353:, Chris Kelsey stated that the album "captures Coltrane's music on the cusp of major change, just weeks before embarking on the last phase of his career — during which he expunged from his music every last speck of convention," and that it "documents the classic quartet near the end of its incredible run... The music reveals the band at its creative peak, reaching heights of focused intensity on every tune, stretching rhythmic and harmonic conventions to the breaking point. The years-long musical confrontation/collaboration between Trane and Jones is at an apex, Tyner plays with ever greater rhythmic and harmonic invention and bassist Jimmy Garrison does things with time that foreshadow his work with Coltrane's later groups." John Kelman wrote: "Both sets are stunning in their energy and collective invention... at this point, while he was continuing to evolve his dense sheets of sound improvisational approach, expanding harmonic boundaries with fiery aplomb, his group was still swinging hard." Kelman concludes: "
385:
gotten to. A recording of 'One Down, One Up,' during which Elvin Jones breaks his bass pedal and plays without a bass drum for several minutes, remains one of the best indicators of the group's energy. From the midway point to the final iteration of the theme, thirteen minutes of its twenty-seven-minute duration are a duet between
Coltrane and Jones, and so it belongs in that select group of Coltrane-Jones performances alone, alongside 'Vigil' (from
346:
stated that
Coltrane's "capability to continue to build a solo is simply astonishing." Jurek concludes by noting "the absolute necessity of this set for Coltrane fans. The sound is wonderful -- except in the dropout patches that last no more than a second or two. This is a release of historic importance and one that... will be talked about by jazz fans and Coltrane aficionados for the foreseeable future."
389:) and a portion of 'Crescent.' And in it Coltrane swings, wired to the slightest accents of his drummer, delivering massive projection... 'One Down, One Up' is extraordinarily tough and coordinated music. There is not much obscure or implied about it; both the technical accomplishment and the physical endurance are of a sort that I have never experienced firsthand from any jazz group."
214:
181:
209:
204:
199:
176:
171:
166:
161:
378:
material here, stopping and starting, increasing the speed, and eventually shifting into a gear that most of us will never know. I believe that we are actually hearing him put the finishing touches on a few pieces of neural circuitry... The level of physical intensity here is amazing, but what is happening inside his mind is the improvisation olympics."
384:
referred to the title track's sax / drums duet as "the most extraordinary connection between
Coltrane and Jones that exists anywhere on record," and wrote: "The music Coltrane's quartet played at New York's Half Note in the spring of 1965... shows better than the studio albums just where the band had
309:
have vividly recalled the experience of hearing
Coltrane's legendary group in full cry in the Half Note's tiny space, Shepp remarking that 'it was like being in church' and Liebman remembering an occasion when the audience 'started to put their hands up to the ceiling and the whole place stood up'."
368:
wrote: "Coltrane's 30-minute solo on the title track, against Elvin Jones' surging drums, is a tour de force. The set is worth it for that alone, but you also get fresh accounts of 'Trane standbys like "Afro Blue" and "My
Favourite Things". Not as jaw-dropping as what it must have been like to be
336:
gave the album an "A−" and said that, although it is overpriced and underrecorded to some degree, its selling point is the title track, which features the longest
Coltrane solo ever recorded. He added: "It gets really good after bass and piano sit out so Coltrane and his friend Jones can bash and
377:
in action... We can hear building circuits, correcting mistakes, repeating complex ideas - all in real time." Regarding the climactic section of the title track, Pope wrote: "It should be obvious to anyone with a reasonably developed ear that he is working through some extremely complex melodic
345:
and was seeking to expand the harmonic reaches of his sound, exploring every avenue available to him. The band astonishes too..." Regarding the title track, he wrote: "McCoy Tyner, Garrison, and Elvin Jones push the limit, swinging hard and fast (Jones' playing is especially outrageous)..." and
275:
Abraham
Grochowsky; 1919–2012). Coltrane's group played at the Half Note from March 19–April 4 and again from May 4–9 of that year. The Half Note recordings were made shortly after the February 17–18 studio recordings, and shortly before the May 17 studio recordings, that would appear on
361:— the perfect bookend, in fact. Coltrane's musical quest was recognizable almost from the beginning, and here — only two years before his premature passing — he was arguably at his creative apex, placing unencumbered exploration within an accessible post bop context."
