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to produce the album, much to the dismay of CBS Records. Stevens had alcohol and drug problems and his production methods were unconventional. During a recording session he swung a ladder and upturned chairs – apparently to create a rock & roll atmosphere. The Clash, especially
Simonon, got along
1081:
said it finally validates the acclaim received by the Clash up to that point because of how their serious political themes and vital playing were retained in innovative music with a broad appeal. "This is an album that captures all the Clash's primal energy, combines it with a brilliant production
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On the original version of the album, "Train in Vain" was not listed on the sleeve, nor the label on the record itself, but a sticker indicating the track was affixed to the outer cellophane wrapper. It was also scratched into the vinyl in the run-off area on the fourth side of the album. Later
1612:
the fourth-greatest
British album of all time, and wrote that it is "the best Clash album and therefore among the very best albums ever recorded". The magazine later ranked it 20th on its list of the 100 Greatest Albums Ever. It has also been ranked as the sixth-greatest album of the 1970s by
1547:
is honored for many excellent reasons, not least its audacity: a double album by the band that personified punk anti-'commercial' brevity and defiance going long and ranging far in both songwriting and instrumentation—the horn-fed 'The Card Cheat' features M. Jones on piano! It was where they
780:
journalist Sal Ciolfi, the songs encompass an arrangement of urban narratives and characters, and touch on themes such as sex, depression and identity crisis. "Rudie Can't Fail" chronicles the life of a fun-loving young man who is criticised for his inability to act like a responsible adult.
558:. In contrast to previous rehearsal sessions, the band kept these rehearsals private, and did not allow hangers-on to attend. This seclusion allowed the band to rebuild their confidence without worrying about the reaction from outsiders, who were familiar with the band's punk rock style.
49:
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remarked that "whether the Clash completely abandoned their punk roots or pushed punk's musical eclecticism and diversity into new terrain remains a controversial issue." According to rock historian
Charles T. Brown, the album led to the band's association with
881:
that he smashed the bass out of frustration when he learned that the bouncers at the concert would not allow the audience members to stand up out of their seats; "I wasn't taking it out on the bass guitar, cos there ain't anything wrong with it", Simonon said.
660:
well with
Stevens, and found Stevens' work to be very helpful and productive to both Simonon's playing and their recording as a band. The album was recorded during a five- to six-week period involving 18-hour days, with many songs recorded in one or two takes.
1111:
journalist
Michael Goldberg said the Clash had produced "a classic rock album which, literally, defines the state of rock and roll and against which the very best of will have to be judged." Some reviewers expressed reservations, including DJ and critic
644:'s compositions the band would record for an album, and the first to have him sing lead. Simonon was originally doubtful about its lyrics, which discuss an individual's paranoid outlook on life, but was encouraged by Strummer to continue working on it.
1104:
magazine's Tom Carson claimed the music celebrates "the romance of rock & roll rebellion", adding that it is vast, engaging, and enduring enough to leave listeners "not just exhilarated but exalted and triumphantly alive". In a five-star review,
1510:(1972) and said it expanded upon, rather than compromised, the Clash's driving guitar sound in a "warm, angry, and thoughtful, confident, melodic, and hard-rocking" showcase of their musical abilities. According to the English music writer
1488:, who said that it sounded more purposeful than "most albums, let alone double albums". "This epic double album, from its iconic sleeve to its wildly eclectic mash-up of styles, is surely the quintessential rock album", wrote
982:
it was only sold for about the price of a single album. The Clash's record label, CBS, at first denied the band's request for the album to be released as a double. In return CBS gave permission for the band to include a free
832:. According to music critic Tom Carson, "while the album draws on the entirety of rock and roll's past for its sound, the concepts and lyrical themes are drawn from the history, politics and myths associated with the genre".
1155:, the poll's creator and supervisor, also named it 1980's best record in an accompanying essay and said, "it generated an urgency and vitality and ambition (that Elvis P. cover!) which overwhelmed the pessimism of its
1538:
wrote that the songs and characters in the lyrics cross-referenced each other because of the album's exceptional sequencing, adding that "The
Vanilla Tapes" bonus disc enhanced what was already a "masterpiece".
1531:
critic Sal Ciolfi called it a "big, loud, beautiful collection of hurt, anger, restless thought, and above all hope" that still sounds "relevant and vibrant". In a review of its 25th anniversary reissue,
1518:
established the Clash as more than "a simple punk band" with a "potent" album of neurotic post-punk, despite its amalgam of disparate and occasionally disjointed musical influences. Don McLeese from the
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The album's songs are generally about London, with narratives featuring both fictional and life-based characters, such as an underworld criminal named Jimmy Jazz and a gun-toting
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675:" began as an instrumental track called "Working and Waiting". While working on "The Card Cheat", the band recorded each part twice to create a "sound as big as possible".
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The band gradually rebuilt their confidence, with the styles of the session's early cover songs setting the template for the diverse material that would be written for
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in the US for sales of one million. It was also met with widespread critical acclaim and has retrospectively been named one of the greatest albums of all time. On
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regarded it as their best album and "punk's finest hour", as it found the band broadening their artistry without compromising their original vigor and immediacy.
565:
game, which fostered a friendly bond between the band members. The football was followed by drinks at a local pub, followed by a second rehearsal in the evening.
796:
Some songs have more widely contextualised narratives, including references to the "evil presidentes" working for the "clampdown", the lingering effects of the
1846:
recommended consumers opt for the original edition instead, claiming "the demo versions ... sound like an incompetent Clash cover band rehearsing in a sock".
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in
December 1979. The album performed strongly outside the United Kingdom. It reached number two in Sweden and number four in Norway. In the United States,
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was ranked number 8 in the 2003 and 2012 editions, and number 16 in the 2020 edition. In 2010, it was one of ten classic album covers from
British artists
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886:, who photographed the band for the album, originally did not want the photograph to be used. She thought that it was too out of focus, but Strummer and
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1828:, which assigns a normalised rating out of 100 to reviews from professional critics, it has an average score of 100 out of 100, based on 12 reviews.
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Lowry: "Actually, I had no idea it was out of focus. Half-blind at the best of times and half-pissed at the time, that simply had to be the one."
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s Tom
Sinclair declared it the "Best Album of All Time" in his headline for a 2004 article on the album. In 2007, it was inducted into the
789:", Strummer examines his life in retrospect and acknowledges the complications and responsibilities of adulthood. "Lover's Rock" advocates
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thought it would make a good album cover. In 2002, Smith's photograph was named the best rock and roll photograph of all time by
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job by Guy
Stevens and reveals depths of invention and creativity barely suggested by the band's previous work", Rockwell said.
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In 2004, a 25th-anniversary "Legacy Edition" was released with a bonus CD and DVD in digipack packaging. The bonus CD features
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509:. Tour manager Johnny Green and drum roadie Baker found a new place to rehearse, Vanilla Studios, in the back of a garage in
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1038:. The song's music video, directed by Letts, featured the band performing the song on a boat in the pouring rain with the
1002:", was originally excluded from the back cover's track listing. It was intended to be given away through a promotion with
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1657:, a collection of recordings of lasting qualitative or historical significance. In 2009, the album was profiled in the
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The band developed an "extremely disciplined" daily routine of afternoon rehearsals, broken by a late-afternoon social
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in London over a five- to six-week period starting in August 1979, following a change in management and a period of
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named it the fourth-best album of the previous 10 years and said, while the Clash's debut was a punk masterpiece,
1030:
chart and was certified platinum in February 1996. The album produced two of the band's most successful singles. "
576:
skills, which they realised could be used to perform music in a wide array of genres and styles beyond punk rock.
7945:
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7655:
6221:
Cite error: The named reference "ac_Norway_The Clash" was defined multiple times with different content (see the
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781:"Clampdown" comments on people who forsake the open-minded idealism of youth and urges young people to fight the
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sold approximately two million copies. The album peaked at number nine in the United Kingdom and was certified
7030:
Mix Magazine, 2000 – Very detailed article with recording setup details from the album's engineer, Bill Price.
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The Clash arrived at Vanilla in May 1979 with no new songs prepared for their third album. Main songwriters
454:
sound. While touring the United States in 1979, they chose supporting acts such as rhythm and blues artists
446:
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Rehearsal were held in Vanilla Studios over mid-1979. The Clash began playing covers from genres including
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1046:", backed with "London Calling", was released as a single in February 1980. It peaked at number 23 on the
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marked the genre's "coming of age" as the band led the way into "fertile post-punk territory". In 1989,
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has since been considered by many critics to be one of the greatest rock albums of all time, including
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https://www.museumoflondon.org.uk/museum-london/whats-on/exhibitions/clash-simonon-bass-guitar-display
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said that it was the Clash's "creative apex" as a "rock band" rather than as a punk band. In 2003,
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critic James Truman said the Clash had "discovered themselves" by embracing American music styles.
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double album, as it exhibits a broader range of musical styles than the Clash's previous records.
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magazine, commenting that "it captures the ultimate rock'n'roll moment – total loss of control".
723:
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3541:"10 Times the Clash's "London Calling" Was Recognized as One of the Greatest Albums of All Time"
707:
407:" was a top 20 single. The album has sold over five million copies worldwide, and was certified
373:
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and was cited by the Clash as "one of the first British rock'n'roll records". The fifth song, "
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636:" after imagining Jones' childhood growing up in a basement with his mother and grandmother. "
534:
EP featured a cover song and three other songs that had all been written over a year earlier.
525:
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6090:"Nick 'Topper' Headon, former Clash drummer, with The Blockheads at The Booking Hall, Dover"
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3850:. "The Last Testament – The Making of London Calling". Information about the recording of
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1130:, giving the record two out of five stars while claiming the Clash had "retrogressed" to
828:. It also discusses the problems of rising unemployment, racial conflict and drug use in
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announced that they wanted to play with the big boys and buried most of them forthwith.
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734:" features a horn section and mixes elements of pop, soul, and reggae music together.
706:", while incorporating a wider range of styles such as punk, reggae, rockabilly, ska,
17:
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785:. "The Guns of Brixton" explores an individual's paranoid outlook on life, while on "
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6539:"Official Charts Analysis: The Maccabees's Marks To Prove It takes No.1 albums slot"
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5957:"Reviews for London Calling [25th Anniversary Legacy Edition] by The Clash"
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1034:" preceded the album with a 7 December 1979 release. It peaked at number 11 on the
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in New York City on 20 September 1979. Simonon explained in a 2011 interview with
360:
reflects the band's growing interest in styles beyond their punk roots, including
6652:(3rd ed.). London: Orion. pp. 156–158, 161–162, 165, 194–196, 218–219.
5871:
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1817:, as well as previously unseen video footage and music videos. A limited-edition
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named it the second-greatest punk album; it was also voted number 37 in Larkin's
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6577:"British album certifications – The Clash – London Calling - 25Th Anniversary"
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4396:"When Did a Famous Guitar-Smashing Occur? One Fan Insists Everyone Has It Wrong"
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613:(bottom), the band's lead vocalists, guitarists, and lyricists; pictured in 1980
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issued in January 2010. The cover art was later parodied for the soundtrack to
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4490:"One hundred timeless rock'n'roll moments, and the photographers who ..."
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singles chart and "London Calling"/"Train in Vain" peaked at number 30 on the
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Cromelin, Richard (7 April 1987). "'London Calling.' The Clash. Epic (AAD)".
4429:"You Destroy the Things You Love: The Story of London Calling's Iconic Cover"
1637:, maintaining the rating in a 2012 revised list. The rating dropped to 16 in
1586:
ranked the 1980 American release as the best album of the 1980s. In the 1994
1008:, but was added to the album at the last minute after the deal fell through.
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6122:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 65.
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671:", which the Clash had originally used as a warm-up song before recording. "
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The cover artwork was designed by Lowry and was an homage to the design of
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Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972
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series, denoting it as one of the most influential albums of all time.
