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Cavalleria rusticana

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642:". Outside, the villagers sing an Easter Hymn, "Inneggiamo, il Signor non Ăš morto" ("Let us sing hymns, the Lord is not dead", or "We rejoice that our Saviour is living!" in the English version) joined by Santuzza. The villagers enter the church, while Santuzza and Lucia remain outside. Lucia asks Santuzza why she signalled her to remain silent when Alfio said that he had seen Turiddu that morning. Santuzza exclaims, "Voi lo sapete" ("You well know") and tells Lucia the story of her seduction by Turiddu and his affair with Lola. Lucia pities Santuzza, who feels dishonoured, having been seduced by Turiddu only to be abandoned by him for his old flame, Lola. Santuzza feels she cannot enter the church, but begs Lucia to go inside herself and pray for Santuzza who stays behind to try to plead with Turiddu to leave Lola and return to her. 60: 646: 731:
him wine, but he refuses it. All understand that trouble is in the air. The women leave, taking Lola with them. In a brief exchange of words, Alfio challenges Turiddu to a duel. Following Sicilian custom, the two men embrace, and Turiddu, in a token of acceptance, bites Alfio's ear, drawing blood which signifies a fight to the death. Alfio leaves and Turiddu calls Lucia back. He tells her that he is going outside to get some air and asks that she be a kindly mother to Santuzza if he should not return: "Un bacio, mamma! Un altro bacio!—Addio!" ("One kiss, mother! One more kiss! – Farewell!").
247:, as the basis for the opera. He and his colleague Guido Menasci set about composing the libretto, sending it to Mascagni in fragments, sometimes only a few verses at a time on the back of a postcard. As Mascagni believed that the work was hastily written and not reflective of his best efforts, his courage deserted him and he placed the draft in a drawer, from where his wife, Argenide Marcellina "Lina" Mascagni, removed it and submitted it on the last day that entries would be accepted. In all, 73 operas were submitted, and on 5 March 1890, the judges selected the final three: 834: 723: 623:, "O Lola ch'ai di latti la cammisa" ("O Lola, you whose blouse is as white as milk", commonly rendered in English as "O Lola! like the snow, pure in thy whiteness!"). To one side is the church; to the other is Lucia's wine shop and the house where she lives with her son, Turiddu. The villagers move about the square, singing of the beautiful spring day, "Gli aranci olezzano sui verdi margini" (literally, "Oranges smell good on the green edges", rendered as "The air is sweet with orange blossoms" in the English libretto) and a hymn to the 668: 295:. The opera was not successful in the competition but premiered later that year in Amsterdam and went on to a successful tour throughout Europe, ending in Turin. Sonzogno, wishing to protect the lucrative property which Mascagni's version had become, took legal action and successfully had Monleone's opera banned from performance in Italy. Monleone changed the opera ‘beyond recognition’, setting the music to a new libretto. In this form it was presented as 216: 313: 2096: 2690: 1809: 855:. In addition to the original Italian, recordings of the work in the English, French, German, and Hungarian languages have been released. Mascagni himself conducted the opera in two recordings, the better-known of which is the 1940 EMI recording made to mark the 50th anniversary of the opera's premiere. The performance by the La Scala orchestra and chorus with 1895: 431: 1426: 734:
Turiddu rushes out. Lucia, weeping, wanders aimlessly around outside her house. Santuzza approaches and throws her arms around her. The villagers start to crowd around. Voices are heard in the distance and a woman cries, "They have murdered Turiddu!" Santuzza faints and Lucia collapses in the arms of
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Turiddu arrives. Santuzza upbraids him for pretending to have gone away, when he was actually seeing Lola. Lola enters the square singing. She mocks Santuzza and goes inside the church. Turiddu turns to follow Lola, but Santuzza begs him to stay. Turiddu pushes her away. She clings to him. He loosens
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The villagers come out of the church. Turiddu is in high spirits because he is with Lola and Santuzza appears to have gone. He invites his friends to his mother's wine shop where he sings a drinking song, "Viva, il vino spumeggiante" ("Hail to the bubbling wine!"). Alfio joins them. Turiddu offers
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Santuzza, having slept with Turiddu and suspecting that he has betrayed her for Lola, is distraught and approaches Lucia as she comes out of her house. Santuzza asks for Turiddu, but Lucia replies that he has gone to another town to fetch some wine. Santuzza tells her that he was seen during the
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announced a competition open to all young Italian composers who had not yet had an opera performed on stage. They were invited to submit a one-act opera which would be judged by a jury of five prominent Italian critics and composers. The best three would be staged in Rome at Sonzogno's expense.
