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Li'l Liza Jane

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31: 211:. Even as many "Liza Jane" variants therefore appeared in nineteenth century and early twentieth century popular culture, Gutstein attributes their ultimate origins as being the name Liza Jane "affixed to 'snotches' of folk melodies or as several 'one-verse songs' among enslaved people on plantations in several states." This may account for the many different titles (such as "Little Liza Jane" and "Goodbye Liza Jane") as well as a wide variety of lyrics. 138: 325:. While the melody is not preserved in the written interview, the lyrics and their rhythm strongly suggest a relationship to the Culbertson and de Lachau lyrics published decades later. Thurston is one of ten women and men to document "Liza Jane" songs in their Works Progress Administration interviews, referring to a wide variety of lyrics and dance traditions, including stealing partners ring games. In 1919, musicologist 333:, now Hampton University. As part of the game, couples would dance in a circle, with an extra man in the middle. The extra man would "steal a partner" from one of the couples thereby forcing the man without a dance partner to assume the spot in the center of the circle, and so on, as the process repeated. 290:. Gutstein indicates that the versions of "Goodbye Liza Jane" that circulated later in the 20th century and those that are still popular today -- including titles such as "Black Them Boots," "Going Down to Cairo," and "Charlotte Town" -- descend from late nineteenth century / early twentieth century 345:, as well as numerous other sources. Note that some records (e.g. Silas Leachman's song "Whoa Dar Mule" and Henry “Ragtime” Thomas’s song “Run, Mollie, Run”) are considered to be part of the “Liza Jane” family as they contain significant “Liza Jane” content. 191:—most notably an early version of "Goodbye Liza Jane," which was published as sheet music by bandleader Eddie Fox in 1871. However, the best-known variant "Little Liza Jane" likely remained fixed in 282:
published sheet music in 1903 entitled "Goodbye, Eliza Jane." This version of the song became a "hit" through sheet music sales and cylinder recordings by the likes of Bob Roberts,
1252: 180:, some "Liza Jane" songs likely "leaked out" from the folk repertoire of enslaved people and were adopted by regiments from both sides of the war, including the 43rd 313:
As noted, the song's origins go back to the Antebellum South. Lucy Thurston remembered a song with the refrain "Ohoooooooo lil Liza, lil Liza Jane" being sung by
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until a variety of writers and performers popularized the melody and certain lyrics in the early 20th century; these individuals would include the writer
113:, many "Liza Jane" variants have enjoyed "big audience" moments throughout American history. For instance, "Li'l Liza Jane" became a sensation in the 1277: 1242: 302:. In addition to Wills, many musicians recorded the play party version (i.e., the nonracial version) of "Goodbye Liza Jane" including 294:
tradition, are nonracial in character, and do not share anything with minstrelsy versions except for the title. Notably, a version by
1262: 1131: 1106: 1081: 1056: 1031: 980: 955: 930: 905: 880: 855: 830: 805: 780: 755: 730: 705: 680: 598: 651: 219:"Li'l Liza Jane" was first published as lyrics (without notated music) in 1904 by Anne Virginia Culbertson as part of her book 432: 1257: 610: 399: 170: 1267: 1247: 534: 181: 1222: 540: 1217: 348: 291: 227:, with compositional credit going to Countess Ada de Lachau (Ada Louise Metz, 1866–1956). The tune was featured as 173: 329:
documented a stealing partners version of "Little Liza Jane" that had been popular for decades among students at
299: 224: 421: 196: 149:, scholar Dan Gutstein attributes these lyrics to a short story published by Anne Virginia Culbertson in 1904. 1272: 387: 360: 283: 615: 464: 264: 260: 184:
Regiment, the 23rd North Carolina Regiment (known as the Pee Dee Guards), and the Indiana 67th Regiment.
