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1004:, the legends of the Middle Ages, the writings of the Italian novelists, current events, and everyday Spanish life in the 17th century. Prior to Lope, playwrights sketched the conditions of persons and their characters superficially. With fuller observation and more careful description, Lope de Vega depicted real character types with language and accouterments appropriate to their position in society. The old comedy was awkward and poor in its versification. Lope introduced order into all the forms of national poetry, from the old romance couplets to the lyrical combinations borrowed from Italy. He wrote that those who should come after him had only to go on along the path which he had opened.
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died and, in 1612, Juana herself died in childbirth. After the heartbreaking loss of his son and wife, Lope summoned his remaining children still alive under the same roof to devote himself to
Christianity. His writing in the early 1610s also assumed heavier religious influences and, in 1614, he joined the priesthood. The taking of holy orders did not, however, impede his romantic dalliances; what is more, he supplied his employer the duke with various female companions. The most notable and lasting of Lope's relationships was with Marta de Nevares, who met him in 1616 and would remain with him until her death in 1632.
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705:
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philosophical tone that appears in his last verses. On the night of 19 December 1611 the writer was the victim of an assassination attempt from which he could barely escape. Juana de Guardo suffered frequent illnesses and in 1612 Carlos Félix died of fevers. On 13 August the following year Juana de Guardo died while giving birth to
Feliciana. So many misfortunes affected Lope emotionally, and on 24 May 1614 he finally decided to be ordained a priest.
673:
318:
2403:
431:, his father moved to Madrid in 1561, perhaps drawn by the possibilities of the new capital city. However, Lope de Vega would later affirm that his father arrived in Madrid through a love affair from which his future mother was to rescue him. Thus the writer became the fruit of this reconciliation and owed his existence to the same jealousies he would later analyze so much in his dramatic works.
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964:, which often places in the hands of an unworthy person the honor and substance of a family when younger members would be better qualified for the trust. However, such morality pieces are rare in Lope's repertory; generally, his aim is to amuse and stir with his focus being on the plot, not concerning himself with instruction.
837:, which has been considered his poetic masterpiece and the most modern book of 17th-century poetry, Lope created a heteronym, he concludes the identity of Tome de Burguillos, who has a deep and intimate romantic connection with a maid named Juana. This is a direct comparison and clash with Lope's skeptical outlook on society.
468:. Following graduation, Lope had planned to follow in his patron's footsteps and join the priesthood, but those plans were dashed by falling in love and realizing that celibacy was not for him. Thus he failed to attain a bachelor's degree and made what living he could as a secretary to aristocrats or by writing plays.
991:
Lope encountered a poorly organized dramatic tradition; plays were sometimes composed in four acts, sometimes in three, and though they were written in verse, the structure of the versification was left to the individual writer. Because the
Spanish public liked it, he adopted the style of drama which
905:
The classification of this large mass of dramatic literature is a task of great difficulty. The terms traditionally employed – comedy, tragedy, and the like – are difficult to apply to Lope's oeuvre and another approach to categorization has been suggested. Lope's work essentially belongs
896:
and more than 400 shorter sacramental plays. Of these, 637 plays are known by their titles, but only about 450 are extant. Many of these pieces were printed during Lope's lifetime, mostly by the playwright himself in the shape of twelve-play volumes, but also by booksellers who surreptitiously bought
668:
In the 17th century Lope's literary output reached its peak. From 1607 he was also employed as a secretary, but not without various additional duties, by the Duke of Sessa. Once that decade was over, however, his personal situation took a turn for the worse. His favorite son, Carlos Félix (by Juana),
434:
The first indications of young Lope's genius became apparent in his earliest years. His friend and biographer Pérez de
Montalbán stated that at the age of five he was already reading Spanish and Latin. While he was still unable to write, he would share his breakfast with the older boys in exchange
716:
The literary expression of this crisis and its repentances are the Sacred Rhymes, published in 1614; there it says: "If the body wants to be earth on earth / the soul wants to be heaven in heaven", unredeemed dualism that constitutes all its essence. The Sacred Rhymes constitute a book at the same
717:
time introspective in the sonnets (he uses the technique of the spiritual exercises that he learned in his studies with the
Jesuits) as devotee for the poems dedicated to diverse saints or inspired in the sacred iconography, then in full deployment thanks to the recommendations emanated from the
859:
of place, time and action, he showed that he knew the established rules of poetry but refused to follow them on the grounds that the "vulgar" Spaniard cared nothing about them: "Let us then speak to him in the language of fools, since it is he who pays us" are famous lines from his manifesto.