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Before the action takes place, the young villager Turiddu returns from military service to find out that his fiancée Lola had married the carter Alfio while he was away. In revenge, Turiddu seduced Santuzza, a young woman in the village. As the opera begins, Lola, overcome by her jealousy of
635:'s life and the beauty of Lola his bride. Alfio asks Lucia for some of her fine old wine. She tells him it has run out and Turiddu has gone away to buy more. Alfio replies that he had seen Turiddu early that morning near his cottage. Lucia starts to express surprise, but Santuzza stops her. 689: 330:, a great music lover. It was a success from its opening notes. Following Stagno's rendition of the Siciliana behind the curtain, the audience leapt to their feet with a thunderous applause not heard for many years. The Siciliana was 287:, was entered in the same competition as Mascagni's. However, Gastaldon withdrew it when he received an opportunity to have it performed at the Teatro Costanzi, where it premiered on 9 April 1890. In the 1907 Sonzogno competition, 677: 392:
on the fringes of the Italian repertoire. Its success has been phenomenal ever since its first performance. At the time of Mascagni's death in 1945, the opera had been performed more than 14,000 times in Italy alone.
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Few listened. There were no radios. But public receivers had been set up in several well-advertised locations in New York City, and people could catch at least an inkling of the music on earphones. The next day,
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her hands, throws her to the ground, and enters the church. Alfio arrives looking for Lola. Santuzza tells him that his wife has betrayed him with Turiddu. Alfio swears to take
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on 30 September 1891. The opera premiered in New York City on 1 October 1891, with two rival performances on the same day: an afternoon performance at the Casino, directed by
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as Turiddu also has a spoken introduction by Mascagni. Originally released as on 78rpm discs, then an LP, it is available on CD under several historical recording labels.
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In 1890, following its run of sold-out performances at the Teatro Costanzi, the opera was produced throughout Italy and in Berlin. It received its London premiere at the
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Mascagni heard about the competition only two months before the closing date and asked his friend Giovanni Targioni-Tozzetti, a poet and professor of literature at the
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night in the village. Lucia asks her inside to talk, but just at that moment, Alfio arrives on his wagon, accompanied by the villagers. He praises the joys of a
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published since it was first recorded in Germany in 1909. As in live performances of the opera, recordings of the work have often been paired with
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The opera was played during the 1920s in African-American theaters in Chicago. For example, the Vendome, featuring the orchestra of
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in Rome to a half empty house. However, the audience included not only the most authoritative music critics in the country but also
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as were several other numbers in the opera. It was a sensation, with Mascagni taking 40 curtain calls and winning the First Prize.
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American producers vied with each other (sometimes through the courts) to be the first to present the opera in that country.
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In Los Angeles, an "Italian Night" concert was heard live "in its entirety" on May 6, 1930, as the third program of the
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was his first opera to be completed and performed. It remains the best known of his fifteen operas and one operetta (
660:(revenge) which causes Santuzza to repent for having disclosed the affair and begs Alfio to stop, but to no avail. 164: 73: 1458: 2418: 2262: 2239: 695: 446: 1767: 1849: 1748: 412: 2740: 2720: 2465: 2435: 2363: 2339: 2327: 2303: 2215: 2208: 2184: 1089: 1077: 929: 2484: 1450:
Joseph McLellan, "Texaco & the Met: Premium Performance; the 50th Season of Radio Broadcast Begins,"
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Gemma Bellincioni as Santuzza, and her husband, Roberto Stagno, as Turiddu, in the 1890 premiere of
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reported that static and other interference "kept the homeless song waves from finding themselves."
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performed and memorized the trumpet solo, coming out of the pit and mounting the stage to play it.
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Apart from video recordings of live performances, there have been several cinematic versions of
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which featured "a small string group playing light classical music" in the 1930s and 1940s over
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Mascagni (center) with his librettists, Giovanni Targioni-Tozzetti (left) and Guido Menasci
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Willard, Ashton R. (March–August 1893). "Pietro Mascagni, the Author of the
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Cavalleria rusticana and Pagliacci: A Teacher's Guide and Resource Book
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network. It "was a 'feed' to the entire network from the KOA studios."
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https://www.talkclassical.com/threads/santuzza-mezzo-or-soprano.27629/
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Schweisheimer, W (April 1946). "Pietro Mascagni – A Tragic Figure?".
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in the United States was as the theme for a regular radio broadcast,
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There have been two other operas based on Verga's story. The first,
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Synopsis is based on Targioni-Tozzetti, G. and Menasci, G. (1902).
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The 1916 silent film accompanied by Mascagni's score, directed by
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in Italian and English translation by Willard G. Day. F. Rullman
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Alfio leaves. The choir inside the church is heard singing the "
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Although Mascagni had started writing two other operas earlier (
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Mascagni calls for a standard-sized orchestra consisting of 2
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Recordings on the opera on operadis-opera-discography.org.uk
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submitted an opera based on the story, and likewise called
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was transmitted as the first broadcast by New York City's
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finally had its American premiere in Philadelphia at the
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Santuzza pleads with Turiddu not to meet with Lola again
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on 30 December 1891 in a double bill with a fragment of
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Santuzza, has begun an adulterous affair with Turiddu.
