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Lotti Golden

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1356:" provides insight into the collaborative methodology that made the pair a successful team: "I get involved in a lot of technical things, working out the arrangement and stuff like that," Faragher states, " Lotti works on the complete feeling." Describing how songwriters can sometimes get too close to their work, becoming unwilling to modify or delete sections, Faragher pointed out, it was Golden, the iconoclast, who was willing to scrap work she felt wasn't up to par: "I might be attached to a certain section we worked so hard getting, and Lotti would say, 'Maybe we should throw this part out.' I go, 'Oh, no, you're kidding. I'm shocked- she's right. She's absolutely right."' By the close of the decade, Golden's professional partnership with Faragher ended in divorce; they have one child. 33: 475: 875: 788: 545:. It is curious that none of the songs, (all over five minutes in length), were edited down to the standard 7" format for radio, and no single was released ahead of the LP, a standard Industry practice. Atlantic was going through a major corporate restructuring; its roster was packed in 1969, with Golden's mentors Ahmet Ertegun signing British rock bands, and Jerry Wexler dividing his time between Miami and Muscle Shoals ( 1958:, Jove Publications Inc., p. 219 "...isn't as gravelly as Judy Henske, she isn't as heavy or as gorgeous as Lotti Golden, but would you believe she puts Joan Baez and Judy Collins away proper?" "She and Lotti Golden and Janis Joplin and Laura Nyro are the female equivalents (coming on the scene a little later than their male counterparts) of Mose Allison, Mick Jagger, Bob Dylan, and most recently Tony Joe White. ..." 1407:'s Educational Outreach Program, Golden designed a songwriting workshop for the advancement of literacy, engaging New York City public school children in the art and craft of songwriting. The classroom based program, "Lyrics & Literacy/Words are Power" was created by Golden in accordance with the New York State Learning Standards for the Arts and implemented in 817:, though not a fan of Golden (or Laura Nyro) thought the GRT record could take off with the proper promotion: "He wrote: 'Golden's egregious overstatement registers as a strength.' If you know about Christgau, you'll take that as an honest compliment." Shortly after Golden's album was released, financial problems caused the GRT label to go out of business. 310:. Voted Most Likely to Succeed, Golden graduated with honors in 1967, winning the Creative Writing medal, the Lincoln Center Student Award for Academic Excellence, the Scholastic Magazine Award for National Achievement in Art, and a New York State Regents Scholarship. Golden was awarded the National League of Pen Women Prize for poetry and went on to attend 1298:. The four way collaboration (Golden, Green, Baker & Faragher) resulted in "one of finest recent releases." The single appears on Green's 1995 LP, Your Heart's in Good Hands, "a solid project that approaches the Rev. Green's classic work with Hi Records." In 1993 and 1994, Golden and Faragher reached No. 1 on Billboard's Jazz Charts, with 1107:, "on a hunch that the two young writer/producers would click as a team." The pair quickly gained a reputation for "richly produced, finely crafted urban dance music." By 1987 Golden was working almost exclusively with Faragher, telling Cashbox: "We have a gold record our first year working together." Golden returned to New York's 1227:, fused urban R&B with their classic soul sound, coming "closest to accomplishing that fusion with the smoking, politically charged "Something For Nothing." The album won the O'Jays their first American Music Award in 1991. Dubbed "luminous tunesmiths and veteran popsters" in Billboard, the team's 1993 international hit, 1124:. The article disclosed the pair feared romantic involvement would ruin their working relationship, but they took the chance, got married and formed their own production operation. The production on their own material was "so good they were invited in to produce tracks they didn't write," which included the R&B Pop group, 487:
Crewe in the fall of 1967, he exclaimed, 'Good God, who are your friends?'" referring to the outrageous characters populating Golden's songs. Crewe was sold on doing the project, but asked Golden if she could wait one year while he cleared his schedule, and in 1968 the pair began recording Golden's autobiographical opus,
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demos Golden spent hours using a reel to reel tape recorder to perfect her vocal craft: "When women talk of their idols and influences
they tell stories about singing along with records, trying to emulate someone's voice
until they can begin to develop their own style." Golden explains: "I would practice singing to
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deal with subjects like gender identity ("The Space Queens (Silky is Sad)"), drug use ("Gonna Fay's"), and urban alienation ("Who Are Your Friends"). So essential was Golden's poetry and lyrics to the project, that a lyric sheet insert was included with the original release. The back cover of the LP
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A birthday gift (a guitar) from Golden's parents at age eleven would chart her future course. Golden studied classical guitar and voice, but needing more of a creative outlet, soon found her niche as a singer-songwriter, using her abilities as both wordsmith and vocalist. To sing her compositions on
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magazine described Golden's songs and poetry as "rich in metaphor and starkly descriptive of people and places," stating: "Even in her musically precocious generation, she stands out as a singer composer of phenomenal power and originality." In addition to features in national publications, Lotti
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stepped in while Golden was singing. When Crewe nodded his approval, Golden seized the opportunity, and in one breath told Crewe she was a staff writer at his publishing company and working on material for her own artist album. Intrigued, Crewe set up a meeting: "When Lotti brought her material to
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and "Sock It to Me Baby". The Atlantic release of Golden performing a cover in 1969 was certainly an unusual way to introduce an artist who writes all her own material, with no single release ahead of the LP. On the B-side, is a girl-group inspired song written by Golden, "Annabelle With Bells
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aspect of electro. Described as "the perfect instance of hip hop's contemporary ramifications," Golden and Scher worked "real emotion and intelligence into the world of experimental hip-hop and electro." Their records are ranked among the most iconic of the electro hip hop era. Among the early
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for the hippie generation." The reissue contains a picture sleeve with new cover art, a previously unreleased photo of Golden, and remastered audio. "Annabelle With Bells (Home Made Girl)," was not included in the 1969 album, due to time constraints in pre-digital recording.
