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318:, a newspaper published only by women since 1897. She also attended conferences and visited museums, and became more independent and self-confident about her art. She came back to Barcelona in 1902, as three of her sisters were ill, another one was abroad and the family was undergoing economic difficulties.
213:
in
Barcelona. It was her first exhibition, and she became the first and only woman to hold an exhibition there, though some researchers doubt she even held an exhibition there in her early years, as in the early stages of her career she was closely controlled by her father, who was more prone to
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374:, when she joined the Women's Popular Library and the Culture Institute, a project devised by Francesca Bonnemaison in 1909 so as to help single, working-class women to get an education. She also became a pacifist activist during
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magazine and holding several exhibitions in Madrid and
Barcelona. She also started giving private painting lessons in 1908 so as to earn more money to sustain her family, and in 1911 she opened her own academy, placed in
163:, set designer, and a foundry worker interested in art and business. Lluïsa grew up in an encouraging environment for artistic creations. She received her first lessons from her father, and also from Joan González (
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in 1918. She wrote her will on
October 12 and left all her belongings to her single sisters. She did not state her profession, as that information was not needed in Spanish documents of that period.
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In 1914 she held a renowned exhibition at Sala Parés, and
Barcelona's press qualified her as a "distinguished woman" and "celebrated artist", which Carmen Karr (aka Joana Romeu in
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293:, Julian's wife and former student of the academy, also born in Barcelona. She soon abandoned the academy, disappointed, and after a short trip to England in 1902 she attended
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stated that her portraits were so remarkable that those artworks were recommended as an outstanding example of her abilities. In
November 1898 she held her first exhibition at
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Born in the number 13 of
Barcelona's Trafalgar street, Lluïsa Vidal was the second of 12 siblings (ten girls and two boys): one of her sisters became associated with
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221:
In April 1898 she exhibited three portraits at the 4th
Exhibition of Fine Arts and Artistic Industries in Barcelona. This exhibition held over 2,000 works, some by
49:
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circles, she is known as the only professional woman painter of
Catalan modernism, and one of the few women of that period who went abroad to receive art lessons.
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Sis pintores catalanes: Lola
Anglada, Teresa Romero, Pepita Teixidor, Consol Tomàs, Visitació Ubach, Lluïsa Vidal: exposició antològica
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348:. On the other hand, while her family life was crumbling she reached the best stages of her artistic life, becoming the illustrator of
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416:, Vidal has been considered as a member of the second Catalan modernism generation. Even some of her works had been attributed to
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245:. She received an honorific mention for one of her portraits, which depicted a priest named Collell. A brief review published in
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was so simple and suggestive that could be envied by other male portrait painters. Another review, published in
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painter, based on the chosen themes, the colour tones and luminous transparencies used. With
Joaquim Mir,
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Algunes notícies sobre Lluïsa Vidal i Puig, Pintora del segle XIX. Separata Miscel·lània Penedesaneca
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Vidal went back to Barcelona with a lot of finished artworks and a feminist mentality. She met
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Her professional career started in 1898, when she was 22 and held her first exhibition at
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mentioned Vidal as one of the best participants, stating that a portrait about a girl in
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magazine published several of her artworks, and she held an exhibition again at
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Vidal left for Paris in 1901. She received her first lessons there from
378:, when she joined the organisation of the Feminist Pacifist Committee.
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24:
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937:
Romeu, Joana (1914). "L'exposició Lluïsa Vidal a la Sala Parés".
285:, a republican and academicist painter, but she soon enrolled at
179:'s lessons, and she was especially influenced by artists such as
913:
Lluïsa Vidal, pintora: una dona entre els mestres del modernisme
155:, and another one became the wife of the philologist and writer
994:
Lluïsa Vidal. La mirada d'una dona, l'empremta d'una artista
960:(in Catalan). Sabadell: Acadèmia de Belles Arts de Sabadell.
1037:
Lluïsa Vidal. Painted like a man, disappeared like a woman
956:
Campmany, Maria Aurèlia; Santos Torroella, Rafael (1975).
985:
Del Modernisme al Noucentisme. Història de l'art català
206:
and realised the economic value of a good portraitist.
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magazine, where many of her works had been published
265:, with the help of her father and Mas i Fondevila.
116:
106:
98:
80:
59:
40:
35:; both are generally joined by the conjunction "i".
277:Lluïsa Vidal. Self-portrait putting on her jacket
139:. Raised in a well-off family closely related to
983:Fontbona, Francesc; Miralles, Francesc (1985).
198:, where she discovered Spanish masters such as
194:with her father and went for the first time to
31: and the second or maternal family name is
159:. Her father, Francesc Vidal i Jevellí, was a
1067:Deaths from the Spanish flu pandemic in Spain
338:, and started preparing several exhibitions.
8:
1032:about an exhibition by Lluïsa Vidal in 1914
453:Frederic Vidal, the artist's brother, 1895
48:
37:
906:
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370:Vidal became especially committed during
289:, whose women's section was commanded by
420:, as both artists show the influence of
214:less bohemian environments than that of
135:, 2 April 1876 – 22 October 1918) was a
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987:(in Catalan). Barcelona: Edicions 62.