1911:
1820:
1799:
1767:
1623:
1862:
1883:
1925:
1848:
1552:
1025:
1538:
1648:
1739:
1732:
2059:
1376:
36:
822:
2076:
1531:
1489:
1216:
1046:
1718:
1697:
1439:
1032:
955:
1524:
1482:
1992:
1964:
1655:
1602:
1503:
2161:
2123:
1676:
1018:
658:
2052:
1580:
190:
1753:
1683:
1669:
1411:
2151:
1630:
1468:
1111:
2118:
1336:
1294:
1280:
1876:
1383:
1301:
1090:
1841:
1760:
1418:
1329:
1322:
1069:
278:
796:
1971:
1711:
1496:
1397:
1308:
1097:
640:
1890:
1834:
1287:
2129:
2045:
1950:
298:
16:
This article is about a jazz album recorded by John
Coltrane. For other jazz albums recorded at the Half Note Club, see
876:
948:
1545:
1425:
365:
286:
17:
2156:
1985:
1897:
1792:
973:
645:
636:
532:
1957:
1566:
1357:
1230:
847:
370:
1475:
536:
1978:
1827:
1244:
35:
941:
1690:
1273:
1011:
623:
1904:
1662:
2103:
1813:
1806:
1237:
1076:
2108:
1855:
1609:
1446:
1404:
1350:
1161:
2006:
738:
1704:
1150:
1083:
772:
654:
563:
328:
293:, but which had already been circulated and studied by many awestruck saxophonists, including
232:
122:
2081:
1918:
1255:
1179:
1053:
981:
763:
462:
333:
116:
80:
357:
is as significant a release as the... 1957 performance by
Coltrane with Thelonious Monk on
2086:
1785:
1593:
1559:
1432:
559:
294:
1616:
1343:
1223:
1197:
235:
of two previously unreleased 1965 Friday radio broadcasts – March 26 and May 7 – at the
2091:
1725:
1369:
1315:
1132:
1058:
1004:
568:
252:
236:
2145:
2113:
2097:
2027:
1209:
1168:
1125:
1104:
1062:
964:
767:
719:
Porter, Lewis; DeVito, Chris; Fujioka, Yasuhiro; Wild, David; Schmaler, Wolf (2008).
704:
Porter, Lewis; DeVito, Chris; Fujioka, Yasuhiro; Wild, David; Schmaler, Wolf (2008).
689:
Porter, Lewis; DeVito, Chris; Fujioka, Yasuhiro; Wild, David; Schmaler, Wolf (2008).
674:
Porter, Lewis; DeVito, Chris; Fujioka, Yasuhiro; Wild, David; Schmaler, Wolf (2008).