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and had not written a new song in over a year; their recently released
510:
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that it was the first record to be on-par with the band's hype, while
403:
The album was a top ten chart success in the UK, and its lead single "
1834:
hailed it as "easily one of the best classic re-releases yet", while
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and opener, was partially influenced by the March 1979 accident at a
555:
361:
1809:, missing recordings made by the band in mid-1979. The DVD includes
994:. Ultimately, the planned 12-inch record became a second nine-track
745:
viewed as punk's iconoclastic sensibilities. Speaking on the album,
726:", the album's second track, was written and originally recorded by
572:. The band were also encouraged by a growing recognition of drummer
4966:"The Pop Life; 'London Calling' helps the Clash live up to billing"
6181:(in Finnish) (1st ed.). Helsinki: Kustannusosakeyhtiö Otava.
5586:"The 100 Best Albums of the Eighties: The Clash, 'London Calling'"
5551:"10 Years Later: A Critic's List of the Best Albums of the Decade"
1071:
was met with widespread critical acclaim. Reviewing the album for
901:
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56:
6426:"Swedishcharts.com – The Clash – London Calling 25th Anniversary"
6398:"Italiancharts.com – The Clash – London Calling 25th Anniversary"
5438:"Review of The Clash - London Calling - 25th Anniversary Edition"
4263:"The RS 500 Greatest Songs of All Time: The Clash London Calling"
1116:, who believed some of the songs sounded like poor imitations of
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7066:
6438:"Swisscharts.com – The Clash – London Calling 25th Anniversary"
4331:"The Clash: Paul Simonon's bass guitar" Retrieved 7 July 2021.
2159:
Clive Alphonso; originally performed by the Rulers; including "
6595:"American album certifications – The Clash – London Calling"
6467:"Canadian album certifications – The Clash – London Calling"
5721:
1615:
1088:
1004:
369:
6559:"British album certifications – The Clash – London Calling"
6513:"Italian album certifications – The Clash – London Calling"
4774:
2785:"Home video footage of The Clash recording in Wessex Studios"
7062:
6485:"French album certifications – The Clash – London Calling"
6019:"The Clash: London Calling: 25th Anniversary Legacy Edition"
5988:"The Clash, London Calling: 25th Anniversary Legacy Edition"
5773:"The Clash: London Calling: 25th Anniversary Legacy Edition"
2936:
4913:"The Clash > Charts & Awards > Billboard Singles"
2325:; originally performed by Danny Ray and the Revolutionaries
966:
on 14 December 1979, and in the United States on vinyl and
6050:"London Calling [25th Anniversary Legacy Edition]"
4852:"The Clash > Charts & Awards > Billboard Albums"
974:
cover design of the LP was only released in Japan. Though
2367:
25th anniversary edition bonus disc – "The Vanilla Tapes"
1824:
The edition was met with widespread critical acclaim. At
505:. This meant they had to leave their rehearsal studio in
1500:(1990), Christgau called it the best double album since
6822:; Dorismo; Uptown Films. Event occurs at 49:30–55:00.
6212:
6210:
4678:"The Greatest Songs Ever! "Train in Vain (Stand by Me)"
4601:"Coldplay album gets stamp of approval from Royal Mail"
1928:; originally performed by Vince Taylor and his Playboys
737:
The Clash's embrace of specific musical traditions for
5282:. No. 159. London. December 1999. pp. 152–3.
1134:-style "outlaw imagery" and "tired old rock clichés".
844:
The logotype for the album was modeled after that for
6145:(in German). Hung Medien. Retrieved August 20, 2024.
4112:
Listening to New Wave Rock! Exploring a Musical Genre
3506:
Sales+streaming figures based on certification alone.
2819: – lead guitar, backing and lead vocals, piano,
27:
This article is about the album. For other uses, see
4998:
4996:
7720:
7672:
7542:
7370:
7345:
7248:
7223:
7170:
6715:. London: Flame Tree Publishing. pp. 206–207.
6386:"Portuguesecharts.com – The Clash – London Calling"
4570:"Classic Album Covers: Issue Date – 7 January 2010"
4551:"London's Q magazine picked these; what are yours?"
2728:
2720:
2382:
2371:
2251:
2237:
2147:
2133:
2016:
2002:
1888:
1874:
236:
187:
169:
146:
130:
102:
91:
83:
68:
55:
41:
6217:"Norwegiancharts.com – The Clash – London Calling"
5708:. No. 235. London. February 2006. p. 66.
5691:. No. 159. London. December 1999. p. 90.
5356:. No. 114. London. December 1999. p. 88.
5136:
1145:, an annual poll of American critics published by
6619:Passion Is a Fashion: The Real Story of The Clash
5502:. No. 89. London. October 2004. p. 122.
4842:. NorwegianCharts.com. Retrieved 26 October 2008.
1811:The Last Testament – The Making of London Calling
854:The album's front cover features a photograph of
450:(1978), the Clash had started to depart from the
7005:(2nd ed.). Richmond: Reynolds & Hearn.
6767:Route 19 Revisited: The Clash and London Calling
6742:(5th revised ed.). London: Helter Skelter.
6298:"Spanishcharts.com – The Clash – London Calling"
6236:"Swedishcharts.com – The Clash – London Calling"
6143:"Austriancharts.at – The Clash – London Calling"
5405:D'Angelo, Joe; Kaufman, Gil (23 December 2002).
4823:. SwedishCharts.com. Retrieved 17 February 2008.
2739:The Last Testament: The Making of London Calling
2361:editions included the song in the track listing.
1840:said "Epic/Legacy has outdone itself." However,
962:The album was released in the United Kingdom on
6650:A Riot of Our Own: Night and Day with The Clash
6077:London Calling: 25th Anniversary Legacy Edition
4804:. 31 December 1979. Retrieved 17 February 2008.
4719:Rolling Stone's 500 Greatest Albums of All Time
4540:. 13 November 2006. Retrieved 17 February 2008.
3848:London Calling: 25th Anniversary Legacy Edition
3502:Shipments figures based on certification alone.
1542:
906:The Fender Precision Bass featured on the cover
6340:"The Clash Chart History (Top Catalog Albums)"
5951:
5949:
4707:
4705:
4505:. 24 January 2002. Retrieved 17 February 2008.
4278:. 9 December 2004. Retrieved 18 February 2008.
4236:Rock: 100 Essential CDs : The Rough Guide
3895:"Classic Tracks: The Clash's 'London Calling'"
3562:"Royal Mail unveil classic album cover stamps"
628:composing and arranging much of the music and
388:. Lyrical themes include social displacement,
321:, and in the United States in January 1980 by
7078:
4166:
4164:
3940:
3938:
3587:"Royal Mail puts classic albums on to stamps"
317:in the United Kingdom on 14 December 1979 by
8:
6358:"Lescharts.com – The Clash – London Calling"
4559:. 14 March 2001. Retrieved 17 February 2008.
1773:
1723:
1421:
1383:
1350:
1312:
1267:
1229:
1191:
1141:was voted the best album of the year in the
632:writing most of the lyrics. Strummer wrote "
6686:The Clash: Strummer, Jones, Simonon, Headon
6219:. Hung Medien. Retrieved August 20, 2024.
4761:
4759:
4631:"Tony Hawk's American Wasteland Soundtrack"
4286:
4284:
3989:
3987:
3985:
3498:Sales figures based on certification alone.
1619:, and the second-best in a similar list by
328:The Clash recorded the album with producer
7085:
7071:
7063:
6740:The Clash: Return of the Last Gang in Town
6440:. Hung Medien. Retrieved August 20, 2024.
6428:. Hung Medien. Retrieved August 20, 2024.
6400:. Hung Medien. Retrieved August 20, 2024.
6388:. Hung Medien. Retrieved August 20, 2024.
6360:. Hung Medien. Retrieved August 20, 2024.
6300:. Hung Medien. Retrieved August 20, 2024.
6288:. Hung Medien. Retrieved August 20, 2024.
6286:"Irish-charts.com – Discography The Clash"
6238:. Hung Medien. Retrieved August 20, 2024.
6204:. Hung Medien. Retrieved August 20, 2024.
5130:
5128:
4374:
4372:
3922:
3920:
3864:
3862:
3860:
3609:
3607:
3370:
3262:
3226:
3182:
3135:
3106:
3077:
2945:
1673:
1166:
808:had led to unavoidable political apathy ("
47:
38:
6599:Recording Industry Association of America
5518:"Playing With (and Burying) the Big Boys"
4873:Recording Industry Association of America
4525:"The All-TIME 100 Albums: London Calling"
4134:
4132:
3696:
3694:
501:, the Clash separated from their manager
400:, and the responsibilities of adulthood.
305:is the third studio album by the English
6913:Joe Strummer and the Legend of the Clash
6410:"Official Scottish Albums Chart Top 100"
6370:"Official Scottish Albums Chart Top 100"
6202:"Charts.nz – The Clash – London Calling"
5725:. London. 11 September 1993. p. 18.
5168:
5166:
4026:
4024:
2714:
2365:
2231:
2127:
1996:
1868:
6969:Tobler, John & Barry Miles (1983).
6517:Federazione Industria Musicale Italiana
5271:
5269:
5012:Goldberg, Michael (1980). "The Clash".
3532:
3494:
1862:All tracks are written by Strummer and
926:(a band fronted by former Clash member
486:. The Clash's growing fascination with
6946:. Kill Your Idols. London: Unanimous.
6884:. London and New York: Omnibus Press.
6625:. pp. 212–213, 235–237, 259–260.
5594:. No. 565. New York. p. 53.
5407:"Joe Strummer Of The Clash Dead At 50"
5034:"The 1980 Pazz & Jop Critics Poll"
2915:Jerry Green – additional engineer
2465:"Koka Kola, Advertising & Cocaine"
7704:Joe Strummer: The Future Is Unwritten
6648:Green, Johnny; Garry Barker (2003) .
6321:from the original on 13 November 2013
6075:Gilbert, Pat. "The 'Vanilla Tapes'".
5833:"The 500 Greatest Albums of All Time"
5065:Christgau, Robert (9 February 1981).
4309:from the original on 21 December 2010
4109:Perone, James E. (7 September 2018).
3972:(1980). "Explorations of Heartache".
3747:
3745:
3743:
3741:
3739:
1702:
1679:
1172:
7:
4722:(3rd ed.). London: Turnaround.
4611:from the original on 11 January 2010
3978:. Vol. 99. London. p. 225.
1124:was more critical in his review for
1042:behind them. In the United States, "
6220:
5860:Sinclair, Tom (24 September 2004).
5719:"The Greatest Albums of The '70s".
5151:from the original on 4 January 2014
5077:from the original on 15 August 2013
3752:Sinclair, Tom (24 September 2004).
1635:The 500 Greatest Albums of All Time
970:two weeks later in January 1980. A
944:for a set of "Classic Album Cover"
702:into rock & roll mythology and
5749:from the original on 26 March 2013
5737:"The 100 Best Albums of the 1970s"
5598:from the original on 21 April 2011
5183:Christgau's Record Guide: The '80s
4897:Sweeting, Adam. "Death or Glory".
4773:. 17 February 2008. Archived from
4394:McWhirter, Cameron (5 June 2018).
4378:Sweeting, Adam. "Death or Glory".
4065:from the original on 19 March 2014
3953:Sweeting, Adam. "Death or Glory".
3926:Sweeting, Adam. "Death or Glory".
3868:Sweeting, Adam. "Death or Glory".
3700:Sweeting, Adam. "Death or Glory".
1633:ranked it eighth on their list of
1497:Christgau's Record Guide: The '80s
1168:Retrospective professional ratings
812:"). "London Calling", the album's
430:commemorated on a UK postage stamp
313:. It was originally released as a
36:1979 studio album by the Clash
25:
7788:The Good, the Bad & the Queen
7407:(White Man) In Hammersmith Palais
6079:(CD liner notes). September 2004.
5930:. 2 December 2009. Archived from
5805:"500 Greatest Albums of All Time"
5785:from the original on 28 June 2017
5702:"The 100 Greatest Albums Ever!".