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The Hollywood reporter, Volume 317, Issues 19–34 Wilkerson Daily Corp., 1991-Performing Arts : "Lotti Golden, Arthur Baker, writers; Matak Music, MCA Inc., Mygag Music, publishers Most Performed Standards from OCT. 1, 1989 to SEPT. 30, 1990" "With Every Beat of My
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from an impeccably arranged Atlantic Records session band
 with a flawless, swinging rhythm team. Then, at key moments, the curtain goes up and they've got rows of saxes, trumpets, vibes
and you begin to realize that this is not the same song and dance
 it's as if
1386:" interview, appearing over ten years before the partnership break-up, reveals just how important the production aspect of songwriting had become for Golden: "Golden & Faragher's pursuit of songwriting and production seems eons beyond the days of a cluttered 380:
is a chronicle of Golden's life informed by New York City's counterculture. "It was a strange, way out scene for pretty, 19-year-old Golden," who wrote her memoir in music and lyrics because, according to Golden, "a book is too flat." The songs on
1440:, references Golden's previously unpublished portrait: "You'll have your own personal favorites...but portrait of Lotti Golden, an artist who is unknown to me, appears interesting, intriguing, and important because of Wolman's great photograph." 434:
On an album of "restlessly epic roadhouse suites" Golden uses the story-based format, featuring a cast of archetypal characters while playing the part of "emcee" of her own "aberrant cabaret." Golden's coming of age saga is likely the first rock
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Golden was part of a new wave of female singers who began to shake up the status quo in the late Sixties. Breaking from the confines of pop they defined themselves by their confessional lyrics, taking on new controversial subject matter. In July
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Lotti Golden relocated to Los Angeles in 1985 establishing herself in LA's burgeoning songwriting scene, signing a worldwide publishing deal with MCA Music (later renewing and extending her contract with David Renzer, Chairman/CEO of the
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at No. 4. The first UK girl group with six singles to reach the Top 15 on the UK charts from their debut LP, Eternal went on to become one of Britain's most successful girl groups achieving both international and domestic success.
901:. UK music historian Kevin Pearce describes Golden's transition from artist to producer: "I can still remember the delight at reading Toop's "Rap Attack" and realizing that the Lotti Golden involved as part of electro pioneers 525:
as a fashion trendsetter, making several appearances in the magazine. Though Golden made no TV appearances, her impact on the contemporary music scene was such that she is referenced in the cultural commentary on television,
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to Sy (Seymour) Golden and Anita Golden (née Cohn), the elder of two daughters. Golden's parents, a strikingly handsome and fashionable pair, were avid jazz aficionados and foreign film buffs. Golden soaked up the sounds of
1183:'s sophomore LP. By the time Baker arrived, Golden had a working chord progression and title. The three completed the song in one session and Baker left with the demo in his pocket, vocals by Golden, resulting in the Top 5 1843: 1381:
reality TV show. Golden continued working into the early 2000s, but because her recording studio was lost in the divorce process, she could no longer artistically justify writing songs without creative control. The
813:. Writer Mitchell Shannon characterizes the shift: "Second time around, her music was more conventional and approachable, but lacked that initial compelling insistence of the previous release." Music critic, 1038:" by Brenda K Starr and co-producing Jennifer Holliday's Billboard Hot 100 hit, "Hard Times For Lovers" (Geffen). Golden contributed background vocals/arrangements for many of Baker's projects including the 958:, the first to embrace electro in the UK, calculates the genre's influence on art and culture as "huge," ushering in the computer age, hip hop, and generating "a whole new approach to popular music." 556:
continues to gain popularity via the Internet, and social media "thanks to the unusual persistence of her art, and the power of listeners' preferences." The LP remains a rich source of samples, with
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Golden signed a publishing deal as a staff writer with Saturday Music during her senior year of high school. One afternoon as Golden was riding the elevator to her demo session, the company's owner,
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as " a cornerstone of early 80s beatbox afrofuturism, inspired by Grandmaster's Flash's The Message, a brilliantly spare and sparse piece of electro hip-hop traversing inner and outer space." DJ
886:" co-written with musician Richard Scher, enabled her to move into record production: "The success gave the freedom to demand production rights to her songs." In an interview for the anthology, 1390:
office with an upright piano. What environment does a songwriter need today? Golden: 'This one.' (She gestures towards the conglomeration of keyboards, computers and recording equipment)."
