186:
In 1969, Cuddy established the Music
Cognition Lab at Queen's University, the first music psychology laboratory in Canada and one of the first in the world. Her research program has examined a wide range of topics within music psychology, including
1678:
871:
Cuddy, Lola L.; Sikka, Ritu; Vanstone, Ashley (2015). "Preservation of musical memory and engagement in healthy aging and
Alzheimer's disease: Musical memory in Alzheimer's disease".
571:
944:
1034:
906:
Cuddy, Lola L.; Duffin, Jacalyn (2005). "Music, memory, and
Alzheimer's disease: is music recognition spared in dementia, and how can it be assessed?".
423:
Cuddy, Lola L.; Duffin, Jacalyn (2005). "Music, memory, and
Alzheimer's disease: Is music recognition spared in dementia, and how can it be assessed?".
199:. This work garnered media attention for the finding that patients with memory loss associated with dementia may be able to maintain musical memories.
1270:
1688:
1693:
1663:
469:
244:
502:
Cuddy, Lola L. (2009). "Development of music perception and cognition research: An autobiographical account from a
Canadian perspective".
183:. In 1965, Cuddy and her husband, Mel Wiebe (a scholar of Victorian literature), left Toronto to accept positions at Queen's University.
1683:
228:
600:
1215:
140:
116:
1668:
1160:
1658:
1170:
969:
261:
Cuddy, Lola L.; Cohen, Annabel J.; Miller, Janet (1979). "Melody recognition: The experimental application of musical rules".
175:) in 1959, while also earning a diploma in music. She earned a master's degree (1961) and a PhD (1965) in psychology from the
1220:
1027:
685:
1648:
1607:
1150:
1673:
1434:
1175:
1621:
1600:
1586:
1140:
209:
1125:
809:
Jakobson, Lorna S.; Cuddy, Lola L.; Kilgour, Andrea R. (2003). "Time
Tagging: A Key to Musicians' Superior Memory".
381:
Jakobson, Lorna S.; Cuddy, Lola L.; Kilgour, Andrea R. (2003). "Time
Tagging: A Key to Musicians' Superior Memory".
1394:
1364:
1072:
290:
Cuddy, Lola L.; Cohen, Annabel J.; Mewhort, D. J. K. (1981). "Perception of structure in short melodic sequences".
624:
1120:
1092:
1020:
168:
1409:
1323:
1290:
1135:
195:, and effects of musical training. A recent line of research explored music processing among individuals with
1265:
1077:
1653:
1614:
1557:
1313:
196:
172:
69:
1419:
1067:
176:
73:
1643:
1225:
1062:
767:
1185:
1512:
1404:
1399:
1344:
1303:
1190:
188:
1462:
1492:
1165:
1145:
652:
993:
313:"Recovery of the tonal hierarchy: Some comparisons across age and levels of musical experience"
1379:
1255:
1235:
1205:
1105:
923:
888:
826:
791:
783:
740:
732:
519:
465:
440:
369:
334:
278:
144:
218:. She was the president of the Society for Music Perception and Cognition from 2001 to 2002.
1579:
1522:
1507:
1457:
1442:
1115:
1110:
1043:
915:
880:
853:
818:
775:
722:
511:
457:
432:
411:
390:
359:
324:
299:
270:
204:
132:
106:
1452:
1414:
1369:
1354:
1280:
1245:
1230:
1195:
1155:
1082:
711:"Expectancies generated by melodic intervals: Perceptual judgments of melodic continuity"
540:
348:"Expectancies generated by melodic intervals: Perceptual judgments of melodic continuity"
771:
131:(born 1939) is a Canadian psychologist recognized for her contributions to the field of
1502:
1477:
1318:
1250:
1240:
1180:
1100:
234:
192:
1637:
1562:
1542:
1532:
1517:
1472:
1467:
1424:
1389:
1374:
1328:
1308:
1200:
1057:
686:"SMPC honors MP Editor Lola Cuddy with Lifetime Achievement Award | Music Perception"
180:
83:
1593:
1547:
1527:
1497:
1349:
1275:
1260:
461:
1552:
1482:
919:
436:
1537:
1487:
1384:
303:
64:
857:
830:
822:
787:
758:
Cuddy, Lola L. (1968). "Practice
Effects in the Absolute Judgment of Pitch".