650:
619:
555:
432:
311:
290:
244:
240:
48:
1510:
1364:
1266:
1202:
1118:
997:
306:
302:
111:
1459:
1190:
992:
919:
901:
586:
577:
572:
381:
315:
289:, the recording uses "tapes discovered in the 1990s by 'Trane's sax-playing son
256:
248:
72:
1573:
1517:
1139:
350:
271:, in 1965, for a Friday radio show called "Portraits in Jazz" with Alan Grant
1999:
1869:
1039:
458:
85:
2013:
1390:
581:
338:
153:
126:
341:'s Thom Jurek gave it four stars and wrote: "Trane had already released
374:
2020:
1821:
The
Complete Columbia Recordings of Miles Davis with John Coltrane
590:
43:
1943:
933:
268:
937:
373:, called the recording "one of the most profound documents of
1768:
Evenings at the Village Gate: John Coltrane with Eric Dolphy
1624:
Thelonious Monk Quartet with John Coltrane at Carnegie Hall
229:
1863:
The Heavyweight Champion: The Complete Atlantic Recordings
1800:
The Classic Quartet – Complete Impulse! Studio Recordings
369:
there, but close." David Pope, Professor of Saxophone at
823:"John Coltrane: One Down, One Up: Live at the Half Note"
797:"John Coltrane: One Down, One Up: Live at the Half Note"
739:"John Coltrane: One Down, One Up: Live at the Half Note"
2130:
Before John Was a Jazz Giant: A Song of John Coltrane
2069:
2037:
1935:
1777:
1640:
1590:
1456:
1254:
1178:
1149:
980:
489:
481:
411:
403:
110:
94:
71:
63:
55:
42:
28:
267:The recordings were made by the radio station
1740:The Olatunji Concert: The Last Live Recording
1733:The Complete 1961 Village Vanguard Recordings
949:
498:"Introduction and Announcements" (Alan Grant)
420:"Introduction and Announcements" (Alan Grant)
8:
2060:Chasing Trane: The John Coltrane Documentary
196:
158:
1377:Selflessness: Featuring My Favorite Things
956:
942:
934:
133:
34:
25:
908:. Farrar, Straus and Giroux. p. 216.
877:"Coltrane's Brain: Live at the Half Note"
732:
730:
926:. Farrar, Straus and Giroux. p. 92.
768:"Consumer Guide: Extraordinary Machines"
475:
397:
1747:Live at the Half Note: One Down, One Up
1440:Both Directions at Once: The Lost Album
1033:John Coltrane with the Red Garland Trio
870:
868:
620:Live at the Half Note: One Down, One Up
614:
612:
610:
608:
606:
602:
225:Live at the Half Note: One Down, One Up
29:Live at the Half Note: One Down, One Up
1603:The Complete 1957 Riverside Recordings
1504:Miles Davis and the Modern Jazz Giants
1047:Cattin' with Coltrane and Quinichette
139:
7:
2053:The World According to John Coltrane
1581:Miles Davis Quintet at Peacock Alley
646:The Penguin Guide to Jazz Recordings
191:The Penguin Guide to Jazz Recordings
23:2005 live album by John Coltrane
1754:Offering: Live at Temple University
1670:Live at the Village Vanguard Again!
1412:The Africa/Brass Sessions, Volume 2
1631:Thelonious Monk with John Coltrane
1469:Miles: The New Miles Davis Quintet
1281:Duke Ellington & John Coltrane
795:Kelsey, Chris (November 1, 2005).
737:Fordham, John (October 13, 2005).
337:blow at each other undistracted."
14:
2119:John W. Coltrane Cultural Society
1091:Kenny Burrell & John Coltrane
821:Kelman, John (October 10, 2005).
310:The 2005 release was produced by
198:
160:
1877:The Major Works of John Coltrane
1302:John Coltrane and Johnny Hartman
212:
207:
202:
197:
179:
174:
169:
164:
159:
1912:To the Beat of a Different Drum
1842:Dial Africa: The Savoy Sessions
1761:A Love Supreme: Live in Seattle
1323:The John Coltrane Quartet Plays
875:Pope, David (August 22, 2011).
279:The John Coltrane Quartet Plays
1712:Live Trane: The European Tours
1649:"Live" at the Village Vanguard
924:Coltrane: The Story of a Sound
906:Coltrane: The Story of a Sound
482:
404:
1:
1891:Ken Burns Jazz: John Coltrane
1835:Countdown: The Savoy Sessions
2162:Impulse! Records live albums
2046:The Church of Saint Coltrane
626:. Retrieved October 3, 2020.
520:"Announcements" (Alan Grant)
1546:Miles & Monk at Newport
1539:Someday My Prince Will Come
721:The John Coltrane Reference
706:The John Coltrane Reference
691:The John Coltrane Reference
676:The John Coltrane Reference
509:"Song of Praise" (Coltrane)
446:"Announcement" (Alan Grant)
2178:
18:Half note (disambiguation)
15:
2152:John Coltrane live albums
1898:The Last Giant: Anthology
1793:The Best of John Coltrane
971:
723:. Routledge. p. 323.