5311:The New Rolling Stone Album Guide
5228:The Encyclopedia of Popular Music
5138:"Husker Du proves its wide range"
5046:from the original on 8 March 2005
4599:Michaels, Sean (8 January 2010).
3893:Michie, Chris (1 November 2000).
2809: – lead and backing vocals,
1775:
1725:
1423:
1385:
1352:
1314:
1269:
1231:
1193:
930:) used the same scheme for their
698:said the album appropriated the "
647:In August 1979, the band entered
7888:
7887:
7264:The Story of the Clash, Volume 1
6975:. London and New York: Omnibus.
5904:from the original on 7 July 2015
4978:from the original on 6 June 2014
4788:"British gold certification for
4453:Godwin, Richard (15 June 2010).
4408:from the original on 6 June 2018
4348:"Exhibit and Information Guide."
4189:from the original on 7 June 2012
4009:from the original on 6 June 2012
3661:from the original on 4 June 2012
1794:
1789:
1784:
1779:
1774:
1744:
1739:
1734:
1729:
1724:
1442:
1437:
1432:
1427:
1422:
1404:
1399:
1394:
1389:
1384:
1366:
1361:
1356:
1351:
1333:
1328:
1323:
1318:
1313:
1283:
1278:
1273:
1268:
1250:
1245:
1240:
1235:
1230:
1212:
1207:
1202:
1197:
1192:
940:was among the ten chosen by the
599:
588:
6713:A Brief History of Album Covers
6450:"Official Albums Chart Top 100"
6248:"Official Albums Chart Top 100"
6120:Australian Chart Book 1970–1992
5685:"100 Greatest British Albums".
4141:The A to X of Alternative Music
1494:journalist Mark Sutherland. In
422:500 Greatest Albums of All Time
273:Released: 1980 (Australia only)
29:London Calling (disambiguation)
7921:Albums produced by Guy Stevens
6348:. Retrieved August 20, 2024.
5135:McLeese, Don (16 March 1987).
5067:"The Year of the Lollapalooza"
4934:The Essential Rock Discography
4654:Encyclopedia of Recorded Sound
4088:. Prentice-Hall. p. 247.
2752:"London Calling" (Music video)
2721:
2372:
2238:
2134:
2003:
1875:
951:Tony Hawk's American Wasteland
1:
7028:"London Calling" By The Clash
6818:(Documentary). New York, NY:
6581:British Phonographic Industry
6563:British Phonographic Industry
6537:Jones, Alan (7 August 2015).
6456:. Retrieved August 20, 2024.
6416:. Retrieved August 20, 2024.
6376:. Retrieved August 20, 2024.
6276:. Retrieved August 20, 2024.
6254:. Retrieved August 20, 2024.
6167:. Retrieved August 20, 2024.
6155:"Top RPM Albums: Issue 0162a"
5841:. New York. 22 September 2020
5377:Spin Alternative Record Guide
5276:"The Clash: London Calling".
4919:. Retrieved 17 February 2008.
4802:British Phonographic Industry
4350:p. 5. Retrieved 17 May 2009.
4215:. Retrieved 18 February 2008.
4171:Ciofli, Sal (10 March 2004).
4038:. Retrieved 18 February 2008.
3854:. Retrieved 18 February 2008.
2763:"Train in Vain" (Music video)
2587:"Where You Gonna Go (Soweto)"
2527:"The Police Walked in 4 Jazz"
1466:Spin Alternative Record Guide
1416:The Rolling Stone Album Guide
1307:Encyclopedia of Popular Music
663:The first track recorded for
620:The Clash wrote and recorded
490:inspired their direction for
7505:Should I Stay or Should I Go
5862:"The Best Album of All Time"
5745:. 23 June 2004. p. 10.
4858:. Retrieved 26 October 2008.
4714:"London Calling – The Clash"
4291:Carson, Tom (3 April 1980).
3999:"London Calling – The Clash"
3754:"The Best Album of All Time"
3351:
3336:
3324:
3312:
3297:
3285:
3264:2003–2004 chart performance
3249:
3220:
3205:
3184:2015–2016 chart performance
3176:
3137:2011–2012 chart performance
3129:
3100:
3071:
3057:
3042:
3030:
3018:
3006:
2994:
2980:
2968:
2947:1979–1980 chart performance
686:is regarded by music critic
524:had experienced a period of
7810:The Joe Strummer Foundation
7232:From Here to Eternity: Live
6311:"Oficjalna lista sprzedaĹĽy"
6165:Library and Archives Canada
5178:"The Clash: London Calling"
5101:"The Clash: London Calling"
4676:Back, Johnny (April 2002).
3002:The Official Finnish Charts
1023:peaked at number 27 on the
936:album. The album cover for
922:magazine in 2001. In 1995,
873:) against the stage at the
640:" was the first of bassist
7962:
6852:. Warwick: Angry Penguin.
6688:. London: Atlantic Books.
6264:"The Clash Chart History (
5870:. New York. Archived from
5109:. New York. Archived from
4869:"RIAA Searchable Database"
4084:Brown, Charles T. (1992).
3679:Gilbert 2005, pp. 212–213.
3649:Erlewine, Stephen Thomas.
1120:backed by a horn section.
871:Rock and Roll Hall of Fame
286:Released: 12 February 1980
72:14 December 1979
26:
7883:
7768:The Latino Rockabilly War
7572:I'm So Bored with the USA
7100:
5436:Sutherland, Mark (2004).
4656:. Routledge. p. 397.
4032:"Rudie Can't Fail Review"
3495:
3480:
3468:25th anniversary release
3459:
3438:
3423:
3408:
3393:
3385:
3382:
3379:
3341:
3329:
3317:
3302:
3290:
3278:
3271:
3268:
3242:
3235:
3232:
3210:
3198:
3191:
3188:
3163:
3151:
3144:
3141:
3122:
3115:
3112:
3093:
3086:
3083:
3062:
3047:
3035:
3023:
3011:
2999:
2985:
2973:
2961:
2954:
2951:
2781:
2774:"Clampdown" (Music video)
2770:
2759:
2748:
2733:
2725:
2697:
2679:
2665:
2651:
2637:
2619:
2599:
2583:
2569:
2555:
2537:
2523:
2507:
2493:
2475:
2461:
2447:
2433:
2419:
2401:
2387:
2379:
2376:
2335:
2307:
2290:
2273:
2256:
2248:
2245:
2242:
2211:
2194:
2173:
2152:
2144:
2141:
2138:
2101:
2080:
2059:
2042:
2021:
2013:
2010:
2007:
1972:
1955:
1938:
1914:
1893:
1885:
1882:
1879:
1821:LP was released in 2010.
1710:
1707:
1687:
1684:
1180:
1177:
624:at Vanilla Studios, with
348:. Bridging a traditional
294:
260:Released: 7 December 1979
247:
232:
195:
46:
7941:Legacy Recordings albums
7293:Super Black Market Clash
6820:Sony Music Entertainment
6621:(4th ed.). London:
5657:All Time Top 1000 Albums
5623:All Time Top 1000 Albums
5314:(4th ed.). London:
5231:(5th concise ed.).
4652:Hoffmann, Frank (2005).
4495:27 December 2008 at the
4366:Green 2003, pp. 195–196.
4115:. ABC-CLIO. p. 45.
4086:The Art of Rock and Roll
3995:Erlewine, Stephen Thomas
3259:25th anniversary edition
2559:"Up-Toon" (instrumental)
1670:25th anniversary edition
1644:s revised list in 2020.
1599:All Time Top 1000 Albums
1589:All Time Top 1000 Albums
1295:Christgau's Record Guide
7931:Columbia Records albums
7621:Lost in the Supermarket
6454:Official Charts Company
6414:Official Charts Company
6374:Official Charts Company
6252:Official Charts Company
6177:Pennanen, Timo (2006).
5813:. New York. 31 May 2012
5473:Hal Leonard Corporation
5374:; Marks, Craig (eds.).
4989:(subscription required)
4833:"Discography The Clash"
4814:"Discography The Clash"
4796:7 December 2008 at the
4530:2 February 2011 at the
4460:London Evening Standard
4354:17 January 2010 at the
3838:Gray 2010, pp. 100–103.
3228:2022 chart performance
3108:2009 chart performance
3079:2003 chart performance
2986:Canada Top Albums/CDs (
2884:Dick Hanson – trumpet,
2573:"Walking the Slidewalk"
2543:Lost in the Supermarket
2065:Lost in the Supermarket
1486:Stephen Thomas Erlewine
916:self-titled debut album
865:(now on display at the
810:Lost in the Supermarket
696:Stephen Thomas Erlewine
634:Lost in the Supermarket
6738:Gray, Marcus (2005) .
6711:Draper, Jason (2008).
6617:Gilbert, Pat (2005) .
6487:(in French). InfoDisc.
4930:Strong, Martin Charles
4903:. October 2004. p. 69.
4633:. IGN. 20 October 2005
4455:"London Calling again"
4384:. October 2004. p. 70.
4139:Taylor, Steve (2006).
3959:. October 2004. p. 68.
3932:. October 2004. p. 65.
3874:. October 2004. p. 67.
3811:Gray 2010, pp. 98–100.
3724:Gray 2010, pp. 89, 91.
3706:. October 2004. p. 58.
1858:, except where noted.
1550:
1163:Reappraisal and legacy
907:
851:
774:"). In the opinion of
472:neotraditional country
444:On their second album
18:London Calling (album)
7690:Concert for Kampuchea
7484:The Magnificent Seven
6765:Gray, Marcus (2010).
6317:. 24 September 2012.
6048:(22 September 2004).
6017:(21 September 2004).
5898:The Recording Academy
5894:"Grammy Hall Of Fame"
5771:(21 September 2004).
4224:Gilbert 2005, p. 259.
3944:Gilbert 2005, p. 237.
3883:Gilbert 2005, p. 235.
3784:Gray 2010, pp. 93–97.
3624:. Headpress. p.
2641:"Working and Waiting"
958:Release and promotion
905:
869:, formerly Cleveland
863:Fender Precision Bass
843:
804:"), and how constant
580:Writing and recording
468:Screamin' Jay Hawkins
7697:Westway to the World
7551:Career Opportunities
7239:Live at Shea Stadium
7186:Give 'Em Enough Rope
6815:Westway to the World
6769:. Soft Skull Press.
5986:(9 September 2004).
5867:Entertainment Weekly
5584:(16 November 1989).
5516:(16 December 2019).
5370:(1995). "Clash". In
5022:. Chicago: 4, 32–35.
4838:3 March 2016 at the
4556:Entertainment Weekly
4268:9 April 2010 at the
4207:Guarisco, Donald A.
4051:(13 February 2000).
4030:Guarisco, Donald A.
3759:Entertainment Weekly
3012:New Zealand Albums (
2842:Additional musicians
2669:"Brand New Cadillac"
1866:, except where noted
1675:Professional ratings
1647:Entertainment Weekly
1137:At the end of 1980,
1084:Charles Shaar Murray
998:. The final track, "
499:Give 'Em Enough Rope
447:Give 'Em Enough Rope
334:Wessex Sound Studios
202:Give 'Em Enough Rope
87:August–November 1979
7936:Epic Records albums
7805:Rock Against Racism
7799:Spirit of St. Louis
7663:Overpowered by Funk
7491:This Is Radio Clash
7329:The Clash Hits Back
7300:The Essential Clash
6910:(25 January 2005).
6684:Clash, The (2008).
5934:on 13 November 2010
5628:Guinness Publishing
5042:. 9 February 1981.
4819:9 June 2008 at the
4744:on 19 December 2010
4712:Levy, Joe (2006) .
4690:on 21 February 2009
4666:Green 2003, p. 218.
4580:on 19 February 2012
4514:Green 2003, p. 194.
4401:Wall Street Journal
4335:7 July 2021 at the
4234:Spicer, Al (1999).
3905:on 1 September 2012
3688:Green 2003, p. 156.