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ran a feature story, "The Girls: Letting Go": "There has surfaced a new school of talented female troubadours, who not only sing, but write their own songs. What is common to them – to
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https://web.archive.org/web/20231112070623/http://www.guttermagazine.com/blog/index.php?option=com_content&view=article&id=693:jmg&catid=67:needle-points&Itemid=118
218: 410:, and to Elyse Weinberg, are the personalized songs they write, like voyages of self-discovery, brimming with keen observation, and startling in the impact of their poetry" 1278:. Golden's experience as a vocalist helped shape Eternal's vocal sound on the four songs she co-produced and wrote with Faragher, including the international hit single " 3068: 463:." Golden writes of a "season in hell " she somehow manages to survive. "It's an extraordinary evocation of a life-style
 and one girl's plunge into and out of it." 225:-certified Gold and Platinum awards as a writer/producer, Golden has written and produced Top 5 hits in the US and abroad. Credited for her innovative work in early 3063: 1048: 2598:
Brackett Nathan, Hoard Christian (2004). The New Rolling Stone Album Guide, Simon & Schuster, Fireside 1230 Avenue of the Americas, New York, NY 10020 p. 602
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Steward, Sue and Garratt, Sheryl (1984) Signed, Sealed, and Delivered: True Life Stories of Women in Pop, South End Press, Boston, MA, 02116 pp. 78, 79, 80, 99.
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Lotti Golden was honored with the ASCAP Pop Award for "With Every Beat of My Heart" in 1991. Golden's "If You Lean on Me," was recorded by Canadian artist
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By the age of fourteen Golden was making forays into Manhattan, singing on demo sessions and peddling her songs to publishers, landing her first cover by
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confessional poetry, R&B infused vocals and a "sometimes satiric mélange of rock, jazz, blues and soul" with lyrics that evoke "a Kerouac novel."
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and the Blue Belles. By the time Golden completed high school, she had the beginnings of a musical autobiography about her adventures in New York's
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Lavan, Metzler Rosemary (February 14, 1988). "When Cupid & Mammon Meet: It Can Be a Pofitable Venture Daily News "Business Section" New York.
913:, a studio production project at the forefront of the electro movement, to which they eventually added live personnel. Warp 9's electro classics 1434:; the trio routinely hit the New York clubs, scouting new talent, (see photo "The Making of Motor-Cycle, 1968-9"). A review of Wolman's book in 1111:
with Faragher, building a state-of-the-art recording studio, "decorated with archival black and white photos of John Coltrane, Billie Holiday,
3038: 1929: 965:, resulting in a worldwide publishing deal with Island Music. Golden (with Scher) went on to write for, produce and/or remix artists including 1548:
Toop, David (2000). Rap Attack 3: African Rap To Global Hip Hop. (Expanded Third Edition) Serpent's Tail, London N4 2BT pp. 146, 148, 150–151
890:, Golden stated that performing live was OK, but she preferred the recording studio, "that wonderful world of sound anything was possible." 2206: 3073: 204:(born November 27, 1949) is an American singer-songwriter, record producer, poet and artist. Golden is best known for her 1969 debut album 2491: 1262: 909:, one of the greatest and criminally rarest records ever". Golden, with co-writer/producer Scher, wrote and recorded under the moniker 1968: 2949: 2603: 2442: 2365: 2242: 2176: 2030: 1890: 1553: 1175:
The real breakthrough for Golden in her partnership with Faragher came in 1989, when producer Arthur Baker phoned, announcing that
1495:"With Every Beat of My Heart" Joel Whitburn (1994) Top Pop Singles 1955–1993 Record Research Inc. Wisconsin, USA, page 155 (Top 5) 1447:, April 16, 2016, High Moon Records reissued the original Atlantic 7" single that followed Motor-Cycle (with the participation of 499:
bought the tapes after one hearing, with Wexler "modestly telling his staff Golden would be the greatest single pop artist since
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describes as "the most diverse line up of popular musicians ever assembled for a single session." Golden appears in the video.