708:. Routledge. p. 319.
693:. Routledge. p. 322.
678:. Routledge. p. 320.
537:Rodgers & Hammerstein
527:
516:
505:
494:
486:
453:
442:
427:
416:
408:
318:, wrote the liner notes.
147:
144:
120:Catalog No. 0602498621431
33:
1567:Jazz at the Plaza Vol. I
1231:Coltrane Plays the Blues
852:James Madison University
371:James Madison University
67:March 26 and May 7, 1965
1828:The Prestige Recordings
399:Disc 1 (March 26, 1965)
2114:5893 Coltrane asteroid
1026:Wheelin' & Dealin'
848:"Professor David Pope"
1691:Afro Blue Impressions
1476:'Round About Midnight
1663:New Thing at Newport
1594:Thelonious Monk
766:(January 10, 2006).
477:Disc 2 (May 7, 1965)
431:"One Down, One Up" (
285:According to critic
135:Professional ratings
1814:The Coltrane Legacy
1807:Coltrane for Lovers
478:
400:
136:
2104:Philadelphia house
1610:Thelonious Himself
1426:Dear Old Stockholm
1405:Interstellar Space
1217:My Favorite Things
533:My Favorite Things
476:
398:
326:In his review for
322:Critical reception
134:
2139:
2138:
1965:Central Park West
1884:Jupiter Variation
1719:Bye Bye Blackbird
1705:The European Tour
1698:The Paris Concert
1419:First Meditations
1084:Standard Coltrane
773:The Village Voice
764:Christgau, Robert
660:978-0-141-03401-0
618:Jurek, Thom.
564:soprano saxophone
546:
545:
472:
471:
329:The Village Voice
314:, who also, with
228:is a 2005 double
221:
220:
132:
131:
2169:
2157:1965 live albums
2082:Coltrane changes
2077:List of sessions
1656:Live at Birdland
1460:Miles Davis
1238:Coltrane's Sound
1198:Bags & Trane
1077:Settin' the Pace
958:
951:
944:
935:
928:
927:
916:
910:
909:
898:
892:
891:
889:
887:
881:Practice Monster
872:
863:
862:
860:
858:
844:
838:
837:
835:
833:
818:
812:
811:
809:
807:
792:
786:
785:
783:
781:
760:
754:
753:
751:
749:
734:
725:
724:
716:
710:
709:
701:
695:
694:
686:
680:
679:
671:
665:
664:
649:(9th ed.).
633:
627:
616:
484:
479:
463:Mongo Santamaria
406:
401:
359:At Carnegie Hall
355:One Down, One Up
334:Robert Christgau
217:
216:
215:
211:
210:
206:
205:
201:
200:
184:
183:
182:
178:
177:
173:
172:
168:
167:
163:
162:
137:
106:
105:
101:
81:Avant-garde jazz
59:October 11, 2005
38:
26:
2177:
2176:
2172:
2171:
2170:
2168:
2167:
2166:
2142:
2141:
2140:
2135:
2087:Sheets of sound
2065:
2033:
2007:Moment's Notice
1931:
1786:Alternate Takes
1773:
1677:Live in Seattle
1636:
1592:
1586:
1560:At Newport 1958
1458:
1452:
1433:Stellar Regions
1258:
1250:
1245:The Avant-Garde
1182:
1174:
1153:
1145:
984:
976:
967:
962:
932:
931:
918:
917:
913:
900:
899:
895:
885:
883:
874:
873:
866:
856:
854:
846:
845:
841:
831:
829:
820:
819:
815:
805:
803:
794:
793:
789:
779:
777:
762:
761:
757:
747:
745:
736:
735:
728:
718:
717:
713:
703:
702:
698:
688:
687:
683:
673:
672:
668:
661:
653:. p. 290.