736:
523:
415:
394:
240:
2011: Lifetime
Achievement Award, Society for Music Perception and Cognition
167:. A trained pianist, she completed an undergraduate degree in psychology at
927:
892:
444:
795:
744:
373:
338:
249:
2017: Fellow, Canadian
Society for Brain, Behaviour, and Cognitive Science
541:"Dr. Lola Cuddy | Education with Impact - 2 | The University of Winnipeg"
282:
164:
160:
136:
39:
35:
1359:
1130:
884:
727:
710:
364:
347:
329:
312:
148:
779:
1298:
515:
274:
292:
Journal of Experimental Psychology: Human Perception and Performance
1012:
653:"For those with dementia, music brings comfort, connection and joy"
1210:
601:"Psychology professor a pioneer in music perception and cognition"
945:"The Alzheimer patient who sang 'Oh, what a beautiful morning!'"
1016:
208:
from 2002 to 2017, and as a consulting editor to the journals
159:
Cuddy was born in 1939 and grew up in a musical family in
844:"Memory for Melodies and Lyrics in Alzheimer's Disease".
402:"Memory for Melodies and Lyrics in Alzheimer's Disease".
452:
Cuddy, Lola L. (2018). "Long-Term Memory for Music".
1571:
1433:
1337:
1289:
1091:
1050:
112:
102:
94:
89:
79:
63:
58:
46:
28:
21:
1679:Academic staff of Queen's University at Kingston
760:The Journal of the Acoustical Society of America
1028:
8:
311:Cuddy, Lola L.; Badertscher, Betsy (1987).
1035:
1021:
1013:
873:Annals of the New York Academy of Sciences
709:Cuddy, Lola L.; Lunney, Carole A. (1995).
454:Springer Handbook of Systematic Musicology
346:Cuddy, Lola L.; Lunney, Carole A. (1995).
18:
726:
363:
328:
456:. Springer Handbooks. pp. 453–459.
1271:Temporal dynamics of music and language
504:Psychomusicology: Music, Mind and Brain
485:
202:Cuddy served as editor of the journal
998:Association for Psychological Science
939:
937:
245:Association for Psychological Science
7:
680:
678:
676:
674:
672:
646:
644:
605:Queen's Gazette | Queen's University
566:
564:
562:
560:
535:
533:
497:
495:
493:
491:
489:
139:in the Department of Psychology at
229:Canadian Psychological Association
14:
1216:Music in psychological operations
970:"More to music than catchy tunes"
968:Glauberzon, Olivia (2009-02-25).
1161:Generative theory of tonal music
1171:Hedonic music consumption model
1068:Cognitive neuroscience of music
715:Perception & Psychophysics
651:Elliott, Trisha (2019-02-15).
352:Perception & Psychophysics
317:Perception & Psychophysics
263:Canadian Journal of Psychology
1:
1689:University of Winnipeg alumni
1608:Psychology of Music (journal)
1151:Eye movement in music reading
625:"How music affects the brain"
599:Jansman, Anita (2013-09-20).