3376:
3372:Certifications for
3332:Schweizer Hitparade
3265:
3243:Portuguese Albums (
3229:
3185:
3138:
3109:
3080:
2962:Australian Albums (
2948:
2927: – photography
2717:
2368:
2234:
2130:
2107:The Guns of Brixton
2046:"The Right Profile"
1999:
1871:
1854:All lead vocals by
1676:
1655:Grammy Hall of Fame
1169:
766:aspirant living in
741:deviated from what
708:New Orleans R&B
651:to begin recording
638:The Guns of Brixton
374:New Orleans R&B
7926:CBS Records albums
7758:Big Audio Dynamite
7656:Washington Bullets
7607:Brand New Cadillac
7593:Police and Thieves
7400:Clash City Rockers
7361:The Cost of Living
7336:5 Album Studio Set
7257:Black Market Clash
7059:(list of releases)
7003:The Complete Clash
6916:. London: Plexus.
5350:"Clash Reissues".
5099:(21 August 2007).
5002:Gray 2010, p. 412.
4971:The New York Times
4964:(4 January 1980).
4767:"UK Chart Archive"
4549:O'Connor, Mickey.
4297:> Album Review"
4209:"Clampdown Review"
4177:> Album Review"
3371:
3291:Norwegian Albums (
3269:Chart (2003–2004)
3263:
3227:
3189:Chart (2015–2016)
3183:
3166:Top Catalog Albums
3142:Chart (2011–2012)
3136:
3107:
3078:
3024:Norwegian Albums (
2952:Chart (1979–1980)
2946:
2874:baritone saxophone
2715:
2655:"Heart & Mind"
2366:
2232:
2128:
1997:
1920:Brand New Cadillac
1869:
1674:
1502:the Rolling Stones
1167:
1074:The New York Times
1064:Critical reception
1011:Upon its release,
978:was released as a
924:Big Audio Dynamite
908:
852:
724:Brand New Cadillac
669:Brand New Cadillac
655:. The Clash asked
7901:
7900:
7600:Jail Guitar Doors
7558:Capital Radio One
7533:Return to Brixton
7421:English Civil War
7278:Clash on Broadway
6859:978-1-906283-36-0
6776:978-1-59376-293-3
6695:978-1-84354-788-4
6188:978-951-1-21053-5
6096:. 3 December 2018
6015:Petrusich, Amanda
5769:Petrusich, Amanda
5637:978-0-85112-786-6
5582:DeCurtis, Anthony
5556:Los Angeles Times
5522:And It Don't Stop
5514:Christgau, Robert
5496:"Capital Gains".
5417:on 4 October 2013
5384:. pp. 84–5.
5259:Los Angeles Times
5242:978-0-85712-595-8
5225:(2011). "Clash".
5174:Christgau, Robert
5144:Chicago Sun-Times
5071:The Village Voice
5039:The Village Voice
4777:on 17 April 2016.
4523:Tryangiel, Josh.
3829:Gray 2010, p. 95.
3820:Gray 2010, p. 98.
3802:Gray 2010, p. 97.
3793:Gray 2010, p. 90.
3733:Gray 2010, p. 91.
3715:Gray 2010, p. 88.
3512:
3511:
3507:
3503:
3499:
3470:
3449:
3447:original release
3363:
3362:
3356:
3355:
3320:Sverigetopplistan
3254:
3253:
3225:
3224:
3181:
3180:
3134:
3133:
3105:
3104:
3076:
3075:
3038:Sverigetopplistan
2974:Austrian Albums (
2964:Kent Music Report
2792:
2791:
2711:
2710:
2701:"Revolution Rock"
2356:
2355:
2228:
2227:
2124:
2123:
1993:
1992:
1807:The Vanilla Tapes
1803:
1802:
1625:, whose reviewer
1602:(2000). In 1999,
1575:Los Angeles Times
1522:Chicago Sun-Times
1507:Exile on Main St.
1475:
1474:
1345:Los Angeles Times
1262:Chicago Sun-Times
1148:The Village Voice
822:Three Mile Island
798:Spanish Civil War
298:
297:
228:
227:
16:(Redirected from
7953:
7946:The Clash albums
7891:
7890:
7753:Public Image Ltd
7721:Related articles
7635:Rudie Can't Fail
7586:London's Burning
7519:Straight to Hell
7498:Know Your Rights
7428:I Fought the Law
7393:Complete Control
7087:
7080:
7073:
7064:
7047:
7046:
7044:Official website
7024:
6994:
6965:
6935:
6903:
6871:
6841:
6780:
6761:
6734:
6707:
6671:
6644:
6603:
6602:
6591:
6585:
6584:
6573:
6567:
6566:
6555:
6549:
6548:
6534:
6528:
6527:
6525:
6523:
6509:
6503:
6501:
6488:
6481:
6475:
6474:
6463:
6457:
6447:
6441:
6435:
6429:
6423:
6417:
6407:
6401:
6395:
6389:
6383:
6377:
6367:
6361:
6355:
6349:
6337:
6331:
6330:
6328:
6326:
6307:
6301:
6295:
6289:
6283:
6277:
6261:
6255:
6245:
6239:
6233:
6227:
6226:
6214:
6205:
6199:
6193:
6192:
6174:
6168:
6152:
6146:
6140:
6134:
6133:
6112:
6106:
6105:
6103:
6101:
6086:
6080:
6073:
6067:
6066:
6064:
6062:
6042:
6036:
6035:
6033:
6031:
6011:
6005:
6004:
6002:
6000:
5980:
5974:
5973:
5971:
5969:
5953:
5944:
5943:
5941:
5939:
5920:
5914:
5913:
5911:
5909:
5890:
5884:
5883:
5881:
5879:
5857:
5851:
5850:
5848:
5846:
5829:
5823:
5822:
5820:
5818:
5801:
5795:
5794:
5792:
5790:
5765:
5759:
5758:
5756:
5754:
5733:
5727:
5726:
5716:
5710:
5709:
5699:
5693:
5692:
5682:
5676:
5675:
5660:(3rd ed.).
5648:
5642:
5641:
5626:(1st ed.).
5614:
5608:
5607:
5605:
5603:
5578:Azerrad, Michael
5574:
5568:
5567:
5565:
5563:
5543:
5537:
5536:
5534:
5532:
5510:
5504:
5503:
5493:
5487:
5486:
5469:Alternative Rock
5461:
5455:
5454:
5452:
5450:
5433:
5427:
5426:
5424:
5422:
5413:. Archived from
5402:
5396:
5395:
5364:
5358:
5357:
5347:
5341:
5340:
5338:
5336:
5306:Hoard, Christian
5302:Brackett, Nathan
5290:
5284:
5283:
5273:
5264:
5263:
5253:
5247:
5246:
5219:
5213:
5212:
5210:
5208:
5170:
5161:
5160:
5158:
5156:
5140:
5132:
5123:
5122:
5120:
5118:
5093:
5087:
5086:
5084:
5082:
5062:
5056:
5055:
5053:
5051:
5030:
5024:
5023:
5009:
5003:
5000:
4991:
4990:
4987:
4985:
4983:
4958:
4952:
4951:
4926:
4920:
4910:
4904:
4895:
4889:
4888:
4886:
4884:
4875:. Archived from
4865:
4859:
4849:
4843:
4830:
4824:
4811:
4805:
4785:
4779:
4778:
4763:
4754:
4753:
4751:
4749:
4740:. Archived from
4709:
4700:
4699:
4697:
4695:
4686:. Archived from
4673:
4667:
4664:
4658:
4657:
4649:
4643:
4642:
4640:
4638:
4627:
4621:
4620:
4618:
4616:
4596:
4590:
4589:
4587:
4585:
4576:. Archived from
4566:
4560:
4547:
4541:
4521:
4515:
4512:
4506:
4486:
4480:
4479:
4474:
4472:
4463:. Archived from
4450:
4444:
4443:
4441:
4439:
4424:
4418:
4417:
4415:
4413:
4391:
4385:
4376:
4367:
4364:
4358:
4345:
4339:
4325:
4319:
4318:
4316:
4314:
4305:. No. 314.
4288:
4279:
4260:
4254:
4253:
4231:
4225:
4222:
4216:
4205:
4199:
4198:
4196:
4194:
4168:
4159:
4158:
4136:
4127:
4126:
4106:
4100:
4099:
4081:
4075:
4074:
4072:
4070:
4045:
4039:
4028:
4019:
4018:
4016:
4014:
3991:
3980:
3979:
3966:
3960:
3951:
3945:
3942:
3933:
3924:
3915:
3914:
3912:
3910:
3901:. Archived from
3890:
3884:
3881:
3875:
3866:
3855:
3845:
3839:
3836:
3830:
3827:
3821:
3818:
3812:
3809:
3803:
3800:
3794:
3791:
3785:
3782:
3776:
3775:
3773:
3771:
3762:. Archived from
3749:
3734:
3731:
3725:
3722:
3716:
3713:
3707:
3698:
3689:
3686:
3680:
3677:
3671:
3670:
3668:
3666:
3646:
3640:
3639:
3611:
3602:
3601:
3599:
3597:
3583:
3577:
3576:
3574:
3572:
3558:
3552:
3551:
3549:
3547:
3537:
3505:
3501:
3497:
3466:
3460:United Kingdom (
3445:
3439:United Kingdom (
3377:
3318:Swedish Albums (
3279:Italian Albums (
3266:
3230:
3186:
3139:
3123:Spanish Albums (
3110:
3081:
3036:Swedish Albums (
3000:Finnish Albums (
2949:
2942:Original edition
2937:
2848:Mickey Gallagher
2723:
2718:
2407:Rudie Can't Fail
2374:
2369:
2240:
2235:
2215:"The Card Cheat"
2156:"Wrong 'Em Boyo"
2136:
2131:
2005:
2000:
1978:Rudie Can't Fail
1877:
1872:
1799:
1798:
1797:
1793:
1792:
1788:
1787:
1783:
1782:
1778:
1777:
1749:
1748:
1747:
1743:
1742:
1738:
1737:
1733:
1732:
1728:
1727:
1680:Aggregate scores
1677:
1652:
1643:
1627:Amanda Petrusich
1564:
1555:Robert Christgau
1447:
1446:
1445:
1441:
1440:
1436:
1435:
1431:
1430:
1426:
1425:
1409:
1408:
1407:
1403:
1402:
1398:
1397:
1393:
1392:
1388:
1387:
1371:
1370:
1369:
1365:
1364:
1360:
1359:
1355:
1354:
1338:
1337:
1336:
1332:
1331:
1327:
1326:
1322:
1321:
1317:
1316:
1288:
1287:
1286:
1282:
1281:
1277:
1276:
1272:
1271:
1255:
1254:
1253:
1249:
1248:
1244:
1243:
1239:
1238:
1234:
1233:
1217:
1216:
1215:
1211:
1210:
1206:
1205:
1201:
1200:
1196:
1195:
1170:
1153:Robert Christgau
1036:UK Singles Chart
888:graphic designer
867:Museum of London
732:Rudie Can't Fail
603:
592:
552:rhythm and blues
497:After recording
419:
340:for songwriters
287:
284:
274:
271:
261:
258:
197:
196:
142:
141:
137:
119:
79:
77:
51:
39:
21:
7961:
7960:
7956:
7955:
7954:
7952:
7951:
7950:
7906:
7905:
7902:
7897:
7879:
7855:Norman Watt-Roy
7716:
7668:
7628:Revolution Rock
7538:
7526:This Is England
7512:Rock the Casbah
7366:
7341:
7244:
7219:
7166:
7096:
7091:
7042:
7041:
7038:
7033:
7013:
6997:
6983:
6968:
6954:
6940:Quantick, David
6938:
6924:
6906:
6892:
6874:
6860:
6844:
6830:
6807:, Rick Elgood,
6783:
6777:
6764:
6750:
6737:
6723:
6710:
6696:
6683:
6679:
6677:Further reading
6674:
6660:
6647:
6633:
6616:
6612:
6607:
6606:
6593:
6592:
6588:
6575:
6574:
6570:
6557:
6556:
6552:
6536:
6535:
6531:
6521:
6519:
6511:
6510:
6506:
6499:
6483:
6482:
6478:
6465:
6464:
6460:
6448:
6444:
6436:
6432:
6424:
6420:
6408:
6404:
6396:
6392:
6384:
6380:
6368:
6364:
6356:
6352:
6338:
6334:
6324:
6322:
6309:
6308:
6304:
6296:
6292:
6284:
6280:
6262:
6258:
6246:
6242:
6234:
6230:
6215:
6208:
6200:
6196:
6189:
6176:
6175:
6171:
6153:
6149:
6141:
6137:
6130:
6114:
6113:
6109:
6099:
6097:
6088:
6087:
6083:
6074:
6070:
6060:
6058:
6044:
6043:
6039:
6029:
6027:
6013:
6012:
6008:
5998:
5996:
5982:
5981:
5977:
5967:
5965:
5955:
5954:
5947:
5937:
5935:
5922:
5921:
5917:
5907:
5905:
5892:
5891:
5887:
5877:
5875:
5874:on 14 June 2012
5859:
5858:
5854:
5844:
5842:
5831:
5830:
5826:
5816:
5814:
5803:
5802:
5798:
5788:
5786:
5767:
5766:
5762:
5752:
5750:
5735:
5734:
5730:
5718:
5717:
5713:
5701:
5700:
5696:
5684:
5683:
5679:
5672:
5650:
5649:
5645:
5638:
5630:. p. 234.