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The period of life that characterizes priestly ordination of Lope de Vega was one of profound existential crisis, perhaps impelled by the death of close relatives. To this inspiration respond his Sacred Rhymes and the numerous devout works he began to compose, as well as the meditative and
424:, in the Puerta de Guadalajara to a family of natives of the valley of Carriedo. His father, Félix de Vega, was an embroiderer. Little is known of his mother, Francisca Fernández Flores. He later took the distinguished surname of Carpio from his paternal grandmother, Catalina del Carpio.
821:. His poems of Moorish and pastoral themes were extremely popular in the 1580s and 1590s, and in these, he portrayed elements of his own love affairs (appearing as a moor called Zaide or a shepherd called Belardo). In 1602 he published two hundred sonnets in the collection
1689:
Certificate of baptism: «En seis de
Diciembre de mil quinientos y sesenta y dos años, el Muy Reverendo Señor Licenciado Muñoz bautizó a Lope, hijo de Feliz de Vega y de Francisca su mujer. Compadre mayor, Antonio Gómez; madrina su mujer». Joaquín de Entrambasaguas,
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In 1595, following Isabel's death in childbirth, he left the Duke's service and – eight years having passed – returned to Madrid. There were other love affairs and other scandals: Antonia Trillo de
Armenta, who earned him another lawsuit, and
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as another comedy by Lope de Vega. The comedy was classified as a late work of Lope de Vega and dated from 1628 to 1630, as its flattering treatment of France could be attributed to the momentary good relationship between Spain and France during the
1930:
García
Aguilar, Ignacio (2021). "Ecos y reflejos de la polémica por la Spongia (1617) en las aprobaciones y dedicatorias de Lope de Vega / Echoes and Reflections of the Spongia's (1617) Controversy in Lope de Vega's Approvals and Dedications".
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Goldáraz, Luis H. (2018, November 30). Lope, el verso y la vida . Libertad
Digital. Retrieved from https://www.libertaddigital.com/cultura/libros/2018-11-30/antonio-sanchez-jimenez-presenta-la-biografia-de-lope-de-vega-1276629134/
665:, rewarded him with four children and was his lover until around 1608. In 1598, he married Juana de Guardo, the daughter of a wealthy butcher. Nevertheless, his trysts with others – including Micaela – continued.
979:'s hut, after becoming lost during a hunt, resulting in a confrontation between peasant-philosopher and king. The peasant's refusal to even look upon the king's magnificence, grand and dramatic compared with the humble
495:, and was the daughter of a leading theater director. When, after some five years of this torrid affair, Elena spurned Lope in favor of another suitor, his vitriolic attacks on her and her family landed him in jail for
906:
to the drama of intrigue, the plot determining everything else. Lope used history, especially
Spanish history, as his main source of subject matter. There were few national and patriotic subjects, from the reign of
1015:(Paris, 1617). Torres wrote personal attacks on Lope's sacramental plays and sought to scandalize his name and reputation. This attempt backfired on Torres due to the overwhelmingly negative responses his
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Following this, he returned to Madrid and began his career as a playwright in earnest. He also began a love affair with Elena Osorio (the "Filis" of his poems), who was separated from her husband, actor
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2706:
538:. It is likely that his military enlistment was the condition required by Isabel's family, eager to be rid of such an ill presentable son-in-law, to forgive him for carrying her away.
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1680:
Barrera y Leirado, Cayetano Alberto de la, Catálogo bibliográfico del teatro antiguo español, desde sus orígenes hasta mediados del siglo xviii, Madrid, Rivadeneyra, 1860. Page 243
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After libelling members of his family in his writing, Lope de Vega undauntedly went into exile. He took with him 16-year-old Isabel de Alderete y Urbina, known in his poems by the
1867:
877:
The majority of his works were written in haste and to order. Lope confessed that "more than a hundred of my comedies have taken only twenty-four hours to pass from the
867:(pure-blooded), maintaining that a writer's business is to write so as to make himself understood, and took the position of a defender of the language of ordinary life.
