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advance and accelerating technological progress), which they sought to not simply participate in, but, through their own particular vantage point as
Mexican artists, contribute to as well. As individuals and as a group they would go on to expand the horizons of Mexican poetry. The Contemporáneos
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because of what were perceived, in certain literary and intellectual quarters, as glaring editorial omissions. Needless to say, much of the anthology's pages were taken up by the poetic output of
Contemporáneos.
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authors. The rich and varied content of the publication was complemented by expensive details such as fine magazine paper and photographs and illustrations (made possible by continued government
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time and space meant to convey or reinforce particular philosophical or scientific concepts or concerns. At times, the
Contemporáneos were accused of literary effetism and
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Members of the group began writing for and collaborating in magazines and other literary venues. They also started their own publications, the first of which,
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would later enter its orbit as well. Los
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were, if you will, rather contemporary. Not to be confused with temporary - lasting for a short period of time.
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The group had its origins in friendships and literary collaborations that were formed among students attending
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In 1928, Torres Bodet inaugurated the group's longest-lived editorial endeavor, the magazine
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de México. Following this, a new generationally oriented and constituted society named the
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and its coterie of writers. They were also greatly attentive to the evolution of
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178:(1920–24). Antonieta Rivas Mercado was also a member, as well as their patron.
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and artistic vehicle from 1928 to 1931. In a way, they were opposed to
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Tamayo y los
Contemporáneos: El discurso de lo clásico y lo universal
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was formed in 1918. As a literary generation, the group was heir to
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group, active in the late 1920s and early 1930s, as well as to the
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The
Contemporáneos Group: rewriting Mexico in the 1930s and 1940s
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La ciudad paroxista. Prosa mexicana de vanguardia (1921–1932)
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position can be described as one of "contemporary cultural
51:(which means "The Contemporaries" in English) can refer to a
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The
Contemporáneos always expressed great appreciation for
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In 1928, Jorge Cuesta would also publish, under the
193:(December 1922-February 1923), labeled a "review of
378:, Mexico: Instituto Nacional de Bellas Artes, 1963.
423:Anales del Instituto de Investigationes Estéticas
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269:Los Contemporáneos: tradition and innovation
414:, México: Fondo de Cultura Económica, 2003.
383:Diccionario de Escritores Hispanoamericanos
185:, was described as an "art and literature
454:Los "Contemporáneos" y sus Contemporáneos
329:; with Gide and Proust being paramount.
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121:, both of whom were associated with the
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103:Universidad Nacional Autónoma de México
533:Literary magazines published in Mexico
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376:Contemporáneos, Las revistas de México
508:Defunct magazines published in Mexico
417:(Spanish) Madrigal Hernández, Érika.
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203:(May 1927–February 1928; see also
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81:; that is where founding members
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394:Dictionary of Mexican Literature
428:(Spanish) Hadatty Mora, Yanna.
410:(Spanish) Sheridan, Guillermo.
249:of the Contemporáneos press, a
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399:(English) Oropesa, Salvador.
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381:(Spanish) Alboukrek, Arrón.
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62:which served as the group's
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291:La Nouvelle Revue Française
130:Nuevo Ateneo de la Juventud
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548:Spanish-language magazines
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392:(English) Cortés, Eladio.
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405:University of Texas Press
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303:Surrealist Manifesto
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226:writers, as well as
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333:Critical assessment
160:Xavier Villaurrutia
138:Ramón López Velarde
105:, specifically its
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468:Guillermo Sheridan
448:The Contemporaneos
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327:Juan Ramón Jiménez
162:joined the group;
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28:Jaime Torres Bodet
458:Salvador Elizondo
154:(1918). In 1921,
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283:capitalism's
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355:nationalist
323:T. S. Eliot
275:ideological
240:subventions
230:of favored
150:(1917) and
142:avant garde
75:Mexico City
68:stridentism
487:Categories
472:(Spanish)
462:(Spanish)
452:(Spanish)
446:(English)
432:, México:
403:, Austin:
385:, Mexico:
370:(Spanish)
315:André Gide
295:surrealism
191:La Falange
152:San-Ev-Ank
134:modernismo
64:mouthpiece
347:narrative
254:anthology
209:criticism
77:'s elite
56:modernist
339:metaphor
262:polemics
236:European
232:American
476:at the
436:, 2009.
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389:, 1991.
351:elitism
343:imagery
256:titled
224:Spanish
197:", and
107:Faculty
53:Mexican
251:poetic
222:, and
200:Ulises
187:review
147:Pegaso
126:Ateneo
97:, and
38:, and
247:aegis
456:por
434:UNAM
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