5616:
5615:
5611:
5601:
5599:
5576:
5575:
5571:
5561:
5559:
5549:(17 May 1987).
5547:Hilburn, Robert
5545:
5544:
5540:
5530:
5528:
5512:
5511:
5507:
5495:
5494:
5490:
5483:
5475:. p. 271.
5463:
5462:
5458:
5448:
5446:
5435:
5434:
5430:
5420:
5418:
5404:
5403:
5399:
5392:
5366:
5365:
5361:
5349:
5348:
5344:
5334:
5332:
5330:
5292:
5291:
5287:
5275:
5274:
5267:
5255:
5254:
5250:
5243:
5221:
5220:
5216:
5206:
5204:
5202:
5172:
5171:
5164:
5154:
5152:
5134:
5133:
5126:
5116:
5114:
5095:
5094:
5090:
5080:
5078:
5064:
5063:
5059:
5049:
5047:
5032:
5031:
5027:
5011:
5010:
5006:
5001:
4994:
4988:
4981:
4979:
4974:. p. C12.
4960:
4959:
4955:
4948:
4928:
4927:
4923:
4911:
4907:
4896:
4892:
4882:
4880:
4879:on 26 June 2007
4867:
4866:
4862:
4850:
4846:
4840:Wayback Machine
4831:
4827:
4821:Wayback Machine
4812:
4808:
4798:Wayback Machine
4786:
4782:
4765:
4764:
4757:
4747:
4745:
4730:
4711:
4710:
4703:
4693:
4691:
4675:
4674:
4670:
4665:
4661:
4651:
4650:
4646:
4636:
4634:
4629:
4628:
4624:
4614:
4612:
4598:
4597:
4593:
4583:
4581:
4568:
4567:
4563:
4548:
4544:
4532:Wayback Machine
4522:
4518:
4513:
4509:
4502:The Independent
4497:Wayback Machine
4487:
4483:
4470:
4468:
4467:on 17 June 2010
4452:
4451:
4447:
4437:
4435:
4426:
4425:
4421:
4411:
4409:
4393:
4392:
4388:
4377:
4370:
4365:
4361:
4356:Wayback Machine
4346:
4342:
4337:Wayback Machine
4326:
4322:
4312:
4310:
4290:
4289:
4282:
4270:Wayback Machine
4261:
4257:
4250:
4233:
4232:
4228:
4223:
4219:
4206:
4202:
4192:
4190:
4170:
4169:
4162:
4155:
4138:
4137:
4130:
4123:
4108:
4107:
4103:
4096:
4083:
4082:
4078:
4068:
4066:
4058:Chicago Tribune
4047:
4046:
4042:
4029:
4022:
4012:
4010:
3993:
3992:
3983:
3968:
3967:
3963:
3952:
3948:
3943:
3936:
3925:
3918:
3908:
3906:
3892:
3891:
3887:
3882:
3878:
3867:
3858:
3846:
3842:
3837:
3833:
3828:
3824:
3819:
3815:
3810:
3806:
3801:
3797:
3792:
3788:
3783:
3779:
3769:
3767:
3766:on 25 July 2014
3751:
3750:
3737:
3732:
3728:
3723:
3719:
3714:
3710:
3699:
3692:
3687:
3683:
3678:
3674:
3664:
3662:
3648:
3647:
3643:
3636:
3614:Barber, Chris;
3613:
3612:
3605:
3595:
3593:
3585:
3584:
3580:
3570:
3568:
3566:The Independent
3560:
3559:
3555:
3545:
3543:
3539:
3538:
3534:
3529:
3517:
3504:
3500:
3481:United States (
3465:
3444:
3387:Certified units
3369:
3364:
3304:Scottish Albums
3273:
3261:
3237:
3212:Scottish Albums
3199:French Albums (
3193:
3152:Polish Albums (
3146:
3117:
3088:
2956:
2944:
2934:
2894:
2865:tenor saxophone
2858:The Irish Horns
2844:
2834: – drums,
2803:
2798:
2793:
2712:
2690:Strummer, Jones
2644:Strummer, Jones
2630:Strummer, Jones
2562:Strummer, Jones
2548:Strummer, Jones
2530:Strummer, Jones
2500:Strummer, Jones
2486:Strummer, Jones
2468:Strummer, Jones
2454:Strummer, Jones
2440:Strummer, Jones
2412:Strummer, Jones
2394:Strummer, Jones
2357:
2313:Revolution Rock
2277:"Four Horsemen"
2229:
2125:
2094:Strummer, Jones
2035:Strummer, Jones
1994:
1986:Strummer, Jones
1852:
1795:
1790:
1785:
1780:
1745:
1740:
1735:
1730:
1672:
1650:
1641:
1608:magazine named
1566:
1552:
1443:
1438:
1433:
1428:
1405:
1400:
1395:
1390:
1367:
1362:
1357:
1334:
1329:
1324:
1319:
1284:
1279:
1274:
1251:
1246:
1241:
1236:
1213:
1208:
1203:
1198:
1165:
1114:Charlie Gillett
1066:
987:that played at
960:
838:
818:nuclear reactor
772:Guns of Brixton
760:
681:
618:
617:
616:
615:
614:
604:
595:
594:
593:
582:
574:Topper Headon's
540:
480:punk rockabilly
442:
417:
394:racial conflict
290:
285:
278:
277:
272:
265:
264:
259:
252:
251:
242:London Calling
223:
214:
205:
183:
165:
139:
135:
134:
115:
75:
73:
64:
37:
32:
23:
22:
15:
12:
11:
5:
7959:
7957:
7949:
7948:
7943:
7938:
7933:
7928:
7923:
7918:
7908:
7907:
7899:
7898:
7896:
7895:
7884:
7881:
7880:
7878:
7877:
7872:
7867:
7862:
7857:
7852:
7850:Mick Gallagher
7847:
7842:
7837:
7835:Sandy Pearlman
7832:
7827:
7822:
7817:
7815:Bernard Rhodes
7812:
7807:
7802:
7795:
7790:
7785:
7783:Carbon/Silicon
7780:
7778:The Mescaleros
7775:
7770:
7765:
7760:
7755:
7750:
7745:
7740:
7735:
7730:
7724:
7722:
7718:
7717:
7715:
7714:
7707:
7700:
7693:
7686:
7678:
7676:
7670:
7669:
7667:
7666:
7659:
7652:
7645:
7638:
7631:
7624:
7617:
7614:Death or Glory
7610:
7603:
7596:
7589:
7582:
7575:
7568:
7561:
7554:
7546:
7544:
7540:
7539:
7537:
7536:
7529:
7522:
7515:
7508:
7501:
7494:
7487:
7480:
7477:Hitsville U.K.
7473:
7466:
7459:
7452:
7445:
7442:London Calling
7438:
7431:
7424:
7417:
7410:
7403:
7396:
7389:
7386:Remote Control
7382:
7374:
7372:
7368:
7367:
7365:
7364:
7357:
7349:
7347:
7346:Extended plays
7343:
7342:
7340:
7339:
7332:
7325:
7318:
7310:
7303:
7296:
7289:
7281:
7274:
7271:1977 Revisited
7267:
7260:
7252:
7250:
7246:
7245:
7243:
7242:
7235:
7227:
7225:
7221:
7220:
7218:
7217:
7210:
7203:
7196:
7193:London Calling
7189:
7182:
7174:
7172:
7168:
7167:
7165:
7164:
7159:
7154:
7149:
7144:
7138:
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7109:
7101:
7098:
7097:
7092:
7090:
7089:
7082:
7075:
7067:
7061:
7060:
7052:London Calling
7048:
7037:
7036:External links
7034:
7032:
7031:
7025:
7011:
6999:Topping, Keith
6995:
6981:
6966:
6952:
6936:
6922:
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6890:
6872:
6858:
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6645:
6631:
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6605:
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6586:
6568:
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6515:(in Italian).
6504:
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6135:
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6081:
6068:
6037:
6006:
5984:Sweeting, Adam
5975:
5945:
5924:"Masterpieces"
5915:
5885:
5852:
5824:
5796:
5760:
5728:
5711:
5694:
5677:
5670:
5664:. p. 52.
5643:
5636:
5609:
5569:
5538:
5505:
5488:
5481:
5465:Thompson, Dave
5456:
5428:
5397:
5390:
5372:Weisbard, Eric
5368:Sheffield, Rob
5359:
5342:
5328:
5316:Fireside Books
5294:Sheffield, Rob
5285:
5265:
5248:
5241:
5214:
5200:
5188:Pantheon Books
5162:
5147:. p. 36.
5124:
5113:on 2 July 2009
5088:
5057:
5025:
5004:
4992:
4962:Rockwell, John
4953:
4946:
4938:Canongate U.S.
4921:
4905:
4890:
4860:
4844:
4825:
4806:
4790:London Calling
4780:
4771:everyHit.co.uk
4755:
4728:
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4295:London Calling
4280:
4255:
4248:
4242:. p. 44.
4226:
4217:
4200:
4175:London Calling
4160:
4153:
4147:. p. 67.
4128:
4121:
4101:
4094:
4076:
4053:"Rebel Recall"
4040:
4020:
3981:
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3946:
3934:
3916:
3885:
3876:
3856:
3852:London Calling
3840:
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3795:
3786:
3777:
3735:
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3708:
3690:
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3616:Sargeant, Jack
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3374:London Calling
3368:
3367:Certifications
3365:
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3354:
3353:
3350:
3339:
3338:
3335:
3330:Swiss Albums (
3327:
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3114:
3103:
3102:
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3094:Irish Albums (
3091:
3090:
3085:
3074:
3073:
3070:
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2959:
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2933:
2930:
2929:
2928:
2922:
2921: – design
2916:
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2904:
2893:
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2882:
2878:Chris Gower –
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2685:London Calling
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2656:
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2649:
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2625:Remote Control
2621:
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2497:"Lover's Rock"
2495:
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2481:Death or Glory
2477:
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2466:
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2445:
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2437:"I'm Not Down"
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2319:Jackie Edwards
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2298:
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2294:"I'm Not Down"
2292:
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2260:"Lover's Rock"
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2179:Death or Glory
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1580:London Calling
1570:Robert Hilburn
1545:London Calling
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1516:London Calling
1478:London Calling
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1143:Pazz & Jop
1139:London Calling
1132:Rolling Stones
1069:London Calling
1065:
1062:
1032:London Calling
1021:London Calling
1013:London Calling
985:12-inch single
976:London Calling
959:
956:
946:postage stamps
938:London Calling
837:
834:
793:and planning.