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magazine interview: "The easy part is to sit down and create. The hard part is trying to make yourself heard, the promotion."
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Playhouse, honing her skills as an actress and playwright. This would become the basis of her Atlantic Records debut LP,
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for her pioneering work as a female record producer. Golden's songs have been recorded by Grammy Award winning artists:
2816: 2382: 2056:"GRT Records introduces singer-composer Lotti Golden to the trade and consumer press...at the Playboy Club of New York" 934:
drum machine, Golden and Scher created a brand of "electo hip hop records with gorgeous textures and multiple layers."
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in the early 1980s was the same Lotti Golden recording for Atlantic in 1969... with Bob Crewe producing the fantastic
335:, till I could sing all of their licks and runs
 the girls' bathroom in high school was a great place to try it out." 1666: 809:
labeled one song "biographical") for the most part, Golden's self-titled LP moved away from the innovative format of
2729: 1517:"Oh Baby I..." Dave McAleer (1999) Top 20 Charts, US and UK Miller Freeman Books, San Francisco CA 94107. Page 336. 2098: 1426:
featured a previously unreleased portrait of Golden. In the book, Wolman recalls first hearing about Golden from
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Throughout the 1990s Golden and Faragher continued to write and produce international hits that appeared on the
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In the early 1980s, Golden transitioned from artist to writer/producer. Golden's 1982 international dance hit "
796: 534: 512: 874: 2897: 1142: 1136: 1027: 989: 491:, "a synthesis of funky singing and honest hip lyrics about urban teenage trauma." Atlantic Records moguls, 351: 343: 3043: 3028: 2319: 1594:
Wheeler, Drew (May 16–29, 1988) "Golden & Faragher Have Something in Common". Music Connection, p. 24.
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https://archive.today/20130209093611/http://www.wikimusicguide.com/The_Jets%23Awards_.26_Certifications
1603:"Canarsie, Newest HS, Is Dedicated to the Future". (January 16, 1965). Brooklyn World-Telegram, p. B1. 1164:." Although the album never got the promotional push it deserved, several songs were later covered by 799:
in 1971. In a live performance for industry executives at NYC's Playboy Club, Golden was described by
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For reasons that remain unclear today, Atlantic Records suddenly dropped the ball, failing to promote
3023: 1644:"Pen Women Award Poetry Prizes". (February 2, 1967). The Villager (Greenwich Village. New York), p.5. 1448: 1243: 1237: 1035: 883: 2525: 1933: 450:
plays like a musical, transporting the listener to the late 1960s underground: "Golden gets help on
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Singer-songwriter, songwriter, lyricist, record producer/mixer, session singer, poet, writer, artist
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As a writer/producer, Golden gained artistic control of her work, becoming a major progenitor of
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project, to the original track from the LP, "Get Together (With Yourself)” appearing on the 2022
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the group Montage and Arthur Baker. In 1998, Golden & Faragher introduced UK R&B artist
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In the 1970s, Lotti Golden wrote rock journalism, primarily covering her musician friends. In a
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During the early 1980s Golden began a longstanding collaborative relationship with producer
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as "GRT's Lotti: Incredible." Although elements of Golden's confessional approach remained (
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On Valentine's Day, 1988, Golden and Faragher were featured in the Business Section of the
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Golden and Faragher made music history in 1993, producing the British R&B girl band
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Golden's partnership with Faragher continued for over a decade. An interview in the "
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Wolman, Baron (2011). The Rolling Stone Years (Hardcover Edition) Omnibus Press,
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chronicling her 1972 San Francisco visit with the legendary guitar player and in
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contains the poem, "Night was a Better Blanket," alluding to the LP's backstory.
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Flick, Larry (1993). "Dayne Delivers 1st Set in 3 Years" Artists & Music,
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Barry, Thomas (September 9, 1969). "The Salty Socking Soul of Lotti Golden".
1087: 1016: 1008: 966: 841:, Golden explores the making of keyboardist (and co-founder with Bloomfied of 827: 403: 262: 246: 238: 97: 92: 2998: 2950:"Book Review: 'The Rolling Stone Years' by Baron Wolman : Music Indust
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Martin, Steven (April 4, 1988). "Movers & Shakers" The Island Ear, p. 32.