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484:
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In some of these, Lope strives to set forth some moral maxim and to illustrate its abuse with a living example. On the theme that poverty is no crime, in the play
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545:, was one of the vessels to make it home to Spanish harbors in the aftermath of that failed expedition. Back in Spain by December 1588, he settled in the city of
403:, founder and president of the Poetic Academy of Madrid. He would attend Medrano's Academy from 1616 to 1626, and his relationship with Medrano is evident in his
2246:
881:
to the boards of the theatre." His biographer Pérez de Montalbán tells how in Toledo, Lope composed fifteen acts in as many days – five comedies in two weeks.
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2746:
1872:
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defined the characteristics of Spanish Baroque theatre with great insight into the human condition. The literary production of Lope de Vega includes 3,000
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1117:
1959:
960:, he uses the history of two brothers to illustrate the triumph of virtuous poverty over opulent vice, while indirectly attacking the institution of
2035:
1658:: in 1828 Eckermann recorded having a conversation about the extent of the author's works, in which Goethe expressed his admiration towards Lope's.
983:, is rebuked by a gentleman of the king's court: "a king of such might/that the Scythian and fierce Turk/tremble before his golden fleurs de lis!"
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received from the public after its release. Scholars and poets alike came to the defense of Lope de Vega and wrote many counterclaims against the
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Further tragedies followed in 1635 with the loss of Lope, his son by Micaela and a worthy poet in his own right, in a shipwreck off the coast of
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1993:
1891:
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for their help scribing his verses. By his tenth birthday, he was translating Latin verse. He wrote his first play when he was 12, allegedly
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992:
was then in vogue. He enlarged its narrow framework to a great degree, introducing a wide range of material for dramatic situations – the
2160:. Retrieved from https://librivox.org/author/229?primary_key=229&search_category=author&search_page=1&search_form=get_results
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2711:
1669:
Don Sebastián Francisco de Medrano, illustrious in birth and in genius, with a different spirit, devoutly leaves behind profane writing.
728:. This was an enormous honour for him since he had always taken an interest in orders of chivalry. In 1603 he had published the play
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Just a few weeks later, on 29 May, Lope signed up for another tour of duty with the Spanish Navy: this was the summer of 1588, and the
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2135:
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Lope de Vega encountered other poets who were unimpressed with his discoveries and attempted to defame his writing. The Spanish poet
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Lope's literary influence was chiefly Latin-Italian and, while he defended the tradition of the nation and the simplicity of the old
439:, as he would later affirm in his dedication of the work to his son Lope, although these statements are most probably exaggerations.
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1914:
1526:. In his first appearance he played Vega in 1588, on the eve of the Spanish Armada, while the second episode depicted Vega in 1604.
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to the history of his own age, he did not put upon the stage. Nevertheless, Lope's most celebrated plays belong to the class called
172:
132:
1296:, having England as a common enemy. Later investigations by literary historians confirmed the findings of artificial intelligence.
2407:
688:, and the abduction and subsequent abandonment of his beloved youngest daughter Antonia. Lope de Vega took to his bed and died of
2771:
1904:
1280:
693:
677:
238:
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2696:
884:
In spite of some discrepancies in the figures, Lope's own records indicate that by 1604 he had composed 230 three-act plays (
400:
70:
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was successful, Vega is depicted as a Spanish soldier-playwright on occupation duty in defeated England, who interacts with
571:
329:(25 November 1562 – 27 August 1635) was a Spanish playwright, poet, and novelist who was a key figure in the
113:
357:
66:
391:. The volume of literary works produced by Lope de Vega earned him the envy of his contemporaries, such as Cervantes and
85:
2776:
2522:
1535:
1093:
1024:
931:
645:
284:
31:
2766:
2701:
2380:
606:
504:
874:, he emphasized his university education and the difference between those educated in the classics and the layman.
549:. There he lived with Isabel de Urbina and continued perfecting his dramatic formula participating regularly in the
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in Madrid, to whom he later always referred with veneration. In his fourteenth year he continued his studies in the
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941:
448:
396:
334:
290:
266:
181:
59:
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1008:
888:). The figure had risen to 483 by 1609, to 800 by 1618, to 1000 by 1620, and to 1500 by 1632. Montalbán, in his
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Lope's non-dramatic works were collected and published in Spain in the eighteenth century under the title
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855:(1609), which was his artistic manifesto and the justification of his style which broke the neoclassical
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to serve Francisco de Ribera Barroso, who later became the 2nd Marquis of Malpica, and, some time later,
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918:"), where the plots are chiefly love intrigues along with affairs of honor, most commonly involving the
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1644:[The monster of nature entered then, the great Lope de Vega, and gained the throne of comedy.]