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The square is empty as the orchestra plays the famous
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Changing Tunes: The Use of Pre-existing Music in Film
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Advertisement for 1930 radio broadcast with Lisa Roma
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Laurence Olivier Award for Best New Opera Production
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Reading Screens: From text to film, TV and new media
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(Released in the US in 1963 with the title 655: 193:, it has often been performed in a so-called 8: 1256:. New York: W. W. Norton. pp. 186–187. 322:opened on the evening of 17 May 1890 at the 1433:, p. 298. University Press of New England. 1353:For extensive annotated discographies, see 185:operas, it premiered on 17 May 1890 at the 2577: 2563: 2555: 2132: 2118: 2110: 1864: 1850: 1842: 1018:The 1968 film directed by Åke Falck, with 223:In July 1888 the Milanese music publisher 64:Scene from the world premiere of the opera 58: 38: 1828:International Music Score Library Project 1477: 1475: 1182: 1180: 462:, played music from this opera. Notably, 1536:"Airing Memories of 'Rhapsody' on Radio" 1013:filmed for Australian television in 1959 473: 2685: 1697:(Programme notes). Concert Opera Boston 1186: 1149: 1102: 1026:as Alfio and Anna di Stasio as Lucia. ( 1785:The Concise Oxford Dictionary of Opera 1200: 1045:, using opera singers for actors with 704: 243:, a popular short story (and play) by 1773:, Mascagni.org (accessed 8 June 2007) 1239: 1212: 941:A notable use of the Intermezzo from 619:Offstage, Turiddu is heard singing a 138: 32:Cavalleria rusticana (disambiguation) 7: 1366:Pietro Mascagni - A Bio-Bibliography 1254:Louis Armstrong: Master of Modernism 1109: 883:on 11 December 1910. Radio pioneer 1636:, 6–12 April 2003). Archived from 1122:Pasles, Chris (5 September 1991). 25: 1534:Melrose, Frances (12 July 1998). 973:, the most notable of which are: 957:, then owned and operated by the 476:Roles, voice types, premiere cast 140:[kavalleˈriːarustiˈkaːna] 2688: 2095: 2094: 1893: 1807: 1482:Fantel, Hans (14 January 1990). 1000:as Alfio miming to the voice of 918:opera series over radio station 829:Cavalleria rusticana discography 705:Problems playing this file? See 685: 179:. Considered one of the classic 1503:Daggett, John S. (6 May 1930). 2431:The Mastersingers of Nuremberg 1634:Corpus Christi College, Oxford 1612:Lauri-Lucente, Gloria (2003). 1423:Pietro Mascagni and His Operas 1164:La romanza italiana da salotto 615:The main square of the village 1: 1710:Stevens, D. (25 July 2001). " 1410:– via Internet Archive. 1278:Santuzza: Mezzo or Soprano??? 871:A double-bill performance of 27:1890 opera by Pietro Mascagni 1838:(accessed 17 September 2011) 1721:International Herald Tribune 1506:"Receiving Set Boon to Home" 173:short story of the same name 2299:The Trojans: Parts I and II 1731:Opera's irrestistible twins 1385:Gruber, Paul (5 May 1993). 899:were in the leading roles. 400:on 19 October 1891 and its 233:Italian Royal Naval Academy 18:Lola (Cavalleria rusticana) 2767: 1718:: Take 2, They're Small". 1607:. G. P. Putnam & Sons. 1561:Powrie & Stilwell 2006 1284:(Accessed: March 07 2023) 826: 490:Premiere cast, 17 May 1890 165:Giovanni Targioni-Tozzetti 74:Giovanni Targioni-Tozzetti 29: 2751:Operas adapted into films 2731:Operas by Pietro Mascagni 2091: 1791:San Francisco Opera Guild 1344:Retrieved 6 February 2010 1252:Brothers, Thomas (2014). 