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at the beginning of the 1930s, raising that sum proved to be extremely difficult. The Museum of Modern Art managed to negotiate the amount down to $ 750,000 initially and eventually to $ 600,000. This amount could be raised by a few large donations. Abby
Aldrich Rockefeller contributed $ 200,000; her
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After the death of Arthur B. Davies in
October 1928, several exhibitions were held to preserve his memory; Bliss borrowed many works of art for them. In the auction of his art collection, Bliss and Abby Aldrich Rockefeller were among the buyers and both developed a plan to form an institution devoted
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From 1924 to 1929, Bliss traveled to Europe once per year to discuss the latest artistic developments - especially in France. Purchases for her collection, however, were made almost invariably at New York art dealers or the New York branch of
European galleries. In these years, in addition to current
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The vaguely defined "secure financial basis" in Bliss's will, a sort of endowment to maintain and expand the collection, led to protracted negotiations between Bliss's brother
Cornelius Newton Bliss, the executor of her will, and the board of the Museum of Modern Art. The basis for the endowment sum
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in 1921. Quinn lent 26, Bliss twelve (including five Cézannes and her Degas painting) and
Havemeyer two works (both women were anonymous). The press complained about Quinn as a secret leader of this issue, criticized the self-appointed citizens committee and described the exhibition as "dangerous".
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To the surprise of her friends from the Museum of Modern Art, she donated most of her art collection, 150 works of art, to that institution. The museum, at first thought of only for exhibition purposes, was thus given the foundation of a proper permanent collection. The conditions attached to this
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by
Daumier were excluded from this stipulation. These works could never be sold, only given to the Metropolitan Museum if not suitable for the Museum of Modern Art. The two Cézanne paintings are still in the Museum of Modern Art, the Daumier painting was transferred to the collection of the
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and five other women in March 1911. Lillie P. Bliss joined this union a few months later. She became a lifelong friend of Abby
Aldrich Rockefeller. Their common interests later led to the founding of the Museum of Modern Art. In the same year, the
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In addition to the Lillie P. Bliss
Bequest, the Lillie P. Bliss International Study Center commemorates museum's co-founder. This study center of historical research in the field of modern art is located at the Museum of Modern Art.
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One stipulation in her will proved to be proactive and helpful for the future museum collection: her collection of works of art could be sold or exchanged for other works of art. Only three pictures, the two Cézanne paintings
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Although Bliss was weakened by cancer the last months of her life, she participated actively in the formation of the Museum of Modern Art until shortly before her death. For example, March 2, 1931, she visited the exhibition
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and the New York
Association for Improving the Conditions of the Poor with financial contributions. She bequeathed part of her art collection to the Metropolitan Museum of Art, including works by Arthur B. Davies and
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opened in rented spaces in the
Heckscher Building at 730 Fifth Avenue at the corner of Fifth Avenue and 57th Street in Manhattan. Bliss contributed some paintings from her collection to the first exhibition, entitled
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1248:, among others, was legally transferred to the museum. It forms the basis of the museum collection, and the money raised has served to expand the collection since then as the Lillie P. Bliss Bequest.
355:. In her youth, her main artistic interests were of both classical and contemporary music. In her thirties, she began to promote financially young pianists and opera singers. She also supported the
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in the Bronx. Two months after her death, the Museum of Modern Art presented as its 12th exhibition Works by 24 Artists from the Collection of Lillie P. Bliss, in memory of the Museum co-founder.