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35:
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De Salvo, Mimma, «Notas sobre Lope de Vega y Jerónima de Burgos: un estado de la cuestión», pub. en
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and, ultimately, earned him the punishment of eight years' banishment from the court and two years'
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1985:
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760:(Madrid, 21 vols., 1776–79). The more important elements of this collection include the following:
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338:
2006:
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as the definitive form, ignoring the precepts of the prevailing school of his contemporaries. In
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330:
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814:
461:
392:
621:, perfecting still further his dramatic formula. In the fall of 1594, Isabel de Urbina died of
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1989:
1983:
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1906:
Majesty and Humanity: Kings and Their Doubles in the Political Drama of the Spanish Golden Age
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Lope de Vega: Three Major Plays, translated by Gwynne Edwards, Oxford University Press, 2008,
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entró luego el monstruo de naturaleza, el gran Lope de Vega, y alzóse con la monarquía cómica;
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856:
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460:. Following that escapade, he had the good fortune of being taken into the protection of the
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One or more of the preceding sentences incorporates text from a publication now in the
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Retrieved from http://www.theatredatabase.com/17th_century/calderon_and_lope_de_vega.html
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2036:"Lope de Vega y Cervantes vuelven a 'El Ministerio del Tiempo' en la tercera temporada"
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2167:. Retrieved from https://www.classicspanishbooks.com/16th-cent-baroque-lope-works.html
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in the Philippines was named after de Vega, created in 1980 from the 22 barangays of
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633:, which included many poems and was based on the Duke's household in Alba de Tormes.
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1940:
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732:(The Valour of Malta) about the maritime battles of the Order. In his portrait by
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school in Madrid, from which he absconded to take part in a military expedition in
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Audiobooks. Read, listen along and download Lope de Vega's poetry in Spanish. Free
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2011:
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for such a vast and colourful oeuvre. Lope de Vega was also a close friend of
2109:
Der ruinierte Körper. Petrarkistische Sonette in transkultureller Perspektive
1960:"Artificial intelligence uncovers lost work by titan of Spain's 'Golden Age'"
1876:. Vol. 27 (11th ed.). Cambridge University Press. pp. 965–967.
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1740:
1715:
833:, which was another bestseller. In 1634, in a third book with similar title,
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587:
373:
1933:
Calíope: Journal of the Society for Renaissance and Baroque Hispanic Poetry
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Lope de Vega was one of the greatest Spanish poets of his time, along with
582:. With them he refined his approach to theatrical writing by violating the
2363:
1500:. The novel's viewpoint narration alternates between the two playwrights.
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1626:"Biografía de Miguel de Cervantes Saavedra: pág. 1 - Miguel de Cervantes"
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551:
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Lope de Vega renewed the literary life of Spanish theatre when it became
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Lope was the playwright who established in Spanish drama the three-act
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369:
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Love's Dialectic: Mimesis and Allegory in the Romances of Lope de Vega
1944:
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and weaving two plots together in a single play, a technique known as
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1565:
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661:, an illiterate but beautiful actress, who inspired a rich series of
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Personally and professionally, Lope de Vega was friend to the writer
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1313:
993:
743:
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Lope de Vega: pasiones, obra y fortuna del monstruo de naturaleza
2199:
Retrieved from http://www.theatrehistory.com/spanish/lope001.html
892:(1636) set down the total of Lope's dramatic productions at 1800
527:. The two married under pressure from her family on 10 May 1588.
1757:
The Life of Lope de Vega (1562-1635), by Hugo Albert Rennert ...
1732:
The Life of Lope de Vega (1562-1635), by Hugo Albert Rennert ...
1707:
The Life of Lope de Vega (1562-1635), by Hugo Albert Rennert ...
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1826:«El intento de asesinato a Lope de Vega que nunca se resolvió.»
541:
Lope's luck again served him well, however, and his ship, the
464:, who recognized the lad's talent and saw him enrolled in the
341:. Cervantes said that Lope de Vega was “The Phoenix of Wits” (
42:
1779:
Guillermo Carrascón, "Modelos de comedia: Lope y Cervantes",
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Listed here are some of the better-known of de Vega's plays:
829:. In 1614, his religious sonnets appeared in a book entitled
613:, where he lived from 1592 to 1595. Here he read the work of
442:
His great talent bore him to the school of poet and musician
2103:. Twayne's World Author Series. New York: Twayne Publishers.