726:Turiddu bites Alfio's ear 696:Fulda Symphonic Orchestra 404:premiere on 16 May 1892. 348:, premiered in 1932, and 57: 46: 1749:The New England Magazine 1729:Weaver, William (1987). 1695:, and the Verismo Style" 1624:(paper presented at the 1544:. Denver. Archived from 947:Symphony of the Rockies, 2716:Italian-language operas 2311:Lady Macbeth of Mtsensk 1605:The Complete Opera Book 1466:5 November 2012 at the 1276:Talk Classical (2013). 1174:, EDT srl, 2002, p. 491 338:Subsequent performances 175:and subsequent play by 171:, adapted from an 1880 2466:English National Opera 2436:English National Opera 2419:Les vĂȘpres siciliennes 2364:English National Opera 2340:English National Opera 2328:English National Opera 2304:English National Opera 2209:English National Opera 2185:English National Opera 1797:(accessed 23 May 2007) 1677:Sims, Michael (2007). 1420:Mallach, Alan (2002). 1161:Sanvitale, Francesco, 1090:The Godfather Part III 938: 912: 838: 727: 681:: Intermezzo sinfonico 671: 656: 650: 595:Place: A 19th-century 438: 354:, premiered in 1895), 316: 220: 2746:Operas based on plays 2407:Einstein on the Beach 2347:PellĂ©as and MĂ©lisande 2168:La damnation de Faust 1459:registration required 1364:and Flury, R. (2001) 1087:and in the finale of 1030:, Milan conducted by 932: 901: 836: 735:the women villagers. 725: 670: 648: 433: 315: 297:La giostra dei falchi 218: 108:17 May 1890 2736:Operas set in Sicily 2643:Cavalleria rusticana 2635:Cavalleria Rusticana 2608:Cavalleria Rusticana 2587:Cavalleria rusticana 2443:Cavalleria rusticana 2245:Welsh National Opera 2233:Welsh National Opera 1889:Cavalleria rusticana 1835:Cavalleria rusticana 1823:Cavalleria rusticana 1818:at Wikimedia Commons 1815:Cavalleria rusticana 1769:Cavalleria rusticana 1744:Cavalleria rusticana 1735:Decca Record Company 1681:Cavalleria rusticana 1616:Cavalleria rusticana 1297:Cavalleria rusticana 971:Cavalleria rusticana 943:Cavalleria rusticana 935:Cavalleria rusticana 889:Giulio Gatti-Casazza 843:Cavalleria rusticana 679:Cavalleria rusticana 436:Cavalleria rusticana 409:Cavalleria rusticana 366:Cavalleria rusticana 356:Cavalleria rusticana 320:Cavalleria rusticana 293:Cavalleria rusticana 272:Cavalleria rusticana 241:Cavalleria rusticana 131:Cavalleria rusticana 97:Cavalleria rusticana 42:Cavalleria rusticana 30:For other uses, see 2376:Royal Opera, London 2352:Royal Opera, London 2316:Royal Opera, London 2292:Royal Opera, London 2280:Royal Opera, London 2268:Royal Opera, London 2228:La clemenza di Tito 2221:Royal Opera, London 2197:Royal Opera, London 2173:Royal Opera, London 2161:Royal Opera, London 1550:on 5 November 2012. 1541:Rocky Mountain News 1368:, Greenwood Press, 1078:Because You're Mine 1032:Herbert von Karajan 847:Ruggero Leoncavallo 625:Blessed Virgin Mary 478: 398:Shaftesbury Theatre 303:Performance history 285:Stanislao Gastaldon 211:Composition history 205:Ruggero Leoncavallo 2371:Tristan und Isolde 2275:Boulevard Solitude 2204:Tristan und Isolde 1924:Guglielmo Ratcliff 1573:Lauri-Lucente 2003 1489:The New York Times 1429:2017-01-25 at the 1340:2012-04-16 at the 1303:2009-03-26 at the 1225:Schweisheimer 1946 1170:2017-01-18 at the 1024:Giangiacomo Guelfi 939: 907:The New York Times 881:Metropolitan Opera 839: 728: 672: 651: 567:Gaudenzio Salassa 474: 443:Metropolitan Opera 439: 351:Guglielmo Ratcliff 317: 221: 2676: 2675: 2552: 