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32:('Lorenzo the Venetian') (active 1356–1372) was an important painter in Venice during the second half of the 14th century. He was the first painter of the Venetian school who commenced the move away from the Byzantine models preferred by the Venetians towards the Gothic style. His work had an important influence on the next generation of Venetian painters.
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seem to point to
Lorenzo's direct knowledge of Venetian and Emilian models. These include the expressive intensity of the faces, the dynamic articulation of the drapes and the abandonment of the Byzantine manner of letting the dark base colors shine through the flesh of persons. Lorenzo favored a
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The artist's activity is confirmed during the period of 1356 to 1372. Art historians have gradually abandoned the view that the artist should be identified with the painter who signed as 'Lorenzo pentor di S Marina' in 1379.
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He appears to have worked extensively outside the
Venetian area, possibly because he was not successful in getting commissions from the Venetian Republic.
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89:). It is dated 1357. An inscription on the polyptych claims it was commissioned by the patrician Domenico Lion. The altarpiece represents the
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The lack of biographical data on the artist have made it difficult to assess his evolution and influences. His earliest signed work is an
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John
Richards. "Lorenzo Veneziano." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 11 May. 2017
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Lorenzo had an important impact on painting in Venice in the last decades of the 14th century. Artists such as
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also possesses an altarpiece by
Lorenzo executed in 1371. It originally consisted of five panels, on which an
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and six figures of saints were painted, but it is now broken up into separate works. Also by
Lorenzo is
225:. New York, Princeton: The Metropolitan Museum of Art in association with Princeton University Press.
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painted for the high altar of the church of Sant' Antonio di
Castello (now in the
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chromatic quality with refined timbres and delicate nuances of the local tone.
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264:, Volume 4, Springer Science & Business Media, 2012, pp. 51-62
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It was formerly believed that the artist trained with
262:The Development of the Italian Schools of Painting
221:The Robert Lehman Collection I, Italian Paintings
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217:& Kanter, Laurence B. (1987).
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105:. Various features of the
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64:Annunciation Polyptych
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308:Italian male painters
285:at Wikimedia Commons
196:Giorgio Tagliaferro,
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313:Painters from Venice
260:Raimond Van Marle,
215:Pope-Hennessy, John
154:Jacobello di Bonomo
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129:dated 1369 in the
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