1988:: "Theatre in Spain, 1490–1700", p. 215. CUP Archive, 1992.
1279:
In January 2023, an anonymous work in the collection of the
2256:, vol. III, Ciudad de México, Larousse, 1983, págs 99–100.
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complications. It was around this time that Lope wrote his
801:(1602), an epic poem in three books, is a quasi sequel to
1397:
Rimas humanas y divinas del licenciado Tomé de Burguillos
1287:(The Frenchwoman Laura), was identified with the help of
1275:, based in the Classic story of the Horatii and Curiatii)
835:
Rimas humanas y divinas del licenciado Tomé de Burguillos
692:, in Madrid, on 27 August of that year. He was buried in
337:. In the literature of Spain, Lope de Vega is second to
559:, in the company of such accomplished dramatists as the
2252:«Lengua y literatura, Historia de las literaturas», en
2277:, Madrid, Editorial Artes Gráficas, 1949, 6 volúmenes.
2177:
Morley, S., & Allardice, L. (2003). Double takes.
1503:
A 2010 Spanish-language film about de Vega, entitled
1416:), pastoral romance in prose, interspersed with verse
825:
and in 1604 he republished them with new material in
2656:
List of Lope de Vega's plays in English translation
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2342:
Vida y obra de Lope de Vega, Bibliotheca homolegens
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List of Lope de Vega's plays in English translation
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73:. Unsourced material may be challenged and removed.
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2234:ed. de Fernando Lázaro Carreter, Salamanca, 1968.
2239:Homenaje a Luis Quirante. Cuadernos de Filología
1622:, Miguel de Cervantes Saavedra, 1615. Quoted in
1430:Pastores de Belen : prosas y versos divinos
1174:The New World Discovered by Christopher Columbus
897:manuscripts from the actors who performed them.
708:Lope de Vega dressed in cassock. (Madrid, 1902).
563:Francisco Agustín Tárrega, the secretary to the
2727:17th-century Spanish dramatists and playwrights
2707:16th-century Spanish dramatists and playwrights
1011:wrote his thoughts on Lope in his Latin satire
487:, to whose son he would later dedicate a play.
157: and the second or maternal family name is
1170:El Nuevo Mundo descubierto por Cristóbal Colón
420:Lope de Vega Carpio was born November 1562 in
2476:
2243:anejo L, 2 vols., tomo I, 2002, págs. 141-156
2190:Columbia Electronic Encyclopedia, 6th Edition
2124:Samson, Alexander; Thacker, Jonathan (2018).
1617:
925:Among the best known works of this class are
617:, from whom he improved the character of the
30:For the municipality in the Philippines, see
8:
2395:has original text related to this article:
2249:revisada en 2008. URL. Consulta 28-09-2010.
1667:"El Laurel de Apolo" (1630) in silva VII: "
853:Arte nuevo de hacer comedias en este tiempo
724:In 1627 he was admitted as a knight of the
603:Antonio Álvarez de Toledo, 5th Duke of Alba
2483:
2469:
2461:
2327:Historia del teatro español del siglo XVII
783:(1599), a poetic narrative of the life of
736:he wears the habit of the Order of Malta.
485:Álvaro de Bazán, 1st Marquis of Santa Cruz
180:
163:
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1843:
1841:
1839:
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1509:, is available with English subtitles as
483:, under the command of his future friend
133:Learn how and when to remove this message
2275:Estudios sobre el teatro de Lope de Vega
2762:Spanish male dramatists and playwrights
2111:. Würzburg: Königshausen & Neumann.
1584:
27:Spanish playwright and poet (1562–1635)
1630:Biblioteca Virtual Miguel de Cervantes
605:. In this later appointment he became
593:In 1590, at the end of his two years'
2298:, Barcelona, Teide, 1990, págs. 3-23.
2170:Lope Felix de (Carpio) Vega. (2011).
1816:El suceso consta en José del Corral,
1568:celebrated his 455th birthday with a
7:
2456:Lope de Vega's House Museum (Madrid)
2005:C. Fanjul, Sergio (22 August 2010).
1806:. New York: Robert Appleton Company.
1797:"Félix de Lope de Vega Carpio"
1561:is also named after the playwright.