635:
634:
630:
617:
604:
599:
560:tenor saxophone
552:
547:
473:
395:
364:In his review,
332:, music critic
324:
265:
213:
208:
203:
180:
175:
170:
165:
121:
119:
103:
99:
98:
90:
51:
24:
21:
12:
11:
5:
2175:
2173:
2165:
2164:
2159:
2154:
2144:
2143:
2137:
2136:
2134:
2133:
2126:
2124:Tribute albums
2121:
2116:
2111:
2109:Dix Hills home
2106:
2101:
2095:
2092:Alice Coltrane
2089:
2084:
2079:
2073:
2071:
2067:
2066:
2064:
2063:
2056:
2049:
2041:
2039:
2035:
2034:
2032:
2031:
2024:
2017:
2010:
2003:
1996:
1989:
1982:
1975:
1968:
1961:
1954:
1947:
1939:
1937:
1933:
1932:
1930:
1929:
1922:
1915:
1908:
1901:
1894:
1887:
1880:
1873:
1866:
1859:
1852:
1845:
1838:
1831:
1824:
1817:
1810:
1803:
1796:
1789:
1781:
1779:
1775:
1774:
1772:
1771:
1764:
1757:
1750:
1743:
1736:
1729:
1722:
1715:
1708:
1701:
1694:
1687:
1680:
1673:
1666:
1659:
1652:
1644:
1642:
1638:
1637:
1635:
1634:
1627:
1620:
1613:
1606:
1598:
1596:
1588:
1587:
1585:
1584:
1577:
1570:
1563:
1556:
1549:
1542:
1535:
1528:
1521:
1514:
1507:
1500:
1493:
1486:
1479:
1472:
1464:
1462:
1454:
1453:
1451:
1450:
1443:
1436:
1429:
1422:
1415:
1408:
1401:
1394:
1387:
1380:
1373:
1370:Alice Coltrane
1361:
1354:
1347:
1340:
1333:
1326:
1319:
1316:A Love Supreme
1312:
1305:
1298:
1291:
1284:
1277:
1270:
1262:
1260:
1252:
1251:
1249:
1248:
1241:
1234:
1227:
1220:
1213:
1206:
1194:
1186:
1184:
1176:
1175:
1173:
1172:
1165:
1157:
1155:
1147:
1146:
1144:
1143:
1136:
1133:The Last Trane
1129:
1122:
1115:
1108:
1101:
1094:
1087:
1080:
1073:
1066:
1059:Tommy Flanagan
1050:
1043:
1036:
1029:
1022:
1015:
1008:
1005:Tenor Conclave
1001:
988:
986:
978:
977:
972:
969:
968:
963:
961:
960:
953:
946:
938:
930:
929:
911:
893:
864:
839:
827:All About Jazz
813:
787:
755:
726:
711:
696:
681:
666:
659:
628:
601:
600:
598:
595:
594:
593:
584:
575:
569:Jimmy Garrison
566:
551:
548:
544:
543:
540:
529:
525:
524:
521:
518:
514:
513:
510:
507:
503:
502:
499:
496:
492:
491:
488:
485:
474:
470:
469:
466:
455:
451:
450:
447:
444:
440:
439:
436:
429:
425:
424:
421:
418:
414:
413:
410:
407:
396:
394:
391:
343:A Love Supreme
323:
320:
305:. Liebman and
299:Steve Grossman
264:
261:
253:Jimmy Garrison
237:Half Note Club
219:
218:
194:
186:
185:
156:
150:
149:
146:
142:
141:
130:
129:
114:
108:
107:
96:
92:
91:
89:
88:
83:
77:
75:
69:
68:
65:
61:
60:
57:
53:
52:
47:
40:
39:
31:
30:
22:
13:
10:
9:
6:
4:
3:
2:
2174:
2163:
2160:
2158:
2155:
2153:
2150:
2149:
2147:
2132:
2131:
2127:
2125:
2122:
2120:
2117:
2115:
2112:
2110:
2107:
2105:
2102:
2099:
2098:Ravi Coltrane
2096:
2093:
2090:
2088:
2085:
2083:
2080:
2078:
2075:
2074:
2072:
2068:
2062:
2061:
2057:
2055:
2054:
2050:
2048:
2047:
2043:
2042:
2040:
2038:Documentaries
2036:
2029:
2025:
2022:
2018:
2015:
2011:
2008:
2004:
2001:
1997:
1994:
1990:
1987:
1983:
1980:
1976:
1973:
1969:
1966:
1962:
1959:
1955:
1952:
1948:
1945:
1941:
1940:
1938:
1934:
1928:
1927:
1926:Trane's Modes
1923:
1921:
1920:
1919:Trane's Blues
1916:
1914:
1913:
1909:
1907:
1906:
1902:
1900:
1899:
1895:
1893:
1892:
1888:
1886:
1885:
1881:
1879:
1878:
1874:
1872:
1871:
1867:
1865:
1864:
1860:
1858:
1857:
1853:
1851:
1850:
1846:
1844:
1843:
1839:
1837:
1836:
1832:
1830:
1829:
1825:
1823:
1822:
1818:
1816:
1815:
1811:
1809:
1808:
1804:
1802:
1801:
1797:
1795:
1794:
1790:
1788:
1787:
1783:
1782:
1780:
1776:
1770:
1769:
1765:
1763:
1762:
1758:
1756:
1755:
1751:
1749:
1748:
1744:
1742:
1741:
1737:
1735:
1734:
1730:
1728:
1727:
1723:
1721:
1720:
1716:
1714:
1713:
1709:
1707:
1706:
1702:
1700:
1699:
1695:
1693:
1692:
1688:
1686:
1685:
1684:Live in Japan
1681:
1679:
1678:
1674:
1672:
1671:
1667:
1665:
1664:
1660:
1658:
1657:
1653:
1651:
1650:
1646:
1645:
1643:
1639:
1633:
1632:
1628:
1626:
1625:
1621:
1619:
1618:
1614:
1612:
1611:
1607:
1605:
1604:
1600:
1599:
1597:
1595:
1589:
1583:
1582:
1578:
1576:
1575:
1571:
1569:
1568:
1564:
1562:
1561:
1557:
1555:
1554:
1550:
1548:
1547:
1543:
1541:
1540:
1536:
1534:
1533:
1529:
1527:
1526:
1522:
1520:
1519:
1515:
1513:
1512:
1508:
1506:
1505:
1501:
1499:
1498:
1494:
1492:
1491:
1487:
1485:
1484:
1480:
1478:
1477:
1473:
1471:
1470:
1466:
1465:
1463:
1461:
1455:
1449:
1448:
1444:
1442:
1441:
1437:
1435:
1434:
1430:
1428:
1427:
1423:
1421:
1420:
1416:
1414:
1413:
1409:
1407:
1406:
1402:
1400:
1399:
1395:
1393:
1392:
1388:
1386:
1385:
1381:
1379:
1378:
1374:
1371:
1367:
1366:
1362:
1360:
1359:
1355:
1353:
1352:
1348:
1346:
1345:
1341:
1339:
1338:
1334:
1332:
1331:
1327:
1325:
1324:
1320:
1318:
1317:
1313:
1311:
1310:
1306:
1304:
1303:
1299:
1297:
1296:
1292:
1290:
1289:
1285:
1283:
1282:
1278:
1276:
1275:
1271:
1269:
1268:
1264:
1263:
1261:
1257:
1253:
1247:
1246:
1242:
1240:
1239:
1235:
1233:
1232:
1228:
1226:
1225:
1221:
1219:
1218:
1214:
1212:
1211:
1210:Coltrane Jazz
1207:
1204:
1200:
1199:
1195:
1193:
1192:
1188:
1187:
1185:
1181:
1177:
1171:
1170:
1169:Coltrane Time
1166:
1164:
1163:
1159:
1158:
1156:
1152:
1148:
1142:
1141:
1137:
1135:
1134:
1130:
1128:
1127:
1123:
1121:
1120:
1116:
1114:
1113:
1109:
1107:
1106:
1102:
1100:
1099:
1095:
1093:
1092:
1088:
1086:
1085:
1081:
1079:
1078:
1074:
1072:
1071:
1067:
1064:
1063:Kenny Burrell
1060:
1056:
1055:
1051:
1049:
1048:
1044:
1042:
1041:
1037:
1035:
1034:
1030:
1028:
1027:
1023:
1021:
1020:
1016:
1014:
1013:
1009:
1007:
1006:
1002:
999:
995:
994:
990:
989:
987:
983:
979:
975:
970:
966:
965:John Coltrane
959:
954:
952:
947:
945:
940:
939:
936:
925:
921:
915:
912:
907:
903:
897:
894:
882:
878:
871:
869:
865:
853:
849:
843:
840:
828:
824:
817:
814:
802:
798:
791:
788:
775:
774:
769:
765:
759:
756:
744:
740:
733:
731:
727:
722:
715:
712:
707:
700:
697:
692:
685:
682:
677:
670:
667:
662:
656:
652:
648:
647:
642:
641:Morton, Brian
638:
637:Cook, Richard
632:
629:
625:
621:
615:
613:
611:
609:
607:
603:
596:
592:
588:
585:
583:
579:
576:
574:
570:
567:
565:
561:
557:
556:John Coltrane
554:
553:
549:
541:
538:
534:
530:
526:
522:
519:
515:
511:
508:
504:
500:
497:
493:
480:
467:
464:
460:
456:
452:
448:
445:
441:
437:
434:
433:John Coltrane
430:
426:
422:
419:
415:
402:
393:Track listing
392:
390:
388:
383:
379:
376:
372:
367:
362:
360:
356:
352:
347:
344:
340:
335:
331:
330:
321:
319:
317:
313:
312:Ravi Coltrane
308:
304:
300:
296:
292:
288:
283:
281:
280:
274:
270:
262:
260:
258:
254:
250:
246:
245:John Coltrane
242:
241:New York City
238:
234:
231:
227:
226:
195:
193:
192:
188:
187:
157:
155:
152:
151:
143:
140:Review scores
138:
128:
124:
118:
115:
113:
109:
97:
93:
87:
84:
82:
79:
78:
76:
74:
70:
66:
62:
58:
54:
50:
49:John Coltrane
45:
41:
37:
32:
27:
19:
2128:
2058:
2051:
2044:
1936:Compositions
1924:
1917:
1910:
1905:Living Space
1903:
1896:
1889:
1882:
1875:
1868:
1861:
1854:
1849:Feelin' Good
1847:
1840:
1833:
1826:
1819:
1812:
1805:
1798:
1791:
1784:
1778:Compilations
1766:
1759:
1752:
1746:
1745:
1738:
1731:
1724:
1717:
1710:
1703:
1696:
1689:
1682:
1675:
1668:
1661:
1654:
1647:
1629:
1622:
1617:Monk's Music
1615:
1608:
1601:
1579:
1572:
1565:
1558:
1551:
1544:
1537:
1530:
1523:
1516:
1511:Kind of Blue
1509:
1502:
1495:
1488:
1481:
1474:
1467:
1445:
1438:
1431:
1424:
1417:
1410:
1403:
1396:
1389:
1382:
1375:
1365:Cosmic Music
1363:
1356:
1349:
1344:Kulu Sé Mama
1342:
1335:
1328:
1321:
1314:
1307:
1300:
1293:
1286:
1279:
1272:
1267:Africa/Brass
1265:
1243:
1236:
1229:
1224:Olé Coltrane
1222:
1215:
1208:
1203:Milt Jackson
1196:
1189:
1167:
1160:
1138:
1131:
1124:
1119:Black Pearls
1117:
1112:The Believer
1110:
1103:
1096:
1089:
1082:
1075:
1068:
1052:
1045:
1038:
1031:
1024:
1017:
1010:
1003:
998:Tadd Dameron
991:
923:
920:Ratliff, Ben
914:
905:
902:Ratliff, Ben
896:
884:. Retrieved
880:
855:. Retrieved
851:
842:
830:. Retrieved
826:
816:
804:. Retrieved
800:
790:
778:. Retrieved
771:
758:
746:. Retrieved
743:The Guardian
742:
720:
714:
705:
699:
690:
684:
675:
669:
644:
631:
386:
380:
366:John Fordham
363:
358:
354:
348:
342:
327:
325:
307:Archie Shepp
303:Dave Liebman
295:Mike Brecker
287:John Fordham
284:
277:
272:
266:
243:, featuring
224:
223:
222:
189:
1993:Impressions
1986:Giant Steps
1726:Newport '63
1641:Live albums
1553:Basic Miles
1337:Meditations
1295:Impressions
1191:Giant Steps
993:Mating Call
974:Discography
780:December 7,
587:McCoy Tyner
578:Elvin Jones
573:double bass
382:Ben Ratliff
349:Writing in
316:Ashley Kahn
257:Elvin Jones
249:McCoy Tyner
233:compilation
2146:Categories
1958:Blue Train
1856:Gold Coast
1574:1958 Miles
1518:Jazz Track
1497:Milestones
1447:Blue World
1384:Transition
1351:Expression
1162:Blue Train
1140:Two Tenors
886:October 3,
857:October 3,
832:October 3,
806:October 3,
801:Jazz Times
776:. New York
748:October 3,
597:References
387:Transition
351:Jazz Times
44:Live album
2000:Lazy Bird
1972:Countdown
1870:High Step
1330:Ascension
1151:Blue Note
1070:Lush Life
1040:Soultrane
1019:Interplay
550:Personnel
459:Afro Blue
86:free jazz
2014:Mr. P.C.
1532:Steamin'
1490:Relaxin'
1398:Infinity
1391:Sun Ship
1309:Crescent
1274:Coltrane
1256:Impulse!
1180:Atlantic
1098:Stardust
1054:The Cats
1012:Coltrane
982:Prestige
922:(2007).
904:(2007).
643:(2008).
624:AllMusic
589: –
580: –
571: –
558: –
339:AllMusic
154:Allmusic
127:62192165
117:Impulse!
64:Recorded
56:Released
46: by
2070:Related
1979:Equinox
1951:Alabama
1525:Workin'
1483:Cookin'
1288:Ballads
651:Penguin
269:WABC-FM
263:History
2094:(wife)
2028:Ogunde
1368:(with
1259:albums
1201:(with
1183:albums
1154:albums
1057:(with
996:(with
985:albums
657:
490:Length
412:Length
375:myelin
255:, and
148:Rating
145:Source
125:
95:Length
2100:(son)
2021:Naima
1126:Bahia
1105:Dakar
591:piano
582:drums
542:22:37
512:19:38
487:Title
468:12:44
438:27:39
409:Title
247:with
112:Label
73:Genre
1944:26-2
1591:With
1457:With
1061:and
888:2020
859:2020
834:2020
808:2020
782:2013
750:2020
655:ISBN
523:0:43
501:0:43
449:0:51
423:1:36
301:and
291:Ravi
123:OCLC
622:at
535:" (
483:No.
461:" (
405:No.
273:(né
239:in
2148::
1358:Om
879:.
867:^
850:.
825:.
799:.
770:.
741:.
729:^
639:;
605:^
528:4.
517:3.
506:2.
495:1.
454:4.
443:3.
428:2.
417:1.
297:,
282:.
259:.
251:,
230:CD
104:31
100:86
2030:"
2026:"
2023:"
2019:"
2016:"
2012:"
2009:"
2005:"
2002:"
1998:"
1995:"
1991:"
1988:"
1984:"
1981:"
1977:"
1974:"
1970:"
1967:"
1963:"
1960:"
1956:"
1953:"
1949:"
1946:"
1942:"
1372:)
1205:)
1065:)
1000:)
957:e
950:t
943:v
890:.
861:.
836:.
810:.
784:.
752:.
663:.
562:/
539:)
531:"
465:)
457:"
435:)
102::
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