100:. Numerous scholars and musicologists have written about the song, and it is one of the standards of the 523: 378: 287: 393: 318: 161:
indicates that "Little Liza Jane" and "a suite of closely related folk songs likely originated among
825:(1st ed.). Jackson, Mississippi: University Press of Mississippi. pp. 142, 151, 153, 155. 223:. A different version of the song was published as sheet music in 1916 by Sherman, Clay & Co of 117:
era when a version was placed in a songbook given to all American servicemen and again in 1960 when
1237: 565: 166: 137: 330: 322: 177: 30: 1127: 1102: 1077: 1052: 1027: 976: 951: 926: 901: 876: 851: 826: 801: 776: 751: 726: 701: 676: 246:) and in Harry Belafonte's widely watched television special, they also appeared in the early 603: 279: 232: 97: 77: 69: 54: 1170: 554: 505: 372: 251: 208: 200: 162: 158: 118: 85: 35: 271:; these are just a few of the appearances that would help popularize "Liza Jane" songs. 925:(1st ed.). University Press of Mississippi. pp. 164, 172, 176, 183–184, 284. 800:(1st ed.). Jackson, Mississippi: University Press of Mississippi. pp. 59–61. 775:(1st ed.). Jackson, Mississippi: University Press of Mississippi. pp. 28–32. 582: 498: 476: 354: 326: 750:(1st ed.). Jackson, Mississippi: University Press of Mississippi. pp. 8–14. 1231: 572: 510: 275: 89: 381:
with Johnny Dunn’s Original Jazz Hounds. “Vampin’ Liza Jane.” Columbia A3749, 1921.
639: 471: 427: 256: 73: 1197: 850:(1st ed.). Jackson, Mississippi: University Press of Mississippi. p. 6. 725:(1st ed.). Jackson, Mississippi: University Press of Mississippi. p. 3. 228: 109: 517: 493: 459: 449: 445: 439: 366: 307: 303: 204: 114: 101: 57:
and is closely related to a suite of other songs with similar titles, including
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Discographic information for these recordings can be found in Gutstein’s book
247: 104: 81: 1175: 997: 1180: 405: 295: 188: 560: 550: 268: 192: 1185: 675:(1st ed.). University Press of Mississippi. pp. 156, 180–185. 634:"Li'l Liza Jane" is also the subject of a forthcoming documentary film, 314: 187:
After the war concluded, some "Liza Jane" variants were popularized in
390:& His Virginia Reelers. “Good-bye, Liza Jane.” OKeh 45049, 1926. 242:
In addition to "Liza Jane" songs appearing in a World War I songbook (
408:
and His Texas Playboys. “Goodbye, Liza Jane.” Columbia 20555, 1942.
1076:(1st ed.). University Press of Mississippi. pp. 286–289. 975:(1st ed.). University Press of Mississippi. pp. 166–170. 950:(1st ed.). University Press of Mississippi. pp. 110–114. 900:(1st ed.). University Press of Mississippi. pp. 150–154. 875:(1st ed.). University Press of Mississippi. pp. 142–143. 700:(1st ed.). University Press of Mississippi. pp. 142–144. 375:
and the Peerless Quartet. “Li’l Liza Jane.” Columbia A-2622, 1918.
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Famous Jazz Band. “Li’l Liza Jane—One Step.” Victor 18394, 1917.
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Drawing on minstrelsy versions of the Goodbye Liza Jane" variant,
136: 93: 29: 1147: 1051:(1st ed.). University Press of Mississippi. pp. 87–90. 1026:(1st ed.). University Press of Mississippi. pp. 10–14. 424:
and His Rhythm Aces. “Little Liza Jane.” Ace Records 521, 1956.
50: 1126:(1st ed.). University Press of Mississippi. p. 119. 122: 1101:(1st ed.). University Press of Mississippi. p. 70. 107:
tradition, where it thrives today. According to a 2023 book,
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New Orleans’ Sweet Emma And Her Preservation Hall Jazz Band