1234:El mayordomo de la duquesa de Amalfi
1143:El cordobés valeroso Pedro Carbonero
863:Lope boasted that he was a Spaniard
791:of Madrid, composed in octosyllabic
71:adding citations to reliable sources
2742:Deaths from streptococcus infection
2289:El universo poético de Lope de Vega
2230:Castro, Américo y Hugo A. Rennert,
2195:Vega Carpio, Lope Felix de (2000).
2188:Vega Carpio, Félix Lope de (2019).
2163:Lope de Vega, The Works of (2011).
2156:Lope de Vega, Félix Arturo (2019).
2084:Calderón, Lope de Vega and (2019).
2034:Pimentel, Aurelio (14 March 2017).
2747:Infectious disease deaths in Spain
2539:Peribáñez y el Comendador de Ocaña
2007:"Un Lope apasionado y pendenciero"
1118:Peribáñez y el comendador de Ocaña
971:, described as a romantic comedy,
25:
2340:Arellano, Ignacio; Mata, Carlos;
2232:Vida de Lope de Vega: (1562-1635)
1794:Herbermann, Charles, ed. (1913).
1345:(1602) ("The Beauty of Angelica")
1023:directed at Torres himself, like
2442:
2401:
2386:
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2220:, Madrid, Gredos, 1972, 212 pp.
1850:
1820:(Ediciones La Librería, 2000) y
1783:2 (2002) 'Monographica', nota 7.
1258:The Innocent Child of La Guardia
1248:What you Pretend Has Become Real
975:ends up spending the night in a
387:and arch-enemy of the dramatist
316:
47:
2172:Hutchinson’s Biography Database
2130:(Paperback ed.). Tamesis.
2064:"Lope de Vega's 455th Birthday"
1619:Ocho comedias y ocho entremeses
1426:), adaption of Byzantine novels
1238:The Duchess of Amalfi's Steward
58:needs additional citations for
2426:Works by or about Lope de Vega
2254:Enciclopedia metódica Larousse
1958:Jones, Sam (5 February 2023).
1424:The Pilgrim in his Own Country
1254:El niño inocente de La Guardia
401:Sebastian Francisco de Medrano
1:
1754:Rennert, Hugo Albert (1904).
1729:Rennert, Hugo Albert (1904).
1704:Rennert, Hugo Albert (1904).
1325:Epic poems and lyrical poetry
777:'s last expedition and death;
694:St Sebastian's Church, Madrid
678:St Sebastian's Church, Madrid
471:In 1583 Lope enlisted in the
239:St Sebastian's Church, Madrid
191:
2737:17th-century Spanish writers
2717:16th-century Spanish writers
2310:Pedraza Jiménez, Felipe B.,
2287:Pedraza Jiménez, Felipe B.,
2280:MONTESINOS, José Fernández,
2273:Menéndez Pelayo, Marcelino,
1355:Arte nuevo de hacer comedias
773:(1598), an epic poem of Sir
597:from the realm, he moved to
149:, the first or paternal
32:Lope de Vega, Northern Samar
2441:(public domain audiobooks)
2305:Estudios sobre Lope de Vega
2291:, Madrid, Laberinto, 2004.
2282:Estudios sobre Lope de Vega
2268:Historia del Teatro Español
2127:A Companion to Lope de Vega
2107:Hennigfeld, Ursula (2008).
1903:Forcione, Alban K. (2009).
1597:www.classicspanishbooks.com
1333:(1598) ("Drake the Pirate")
767:(1598), a pastoral romance;
607:gentleman of the bedchamber
356:, and with the playwrights
345:) and “Monster of Nature” (
327:Félix Lope de Vega y Carpio
206:Félix Lope de Vega y Carpio
168:Félix Lope de Vega y Carpio
2798:
2732:17th-century Spanish poets
2712:16th-century Spanish poets
2606:The King is the Best Mayor
2579:Punishment without Revenge
2095:Hayes, Francis C. (1967).
1868:Vega Carpio, Lope Felix de
1220:Punishment Without Revenge
1043:
942:Punishment without Revenge
609:to the ducal court of the
534:was about to sail against
519:"Belisa," the daughter of
397:Johann Wolfgang von Goethe
358:Pedro Calderón de la Barca
291:Punishment Without Revenge
248:Poet, playwright, novelist
144:
29:
2722:16th-century male writers
2329:, Cátedra, Madrid, 1995 (
2284:, Salamanca, Anaya, 1967.
1909:. Yale University Press.