2551: 2502:Royal Opera House 2490:Royal Opera House 2395:Castor and Pollux 2263:The Greek Passion 2240:Hansel and Gretel 2107: 2106: 1812:Media related to 1620:The Godfather III 1512:Los Angeles Times 1263:978-0-393-06582-4 1129:Los Angeles Times 1069:'s popular films 1043:Franco Zeffirelli 1020:Fiorenza Cossotto 983:Gemma Bellincioni 690: 587: 586: 516:Gemma Bellincioni 452:Orfeo ed Euridice 425:Oscar Hammerstein 413:Grand Opera House 289:Domenico Monleone 283:(Bad Easter!) by 270:, and Mascagni's 197:double-bill with 127: 126: 16:(Redirected from 2758: 2693: 2692: 2684: 2579: 2572: 2565: 2556: 2412:Barbican Theatre 2400:Coliseum Theatre 2323:Madama Butterfly 2134: 2127: 2120: 2111: 2098: 2097: 2084: 2077: 2067:Related articles 2059: 2038: 2028: 2018: 2014:Il piccolo Marat 2008: 1998: 1988: 1978: 1968: 1958: 1948: 1938: 1928: 1918: 1908: 1898: 1897: 1866: 1859: 1852: 1843: 1826:: Scores at the 1811: 1757: 1738: 1725: 1706: 1704: 1702: 1673: 1662: 1641: 1608: 1596: 1576: 1570: 1564: 1558: 1552: 1551: 1549: 1531: 1525: 1524: 1508: 1500: 1494: 1493: 1479: 1470: 1462: 1454:17 December 1989 1452:Washington Post, 1447: 1441: 1418: 1412: 1411: 1409: 1407: 1393:. W. W. Norton. 1392: 1382: 1376: 1351: 1345: 1332: 1326: 1314: 1308: 1291: 1285: 1274: 1268: 1267: 1249: 1243: 1237: 1228: 1222: 1216: 1210: 1204: 1198: 1189: 1184: 1175: 1159: 1153: 1147: 1141: 1140: 1138: 1136: 1119: 1113: 1107: 1072:The Great Caruso 1051:Elena Obraztsova 859:as Santuzza and 692: 691: 669: 659: 551:Federica Casali 494:Leopoldo Mugnone 479: 477: 389:Il piccolo Marat 328:Queen Margherita 265: 257:Vincenzo Ferroni 249:Niccola Spinelli 225:Edoardo Sonzogno 147:for 'Rustic 142: 137: 115: 113: 62: 39: 21: 2766: 2765: 2761: 2760: 2759: 2757: 2756: 2755: 2701: 2700: 2699: 2687: 2679: 2677: 2672: 2649: 2614: 2595: 2592:Pietro Mascagni 2583: 2553: 2548: 2543:The Royal Opera 2531:The Royal Opera 2519:The Royal Opera 2508:(2021 Covid-19) 2478:The Royal Opera 2454:The Royal Opera 2424:The Royal Opera 2250: 2143: 2138: 2108: 2103: 2087: 2080: 2073: 2062: 2052: 2041: 2031: 2021: 2011: 2001: 1991: 1981: 1971: 1961: 1951: 1941: 1931: 1921: 1911: 1901: 1886: 1875: 1873:Pietro Mascagni 1870: 1804: 1764: 1762:Further reading 1741: 1728: 1709: 1700: 1698: 1676: 1665: 1659: 1644: 1640:on 6 June 2011. 1626:British Council 1611: 1599: 1588: 1585: 1580: 1579: 1571: 1567: 1559: 1555: 1533: 1532: 1528: 1502: 1501: 1497: 1481: 1480: 1473: 1468:Wayback Machine 1456: 1448: 1444: 1431:Wayback Machine 1419: 1415: 1405: 1403: 1401: 1384: 1383: 1379: 1352: 1348: 1342:Wayback Machine 1333: 1329: 1315: 1311: 1305:Wayback Machine 1292: 1288: 1275: 1271: 1264: 1251: 1250: 1246: 1238: 1231: 1223: 1219: 1211: 1207: 1199: 1192: 1185: 1178: 1172:Wayback Machine 1160: 1156: 1148: 1144: 1134: 1132: 1121: 1120: 1116: 1108: 1104: 1099: 1059:Fedora Barbieri 1047:PlĂĄcido Domingo 994:Carmine Gallone 967: 869: 861:Beniamino Gigli 857:Lina Bruna Rasa 831: 825: 741: 739:Instrumentation 713: 712: 711: 703: 701: 700: 699: 698: 693: 686: 683: 673: 667: 592: 491: 475: 472: 464:Louis Armstrong 421:Rudolph Aronson 340: 324:Teatro Costanzi 310: 305: 259: 213: 189:in Rome. Since 187:Teatro Costanzi 157:Pietro Mascagni 135: 123: 122: 119:Teatro Costanzi 116: 111: 109: 65: 52:Pietro Mascagni 35: 28: 23: 22: 15: 12: 11: 5: 2764: 2762: 2754: 2753: 2748: 2743: 2741:Verismo operas 2738: 2733: 2728: 2723: 2721:One-act operas 2718: 2713: 2703: 2702: 2698: 2697: 2674: 2673: 2671: 2670: 2663: 2657: 2655: 2651: 