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In late May 1929, Abby Aldrich Rockefeller invited Bliss and Mary Quinn Sullivan for lunch in order to discuss the establishment of a museum of modern art. Another invited guest was art collector
328:, born in 1874, reached adulthood. When she was two years old, her family moved to New York City. She did not go to school but was taught by private tutors. Her father held the office of
324:(1833–1911) and his wife, Mary Elizabeth Bliss, born Plummer (1836–1923). Since childhood, her family and friends called her Lillie P. Bliss. Of her three siblings, only her brother,
170:. After her death, 150 works of art from her collection served as a foundation to the museum and formed the basis of the in-house collection. These included works by artists such as
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would be the value of the collection donated to the museum. An expert opinion of the New York gallery Ferargil valued the collection at $ 1,139,036.00, with Cézanne's three works
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574:. She lent these works to the Armory Show and also helped with funds to enable the exhibition. From the exhibition, she bought a large number of works of art, including
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legacy in the will included a "secure financial basis" to be provided by the museum within three years. Meeting this condition would permanently secure the collection.
386:. Her father was a member of this club and its president from 1902 to 1906. The club exhibited regularly works of living artists. For example, thirty-four paintings by
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in 1913, she also contributed to other exhibitions concerned with raising public awareness of modern art. In 1929, she played an essential role in the founding of the
605:, 1875) soon after the closure of the Armory Show from the collection of her friend Arthur B. Davies. Unaffected by negative reviews, Bliss acquired the painting
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were shown there in 1891. After her father's death in 1911, Bliss, who never married, lived with her mother in an apartment on 37th Street in
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which were on display in the exhibition. Undeterred by such criticism, a little later Bliss acquired this painting for her collection.
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in 1913, whose aim was to bring the latest trends in art before the American public. Other venues, such as the conservative dominated
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being valued at $ 40,000. Following this estimate, Bliss and the Museum Board initially agreed to raising a sum of $ 1,000,000.
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each donated $ 100,000. In March 1934, the amount agreed upon was available and the Bliss collection, which included works by
834:, a friend both to Bliss and Rockefeller, who hosted a literary salon in New York. On November 7, the first exhibition of the
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with the proceeds and an additional $ 10,000. By the sale of three other works from the Bliss collection, Vincent van Gogh's
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Over the years, Bliss acquired numerous paintings by Kuhn and all three played a significant role in the preparation of the
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523:, accompanied her piano playing occasionally as a recreational cellist. Through him she met his sister-in-law, the painter
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from 1897 to 1899. As his wife was often ill and indisposed, his daughter frequently accompanied him to official events in
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143:, 1885–1887, Museum of Modern Art, formerly collection Lillie P. Bliss. Oil on canvas, 97 × 127 cm (38.19 × 50.00 in)
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As allowed by her will, the museum sold off the Bliss art collection pieces one by one. For example, Degas's
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In 1951, three more works from the Bliss collection were sold to the Metropolitan Museum: Odilon Redon's
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Among the most important works from the Bliss collection in the Museum of Modern Art today are Cézanne's
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paintings, she bought some older works of art as well. For example, in 1927 she bought a work by the
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to exhibit art of the late 19th century and works by contemporary artists played a decisive role.
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At receptions at the home of her parents, artistically inclined Lillie P. Bliss met actors like
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In turn, the Museum of Modern Art acquired through the Lillie P. Bliss Bequest paintings by
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donation to the Museum of Modern Art. Oil on burlap, 114.3 × 62.6 cm (45.00 × 24.65 in)
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to organize exhibitions of modern art in New York. The steadfast refusal of the
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donation to the Metropolitan Museum of Art. Oil on canvas, 65.7 × 101.3 cm
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One of her earliest encounters with modern art were exhibition visits at the
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Alfred H. Barr, Jr. and the Intellectual Origins of the Museum of Modern Art
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form one focal point of her collection. Bliss acquired her first Cézanne (
925:, 1895–1898, donation to the Museum of Modern Art. Oil on canvas, 27 × 36
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was constituted; among its co-founders were Arthur B. Davies, the artist
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was sold in the late 1930s for $ 18,000, in order to purchase Picasso's
432: in this section. Unsourced material may be challenged and removed.