1824:(26 de febrero de 2016):
1694:, Ed. Labor, 1936, p. 20.
1656:Conversations with Goethe
1520:in the Spanish TV series
1436:Novelas a Marcia Leonarda
1420:El peregrino en su patria
1281:National Library of Spain
1025:Juan Rodríguez de Fonseca
996:, ancient mythology, the
557:Academia de los nocturnos
315:
179:
34:. For the racehorse, see
2563:The Best Mayor, The King
2307:, Madrid, Cátedra, 1990.
2041:Radiotelevisión Española
1553:district of the City of
1523:El Ministerio del Tiempo
1516:Vega is played by actor
1453:La más prudente venganza
1447:La desdicha por la honra
1343:La hermosura de Angélica
1163:The Best Mayor, The King
1158:El mejor alcalde, el Rey
823:La Hermosura de Angélica
799:La Hermosura de Angélica
680:marking de Vega's burial
395:, and the admiration of
376:, and approximately 500
2772:Spanish Roman Catholics
2587:Las bizarrías de Belisa
2531:The Widow from Valencia
2270:, Madrid, Gredos, 2003.
1873:Encyclopædia Britannica
1593:"Works of Lope de Vega"
1289:artificial intelligence
1228:Las bizarrías de Belisa
1215:El castigo sin venganza
1110:The Widow from Valencia
969:El villano en su rincón
937:El castigo sin venganza
477:Battle of Ponta Delgada
2757:Roman Catholic writers
2697:Spanish Baroque people
2571:A Lady of Little Sense
2379:Quotations related to
2314:, EDAF, Madrid, 2009 (
2266:Huerta Calvo, Javier,
2204:Britannica Biographies
2202:Vega, Lope de (2012).
1618:
1273:The Honourable Brother
1184:The Knight from Olmedo
1180:El caballero de Olmedo
1089:El perro del Hortelano
1009:Pedro de Torres Rámila
958:Las Flores de Don Juan
927:El perro del hortelano
753:
709:
681:
653:
475:and saw action at the
427:After a brief stay in
347:Monstruo de naturaleza
297:The Knight from Olmedo
2622:The Dog in the Manger
2614:The Dog in the Manger
2523:The Dog in the Manger
2435:Works by Lope de Vega
2417:Works by Lope de Vega
1803:Catholic Encyclopedia
1441:Las fortunas de Diana
1361:Jerusalén conquistada
1312:), the first Spanish
1099:The Dog in the Manger
1065:Los locos de Valencia
1044:Further information:
932:The Dog in the Manger
750:El testimonio vengado
747:
707:
675:
644:
407:(1630) in silva VII.
368:, three novels, four
343:Fénix de los ingenios
285:The Dog in the Manger
2371:at Wikimedia Commons
2303:Rozas, Juan Manuel,
1692:Vida de Lope de Vega
1564:On 25 November 2017
1318:Alessandro Piccinini
1308:(18 December 1627) (
1244:Lo Fingido Verdadero
1131:El anzuelo de Fenisa
1055:El maestro de danzar
1029:Exposulatio Spongiae
947:El maestro de danzar
819:Francisco de Quevedo
466:University of Alcalá
389:Juan Ruiz de Alarcón
385:Francisco de Quevedo
67:improve this article
36:Lope de Vega (horse)
2777:Writers from Madrid
2515:The Steel of Madrid
2507:Madness in Valencia
2325:Arellano, Ignacio,
2070:. 25 November 2017.
1986:Melveena McKendrick
1498:William Shakespeare
1310:The Lovelorn Forest
1105:La viuda valenciana
1082:The Steel of Madrid
1070:Madness in Valencia
1000:, ancient history,
998:lives of the saints
973:Francis I of France
922:of medieval Spain.
437:El verdadero amante
339:Miguel de Cervantes
18:Lope de Vega Carpio
2767:Spanish male poets
2702:Spanish Golden Age
2406:Works by or about
1624:Cavanaggio, Jean.
1474:In popular culture
1422:(published 1604) (
1412:(published 1598) (
1385:El laurel de Apolo
1269:El Honrado Hermano
1152:Women and Servants
1094:The Gardener's Dog
1077:El acero de Madrid
1059:The Dancing Master
901:Themes and sources
754:
710:
682:
654:
493:Cristóbal Calderón
405:El Laurel de Apolo
335:Baroque literature
331:Spanish Golden Age
2664:
2663:
2421:Project Gutenberg
2367:Media related to
2350:978-84-92518-72-2
2296:Perfil biográfico
2086:Theatre Database.