2650: 2648: 2647: 2639: 2631: 2622: 2620: 2616: 2615: 2613: 2612: 2603: 2601: 2597: 2596: 2584: 2582: 2581: 2574: 2567: 2559: 2550: 2549: 2547: 2546: 2534: 2522: 2510: 2505: 2493: 2485:Katya Kabanova 2481: 2469: 2457: 2439: 2427: 2415: 2403: 2391: 2379: 2367: 2355: 2343: 2331: 2319: 2307: 2295: 2283: 2271: 2258: 2256: 2252: 2251: 2249: 2248: 2236: 2224: 2212: 2200: 2188: 2176: 2164: 2151: 2149: 2145: 2144: 2139: 2137: 2136: 2129: 2122: 2114: 2105: 2104: 2092: 2089: 2088: 2086: 2085: 2078: 2070: 2068: 2064: 2063: 2061: 2060: 2049: 2047: 2043: 2042: 2040: 2039: 2029: 2019: 2009: 1999: 1989: 1979: 1969: 1959: 1949: 1939: 1929: 1919: 1909: 1899: 1883: 1881: 1877: 1876: 1871: 1869: 1868: 1861: 1854: 1846: 1840: 1839: 1830: 1819: 1803: 1802:External links 1800: 1799: 1798: 1788: 1774: 1763: 1760: 1759: 1758: 1739: 1726: 1707: 1674: 1663: 1657: 1642: 1609: 1597: 1584: 1581: 1578: 1577: 1565: 1553: 1526: 1515:. p. 21. 1495: 1471: 1442: 1413: 1399: 1377: 1360:2012-06-30 at 1346: 1327: 1309: 1286: 1280:Available at: 1269: 1262: 1244: 1229: 1217: 1205: 1190: 1176: 1154: 1142: 1114: 1101: 1100: 1098: 1095: 1063: 1062: 1035: 1016: 1009: 986: 966: 963: 953:radio station 868: 865: 827:Main article: 824: 821: 783:, percussion ( 740: 737: 702: 694: 684: 676: 675: 674: 665: 664: 663: 662: 608: 607: 600: 591: 588: 585: 584: 581: 576: 569: 568: 565: 560: 553: 552: 549: 544: 537: 536: 534:Roberto Stagno 531: 526: 519: 518: 513: 504: 502:a peasant girl 497: 496: 488: 483: 471: 468: 364:). Apart from 339: 336: 309: 306: 304: 301: 245:Giovanni Verga 212: 209: 177:Giovanni Verga 159:to an Italian 155:in one act by 125: 124: 117: 107: 105: 101: 100: 93: 89: 88: 85: 81: 80: 71: 67: 66: 63: 55: 54: 44: 43: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 2763: 2752: 2749: 2747: 2744: 2742: 2739: 2737: 2734: 2732: 2729: 2727: 2724: 2722: 2719: 2717: 2714: 2712: 2709: 2708: 2706: 2696: 2691: 2686: 2682: 2668: 2664: 2662: 2659: 2658: 2656: 2652: 2645: 2644: 2640: 2637: 2636: 2632: 2629: 2628: 2624: 2623: 2621: 2617: 2610: 2609: 2605: 2604: 2602: 2598: 2593: 2589: 2588: 2580: 2575: 2573: 2568: 2566: 2561: 2560: 2557: 2544: 2540: 2539: 2535: 2532: 2528: 2527: 2523: 2520: 2516: 2515: 2511: 2509: 2506: 2503: 2499: 2498: 2494: 2491: 2487: 2486: 2482: 2479: 2475: 2474: 2470: 2467: 2463: 2462: 2458: 2455: 2451: 2450: 2445: 2444: 2440: 2437: 2433: 2432: 2428: 2425: 2421: 2420: 2416: 2413: 2409: 2408: 2404: 2401: 2397: 2396: 2392: 2389: 2385: 2384: 2380: 2377: 2373: 2372: 2368: 2365: 2361: 2360: 2356: 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1825: 1824: 1820: 1817: 1816: 1810: 1806: 1805: 1801: 1796: 1792: 1789: 1786: 1782: 1778: 1777:Rosenthal, H. 1775: 1772: 1771:, work detail 1770: 1766: 1765: 1761: 1755: 1751: 1750: 1745: 1740: 1736: 1732: 1727: 1723: 1722: 1717: 1713: 1708: 1696: 1694: 1690: 1686: 1682: 1675: 1671: 1670: 1664: 1660: 1658:0-7546-5137-1 1654: 1650: 1649: 1643: 1639: 1635: 1631: 1627: 1623: 1621: 1617: 1610: 1606: 1602: 1601:KobbĂ©, Gustav 1598: 1594: 1593: 1587: 1586: 1582: 1574: 1569: 1566: 1563:, p. 21. 