1694:University of Toronto alumni
1664:Canadian women psychologists
1176:Illusory continuity of tones
462:10.1007/978-3-662-55004-5_23
1622:This Is Your Brain on Music
1601:Music, Thought, and Feeling
1587:Musicae Scientiae (journal)
179:, under the supervision of
32:1939 (age 84–85)
1710:
1684:Women cognitive scientists
1395:Neuronal encoding of sound
1365:Melodic intonation therapy
1073:Culture in music cognition
920:10.1016/j.mehy.2004.09.005
437:10.1016/j.mehy.2004.09.005
1121:Consonance and dissonance
304:10.1037/0096-1523.7.4.869
122:
54:
1410:Psychoanalysis and music
1390:Neurologic music therapy
1324:Music-specific disorders
1136:Embodied music cognition
1126:Deutsch's scale illusion
858:10.1525/mp.2012.29.5.479
823:10.1525/mp.2003.20.3.307
416:10.1525/mp.2012.29.5.479
395:10.1525/mp.2003.20.3.307
237:Prize for Medical Theory
1669:Cognitive psychologists
1266:Speech-to-song illusion
1078:Evolutionary musicology
1659:Canadian psychologists
1615:The World in Six Songs
1558:William Forde Thompson
1314:Musical hallucinations
545:University of Winnipeg
173:University of Winnipeg
70:University of Winnipeg
1420:Systematic musicology
177:University of Toronto
135:. She is a professor
74:University of Toronto
16:Canadian psychologist
1649:People from Winnipeg
1226:Music-related memory
1063:Cognitive musicology
974:Investment Executive
852:(5): 479–491. 2012.
410:(5): 479–491. 2012.
1674:Music psychologists
1513:Max Friedrich Meyer
1405:Philosophy of music
1400:Performance science
1345:Aesthetics of music
1319:Musician's dystonia
1304:Auditory arrhythmia
1191:Melodic expectation
772:1968ASAJ...43.1069C
197:Alzheimer's disease
189:melodic expectation
59:Academic background
1572:Books and journals
1493:Carol L. Krumhansl
1211:Music and movement
1166:Glissando illusion
1146:Exercise and music
908:Medical Hypotheses
885:10.1111/nyas.12617
728:10.3758/BF03213071
629:University Affairs
579:Queen's University
425:Medical Hypotheses
365:10.3758/BF03213071
330:10.3758/BF03210493
222:Honours and awards
141:Queen's University
117:Queen's University
1631:
1630:
1380:Musical acoustics
1256:Sharawadji effect
1236:Musical semantics
1206:Music and emotion
1106:Auditory illusion
780:10.1121/1.1910941
471:978-3-662-55002-1
211:Musicae Scientiae
126:
125:
1701:
1580:Music Perception
1523:Richard Parncutt
1508:Leonard B. Meyer
1458:Jane W. Davidson
1443:Jamshed Bharucha
1221:Music preference
1116:Background music
1111:Auditory imagery
1044:Music psychology
1037:
1030:
1023:
1014:
1008:
1007:
1005:
1004:
990:
984:
983:
981:
980:
965:
959:
958:
956:
955:
949:www.elsevier.com
941:
932:
931:
903:
897:
896:
868:
862:
861:
846:Music Perception
841:
835:
834:
811:Music Perception
806:
800:
799:
766:(5): 1069–1076.
755:
749:
748:
730:
706:
700:
699:
697:
696:
690:Music Perception
682:
667:
666:
664:
663:
648:
639:
638:
636:
635:
621:
615:
614:
612:
611:
596:
590:
589:
587:
586:
576:
568:
555:
554:
552:
551:
537:
528:
527:
516:10.1037/h0094225
499:
475:
448:
419:
404:Music Perception
398:
383:Music Perception
377:
367:
342:
332:
307:
286:
275:10.1037/h0081713
216:Psychomusicology
205:Music Perception
133:music psychology
107:Music psychology
80:Doctoral advisor
19:
1709:
1708:
1704:
1703:
1702:
1700:
1699:
1698:
1634:
1633:
1632:
1627:
1567:
1453:Robert Cutietta
1429:
1415:Sociomusicology
1370:Music education
1355:Ethnomusicology
1333:
1285:
1281:Tritone paradox
1246:Octave illusion
1231:Musical gesture
1196:Melodic fission
1186:Lipps–Meyer law
1156:Franssen effect
1087:
1083:Psychoacoustics
1046:
1041:
1011:
1002:
1000:
992:
991:
987:
978:
976:
967:
966:
962:
953:
951:
943:
942:
935:
905:
904:
900:
870:
869:
865:
843:
842:
838:
808:
807:
803:
757:
756:
752:
708:
707:
703:
694:
692:
684:
683:
670:
661:
659:
657:The UC Observer
650:
649:
642:
633:
631:
623:
622:
618:
609:
607:
598:
597:
593:
584:
582:
574:
572:"Lola Cuddy CV"
570:
569:
558:
549:
547:
539:
538:
531:
501:
500:
487:
483:
478:
472:
451:
422:
401:
380:
345:
310:
289:
260:
256:
224:
157:
72:
42:
33:
24:
17:
12:
11:
5:
1707:
1705:
1697:
1696:
1691:
1686:
1681:
1676:
1671:
1666:
1661:
1656:
1651:
1646:
1636:
1635:
1629:
1628:
1626:
1625:
1618:
1611:
1604:
1597:
1590:
1583:
1575:
1573:
1569:
1568:
1566:
1565:
1560:
1555:
1550:
1545:
1540:
1535:
1530:
1525:
1520:
1515:
1510:
1505:
1503:Daniel Levitin
1500:
1495:
1490:
1485:
1480:
1478:Henkjan Honing
1475:
1470:
1465:
1460:
1455:
1450:
1445:
1439:
1437:
1431:
1430:
1428:
1427:
1422:
1417:
1412:
1407:
1402:
1397:
1392:
1387:
1382:
1377:
1372:
1367:
1362:
1357:
1352:
1347:
1341:
1339:
1338:Related fields
1335:
1334:
1332:
1331:
1326:
1321:
1316:
1311:
1306:
1301:
1295:
1293:
1287:
1286:
1284:
1283:
1278:
1273:
1268:
1263:
1258:
1253:
1251:Relative pitch
1248:
1243:
1241:Musical syntax
1238:
1233:
1228:
1223:
1218:
1213:
1208:
1203:
1198:
1193:
1188:
1183:
1181:Levitin effect
1178:
1173:
1168:
1163:
1158:
1153:
1148:
1143:
1138:
1133:
1128:
1123:
1118:
1113:
1108:
1103:
1101:Absolute pitch
1097:
1095:
1089:
1088:
1086:
1085:
1080:
1075:
1070:
1065:
1060:
1054:
1052:
1048:
1047:
1042:
1040:
1039:
1032:
1025:
1017:
1010:
1009:
985:
960:
933:
914:(2): 229–235.
898:
879:(1): 223–231.
863:
836:
817:(3): 307–313.
801:
750:
721:(4): 451–462.
701:
668:
640:
616:
591:
556:
529:
510:(1–2): 43–52.
484:
482:
479:
477:
476:
470:
449:
431:(2): 229–235.
420:
399:
389:(3): 307–313.
378:
358:(4): 451–462.
343:
323:(6): 609–620.
308:
298:(4): 869–883.
287:
269:(3): 148–157.