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1025:, 1911, donation to the Museum of Modern Art. Oil on prepared paper, 21
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devoted to musical training. Among her friends were the music critic
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Six weeks before the Armory Show, Bliss acquired two landscapes by
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and eight watercolors by Cézanne from the exhibition compiled by
1183:" (73.7 × 92.1 cm). Acquired through the Lillie P. Bliss Bequest
1173:, 1889, Museum of Modern Art. Saint Rémy. Oil on canvas, 29 × 36
985:, 1888, donation to the Museum of Modern Art. Oil on canvas, 21
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today Metropolitan Museum of Art. Oil on wood, 48.9 × 33 cm
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People associated with the Museum of Modern Art (New York City)
955:, 1917, donation to the Museum of Modern Art. Oil on canvas, 51
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a painting and a pastel, at the New York branch of the gallery
1438:. Cambridge: Belknap Press of Harvard University Press, 1971,
864:. On March 12, 1931, Bliss died in New York and was buried in
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One of her earliest purchases of art works was a painting by
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Notable American Women, 1607–1950: A Biographical Dictionary
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James, Edward T., Janet Wilson James and Paul Boyer (ed.):
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Loan Exhibition of Impressionist and Post-Impressionist Art
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today Cincinnati Art Museum. Oil on canvas, 54 × 65 cm
559:, at this time refused to support current artistic trends.
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Endowment Fund raised to secure Bliss Collection for MOMA.
1136:, 1884, today Detroit Institute of Arts. Oil on canvas, 17
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Painting and sculpture acquisitions at MoMA, 1948–1950
814:, who had previously served as a board member of the
898:
Still Life with Ginger Container, Sugar and Oranges
760:from his collection was described by the newspaper
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1113:The first director of the Museum of Modern Art,
162:in New York. One of the lenders to the landmark
1460:(November 2003) Vol. 91, No. 11, p. 73–83.
538:Association of American Painters and Sculptors
1532:"The Lillie P. Bliss Collection, 1934 | MoMA"
613:at the Montross Gallery in New York in 1916.
27:American art collector and patron (1864– 1931
8:
1499:, May 25, 1931. Retrieved September 2, 2010.
1276:Portrait of Antoine Dominique Sauveur Aubert
856:to which she had contributed three works by
150:(April 11, 1864 – March 12, 1931), known as
126:• Lillie P. Bliss International Study Center
236:. Unsourced material may be challenged and
1481:, atimes.com. Retrieved September 2, 2010.
871:In her will, Bliss endowed charities like
798:The foundation of the Museum of Modern Art
727:Together with her friends, art collectors
40:
29:
1253:Jockeys on Horseback before Distant Hills
1134:Jockeys on Horseback before Distant Hills
735:, she persuaded the curator of painting,
492:Learn how and when to remove this message
312:Lizzie Plummer Bliss was born in 1864 in
300:Learn how and when to remove this message
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330:United States Secretary of the Interior
1290:(both now in private collections) and
983:Port-en-Bessin, Entrance to the Harbor
826:, a friend of Rockefeller, publisher
7:
1477:Liu, Henry C K (December 18, 2004),
430:adding citations to reliable sources
320:, as a daughter of textile merchant
234:adding citations to reliable sources
154:, was an American art collector and
1423:. New York: Abbeville Press, 1988,
1399:, and numerous other works of art.
841:Cézanne, Gauguin, Seurat, Van Gogh
594:, whose works she bought as well.
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782:(Port-en-Bessin, Harbor Entrance)
1416:. New York: Plantin Press, 1934.
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1575:Documentation of the collection
1084:Port-en-Bessin, Harbor Entrance
531:in New York City together with
417:needs additional citations for
1456:Roob, Rona. "A Noble Legacy."
1453:. Cambridge: MIT Press, 2003.
1414:The Lillie P. Bliss Collection
1304:) and Pierre-Auguste Renoir's
965:× 32" (130.2 × 81.3 cm).
1:
1611:American women art collectors
1479:"Money, Power and Modern Art"
905:Metropolitan Museum in 1947.