363:. “Goodbye Eliza Jane.” Victor matrix A-594, B-594, 1903. 298:
was performed by Wills and his bandmates in the 1945 film
88:, as well as appearing in numerous other genres including 1193:
by Natalie Curtis Burlin, Schirmer, 1919, pages 158-161
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Songs in the "Liza Jane" family have become perennial
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Selected list of recordings (in chronological order)
384:The Stanley Trio “Whoa! Mule.” OKeh 40271, 1924. 1198:Poor Gal: The Cultural History of Little Liza Jane 1124:Poor Gal: The Cultural History of Little Liza Jane 1099:Poor Gal: The Cultural History of Little Liza Jane 1074:Poor Gal: The Cultural History of Little Liza Jane 1049:Poor Gal: The Cultural History of Little Liza Jane 1024:Poor Gal: The Cultural History of Little Liza Jane 973:Poor Gal: The Cultural History of Little Liza Jane 948:Poor Gal: The Cultural History of Little Liza Jane 923:Poor Gal: The Cultural History of Little Liza Jane 898:Poor Gal: The Cultural History of Little Liza Jane 873:Poor Gal: The Cultural History of Little Liza Jane 848:Poor Gal: The Cultural History of Little Liza Jane 823:Poor Gal: The Cultural History of Little Liza Jane 798:Poor Gal: The Cultural History of Little Liza Jane 773:Poor Gal: The Cultural History of Little Liza Jane 748:Poor Gal: The Cultural History of Little Liza Jane 723:Poor Gal: The Cultural History of Little Liza Jane 698:Poor Gal: The Cultural History of Little Liza Jane 673:Poor Gal: The Cultural History of Little Liza Jane 110:Poor Gal: The Cultural History of Little Liza Jane 452:, and Rev. Larry Eisenberg. “Goodbye Liza Jane.” 520:. “Charlotte Town.” Elektra EKSN 45007-A, 1963. 396:. “Miss ‘Liza Poor Gal.” Victor 21141, 1927. 263:radio show, and hit televisions series such as 176:in establishing the song's origins. During the 998:"WPA Slave Narratives: Lucy Thurston Age 101" 8: 585:. “Steal Miss Liza.” Manticore 7007, 1975. 402:. “Run, Mollie, Run.” Vocalion 1141, 1927. 351:. “The Laughing Coon.” Edison 4005, 1898. 34:1916 sheet music cover, with inset photo of 1213:Li'l Liza Jane - The Dirty Dozen Brass Band 442:. “Lil’ Liza Jane.” Imperial AI 103, 1959. 199:, the composer Ada de Lachau, the actress 169:." Gutstein cites ten narratives from the 165:during celebratory dances or 'frolics' on 145:as a "dialect song" in 1905. In his book, 1223:Relation between Lil' Liza Jane and Fanga 579:. Rebel Records SLP 1530 REB-1530, 1974. 619:. Smithsonian Folkways SFW 45063, 2006. 1253:Songs about fictional female characters 1201:(University Press of Mississippi, 2023) 663: 526:. “Liza Jane (God’s Unchanging Hand.)” 357:. “Whoa Dar Mule.” Victor A-801, 1901. 1148:"Li'l Liza Jane: A Movie About A Song" 638:, featuring the harmonica playing of 7: 636:Li'l Liza Jane: A Movie About a Song 231:entertainment during the 1916-1917 121:performed a version as part of his 1278:Huey "Piano" Smith songs 547:. Preservation Hall VPS 2, 1964. 533:Davie Jones with the King Bees. “ 244:Songs of Soldiers and Sailors U.S. 25: 626:. Jalopy Records JR-009, 2021. 599:Allison Krauss and Union Station 1004:. Works Progress Administration 652:List of pre-1920 jazz standards 537:.” Vocalion Pop V.9221, 1964. 1186:Earl Fuller's Famous Jazz Band 1: 1176:Come Out of the Kitchen, ibdb 642:, and contextual interviews. 430:. “Possum Up A Simmon Tree.” 171:Works Progress Administration 27:Song dating back to the 1910s 1243:American country music songs 1002:Mississippi Slave Narratives 595:. Intermedia QS-5031, 1982. 530:. Piedmont PLP 13157, 1963. 