787:Death or Glory
759:
756:
752:new wave music
739:London Calling
700:punk aesthetic
684:London Calling
680:
677:
665:London Calling
653:London Calling
649:Wessex Studios
605:
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570:London Calling
539:
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531:Cost of Living
526:writer's block
503:Bernard Rhodes
492:London Calling
460:Sam & Dave
441:
438:
432:issued by the
426:London Calling
420:s list of the
405:London Calling
358:London Calling
338:writer's block
302:London Calling
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42:London Calling
35:
24:
14:
13:
10:
9:
6:
4:
3:
2:
7958:
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7841:
7838:
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7833:
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7830:Caroline Coon
7828:
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7679:
7677:
7675:
7671:
7664:
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7657:
7653:
7650:
7649:Junco Partner
7646:
7643:
7642:Spanish Bombs
7639:
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7492:
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7481:
7478:
7474:
7471:
7467:
7464:
7460:
7457:
7456:Train in Vain
7453:
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7446:
7443:
7439:
7436:
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7387:
7383:
7380:
7376:
7375:
7373:
7369:
7363:
7362:
7358:
7356:
7355:
7354:Capital Radio
7351:
7350:
7348:
7344:
7338:
7337:
7333:
7331:
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7176:
7175:
7173:
7171:Studio albums
7169:
7163:
7160:
7158:
7157:Nick Sheppard
7155:
7153:
7150:
7148:
7145:
7143:
7140:
7139:
7136:
7135:
7131:
7129:
7128:
7127:Topper Headon
7124:
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7114:
7110:
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7099:
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7054:
7053:
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7029:
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7022:
7018:
7014:
7012:1-903111-70-6
7008:
7004:
7000:
6996:
6992:
6988:
6984:
6982:0-7119-0288-7
6978:
6974:
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6959:
6955:
6953:1-903318-03-3
6949:
6945:
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6925:
6923:0-85965-348-X
6919:
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6891:0-7119-0288-7
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6839:
6835:
6831:
6829:0-7389-0082-6
6825:
6821:
6817:
6816:
6810:
6806:
6802:
6801:Topper Headon
6798:
6794:
6790:
6786:
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6772:
6768:
6763:
6759:
6755:
6751:
6749:1-905139-10-1
6745:
6741:
6736:
6732:
6728:
6724:
6722:9781847862112
6718:
6714:
6709:
6705:
6701:
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6691:
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6676:
6669:
6665:
6661:
6659:0-7528-5843-2
6655:
6651:
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6642:
6638:
6634:
6632:1-84513-113-4
6628:
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6055:Rolling Stone
6051:
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6046:Blashill, Pat
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5925:
5919:
5916:
5903:
5899:
5895:
5889:
5886:
5873:
5869:
5868:
5863:
5856:
5853:
5840:
5839:
5838:Rolling Stone
5834:
5828:
5825:
5812:
5811:
5810:Rolling Stone
5806:
5800:
5797:
5784:
5780:
5779:
5774:
5770:
5764:
5761:
5748:
5744:
5743:
5738:
5732:
5729:
5724:
5723:
5715:
5712:
5707:
5706:
5698:
5695:
5690:
5689:
5681:
5678:
5673:
5671:0-7535-0493-6
5667:
5663:
5659:
5658:
5653:
5652:Larkin, Colin
5647:
5644:
5639:
5633:
5629:
5625:
5624:
5619:
5618:Larkin, Colin
5613:
5610:
5597:
5593:
5592:
5591:Rolling Stone
5587:
5583:
5579:
5573:
5570:
5558:
5557:
5552:
5548:
5542:
5539:
5527:
5523:
5519:
5515:
5509:
5506:
5501:
5500:
5492:
5489:
5484:
5482:0-87930-607-6
5478:
5474:
5470:
5466:
5460:
5457:
5445:
5444:
5439:
5432:
5429:
5416:
5412:
5408:
5401:
5398:
5393:
5391:0-679-75574-8
5387:
5383:
5382:Vintage Books
5379:
5378:
5373:
5369:
5363:
5360:
5355:
5354:
5346:
5343:
5331:
5329:0-7432-0169-8
5325:
5321:
5317:
5313:
5312:
5307:
5303:
5299:
5295:
5289:
5286:
5281:
5280:
5272:
5270:
5266:
5261:
5260:
5252:
5249:
5244:
5238:
5234:
5233:Omnibus Press
5230:
5229:
5224:
5223:Larkin, Colin
5218:
5215:
5203:
5201:0-679-73015-X
5197:
5193:
5189:
5185:
5184:
5179:
5175:
5169:
5167:
5163:
5150:
5146:
5145:
5139:
5131:
5129:
5125:
5112:
5108:
5107:
5102:
5098:
5097:Wolk, Douglas
5092:
5089:
5076:
5072:
5068:
5061:
5058:
5045:
5041:
5040:
5035:
5029:
5026:
5021:
5017:
5016:
5008:
5005:
4999:
4997:
4993:
4977:
4973:
4972:
4967:
4963:
4957:
4954:
4949:
4947:1-84195-860-3
4943:
4940:p. 206.
4939:
4935:
4931:
4925:
4922:
4918:
4914:
4909:
4906:
4902:
4901:
4894:
4891:
4878:
4874:
4870:
4864:
4861:
4857:
4853:
4848:
4845:
4841:
4837:
4834:
4829:
4826:
4822:
4818:
4815:
4810:
4807:
4803:
4799:
4795:
4792:
4791:
4784:
4781:
4776:
4772:
4768:
4762:
4760:
4756:
4743:
4739:
4735:
4731:
4729:1-932958-61-4
4725:
4721:
4720:
4715:
4708:
4706:
4702:
4689:
4685:
4684:
4679:
4672:
4669:
4663:
4660:
4655:
4648:
4645:
4632:
4626:
4623:
4610:
4606:
4602:
4595:
4592:
4579:
4575:
4571:
4565:
4562:
4558:
4557:
4552:
4546:
4543:
4539:
4538:
4533:
4529:
4526:
4520:
4517:
4511:
4508:
4504:
4503:
4498:
4494:
4491:
4488:Judd, Terri.
4485:
4482:
4478:
4466:
4462:
4461:
4456:
4449:
4446:
4434:
4430:
4427:Baker, Alex.
4423:
4420:
4407:
4403:
4402:
4397:
4390:
4387:
4383:
4382:
4375:
4373:
4369:
4363:
4360:
4357:
4353:
4349:
4344:
4341:
4338:
4334:
4330:
4324:
4321:
4308:
4304:
4303:
4302:Rolling Stone
4298:
4296:
4287:
4285:
4281:
4277:
4276:
4275:Rolling Stone
4271:
4267:
4264:
4259:
4256:
4251:
4249:1-85828-490-2
4245:
4241:
4237:
4230:
4227:
4221:
4218:
4214:
4210:
4204:
4201:
4188:
4184:
4183:
4178:
4176:
4167:
4165:
4161:
4156:
4154:0-8264-8217-1
4150:
4146:
4142:
4135:
4133:
4129:
4124:
4122:9781440859694
4118:
4114:
4113:
4105:
4102:
4097:
4095:9780130448927
4091:
4087:
4080:
4077:
4064:
4060:
4059:
4054:
4050:
4044:
4041:
4037:
4033:
4027:
4025:
4021:
4008:
4004:
4000:
3996:
3990:
3988:
3986:
3982:
3977:
3976:
3975:New Statesman
3971:
3965:
3962:
3958:
3957:
3950:
3947:
3941:
3939:
3935:
3931:
3930:
3923:
3921:
3917:
3904:
3900:
3896:
3889:
3886:
3880:
3877:
3873:
3872:
3865:
3863:
3861:
3857:
3853:
3849:
3844:
3841:
3835:
3832:
3826:
3823:
3817:
3814:
3808:
3805:
3799:
3796:
3790:
3787:
3781:
3778:
3765:
3761:
3760:
3755:
3748:
3746:
3744:
3742:
3740:
3736:
3730:
3727:
3721:
3718:
3712:
3709:
3705:
3704:
3697:
3695:
3691:
3685:
3682:
3676:
3673:
3660:
3656:
3652:
3645:
3642:
3637:
3635:1-900486-59-8
3631:
3627:
3623:
3622:
3617:
3610:
3608:
3604:
3592:
3588:
3582:
3579:
3567:
3563:
3557:
3554:
3542:
3536:
3533:
3526:
3522:
3519:
3518:
3514:
3508:
3490:
3487:
3484:
3479:
3475:
3472:
3469:
3463:
3458:
3454:
3451:
3448:
3442:
3437:
3433:
3430:
3427:
3422:
3418:
3415:
3412:
3407:
3403:
3400:
3397:
3392:
3388:
3383:Certification
3378:
3375:
3366:
3359:
3348:
3344:
3340:
3333:
3328:
3321:
3316:
3309:
3305:
3301:
3294:
3289:
3282:
3277:
3267:
3258:
3256:
3246:
3241:
3233:Chart (2022)
3231:
3217:
3213:
3209:
3202:
3197:
3187:
3173:
3172:
3167:
3162:
3158:
3155:
3150:
3140:
3126:
3121:
3113:Chart (2009)
3111:
3097:
3092:
3084:Chart (2003)
3082:
3069:
3067:
3061:
3054:
3050:
3046:
3039:
3034:
3027:
3022:
3015:
3010:
3003:
2998:
2991:
2990:
2984:
2977:
2972:
2965:
2960:
2950:
2941:
2939:
2938:
2931:
2926:
2923:
2920:
2917:
2914:
2912:
2908:
2905:
2903:
2899:
2896:
2895:
2891:
2887:
2883:
2881:
2877:
2875:
2871:
2868:
2866:
2862:
2861:
2860:
2859:
2853:
2849:
2846:
2845:
2841:
2837:
2833:
2832:Topper Headon
2830:
2827:
2824:
2822:
2818:
2815:
2812:
2811:rhythm guitar
2808:
2805:
2804:
2800:
2795:
2787:
2784:
2780:
2776:
2773:
2769:
2765:
2762:
2758:
2754:
2751:
2747:
2743:
2740:
2736:
2732:
2719:
2706:
2703:
2700:
2696:
2692:
2689:
2686:
2682:
2678:
2674:
2671:
2668:
2664:
2660:
2657:
2654:
2650:
2646:
2643:
2640:
2636:
2632:
2629:
2626:
2622:
2618:
2614:
2612:
2609:
2606:
2605:The Man in Me
2602:
2598:
2594:
2592:
2589:
2586:
2582:
2578:
2575:
2572:
2568:
2564:
2561:
2558:
2554:
2550:
2547:
2544:
2540:
2536:
2532:
2529:
2526:
2522:
2518:
2516:
2513:
2511:"Lonesome Me"
2510:
2506:
2502:
2499:
2496:
2492:
2488:
2485:
2482:
2478:
2474:
2470:
2467:
2464:
2460:
2456:
2453:
2450:
2446:
2442:
2439:
2436:
2432:
2428:
2425:
2423:"Paul's Tune"
2422:
2418:
2414:
2411:
2408:
2404:
2400:
2396:
2393:
2390:
2386:
2370:
2359:
2358:
2351:
2348:
2345:
2342:
2341:Train in Vain
2338:
2334:
2330:
2327:
2324:
2320:
2317:
2314:
2310:
2306:
2302:
2299:
2296:
2293:
2289:
2285:
2282:
2279:
2276:
2272:
2268:
2265:
2262:
2259:
2255:
2236:
2223:
2220:
2217:
2214:
2210:
2206:
2203:
2200:
2197:
2193:
2189:
2186:
2183:
2180:
2176:
2172:
2168:
2165:
2162:
2158:
2155:
2151:
2132:
2119:
2116:
2114:
2111:
2108:
2104:
2100:
2096:
2093:
2090:
2087:
2083:
2079:
2075:
2072:
2069:
2066:
2062:
2058:
2054:
2051:
2048:
2045:
2041:
2037:
2034:
2031:
2028:
2027:Spanish Bombs
2024:
2020:
2001:
1988:
1985:
1982:
1979:
1975:
1971:
1967:
1964:
1961:
1958:
1954:
1950:
1947:
1944:
1941:
1937:
1933:
1930:
1927:
1924:
1921:
1917:
1913:
1909:
1906:
1903:
1900:
1896:
1892:
1873:
1867:
1865:
1859:
1857:
1850:Track listing
1849:
1847:
1845:
1844:
1839:
1838:
1833:
1832:
1827:
1822:
1820:
1816:
1812:
1808:
1772:
1770:
1769:
1768:Rolling Stone
1765:
1764:
1760:
1758:
1757:
1753:
1752:
1722:
1720:
1719:
1715:
1714:
1706:
1703:Review scores
1701:
1697:
1695:
1692:
1691:
1683:
1678:
1669:
1667:
1665:
1664:
1660:
1656:
1649:
1648:
1640:
1639:Rolling Stone
1636:
1632:
1631:Rolling Stone
1628:
1624:
1623:
1618:
1617:
1611:
1607:
1606:
1601:
1600:
1595:
1591:
1590:
1585:
1584:Rolling Stone
1581:
1577:
1576:
1571:
1565:
1562:
1561:
1556:
1549:
1546:
1540:
1537:
1536:
1530:
1529:
1524:
1523:
1517:
1513:
1512:Dave Thompson
1509:
1508:
1503:
1499:
1498:
1493:
1492:
1487:
1483:
1479:
1470:
1468:
1467:
1463:
1462:
1458:
1456:
1455:
1451:
1450:
1420:
1418:
1417:
1413:
1412:
1382:
1380:
1379:
1375:
1374:
1349:
1347:
1346:
1342:
1341:
1311:
1309:
1308:
1304:
1303:
1299:
1297:
1296:
1292:
1291:
1266:
1264:
1263:
1259:
1258:
1228:
1226:
1225:
1221:
1220:
1190:
1188:
1185:
1184:
1176:
1173:Review scores
1171:
1162:
1160:
1159:world-view."