1562: 1557: 1554: 1548: 1543: 1542: 1537: 1530: 1527: 1522: 1518: 1514: 1513: 1507: 1499: 1496: 1491: 1490: 1485: 1478: 1476: 1472: 1469: 1465: 1460: 1455: 1453: 1446: 1443: 1440: 1436: 1432: 1428: 1425: 1424: 1417: 1414: 1402: 1400:9780393034448 1396: 1391: 1390: 1381: 1378: 1375: 1374:0-313-29662-6 1371: 1367: 1363: 1362:archive.today 1359: 1356: 1350: 1347: 1343: 1339: 1336: 1331: 1328: 1325: 1324:Sicilian cart 1321: 1320: 1313: 1310: 1306: 1302: 1299: 1298: 1290: 1287: 1283: 1279: 1273: 1270: 1265: 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583:Annetta GulĂŹ 582: 580: 579:mezzo-soprano 577: 575: 571: 570: 566: 564: 561: 559: 555: 554: 550: 548: 545: 543: 539: 538: 535: 532: 530: 527: 525: 521: 520: 517: 514: 512: 511:mezzo-soprano 508: 505: 503: 499: 498: 495: 489: 487: 484: 481: 480: 469: 467: 465: 461: 456: 454: 453: 448: 444: 437: 432: 428: 426: 422: 418: 414: 410: 405: 403: 402:Covent Garden 399: 394: 391: 390: 385: 384: 379: 378: 377:L'amico Fritz 373: 372: 367: 363: 362: 357: 353: 352: 347: 346: 337: 335: 333: 329: 325: 321: 314: 307: 302: 300: 298: 294: 290: 286: 282: 281: 275: 273: 269: 263: 258: 254: 250: 246: 242: 238: 234: 229: 226: 217: 210: 208: 206: 202: 201: 196: 192: 188: 184: 183: 178: 174: 170: 169:Guido Menasci 166: 162: 158: 154: 151:') is an 150: 146: 141: 133: 132: 120: 106: 102: 99: 98: 94: 90: 86: 82: 79: 78:Guido Menasci 75: 72: 68: 61: 56: 53: 49: 45: 40: 37: 33: 19: 2667:Sancta Maria 2641: 2633: 2627:Fatal Desire 2625: 2606: 2586: 2585: 2536: 2524: 2512: 2507: 2495: 2483: 2471: 2459: 2447: 2442: 2441: 2429: 2417: 2405: 2393: 2388:Soho Theatre 2381: 2369: 2357: 2345: 2333: 2321: 2309: 2297: 2285: 2273: 2261: 2255:2001–present 2238: 2226: 2214: 2202: 2190: 2178: 2166: 2154: 2093: 2053: 2032: 2022: 2012: 2002: 1992: 1982: 1972: 1962: 1952: 1942: 1932: 1922: 1912: 1902: 1888: 1887: 1834: 1833:Libretto of 1822: 1814: 1794: 1784: 1768: 1753: 1747: 1743: 1730: 1719: 1715: 1711: 1699:. Retrieved 1692: 1688: 1684: 1680: 1667: 1647: 1638:the original 1629: 1628:conference, 1619: 1615: 1604: 1590: 1568: 1556: 1547:the original 1539: 1529: 1510: 1498: 1487: 1451: 1445: 1422: 1416: 1404:. Retrieved 1388: 1380: 1365: 1355:Mascagni.org 1349: 1330: 1317: 1312: 1296: 1289: 1277: 1272: 1253: 1247: 1220: 1208: 1187:Stevens 2001 1163: 1157: 1150:Willard 1893 1145: 1133:. Retrieved 1127: 1117: 1105: 1088: 1082: 1076: 1070: 1064: 1049:as Turiddu, 1041:directed by 1006:Fatal Desire 1005: 992:directed by 970: 968: 946: 942: 940: 934: 913: 905: 902: 897:Emmy Destinn 876: 872: 870: 850: 842: 840: 742: 733: 729: 714: 678: 652: 640:Regina coeli 637: 629: 618: 614: 613: 609: 574:Alfio's wife 573: 557: 541: 523: 501: 460:Erskine Tate 457: 450: 440: 435: 408: 406: 395: 387: 381: 375: 369: 365: 359: 355: 349: 343: 341: 319: 318: 296: 292: 280:Mala Pasqua! 278: 276: 271: 267: 252: 240: 230: 222: 198: 194: 180: 130: 129: 128: 95: 36: 2711:1890 operas 2661:Discography 2216:Paul Bunyan 1964:Le maschere 1781:Warrack, J. 1651:. Ashgate. 1319:carrettiere 1316:In Italian 1201:Weaver 1987 1084:Raging Bull 1075:(1951) and 1067:Mario Lanza 492:Conductor: 260: [ 2705:Categories 2497:Billy Budd 2473:Semiramide 2192:Billy Budd 1687: [ 1439:1555535240 1295:Libretto: 1240:KobbĂ© 1919 1213:Anon. 1945 1097:References 1002:Tito Gobbi 979:Ugo Falena 873:Cavalleria 823:Recordings 717:Intermezzo 707:media help 542:his mother 500:Santuzza, 486:Voice type 417:in Chicago 136:pronounced 112:1890-05-17 70:Librettist 2538:Innocence 2449:Pagliacci 2359:Partenope 2156:Stiffelio 2148:1993–2000 2046:Operettas 2004:Lodoletta 1914:I Rantzau 1693:Pagliacci 1669:The Etude 1521:162333416 1135:6 October 1110:Sims 2007 1061:as Lucia. 1039:1982 film 990:1953 film 924:Lisa Roma 877:Pagliacci 852:Pagliacci 797:side drum 793:bass drum 773:trombones 757:clarinets 621:siciliana 547:contralto 522:Turiddu, 299:in 1914. 200:Pagliacci 2461:Akhnaten 2100:Category 1994:Parisina 1603:(1919). 