182:United States Colored Troops 541:Preservation Hall Jazz Band 456:. Folkways FC 7604, 1959. 1294: 174:Slave Narrative Collection 76:and tunes with lyrics) in 1181:Goodbye, Liza Jane (1871) 622:Nora Brown. “Liza Jane.” 416:Leadbelly’s Last Sessions 300:Blazing the Western Trail 225:San Francisco, California 1263:Dixieland jazz standards 557:.” Atco 45-6625, 1964. 514:. Impulse! A-34, 1962. 197:Anne Virginia Culbertson 141:Lyrics published in the 607:. Rounder 0365, 1997. 490:Jamie JLP 3019, 1961. 480:. Argo LPS 665, 1960. 468:. Colpix CP-412, 1960. 436:. Capitol T-891, 1957. 237:Come Out of the Kitchen 53:that dates back to the 1122:Gutstein, Dan (2023). 1097:Gutstein, Dan (2023). 1072:Gutstein, Dan (2023). 1047:Gutstein, Dan (2023). 1022:Gutstein, Dan (2023). 971:Gutstein, Dan (2023). 946:Gutstein, Dan (2023). 921:Gutstein, Dan (2023). 896:Gutstein, Dan (2023). 871:Gutstein, Dan (2023). 846:Gutstein, Dan (2023). 821:Gutstein, Dan (2023). 796:Gutstein, Dan (2023). 771:Gutstein, Dan (2023). 746:Gutstein, Dan (2023). 721:Gutstein, Dan (2023). 696:Gutstein, Dan (2023). 671:Gutstein, Dan (2023). 616:You Are My Little Bird 613:. “Little Liza Jane.” 601:. “Little Liza Jane.” 563:. “Little Liza Jane.” 543:. “Little Liza Jane.” 502:. Warner Bros. 1961. 465:Nina Simone at Newport 462:. “Little Liza Jane.” 400:Henry “Ragtime” Thomas 265:The Andy Griffith Show 261:Fibber McGee and Molly 150: 39: 524:Mississippi John Hurt 454:American Play Parties 327:Natalie Curtis Burlin 259:cartoon, the popular 189:burnt cork minstrelsy 140: 33: 1258:1910s jazz standards 528:Folk Songs and Blues 496:. “Li’l Liza Jane.” 488:Girls! Girls! Girls! 474:. “Li’l Liza Jane.” 388:Fiddlin’ John Carson 319:Covington, Louisiana 167:southern plantations 62:"Goodbye Liza Jane," 59:"Oh! Liza Poor Gal," 1268:Western swing songs 1248:American folk songs 624:Sidetrack My Engine 577:A Man and His Music 569:. Atco 7006, 1972. 551:Levon and the Hawks 418:. Folkways, 1953. 310:, and Nora Brown. 125:television special 611:Elizabeth Mitchell 593:Out in the Country 575:. “Rocky Island.” 422:Huey “Piano” Smith 323:American Civil War 215:In popular culture 151: 66:"Steal Miss Liza." 47:"Little Liza Jane" 40: 508:. “Go Lil Liza.” 349:George W. Johnson 331:Hampton Institute 16:(Redirected from 1285: 1214: 1191:Negro Folk-Songs 1171:1916 sheet music 1158: 1157: 1155: 1154: 1144: 1138: 1137: 1119: 1113: 1112: 1094: 1088: 1087: 1069: 1063: 1062: 1044: 1038: 1037: 1019: 1013: 1012: 1010: 1009: 996:Thurston, Lucy. 993: 987: 986: 968: 962: 961: 943: 937: 936: 918: 912: 911: 893: 887: 886: 868: 862: 861: 843: 837: 836: 818: 812: 811: 793: 787: 786: 768: 762: 761: 743: 737: 736: 718: 712: 711: 693: 687: 686: 668: 630:Documentary film 604:So Long So Wrong 566:Dr. John’s Gumbo 394:Tenneva Ramblers 280:Harry Von Tilzer 221:At the Big House 78:traditional jazz 55:Antebellum South 43:"Li'l Liza Jane" 21: 18:Little Liza Jane 1293: 1292: 1288: 1287: 1286: 1284: 1283: 1282: 1228: 1227: 1212: 1208: 1167: 1162: 1161: 1152: 1150: 1146: 1145: 1141: 1134: 1121: 1120: 1116: 1109: 1096: 1095: 1091: 1084: 1071: 1070: 1066: 1059: 1046: 1045: 1041: 1034: 1021: 1020: 1016: 1007: 1005: 995: 994: 990: 983: 970: 969: 965: 958: 945: 944: 940: 933: 920: 919: 915: 908: 895: 894: 890: 883: 870: 869: 865: 858: 845: 844: 840: 833: 820: 819: 815: 808: 795: 794: 790: 783: 770: 769: 765: 758: 745: 744: 740: 733: 720: 719: 715: 708: 695: 694: 690: 683: 670: 669: 665: 660: 648: 632: 591:. "Liza Jane." 555:Go Go Liza Jane 506:Coleman Hawkins 486:. “Big ‘Liza.” 414:. “Liza Jane.” 373:Harry C. Browne 339: 317:in