1994:978-0-521-42901-6
1941:Project MUSE
1892:978-0-19-954017-4
1818:Sucedió en Madrid
1760:Gowans and Gray.
1735:Gowans and Gray.
1710:Gowans and Gray.
1484:alternate history
1351:(1602) ("Rhymes")
1339:(1599) ("Isidro")
1306:La selva sin amor
1294:Thirty Years' War
1285:La francesa Laura
1210:El amor enamorado
1148:Mujeres y criados
1097:, a variation of
951:The Dance Teacher
730:El valor de Malta
637:Return to Castile
572:Guillén de Castro
568:Gaspar de Aguilar
324:
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263:Literary movement
143:
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2485:
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2445:
2430:Internet Archive
2405:
2390:
2378:
2366:
2344:, Madrid, 2011 (
2247:Versión en línea
2216:Alonso, Dámaso,
2197:Theatre History.
2153:
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1316:, with music by
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2099:Lope de Vega
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2044:(in Spanish)
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2029:
2017:. Retrieved
2015:(in Spanish)
2010:
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1964:The Guardian
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1939:(1): 58–80.
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771:La Dragontea
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65:Please help
60:verification
57:
40:
2682:1635 deaths
2677:1562 births
2652:(2010 film)
2598:Adaptations
2185:(4639), 46.
2048:24 November
2019:25 November
1559:Philippines
1414:The Arcadia
1373:La Filomena
908:King Pelayo
576:Carlos Boyl
521:Philip II's
195: 1627
2671:Categories
2412:Wikisource
2393:Wikisource
2211:In Spanish
1969:7 February
1551:Santa Cruz
1511:The Outlaw
1467:La Dorotea
977:woodcutter
841:Background
793:quintillas
765:La Arcadia
700:Priesthood
631:La Arcadia
623:postpartum
429:Valladolid
378:stageplays
374:epic poems
245:Occupation
93:newspapers
1766:457734398
1741:457734398
1716:457734398
1337:El Isidro
872:Castilian
787:, future
781:El Isidro
686:Venezuela
588:imbroglio
311:Signature
2439:LibriVox
2158:LibriVox
2115:Ray Keck
1781:Artifara
1636:14 April
1544:Catarmán
1379:La Circe
1057:(1594) (
894:comedias
886:comedias
865:pur sang
676:Sign at
627:pastoral
552:tertulia
547:Valencia
543:San Juan
458:Portugal
370:novellas
303:Children
253:Language
145:In this
123:May 2014
2641:Related
2566:(1620s)
2542:(1600s)
2510:(1590s)
2428:at the
2148:18 June
2079:Sources
2012:El País
1861::
1602:9 March
1530:Tribute
1410:Arcadia
1021:Spongia
1017:Spongia
1013:Spongia
945:), and
848:comedia
803:Ariosto
663:sonnets
619:donaire
536:England
517:anagram
505:Castile
479:in the
372:, nine
366:sonnets
267:Baroque
257:Spanish
215:Castile
151:surname
107:scholar
2633:(2006)
2625:(1996)
2617:(1978)
2609:(1974)
2590:(1990)
2582:(1631)
2574:(1613)
2558:(1617)
2550:(1619)
2534:(1600)
2526:(1618)
2518:(1608)
2348:
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2068:Google
1992:
1945:796140
1943:
1913:
1890:
1855:
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1739:
1714:
1566:Google
1555:Manila
1486:novel
1399:(1634)
1393:(1634)
1387:(1630)
1381:(1624)
1375:(1621)
1369:(1614)
1363:(1609)
1357:(1609)
1101:fable)
987:Legacy
981:rincón
650:Madrid
629:novel
599:Toledo
578:, and
532:Armada
481:Azores
454:Jesuit
422:Madrid
211:Madrid
159:Carpio
109:
102:
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2499:Plays
1579:Notes
1349:Rimas
1314:opera
1300:Opera
1040:Plays
994:Bible
879:Muses
827:Rimas
595:exile
561:canon
511:Exile
503:from
501:exile
497:libel
416:Youth
114:JSTOR
100:books
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2222:ISBN
2206:, 1.
2192:, 1.
2174:, 1.
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1971:2023
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1762:OCLC
1737:OCLC
1712:OCLC
1638:2023
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