1517:ProQuest 1464:Archived 1427:Archived 1358:Archived 1338:Archived 1301:Archived 1168:Archived 1028:La Scala 785:triangle 769:trumpets 761:bassoons 749:piccolos 657:vendetta 633:teamster 597:Sicilian 590:Synopsis 563:baritone 558:a carter 308:Premiere 161:libretto 149:Chivalry 104:Premiere 92:Based on 84:Language 2654:Related 2287:Wozzeck 2082:Verismo 2024:Pinotta 1984:Isabeau 1944:Zanetto 1934:Silvano 1892:(1890) 1793:(2003) 1783:(1979) 1701:30 June 1583:Sources 1011:It was 981:, with 887:talked 817:strings 789:cymbals 781:timpani 606:morning 599:village 556:Alfio, 540:Lucia, 507:soprano 383:Isabeau 368:, only 345:Pinotta 332:encored 268:Rudello 253:Labilia 237:Livorno 195:Cav/Pag 182:verismo 145:Italian 110: ( 87:Italian 2726:Operas 2681:Portal 2646:(1982) 2638:(1959) 2630:(1953) 2611:(1880) 2600:Source 2594:(1890) 2545:(2024) 2533:(2023) 2526:Alcina 2521:(2022) 2514:JenĆŻfa 2504:(2020) 2492:(2019) 2480:(2018) 2468:(2017) 2456:(2016) 2438:(2015) 2426:(2014) 2414:(2013) 2402:(2012) 2390:(2011) 2383:BohĂšme 2378:(2010) 2366:(2009) 2354:(2008) 2342:(2007) 2335:Jenufa 2330:(2006) 2318:(2005) 2306:(2004) 2294:(2003) 2282:(2002) 2270:(2001) 2247:(2000) 2235:(1999) 2223:(1998) 2211:(1997) 2199:(1996) 2187:(1995) 2175:(1994) 2163:(1993) 2058:(1919) 2037:(1935) 2034:Nerone 2027:(1932) 2017:(1921) 2007:(1917) 1997:(1913) 1987:(1911) 1977:(1905) 1967:(1901) 1957:(1898) 1947:(1896) 1937:(1895) 1927:(1895) 1917:(1892) 1907:(1891) 1880:Operas 1691:] 1655:  1519:  1437:  1397:  1372:  1260:  951:Denver 937:(1953) 801:tamtam 745:flutes 604:Easter 602:Time: 572:Lola, 121:, Rome 2695:Opera 2619:Films 1974:Amica 1406:5 May 916:Adohr 867:Radio 813:organ 809:harps 807:), 2 765:horns 753:oboes 529:tenor 482:Role 470:Roles 447:Gluck 264:] 153:opera 48:Opera 1954:Iris 1779:and 1754:VIII 1714:and 1703:2020 1653:ISBN 1592:Time 1435:ISBN 1408:2018 1395:ISBN 1370:ISBN 1258:ISBN 1137:2022 1037:The 988:The 965:Film 895:and 875:and 815:and 777:tuba 771:, 3 767:, 2 763:, 4 759:, 2 755:, 2 751:, 2 747:, 2 386:and 374:and 371:Iris 191:1893 167:and 76:and 2590:by 2452:– 1746:". 1716:Cav 1712:Cav 1689:sic 959:NBC 955:KOA 920:KFI 849:'s 509:or 449:'s 266:'s 251:'s 235:in 203:by 163:by 50:by 2707:: 2541:– 2529:– 2517:– 2500:– 2488:– 2476:– 2464:– 2446:/ 2434:– 2422:– 2410:– 2398:– 2386:– 2374:– 2362:– 2350:– 2338:– 2326:– 2314:– 2302:– 2290:– 2278:– 2266:– 2243:– 2231:– 2219:– 2207:– 2195:– 2183:– 2171:– 2159:– 2055:SĂŹ 1752:. 1733:. 1683:, 1632:, 1538:. 1509:. 1486:. 1474:^ 1232:^ 1193:^ 1179:^ 1126:. 1034:.) 1008:.) 819:. 811:, 803:, 799:, 795:, 791:, 787:, 779:, 775:, 719:. 427:. 361:SĂŹ 274:. 262:it 255:, 207:. 143:; 2683:: 2669:" 2665:" 2578:e 2571:t 2564:v 2133:e 2126:t 2119:v 1865:e 1858:t 1851:v 1756:. 1737:. 1724:. 1705:. 1685:I 1679:" 1672:. 1661:. 1622:" 1614:" 1595:. 1575:. 1523:. 1492:. 1461:) 1457:( 1266:. 1242:. 1227:. 1215:. 1203:. 1152:. 1139:. 1112:. 1015:. 709:. 134:( 114:) 34:. 20:)

Index

Lola (Cavalleria rusticana)
Cavalleria rusticana (disambiguation)
Opera
Pietro Mascagni

Giovanni Targioni-Tozzetti
Guido Menasci
Cavalleria rusticana
Teatro Costanzi
[kavalleˈriːarustiˈkaːna]
Italian
Chivalry
opera
Pietro Mascagni
libretto
Giovanni Targioni-Tozzetti
Guido Menasci
short story of the same name
Giovanni Verga
verismo
Teatro Costanzi
1893
Pagliacci
Ruggero Leoncavallo

Edoardo Sonzogno
Italian Royal Naval Academy
Livorno
Giovanni Verga
Niccola Spinelli

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