308:While in Paris she learned about the
7:
489:Marcel Montoliu, the artist's nephew
965:Cirici Pellicer, Alexandre (1951).
1087:20th-century Spanish women artists
884:Lluïsa Vidal, filla del modernisme
14:
978:. Institut d'Estudis Penedesencs.
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477:Marta Vidal, the artist's sister
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616:First communion, c. 1909 – 1918
465:Maria Luisa Güell i López, 1900
175:. While in Paris, she attended
974:Coll Mirabent, Isabel (1989).
604:Back from mass, c. 1909 – 1918
1:
840:Diccionari Biogràfic de Dones
556:Unknown title, c. 1890 – 1900
525:Ricard Canals, c. 1907 – 1908
513:Title unknown, c. 1903 – 1905
1062:Women artists from Catalonia
400:Vidal has been considered a
190:When she was 16 she visited
183:(composition resources) and
23:, the first or paternal
366:Lluïsa Vidal. Self-portrait
1103:
967:El arte modernista catalán
650:'s concert, c. 1911 – 1912
18:
886:. Barcelona: La Campana.
684:Young boys with kittens.
385:) found deeply annoying.
47:
996:. Barcelona: Salvatella.
911:Panadès, Pruden (2001).
1072:Painters from Barcelona
915:. Barcelona: La Caixa.
54:Self-portrait from 1899
1077:Spanish women painters
992:Oltra, Consol (1913).
580:Title unknown, c. 1903
430:James McNeill Whistler
367:
278:
243:Arcadi Mas i Fondevila
169:Arcadi Mas i Fondevila
1015:at Wikimedia Commons
537:Francisca Vidal, 1909
365:
336:Francesca Bonnemaison
276:
882:Rudo, Marcy (1996).
291:Amélie Beaury-Saurel
1082:Modernisme painters
1013:Lluïsa Vidal i Puig
836:"Lluïsa Vidal Puig"
669:Nude, published in
501:Carlota Vidal, 1903
426:John Singer Sargent
359:'s ancient studio.
129:Lluïsa Vidal i Puig
969:. Barcelona: Aymà.
846:on 2 February 2014
568:Maternity, c. 1897
388:Vidal died of the
368:
283:Henri-Léopold Lévy
279:
258:Diari de Barcelona
157:Manuel de Montoliu
1011:Media related to
786:Carme Castellví.
408:, Joan González,
402:Catalan modernism
322:Back to Barcelona
310:feminist movement
200:Francisco de Goya
141:Catalan modernist
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227:Santiago Rusiñol
181:Santiago Rusiñol
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422:Diego Velázquez
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341:Pèl & Ploma
332:Dolors Monserdà
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303:Georges Humbert
299:Eugène Carrière
287:Académie Julian
271:
204:Diego Velázquez
196:Museo del Prado
177:Eugène Carrière
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84:22 October 1918
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16:Spanish painter
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1002:External links
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848:. Retrieved
844:the original
839:
806:
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717:
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629:Pablo Casals
543:Genre scenes
414:Ramon Pichot
399:
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369:
349:
339:
325:
313:
307:
305:'s academy.
280:
256:
246:
239:Ramon Pichot
220:
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161:cabinetmaker
153:Pablo Casals
150:
128:
127:
86:(1918-10-22)
70:2 April 1876
42:Lluïsa Vidal
32:
28:
21:Catalan name
1057:1918 deaths
1052:1876 births
1028:Article on
418:Ramon Casas
410:Xavier Gosé
390:Spanish flu
376:World War I
372:Tragic Week
328:Carmen Karr
235:Joaquim Mir
223:Ramon Casas
216:Quatre Gats
211:Quatre Gats
185:Ramon Casas
99:Nationality
1046:Categories
922:8476647441
893:8488791305
815:References
346:Sala Parés
263:Sala Parés
231:Joan Brull
173:Simó Gómez
66:1876-04-02
941:(87): 10.
440:Portraits
315:La Fronde
147:Biography
133:Barcelona
92:Barcelona
74:Barcelona
927:, p. 107
850:29 March
656:Drawings
269:In Paris
117:Movement
111:Painting
19:In this
1030:Feminal
1021:Feminal
939:Feminal
898:, p. 75
809:, 1914
807:Feminal
788:Feminal
772:Feminal
753:Feminal
734:Feminal
718:Feminal
671:Feminal
383:Feminal
351:Feminal
137:painter
102:Spanish
25:surname
919:
890:
790:, 1914
774:, 1914
755:, 1914
736:, 1909
720:, 1908
716:Boys.
704:, 1903
688:, 1903
253:Sitges
192:Madrid
29:Vidal
917:ISBN
888:ISBN
852:2013
631:and
396:Work
334:and
312:and
297:and
241:and
171:and
81:Died
60:Born
33:Puig
432:or
202:or
27:is
1048::
903:^
860:^
838:.
823:^
805:.
770:.
751:,
436:.
428:,
424:,
330:,
237:,
233:,
229:,
225:,
218:.
925:.
896:.
854:.
131:(
68:)
64:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
