyd, the Doors, Ike and Tina Turner, the Grateful Dead, Big Brother and the Holding Company, Jefferson Airplane, It's a Beautiful Day, Yardbirds and many more. "We used about 15 to 20 projectors simultaneously in an evening," Ray Andersen
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361:(SF), Little Princess 109 (SF), LSD, Ed's Amazing Liquid Light Show, Abercrombe Lights (SF), the Single Wing Turquoise Bird light show (California), Sector (Alberto Zanotti) and Anna Patti (Italy). The Incredible Liteshow was run by Gary Gand in Chicago. Gand and his wife Joan went on to pioneer electronics in the Rock n Roll industry becoming the first Moog synthesizer dealer in the US and later the first Apple computer dealer in the music industry.
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457:. "We used overhead projectors and color wheels, strobes, clock faces, and dishes in various sizes. We mixed dyes, liquids, and oils and manipulated them. We used as many as a dozen carousel slide projectors or other slide projectors and as many as five movie projectors that would run either reels or loops. We used everything; you really had to work the limit." Ray also went to England to do lights for The
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467:(Mary Ann Mayer, Joan Chase and John Hardham, SF), did shows and album covers for Santana, the Jefferson Airplane and the Grateful Dead before moving into planetariums in the 1970s. The cover of the LP Santana III is an image (or set of images) from their show. Their work is characterized by extensive use of photographs and film sequences in addition to psychedelic oil effects.
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for almost its entire existence. Formed from a lighting company called
Sensefex which had been started by Joshua White, Thomas Shoesmith and Bill Shwarzbach, they moved to the Fillmore and became the Joshua Lightshow. Cecily Jaffe (at that time Cecily Hoyt) had now joined the team. Later they changed
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heat filters (one or both) removed and employed two three or even four layers of slide cover glasses with one or two liquids (oil and water based, in the early days) between the glasses. Alternatively different coloured water based dyes were used in each layer, which slowly boiled producing pulsing
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became a house light show for Bill Graham
Presents (BGP) in 1968. Little Princess 109 worked at the BGP venues Fillmore West and Winterland, in San Francisco, California, continuously from December 1968 until Fillmore West closed in July 1971. Little Princess 109 worked for Graham longer than any
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While the shows on both sides of the
Atlantic had much in common they differed in two important ways. First, the American shows tended to be larger, with seven operators and over thirty projectors not being exceptional. In contrast, the shows in England and the continent of Europe seldom had more
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concert at the
Garrick Theatre in the Village", which resulted in Marc being given the local nickname "Pig", and the light show was known as Pig's Light Show. Many concerts including The Long Island Rock Festival which occurred over two Wednesdays in early August 1969 included ten who would play
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than three operators and ten or so projectors. Second, American shows were generally built around the overhead projector with the liquids in large clock cover glasses. Shows in
England and Europe, in contrast, used modified 2" sq. slide projectors which had their
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were formed in 1966 and did many shows at Bill Graham's
Fillmore Auditorium. The man behind it all is George Holden, who is still very much a key player on the Bay Area lighting scene. Abercrombe Lights lit most of the SF bands over the years including the
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was started by Marc L. Rubinstein in July 1967 as Saint Elmo's Fire and included Larry Wieder, Patrick Waters and Mark Miller as its core in its early years. The name was changed after (in his own words) "a strange episode having to do with a
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Liquid light shows surfaced on both sides of the
Atlantic around 1966 and were an integral part of the psychedelic music scene well into the seventies. Shows could be as simple as a single operator and two or three modified slideprojectors or
426:. Ham pioneered kinetic lighting and actually used this technique at the Red Dog Saloon back in 1965. It was also at the Red Dog Saloon where Chet Helms first met Bill and asked him to produce lightshows at the Avalon Ballroom.
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ink, a product developed for use in permanent marker pens, also
Vitrina which was intended for painting on glass. While these inks were very vivid they also had the problem of staining the operator's hands very deeply.
357:'s Lights/Joan Hill (UK), Marc Arno Richardson’s Diogenes Lanternworks (SF, Denver), Lymbic System (Mark Hanau) (UK), Glen McKay's Headlights, The Pig Light Show (NY), Lights by Pablo (NY), The
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that surfaced in the early 1960s as accompaniment to electronic music and avant-garde theatre performances. They were later adapted for performances of rock or psychedelic music.
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elements that were seamlessly interwoven, in a constant state of flux and above all, reflected the music the show was attempting to depict in emotional visual terms.
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their name to Joes Lights having parted company with Joshua White. A video of Joshua White at work showing how some of the effects were achieved can be found here.
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434:(also known as Joe's Lights and Sensefex) located in New York was founded by a filmmaker called Joshua White. The show was the 'house lightshow' at
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other of the West coast light show groups, and performed more concert nights than any show for the entire
Fillmore/Fillmore West/Winterland period.