1158:
1154:
1150:
1149:
1144:
1140:
1135:
1133:
1129:
1128:
1123:
1122:Garry Bushell
1119:
1115:
1110:
1109:
1103:
1102:
1101:Rolling Stone
1097:
1096:
1091:
1090:
1085:
1080:
1079:John Rockwell
1076:
1075:
1070:
1063:
1061:
1059:
1058:Disco Top 100
1056:
1052:
1050:
1045:
1044:Train in Vain
1041:
1037:
1033:
1029:
1027:
1022:
1018:
1014:
1009:
1007:
1006:
1001:
1000:Train in Vain
997:
993:
990:
986:
981:
977:
973:
969:
965:
957:
955:
953:
952:
947:
943:
939:
935:
934:
929:
925:
921:
917:
913:
912:Elvis Presley
904:
900:
898:
897:
892:
889:
885:
880:
876:
872:
868:
864:
861:smashing his
860:
857:
849:
848:
847:Elvis Presley
842:
835:
833:
831:
830:Great Britain
827:
823:
819:
815:
811:
807:
803:
802:Spanish Bombs
799:
794:
792:
788:
784:
779:
778:
773:
769:
765:
757:
755:
753:
748:
747:Jack Sargeant
744:
740:
735:
733:
729:
725:
721:
717:
713:
709:
705:
701:
697:
693:
690:as the first
689:
685:
679:Musical style
678:
676:
674:
670:
666:
661:
658:
654:
650:
645:
643:
639:
635:
631:
627:
623:
612:
608:
602:
591:
579:
577:
575:
571:
566:
564:
559:
557:
553:
549:
548:rock and roll
545:
537:
535:
533:
532:
527:
523:
519:
514:
512:
508:
504:
500:
495:
493:
489:
488:rock and roll
485:
481:
477:
473:
470:, as well as
469:
465:
461:
457:
453:
449:
448:
439:
437:
435:
431:
427:
423:
416:
415:
414:Rolling Stone
410:
406:
401:
399:
395:
391:
387:
383:
379:
375:
371:
367:
363:
359:
355:
351:
347:
343:
339:
335:
331:
326:
324:
320:
316:
312:
308:
304:
303:
293:
282:
281:Train in Vain
276:
269:
263:
256:
250:
249:
246:
243:
239:
235:
231:
222:
221:
217:
213:
212:
208:
204:
203:
199:
198:
194:
190:
186:
180:
177:
176:
174:
172:
168:
162:
159:
157:
154:
153:
151:
149:
145:
133:
129:
124:
121:
118:
114:
112:
109:
108:
107:
105:
101:
97:
94:
90:
86:
82:
71:
67:
63:
58:
54:
50:
45:
40:
34:
30:
19:
7903:
7797:
7738:Band members
7709:
7702:
7695:
7688:
7681:
7435:Groovy Times
7359:
7352:
7334:
7327:
7322:Sound System
7320:
7312:
7305:
7298:
7291:
7283:
7276:
7269:
7262:
7255:
7249:Compilations
7237:
7230:
7214:Cut the Crap
7212:
7205:
7198:
7192:
7191:
7184:
7177:
7142:Keith Levene
7134:Terry Chimes
7132:
7125:
7120:Paul Simonon
7118:
7111:
7106:Joe Strummer
7104:
7050:
7002:
6971:
6943:
6912:
6880:
6876:Miles, Barry
6849:
6812:
6805:Terry Chimes
6797:Paul Simonon
6789:Joe Strummer
6766:
6739:
6712:
6685:
6649:
6618:
6610:Bibliography
6589:
6571:
6553:
6542:
6532:
6520:. Retrieved
6507:
6497:
6493:
6489:
6479:
6471:Music Canada
6461:
6445:
6433:
6421:
6405:
6393:
6381:
6365:
6353:
6344:
6335:
6325:21 September
6323:. Retrieved
6305:
6293:
6281:
6272:
6265:
6259:
6243:
6231:
6197:
6178:
6172:
6158:
6150:
6138:
6119:
6110:
6100:13 September
6098:. Retrieved
6084:
6076:
6071:
6059:. Retrieved
6053:
6040:
6028:. Retrieved
6022:
6009:
5997:. Retrieved
5993:The Guardian
5991:
5978:
5966:. Retrieved
5960:
5936:. Retrieved
5932:the original
5918:
5906:. Retrieved
5888:
5876:. Retrieved
5872:the original
5865:
5855:
5845:23 September
5843:. Retrieved
5836:
5827:
5817:23 September
5815:. Retrieved
5808:
5799:
5787:. Retrieved
5776:
5763:
5751:. Retrieved
5740:
5731:
5720:
5714:
5703:
5697:
5686:
5680:
5662:Virgin Books
5656:
5646:
5622:
5612:
5600:. Retrieved
5589:
5572:
5560:. Retrieved
5554:
5541:
5529:. Retrieved
5521:
5508:
5497:
5491:
5468:
5459:
5447:. Retrieved
5441:
5431:
5419:. Retrieved
5415:the original
5400:
5376:
5362:
5351:
5345:
5335:24 September
5333:. Retrieved
5310:
5288:
5277:
5257:
5251:
5227:
5217:
5207:21 September
5205:. Retrieved
5182:
5153:. Retrieved
5142:
5115:. Retrieved
5111:the original
5104:
5091:
5079:. Retrieved
5070:
5060:
5048:. Retrieved
5037:
5028:
5019:
5013:
5007:
4980:. Retrieved
4969:
4956:
4933:
4924:
4908:
4898:
4893:
4881:. Retrieved
4877:the original
4863:
4847:
4828:
4809:
4789:
4783:
4775:the original
4770:
4746:. Retrieved
4742:the original
4718:
4692:. Retrieved
4688:the original
4681:
4671:
4662:
4653:
4647:
4635:. Retrieved
4625:
4613:. Retrieved
4605:The Guardian
4604:
4594:
4582:. Retrieved
4578:the original
4564:
4554:
4545:
4535:
4519:
4510:
4500:
4484:
4476:
4469:. Retrieved
4465:the original
4458:
4448:
4438:22 September
4436:. Retrieved
4422:
4410:. Retrieved
4399:
4389:
4379:
4362:
4343:
4323:
4311:. Retrieved
4300:
4294:
4273:
4258:
4240:Rough Guides
4235:
4229:
4220:
4203:
4191:. Retrieved
4180:
4174:
4173:"The Clash:
4140:
4111:
4104:
4085:
4079:
4067:. Retrieved
4056:
4043:
4011:. Retrieved
3973:
3964:
3954:
3949:
3927:
3907:. Retrieved
3903:the original
3898:
3888:
3879:
3869:
3851:
3847:
3843:
3834:
3825:
3816:
3807:
3798:
3789:
3780:
3768:. Retrieved
3764:the original
3757:
3729:
3720:
3711:
3701:
3684:
3675:
3663:. Retrieved
3644:
3620:
3596:23 September
3594:. Retrieved
3591:The Guardian
3590:
3581:
3571:23 September
3569:. Retrieved
3565:
3556:
3546:12 September
3544:. Retrieved
3535:
3496:
3467:
3446:
3396:Music Canada
3373:
3357:
3170:
3065:
2987:
2925:Pennie Smith
2872:– tenor and
2863:Ray Bevis –
2857:
2856:
2826:Paul Simonon
2807:Joe Strummer
2738:
2704:Edwards, Ray
2591:Sonny Okosun
2451:"4 Horsemen"
2113:Paul Simonon
1942:"Jimmy Jazz"
1926:Vince Taylor
1861:
1856:Joe Strummer
1853:
1841:
1835:
1829:
1823:
1819:picture disc
1813:, a film by
1810:
1806:
1804:
1766:
1754:
1718:The Guardian
1716:
1663:Masterpieces
1661:
1645:
1638:
1630:
1620:
1614:
1609:
1603:
1597:
1594:Colin Larkin
1587:
1583:
1579:
1573:
1567:
1558:
1551:
1544:
1543:
1533:
1526:
1520:
1515:
1505:
1495:
1489:
1477:
1476:
1464:
1452:
1414:
1376:
1343:
1305:
1293:
1260:
1222:
1146:
1138:
1136:
1125:
1106:
1099:
1095:Melody Maker
1093:
1087:
1072:
1068:
1067:
1054:
1048:
1040:River Thames
1025:
1020:
1012:
1010:
1003:
980:double album
975:
968:8-track tape
961:
949:
937:
931:
919:
909:
894:
884:Pennie Smith
859:Paul Simonon
853:
845:
826:Pennsylvania
795:
775:
761:
738:
736:
728:Vince Taylor
683:
682:
664:
662:
652:
646:
642:Paul Simonon
630:Joe Strummer
619:
607:Joe Strummer
569:
567:
560:
541:
529:
522:Joe Strummer
515:
498:
496:
491:
445:
443:
425:
412:
402:
390:unemployment
357:
352:sound and a
342:Joe Strummer
327:
323:Epic Records
315:double album
301:
300:
299:
241:
218:
210:
209:
200:
57:Studio album
33:
7916:1979 albums
7875:Futura 2000
7870:Ellen Foley
7865:Mikey Dread
7845:Kosmo Vinyl
7840:Guy Stevens
7825:Alex Michon
7728:Discography
7711:London Town
7579:Janie Jones
7543:Other songs
7470:The Call Up
7314:The Singles
7307:Singles Box
7285:The Singles
7224:Live albums
7207:Combat Rock
7200:Sandinista!
7162:Vince White
7152:Pete Howard
6908:Needs, Kris
6813:The Clash,
6623:Aurum Press
6116:Kent, David
6094:Kent Online
5928:BBC Radio 1
5753:17 February
5531:29 December
5318:. pp.