384:Union League Club of New York
1581:Biography of Lillie P. Bliss
1560:Retrieved September 2, 2010.
1421:The Story of the Armory Show
1379:, as well as sculptures by
1121:The Lillie P. Bliss Bequest
882:The Rocky Cliffs at Étretat
398:Building the art collection
326:Cornelius Newton Bliss, Jr.
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1272:Etruscan Vase with Flowers
1060:Portrait of Anna Zborowska
805:Metropolitan Museum of Art
745:Metropolitan Museum of Art
557:National Academy of Design
521:Christian Archibald Herter
117:• Art collector and patron
1292:Henri de Toulouse-Lautrec
1258:Les Demoiselles d'Avignon
1246:André Dunoyer de Segonzac
1200:at $ 150,000 and Degas's
1092:Interior with Violin Case
832:Josephine Porter Boardman
830:, a friend of Bliss, and
529:Women's Cosmopolitan Club
124:• Lillie P. Bliss Bequest
39:
1536:The Museum of Modern Art
1521:Press release, 1933-34.]
533:Abby Aldrich Rockefeller
1606:American art collectors
1449:Kantor, Sybil Gordon.
1302:Cleveland Museum of Art
1286:and Camille Pissarro's
953:Portrait Anna Zborowska
754:The Moon and the Earth)
719:, 1915. Donated to the
377:Charles Martin Loeffler
1579:Museum of Modern Art:
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1194:Still Life with Apples
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1045:" (54.6 × 54 cm)
923:Still life with apples
894:Still Life with Apples
854:Toulouse-Lautrec/Redon
519:Her friend, physician
322:Cornelius Newton Bliss
144:
1558:Alfred Barr jstor.org
1312:) were sold as well.
1310:Cincinnati Art Museum
1306:Brouillard à Guernsey
1214:Nelson A. Rockefeller
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860:and her paintings of
847:Last years and legacy
768:odious Bolshevik work
653:Brouillard à Guernsey
648:Pierre-Auguste Renoir
564:Pierre-Auguste Renoir
230:improve this section
135:
67:Boston, Massachusetts
1345:Alexander Archipenko
1333:Alexej von Jawlensky
1278:and Pablo Picasso's
1267:was bought in 1941.
1156:in. (44.9 × 54.9 cm)
935:" (68.6 × 92.7 cm).
836:Museum of Modern Art
816:Albright Art Gallery
426:improve this article
369:Juilliard Foundation
340:, during this time.
168:Museum of Modern Art
148:Lizzie Plummer Bliss
121:Museum of Modern Art
53:Lizzie Plummer Bliss
18:Lizzie Plummer Bliss
1412:Barr, Jr., Alfred.