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including liquid slide, liquid overhead, movie and still image models plus a vast array of highly advanced (for the time) special effects equipment
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in 1967. Diogenes’ light shows can be seen credited on nearly all of the psychedelic posters done for the shows, many by
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The style and content of each show were unique but the object of most was to create a tapestry of multimedia
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Layers of colored mineral oil and alcohol move over the projector lens and produce changing color patterns.
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that states a Knowledge (XXG) editor's personal feelings or presents an original argument about a topic.
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and a couple of color wheels or as complex as shows with ten or more operators, 70 plus projectors (
1069:"Grateful Dead Live at Harding Theatre on 1971-11-07 : Free Streaming : Internet Archive"
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Two groups that are associated with the light shows they worked with above all others are
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Benefit at the Hotel Diplomat in NYC in May 1969. The concert featured the
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591:"Welcome to the Machine – the story of Pink Floyd's live sound: part 1"
422:(LSD) was possibly the first psychedelic lightshow and was operated by
1000:"pOoTer's pSycheDelic shAcK – Lightshows (Single Wing Turquoise Bird)"
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was a classic liquid light show provided by Marc Arno Richardson at
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Light from a liquid light show, being projected behind a guitarist
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895:"Ed's Amazing Liquid Light Show – Liquid Light Art & Videos"
840:"pOoTer's pSycheDelic shAcK – Lightshows (Little Princess 109)"
812:"pOoTers pSycheDelic shAcK – Lightshows (Brotherhood of Light)"
449:(SF) was formed by Ray Andersen (who had been a manager at the
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personal reflection, personal essay, or argumentative essay
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711:"pOoTers pSycheDelic shAcK – Lightshows (Optikinetics)"
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923:"pOoTers pSycheDelic shAcK – Lightshows (Abercrombe)"
257:. Please help to ensure that disputed statements are
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869:"pOoTers pSycheDelic shAcK – Lightshows (Bill Ham)"
159:. Unsourced material may be challenged and removed.
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949:"HIRSHHORN::Visual Music:: June 23 to Sept 11"
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642:"Robert Wyatt – Abécédaire – Days in the Life"
624:"Ottawa Citizen - Google News Archive Search"
406:and the Headlights light show in America and
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1051:"The Bulletin - Google News Archive Search"
410:with light artist Mike Leonard in England.
64:Learn how and when to remove these messages
295:Learn how and when to remove this message
277:Learn how and when to remove this message
219:Learn how and when to remove this message
117:Learn how and when to remove this message
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253:Relevant discussion may be found on the
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157:adding citations to reliable sources
353:(UK), The Heavy Water Light Show,
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461:in 1967 featuring Paul McCartney.
45:This article has multiple issues.
597:. Sound on Stage. Archived from
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736:"Glenn McKay: About the Artist"
589:Cunningham, Mark (March 1997).
383:live event visual amplification
144:needs additional citations for
53:or discuss these issues on the
1040:Liner notes, Santana III album
1:
568:VJ (video performance artist)
697:"Pooter's Psychedelic Shack"
485:are best remembered for the
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595:All Pink Floyd Fan Network
465:The Heavy Water Light Show
1120:"Diogenes Lantern Works"
786:"Pig Light Show Gallery"
517:Country Joe and The Fish
487:Liberation News Service
337:Leading names included
328:psychedelic light shows
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97:by rewriting it in an
1095:"MC5 concert posters"
1028:14 April 2008 at the
646:Disco-robertwyatt.com
539:The Family Dog Denver
537:in San Francisco and
527:Diogenes Lanternworks
431:The Joshua Light Show
420:Light Sound Dimension
343:The Joshua Light Show
318:
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476:Mothers of Invention
359:Brotherhood of Light
246:factual accuracy is
153:improve this article
27:Psychedelic art form
772:20 May 2009 at the
746:on 5 September 2012
671:arts.guardian.co.uk
601:on 26 December 2014
501:Little Princess 109
372:overhead projectors
168:"Liquid light show"
521:Jefferson Starship
471:The Pig Light Show
404:Jefferson Airplane
324:Liquid light shows
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99:encyclopedic style
86:is written like a
18:Liquid light shows
1099:Makemyday.free.fr
1075:. 7 November 1971
508:Abercrombe Lights
459:Carnival of Light
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1073:Archive.org
557:and others.
555:Alton Kelly
436:Bill Graham
209:August 2016
1135:Categories
750:2 February
681:2 February
574:References
531:Chet Helms
408:Pink Floyd
396:Flo-Master
355:Mark Boyle
349:Pink Floyd
179:newspapers
50:improve it
979:Swtb.info
332:light art
267:June 2008
255:talk page
56:talk page
1104:8 August
1079:8 August
1026:Archived
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796:15 April
770:Archived
720:8 August
651:8 August
562:See also
424:Bill Ham
391:dichroic
339:Bill Ham
248:disputed
107:May 2008
365:History
193:scholar
93:Please
605:29 May
455:stated
451:Matrix
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519:and
326:(or
172:news
491:MC5
438:'s
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155:by
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