the area of 315:enslaved people 217: 209:Harry C. Browne 207:, and banjoist 201:Ruth Chatterton 163:enslaved people 135: 119:Harry Belafonte 36:Ruth Chatterton 28: 23: 22: 15: 12: 11: 5: 1291: 1289: 1281: 1280: 1275: 1273:Dr. John songs 1270: 1265: 1260: 1255: 1250: 1245: 1240: 1230: 1229: 1226: 1225: 1220: 1207: 1206:External links 1204: 1203: 1202: 1194: 1188: 1183: 1178: 1173: 1166: 1163: 1160: 1159: 1139: 1132: 1114: 1107: 1089: 1082: 1064: 1057: 1039: 1032: 1014: 988: 981: 963: 956: 938: 931: 913: 906: 888: 881: 863: 856: 838: 831: 813: 806: 788: 781: 763: 756: 738: 731: 713: 706: 688: 681: 662: 661: 659: 656: 655: 654: 647: 644: 631: 628: 583:Little Richard 499:101 Gang Songs 477:Stretching Out 361:Arthur Collins 355:Silas Leachman 338: 335: 284:Arthur Collins 216: 213: 193:folk tradition 134: 131: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1290: 1279: 1276: 1274: 1271: 1269: 1266: 1264: 1261: 1259: 1256: 1254: 1251: 1249: 1246: 1244: 1241: 1239: 1236: 1235: 1233: 1224: 1221: 1219: 1215: 1210: 1209: 1205: 1200: 1199: 1195: 1192: 1189: 1187: 1184: 1182: 1179: 1177: 1174: 1172: 1169: 1168: 1164: 1149: 1143: 1140: 1135: 1133:9781496849359 1129: 1125: 1118: 1115: 1110: 1108:9781496849359 1104: 1100: 1093: 1090: 1085: 1083:9781496849359 1079: 1075: 1068: 1065: 1060: 1058:9781496849359 1054: 1050: 1043: 1040: 1035: 1033:9781496849359 1029: 1025: 1018: 1015: 1003: 999: 992: 989: 984: 982:9781496849359 978: 974: 967: 964: 959: 957:9781496849359 953: 949: 942: 939: 934: 932:9781496849359 928: 924: 917: 914: 909: 907:9781496849359 903: 899: 892: 889: 884: 882:9781496849359 878: 874: 867: 864: 859: 857:9781496849359 853: 849: 842: 839: 834: 832:9781496849359 828: 824: 817: 814: 809: 807:9781496849359 803: 799: 792: 789: 784: 782:9781496849359 778: 774: 767: 764: 759: 757:9781496849359 753: 749: 742: 739: 734: 732:9781496849359 728: 724: 717: 714: 709: 707:9781496849359 703: 699: 692: 689: 684: 682:9781496849359 678: 674: 667: 664: 657: 653: 650: 649: 645: 643: 641: 637: 629: 627: 625: 620: 618: 617: 612: 608: 606: 605: 600: 596: 594: 590: 586: 584: 580: 578: 574: 573:Ralph Stanley 570: 568: 567: 562: 558: 556: 552: 548: 546: 542: 538: 536: 531: 529: 525: 521: 519: 515: 513: 512: 511:Today and Now 507: 503: 501: 500: 495: 491: 489: 485: 481: 479: 478: 473: 469: 467: 466: 461: 457: 455: 451: 447: 443: 441: 437: 435: 434: 429: 425: 423: 419: 417: 413: 409: 407: 403: 401: 397: 395: 391: 389: 385: 382: 380: 376: 374: 370: 368: 367:Earl Fuller’s 364: 362: 358: 356: 352: 350: 346: 344: 336: 334: 332: 328: 324: 320: 316: 311: 309: 305: 301: 297: 293: 289: 285: 281: 277: 276:Tin Pan Alley 272: 270: 266: 262: 258: 254: 253: 249: 245: 240: 238: 234: 230: 226: 222: 214: 212: 210: 206: 203:, bandleader 202: 198: 194: 190: 185: 183: 179: 175: 172: 168: 164: 160: 156: 153:In his book, 148: 144: 139: 132: 130: 128: 124: 120: 116: 112: 111: 106: 103: 99: 95: 91: 90:rock and roll 87: 83: 79: 75: 74:instrumentals 71: 67: 63: 60: 56: 52: 48: 44: 37: 32: 19: 1196: 1190: 1151:. 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Index

Little Liza Jane

Ruth Chatterton
song
Antebellum South
standards
instrumentals
traditional jazz
folk music
bluegrass
rock and roll
blues
R&B
New Orleans
brass band
Poor Gal: The Cultural History of Little Liza Jane
World War I
Harry Belafonte
CBS

Dan Gutstein
enslaved people
southern plantations
Works Progress Administration
Slave Narrative Collection
Civil War
United States Colored Troops
burnt cork minstrelsy
folk tradition
Anne Virginia Culbertson

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