1393:Constantin Brâncuși
1282:. Henri Rousseau's
1218:Carnegie Foundation
1068:Still Life in Green
828:Frank Crowninshield
766:as typical for the
750:Quinn Hina Te Fatou
592:Maurice Prendergast
514:Mary Quinn Sullivan
1517:2011-07-27 at the
1337:Alberto Giacometti
1284:Lion in the Jungle
1238:Amedeo Mogdigliani
1202:Rider before Hills
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1104:Roger and Angelica
1005:" (54.9 × 65.1 cm)
812:A. Conger Goodyear
784:and a work of the
776:Post-Impressionist
729:Louisine Havemeyer
715:Arthur B. Davies,
580:Roger and Angelica
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1329:Amedeo Modigliani
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866:Woodlawn Cemetery
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1377:Arshile Gorky
1374:
1370:
1369:Piet Mondrian
1366:
1362:
1358:
1357:Fernand Léger
1354:
1353:Pablo Picasso
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1317:Henri Matisse
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1096:Henri Matisse
1093:
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1077:
1076:Hina Te Fatou
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1072:Pablo Picasso
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824:Paul J. Sachs
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748:The painting
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443: –
442:
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437:Find sources:
431:
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415:This section
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397:
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361:Franz Kneisel
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251: –
250:
246:
245:Find sources:
239:
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213:
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197:
195:
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188:Pablo Picasso
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184:Henri Matisse
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89:New York City
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1555:
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1539:. Retrieved
1535:
1526:
1510:
1504:
1491:
1486:
1473:
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1420:
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1401:
1365:Marc Chagall
1321:André Derain
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1287:
1283:
1279:
1275:
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1269:
1262:
1256:
1252:
1250:
1230:Andre Derain
1222:Paul Cézanne
1206:
1201:
1197:
1193:
1189:
1186:
1168:
1133:
1112:
1108:Odilon Redon
1103:
1099:
1091:
1083:
1080:Paul Gauguin
1075:
1067:
1059:
1051:
1049:
1022:
1018:Odilon Redon
982:
952:
922:
918:Paul Cézanne
901:
897:
893:
890:
886:
881:
880:'s painting
878:Claude Monet
870:
858:Odilon Redon
853:
850:
840:
809:
801:
791:
781:
772:
767:
761:
758:Paul Gauguin
753:
749:
740:
726:
716:
701:, ca. 1863,
696:
675:Hina Te Fatu
674:
670:Paul Gauguin
652:
633:, ca. 1925,
630:
611:Félix Fénéon
606:
602:
599:Paul Cézanne
596:
584:Odilon Redon
579:
575:
561:
550:
537:
528:
525:Adele Herter
518:
503:
488:
479:
469:
462:
455:
448:
436:
424:Please help
419:verification
416:
388:Claude Monet
381:
364:
363:(1885–1917)
342:
311:
296:
287:
277:
270:
263:
256:
244:
228:Please help
216:
180:Paul Gauguin
172:Paul Cézanne
151:
147:
146:
140:
137:Paul Cézanne
83:(1931-03-12)
1601:1931 deaths
1596:1864 births
1389:Henry Moore
1297:May Belfort
1226:Edgar Degas
1207:Due to the
1190:The Bathers
1130:Edgar Degas
1052:The Bathers
717:The Dawning
572:Durand Ruel
568:Edgar Degas
553:Armory Show
546:Walter Pach
349:Ruth Draper
164:Armory Show
104:Nationality
1590:Categories
1541:2020-08-24
1465:References
1407:Literature
1058:painting,
1056:still-life
733:John Quinn
603:The Street
482:April 2024
452:newspapers
290:March 2024
260:newspapers
160:modern art
141:The Bather
59:1864-04-11
1349:Juan Gris
1288:Riverside
902:Laundress
597:Works by
542:Walt Kuhn
392:Manhattan
217:does not
1515:Archived
1216:and the
1054:and his
900:and the
677:, 1893,
655:, 1883,
508:painter
506:American
108:American
93:New York
1341:Balthus
1178:⁄
1151:⁄
1141:⁄
1100:Silence
1040:⁄
1030:⁄
1023:Silence
1000:⁄
990:⁄
960:⁄
930:⁄
820:Buffalo
786:realist
743:in the
576:Silence
466:scholar
359:led by
274:scholar
238:removed
223:sources
1442:
1427:
468:
461:
454:
447:
439:
314:Boston
276:
269:
262:
255:
247:
156:patron
1308:(now
1300:(now
473:JSTOR
459:books
281:JSTOR
267:books
1440:ISBN
1425:ISBN
1212:son
1196:and
1146:× 21
1102:and
1098:and
1035:× 21
995:× 25
896:and
731:and
578:and
566:and
445:news
351:and
253:news
221:any
219:cite
190:and
97:U.S.
78:Died
71:U.S.
49:Born
1294:'s
1106:by
1094:by
1086:by
1078:by
1070:by
1062:by
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756:by
582:by
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428:by
232:by
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303:)
297:(
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57:(
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