5298:"The Clash"
4883:17 February
4694:18 February
4313:22 February
4293:"The Clash
4193:22 February
3970:Kidel, Mark
3770:20 February
3651:"The Clash"
2898:Guy Stevens
2249:Lead vocals
2198:"Koka Kola"
2161:Stagger Lee
2145:Lead vocals
2014:Lead vocals
1886:Lead vocals
1659:BBC Radio 1
814:title track
806:consumerism
764:Jimmy Cliff
716:lounge jazz
704:roots music
657:Guy Stevens
507:Camden Town
382:lounge jazz
356:aesthetic,
330:Guy Stevens
319:CBS Records
220:Sandinista!
179:Guy Stevens
7910:Categories
7860:Tymon Dogg
7773:The Pogues
7763:Havana 3am
7743:The 101ers
7565:Garageland
7463:Bankrobber
7379:White Riot
7147:Rob Harper
7113:Mick Jones
6846:Lowry, Ray
6793:Mick Jones
6785:Letts, Don
6544:Music Week
6494:and click
5962:Metacritic
5938:3 December
5908:26 October
5789:26 October
5562:26 October
5190:. p.
4748:26 October
4607:. London.
4574:Royal Mail
4182:PopMatters
3909:18 January
3527:References
3491:1,000,000
3125:PROMUSICAE
2976:Ă–3 Austria
2907:Bill Price
2892:Production
2886:flugelhorn
2870:John Earle
2836:percussion
2817:Mick Jones
2129:Side three
1864:Mick Jones
1831:PopMatters
1826:Metacritic
1694:Metacritic
1528:PopMatters
1028:Pop Albums
942:Royal Mail
928:Mick Jones
783:status quo
777:PopMatters
688:Mark Kidel
626:Mick Jones
611:Mick Jones
609:(top) and
544:rockabilly
538:Rehearsals
518:Mick Jones
484:the Cramps
464:Lee Dorsey
456:Bo Diddley
440:Background
434:Royal Mail
366:rockabilly
346:Mick Jones
191:chronology
76:1979-12-14
7820:Don Letts
7748:London SS
7449:Clampdown
7414:Tommy Gun
7179:The Clash
7094:The Clash
7001:(2004) .
6972:The Clash
6944:The Clash
6881:The Clash
6868:165412921
6850:The Clash
6809:The Clash
6731:227198538
6704:236120343
6492:THE CLASH
6345:Billboard
6273:Billboard
6266:Billboard
6223:help page
6024:Pitchfork
5878:6 January
5778:Pitchfork
5742:Pitchfork
5443:BBC Music
5117:31 August
5015:Down Beat
4637:22 August
4615:8 January
4584:8 January
4145:Continuum
4049:Kot, Greg
3521:Album era
3488:Platinum
3452:Platinum
3431:Platinum
3343:UK Albums
3274:position
3238:position
3194:position
3171:Billboard
3147:position
3118:position
3089:position
3066:Billboard
3049:UK Albums
2957:position
2919:Ray Lowry
2821:harmonica
2801:The Clash
2796:Personnel
2716:Bonus DVD
2658:The Clash
2611:Bob Dylan
2576:The Clash
2515:The Clash
2391:"Hateful"
2380:Writer(s)
2323:Danny Ray
2246:Writer(s)
2233:Side four
2142:Writer(s)
2086:Clampdown
2011:Writer(s)
1959:"Hateful"
1883:Writer(s)
1815:Don Letts
1756:Pitchfork
1622:Pitchfork
1568:In 1987,
1491:BBC Music
1118:Bob Dylan
1108:Down Beat
1086:wrote in
1077:in 1980,
1055:Billboard
1049:Billboard
1026:Billboard
891:Ray Lowry
875:Palladium
720:hard rock
692:post-punk
673:Clampdown
452:punk rock
386:hard rock
350:punk rock
311:the Clash
268:Clampdown
189:The Clash
123:post-punk
111:Punk rock
62:the Clash
7893:Category
7793:Gorillaz
7683:Rude Boy
7021:63129186
6991:21335564
6962:59417418
6942:(2000).
6932:53155325
6878:(1981).
6848:(2007).
6838:49798077
6811:(2001).
6758:60668626
6668:52990890
6641:61177239
6522:24 April
6319:Archived
6118:(1993).
5902:Archived
5783:Archived
5747:Archived
5654:(2000).
5620:(1994).
5596:Archived
5526:Substack
5467:(2000).
5411:MTV News
5308:(eds.).
5296:(2004).
5176:(1990).
5149:Archived
5075:Archived
5050:21 March
5044:Archived
4976:Archived
4932:(2006).
4917:AllMusic
4856:AllMusic
4836:Archived
4817:Archived
4794:Archived
4738:70672814
4609:Archived
4528:Archived
4493:Archived
4406:Archived
4352:Archived
4333:Archived
4307:Archived
4266:Archived
4213:AllMusic
4187:Archived
4063:Archived
4036:AllMusic
4007:Archived
4003:AllMusic
3659:Archived
3655:AllMusic
3621:No Focus
3618:(2006).
3515:See also
3455:457,788
3419:100,000
3409:France (
3394:Canada (
3293:VG-lista
3026:VG-lista
2911:engineer
2909: –
2902:producer
2900: –
2880:trombone
2850: –
1998:Side two
1870:Side one
1482:AllMusic
1187:AllMusic
972:gatefold
791:safe sex
743:Greg Kot
563:football
409:platinum
398:drug use
354:new wave
171:Producer
117:new wave
98:, London
84:Recorded
69:Released
59: by
7371:Singles
7057:Discogs
6900:7676911
6490:Select
6061:1 April
6030:1 April
5999:1 April
5968:1 April
5602:30 June
5106:Blender
4683:Blender
4471:16 June
4013:7 April
3476:60,000
3473:Silver
3434:50,000
3424:Italy (
3404:50,000
3389:/sales
3380:Region
2813:, piano
2426:Simonon
2117:Simonon
1843:Blender
1698:100/100
1572:of the
1560:El PaĂs
1224:Blender
1157:leftist
1060:chart.
1051:Hot 100
856:bassist
836:Artwork
768:Brixton
511:Pimlico
476:Joe Ely
474:artist
238:Singles
224:(1980)
215:(1979)
206:(1978)
74: (
7317:(2007)
7288:(1991)
7019:
7009:
6989:
6979:
6960:
6950:
6930:
6920:
6898:
6888:
6866:
6856:
6836:
6826:
6773:
6756:
6746:
6729:
6719:
6702:
6692:
6666:
6656:
6639:
6629:
6500:
6185:
6126:
5668:
5634:
5479:
5449:19 May
5421:9 July
5388:
5353:Select
5326:
5239:
5198:
5155:9 July
5081:9 July
4982:4 June
4944:
4736:
4726:
4433:Fender
4412:5 June
4246:
4151:
4119:
4092:
4069:9 July
3665:9 July
3632:
3358:
2932:Charts
2788:
2777:
2766:
2755:
2744:
2729:Length
2672:Taylor
2383:Length
2346:
2328:
2297:
2283:
2280:
2266:
2263:
2252:Length
2218:
2204:
2201:
2187:
2184:
2166:
2148:Length
2091:
2070:
2052:
2049:
2032:
2017:Length
1983:
1965:
1962:
1948:
1945:
1931:
1907:
1904:
1889:Length
1711:Rating
1708:Source
1688:Rating
1685:Source
1563:(2019)
1454:Select
1181:Rating
1178:Source
1127:Sounds
933:F-Punk
879:Fender
758:Themes
718:, and
556:reggae
554:, and
466:, and
384:, and
362:reggae
131:Length
96:Wessex
92:Studio
7733:Songs
7674:Films
6268:200)"
5499:Uncut
5320:167–8
5300:. In
4900:Uncut
4381:Uncut
3956:Uncut
3929:Uncut
3871:Uncut
3703:Uncut
3416:Gold
3401:Gold
2852:organ
2726:Title
2377:Title
2349:Jones
2300:Jones
2243:Title
2221:Jones
2139:Title
2073:Jones
2008:Title
1880:Title
1837:Paste
1761:10/10
1651:'
1642:'
1535:Uncut
964:vinyl
667:was "
622:demos
482:band
418:'
309:band
240:from
148:Label
104:Genre
7017:OCLC
7007:ISBN
6987:OCLC
6977:ISBN
6958:OCLC
6948:ISBN
6928:OCLC
6918:ISBN
6896:OCLC
6886:ISBN
6864:OCLC
6854:ISBN
6834:OCLC
6824:ISBN
6771:ISBN
6754:OCLC
6744:ISBN
6727:OCLC
6717:ISBN
6700:OCLC
6690:ISBN
6664:OCLC
6654:ISBN
6637:OCLC
6627:ISBN
6524:2019
6327:2012
6315:OLiS
6183:ISBN
6124:ISBN
6102:2019
6063:2021
6032:2021
6001:2021
5970:2021
5940:2009
5910:2020
5880:2008
5847:2020
5819:2019
5791:2020
5755:2008
5666:ISBN
5632:ISBN
5604:2008
5564:2020
5533:2019
5477:ISBN
5451:2021
5423:2013
5386:ISBN
5337:2011
5324:ISBN
5237:ISBN
5209:2011
5196:ISBN
5157:2013
5119:2016
5083:2013
5052:2005
4984:2014
4942:ISBN
4885:2008
4750:2020
4734:OCLC
4724:ISBN
4696:2008
4639:2012
4617:2010
4586:2010
4537:Time
4473:2010
4440:2019
4414:2018
4315:2008
4244:ISBN
4195:2008
4149:ISBN
4117:ISBN
4090:ISBN
4071:2013
4015:2016
3911:2013
3772:2008
3667:2013
3630:ISBN
3598:2022
3573:2022
3548:2019
3483:RIAA
3426:FIMI
3411:SNEP
3281:FIMI
3272:Peak
3236:Peak
3201:SNEP
3192:Peak
3154:OLiS
3145:Peak
3116:Peak
3096:IRMA
3087:Peak
3014:RMNZ
2955:Peak
2707:3:51
2693:4:26
2675:2:08
2661:4:27
2647:4:11
2633:2:39
2615:3:57
2595:4:05
2579:2:34
2565:1:57
2551:3:52
2533:2:19
2519:2:09
2503:3:45
2489:3:47
2471:1:57
2457:2:45
2443:3:24
2429:2:32
2415:3:08
2397:3:23
2352:3:09
2331:5:37
2303:3:00
2286:2:56
2269:4:01
2224:3:51
2207:1:46
2190:3:55
2169:3:10
2120:3:07
2097:3:49
2076:3:47
2055:3:56
2038:3:19
1989:3:26
1968:2:45
1951:3:52
1934:2:09
1910:3:19
1471:7/10
1017:gold
520:and
478:and
344:and
307:rock
161:Epic
7055:at
6160:RPM
5722:NME
3899:Mix
3462:BPI
3441:BPI
3352:26
3347:OCC
3337:72
3325:45
3313:24
3308:OCC
3298:17
3286:39
3250:25
3245:AFP
3221:21
3216:OCC
3206:36
3177:38
3164:US
3159:38
3130:52
3101:23
3072:27
3068:200
3063:US
3053:OCC
3019:12
2995:12
2989:RPM
2981:17
2969:16
2722:No.
2698:21.
2680:20.
2666:19.
2652:18.
2638:17.
2620:16.
2600:15.
2584:14.
2570:13.
2556:12.
2538:11.
2524:10.
2373:No.
2239:No.
2135:No.
2004:No.
1876:No.
1616:NME
1484:'s
1459:5/5
1089:NME
1005:NME
992:rpm
989:33â…“
914:'s
824:in
820:at
722:. "
712:pop
378:pop
370:ska
332:at
156:CBS
7912::
7015:.
6985:.
6956:.
6926:.
6894:.
6862:.
6832:.
6803:,
6799:,
6795:,
6791:,
6787:;
6752:.
6725:.
6698:.
6662:.
6635:.
6597:.
6579:.
6561:.
6541:.
6496:OK
6469:.
6452:.
6412:.
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6342:.
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6163:.
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