257:
255:
254:Selected works
252:
251:
250:
247:
243:2011: Fellow,
241:
238:
235:David Horrobin
231:
227:1987: Fellow,
223:
220:
193:absolute pitch
169:United College
156:
153:
124:
123:
120:
119:
114:
110:
109:
104:
103:Sub-discipline
100:
99:
96:
92:
91:
87:
86:
81:
77:
76:
67:
61:
60:
56:
55:
52:
51:
48:
44:
43:
34:
30:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
1706:
1695:
1692:
1690:
1687:
1685:
1682:
1680:
1677:
1675:
1672:
1670:
1667:
1665:
1662:
1660:
1657:
1655:
1654:Living people
1652:
1650:
1647:
1645:
1642:
1641:
1639:
1624:
1623:
1619:
1617:
1616:
1612:
1610:
1609:
1605:
1603:
1602:
1598:
1596:
1595:
1591:
1589:
1588:
1584:
1582:
1581:
1577:
1576:
1574:
1570:
1564:
1563:Sandra Trehub
1561:
1559:
1556:
1554:
1551:
1549:
1546:
1544:
1543:Roger Shepard
1541:
1539:
1536:
1534:
1533:Carl Seashore
1531:
1529:
1526:
1524:
1521:
1519:
1518:James Mursell
1516:
1514:
1511:
1509:
1506:
1504:
1501:
1499:
1496:
1494:
1491:
1489:
1486:
1484:
1481:
1479:
1476:
1474:
1473:Tuomas Eerola
1471:
1469:
1468:Diana Deutsch
1466:
1464:
1463:Irène Deliège
1461:
1459:
1456:
1454:
1451:
1449:
1446:
1444:
1441:
1440:
1438:
1436:
1432:
1426:
1425:Zoomusicology
1423:
1421:
1418:
1416:
1413:
1411:
1408:
1406:
1403:
1401:
1398:
1396:
1393:
1391:
1388:
1386:
1383:
1381:
1378:
1376:
1375:Music therapy
1373:
1371:
1368:
1366:
1363:
1361:
1358:
1356:
1353:
1351:
1348:
1346:
1343:
1342:
1340:
1336:
1330:
1329:Tone deafness
1327:
1325:
1322:
1320:
1317:
1315:
1312:
1310:
1309:Beat deafness
1307:
1305:
1302:
1300:
1297:
1296:
1294:
1292:
1288:
1282:
1279:
1277:
1274:
1272:
1269:
1267:
1264:
1262:
1259:
1257:
1254:
1252:
1249:
1247:
1244:
1242:
1239:
1237:
1234:
1232:
1229:
1227:
1224:
1222:
1219:
1217:
1214:
1212:
1209:
1207:
1204:
1202:
1201:Mozart effect
1199:
1197:
1194:
1192:
1189:
1187:
1184:
1182:
1179:
1177:
1174:
1172:
1169:
1167:
1164:
1162:
1159:
1157:
1154:
1152:
1149:
1147:
1144:
1142:
1139:
1137:
1134:
1132:
1129:
1127:
1124:
1122:
1119:
1117:
1114:
1112:
1109:
1107:
1104:
1102:
1099:
1098:
1096:
1094:
1090:
1084:
1081:
1079:
1076:
1074:
1071:
1069:
1066:
1064:
1061:
1059:
1058:Biomusicology
1056:
1055:
1053:
1049:
1045:
1038:
1033:
1031:
1026:
1024:
1019:
1018:
1015:
999:
995:
994:"APS Fellows"
989:
986:
975:
971:
964:
961:
950:
946:
940:
938:
934:
929:
925:
921:
917:
913:
909:
902:
899:
894:
890:
886:
882:
878:
874:
867:
864:
859:
855:
851:
847:
840:
837:
832:
828:
824:
820:
816:
812:
805:
802:
797:
793:
789:
785:
781:
777:
773:
769:
765:
761:
754:
751:
746:
742:
738:
734:
729:
724:
720:
716:
712:
705:
702:
691:
687:
681:
679:
677:
675:
673:
669:
658:
654:
647:
645:
641:
630:
626:
620:
617:
606:
602:
595:
592:
580:
573:
567:
565:
563:
561:
557:
546:
542:
536:
534:
530:
525:
521:
517:
513:
509:
505:
498:
496:
494:
492:
490:
486:
480:
473:
467:
463:
459:
455:
450:
446:
442:
438:
434:
430:
426:
421:
417:
413:
409:
405:
400:
396:
392:
388:
384:
379:
375:
371:
366:
361:
357:
353:
349:
344:
340:
336:
331:
326:
322:
318:
314:
309:
305:
301:
297:
293:
288:
284:
280:
276:
272:
268:
264:
259:
258:
253:
248:
246:
242:
239:
236:
232:
230:
226:
225:
221:
219:
217:
213:
212:
207:
206:
200:
198:
194:
190:
184:
182:
181:Endel Tulving
178:
174:
170:
166:
162:
154:
152:
150:
146:
142:
138:
134:
130:
129:Lola L. Cuddy
121:
118:
115:
111:
108:
105:
101:
97:
93:
90:Academic work
88:
85:
84:Endel Tulving
82:
78:
75:
71:
68:
66:
62:
57:
53:
49:
45:
41:
37:
31:
27:
23:Lola L. Cuddy
20:
1620:
1613:
1606:
1599:
1594:Musicophilia
1592:
1585:
1578:
1548:John Sloboda
1528:Oliver Sacks
1498:Fred Lerdahl
1447:
1350:Bioacoustics
1276:Tonal memory
1261:Shepard tone
1001:. Retrieved
997:
988:
977:. Retrieved
973:
963:
952:. Retrieved
948:
911:
907:
901:
876:
872:
866:
849:
845:
839:
814:
810:
804:
763:
759:
753:
718:
714:
704:
693:. Retrieved
689:
660:. Retrieved
656:
632:. Retrieved
628:
619:
608:. Retrieved
604:
594:
583:. Retrieved
581:. 2017-06-01
578:
548:. Retrieved
544:
507:
503:
453:
428:
424:
407:
403:
386:
382:
355:
351:
320:
316:
295:
291:
266:
262:
215:
210:
203:
201:
185:
158:
128:
127:
113:Institutions
1644:1939 births
1553:Carl Stumpf
1483:David Huron
1435:Researchers
1141:Entrainment
47:Nationality
1638:Categories
1538:Max Schoen
1488:Nina Kraus
1448:Lola Cuddy
1385:Musicology
1003:2019-12-21
979:2019-12-18
954:2019-12-23
695:2019-12-18
662:2019-12-18
634:2019-12-18
610:2019-12-18
585:2019-12-16
550:2019-12-18
481:References
98:Psychology
95:Discipline
65:Alma mater
1291:Disorders
831:0730-7829
788:0001-4966
737:0031-5117
524:2162-1535
171:(now the
155:Biography
928:15607545
893:25773638
445:15607545
165:Manitoba
161:Winnipeg
145:Kingston
50:Canadian
40:Manitoba
36:Winnipeg
1360:Hearing
1131:Earworm
796:5648097
768:Bibcode
745:7596743
374:7596743
339:3615155
149:Ontario
137:emerita
1299:Amusia
1093:Topics
926:
891:
829:
794:
786:
743:
735:
522:
468:
443:
372:
337:
283:519545
281:
233:2005:
1051:Areas
575:(PDF)
924:PMID
889:PMID
877:1337
827:ISSN
792:PMID
784:ISSN
741:PMID
733:ISSN
520:ISSN
466:ISBN
441:PMID
370:PMID
335:PMID
279:PMID
214:and
29:Born
916:doi
881:doi
854:doi
819:doi
776:doi
723:doi
512:doi
458:doi
433:doi
412:doi
391:doi
360:doi
325:doi
300:doi
271:doi
143:in
1640::
996:.
972:.
947:.
936:^
922:.
912:64
910:.
887:.
875:.
850:29
848:.
825:.
815:20
813:.
790:.
782:.
774:.
764:43
762:.
739:.
731:.
719:57
717:.
713:.
688:.
671:^
655:.
643:^
627:.
603:.
577:.
559:^
543:.
532:^
518:.
508:20
506:.
488:^
464:.
439:.
429:64
427:.
408:29
406:.
387:20
385:.
368:.
356:57
354:.
350:.
333:.
321:41
319:.
315:.
294:.
277:.
267:33
265:.
191:,
163:,
151:.
147:,
38:,
1036:e
1029:t
1022:v
1006:.
982:.
957:.
930:.
918::
895:.
883::
860:.
856::
833:.
821::
798:.
778::
770::
747:.
725::
698:.
665:.
637:.
613:.
588:.
553:.
526:.
514::
474:.
460::
447:.
435::
418:.
414::
397:.
393::
376:.
362::
341:.
327::
306:.
302::
296:7
285:.
273::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.