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s "Language Arts & Disciplines" highlighted Warp 9's experimental use of
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Davis, Clive −2013, The Soundtrack of My Life, Simon and Schuster, page 362.
1315: 1079: 775:(Stones Throw Records) on the track "Gold Jungle (Tribe)" by hip-hop artist 691: 483: 306:, New York where she attended Canarsie High School, serving as the school's 287: 1749:"From Joni Mitchell to Laura Marling: how female troubadours changed music" 2140:
Golden, Lotti (February 1974) "Goldberg Returns with an LP and a Friend".
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From Joni Mitchell to Laura Marling: how female troubadours changed music
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at No. 20 of the top TV shows of the past 25 years) also appeared on the
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Hentoff, Nat (July 1969) "Cosmo Listens to Records". Cosmopolitan, p.74.
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from an early age developing a lifelong passion for music and the arts.
1994:"For This No-hit Musical Wonder, the Golden Age May Be Just Beginning". 1777:"Joni Mitchell Library - THE GIRLS—LETTING GO: Newsweek, July 14, 1969" 961:
Warp 9's hits brought Golden to the attention of Island Record's chief
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Lewis, Pat (December 6, 1992). "Lotti Golden & Tommy Faragher",
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with the Top 25 hit, "If You Want Me" propelling her debut album,
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feature story Golden provides unique perspective on the genius of
786: 473: 2207:"The 101 strangest records on Spotify: Warp 9 – It's A Beat Wave" 2114:"GRT Closing N.J. Plant in Cost -Cutting Move" (March 27, 1971). 2099:"Music's Time Capsules: 41 Years of Christgau's 'Consumer Guide'" 1067: 565: 243:
Signed, Sealed, and Delivered: True Life Stories of Women of Pop
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Merllis. Bob Moore (November 1970). "GRT's Lotti: Incredible".
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The Glass Teat: Essays of Opinion on The Subject of Television
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Signed, Sealed and Delivered-True Life Stories of Women in Pop
419:, "The Best of Rock: A Personal Discography," by music critic 2843:"this house is not a home | full Official Chart History" 2456:"U2 Discography – Sun City Album / Artists Against Apartheid" 1727:"Galactic Ramble: Lotti Golden: 'real and deep and touching'" 185: 3004:
RSD '16 Special Release: Lotti Golden – "Sock It To Me Baby"
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Levy, Joe (March 19, 1988), East Coastings, Cash Box, p. 15.
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Lotti Golden's eponymous sophomore offering was released on
2437:, Fireside 1230 Avenue of the Americas, New York, NY 10020 1194:," the lead single from Dayne's Certified RIAA 3× Platinum 1455:). The reissue is a remastered version of a medley of the 2005: 510:
in 1969 generated considerable media interest in Golden.
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Saal, Hubert (July 14, 1969). " The Girl's-Letting Go".
2276:(Adventures in Modern Music) Issue No. 145, March 1996. 1969:"Jerry Wexler: The Man Who Invented Rhythm & Blues" 560:
using Golden's spoken voice from "Gonna Fay's" on his
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Listed among the most influential albums of the era in
2552:"Passion Celine Dion: Discography - Cry Just a Little" 849:'s first solo LP. Golden's articles have appeared in 2705:"i saw the light | full Official Chart History" 2131:. Crawdaddy! (four photos of Bloomfield) pp. 39–42. 1134:
on MCA (1987), certified RIAA Platinum, followed by
1235:(Billboard Top 15) featured on Fox's hit TV series 664: 653: 597: 586: 180: 176: 162: 152: 144: 136: 85: 77: 57: 47: 42: 23: 2200: 2198: 2399:, Record Research Inc. Wisconsin, USA, page. 277. 634:"A Lot Like Lucifer (Celia Said Long Time Loser)" 2410:"African-Americans Who Fought Against Apartheid" 1146:. In 1988, Golden and Faragher were enlisted by 1062:, and is among the sixty-one artists (including 1692: 1690: 1688: 1049:The Goonies: Original Motion Picture Soundtrack 743:) is the centerpiece for "What a Bringdown" on 1314:album, (GRP) featuring "Freedom" performed by 1270:paved the way for other female UK groups like 765:) inspired drumbeat on "Motor-Cycle Michael" ( 739:2003: Golden's spoken voice on "Gonna Fay's" ( 1930:"youthquakers: 15th February 1970 – US Vogue" 549:, released on Atlantic that year) moving on. 8: 2868:"warrior | full Official Chart History" 1115:, souvenirs from Lotti's jazz-fan parents." 2504:"She's Out of Control (1989) – Soundtracks" 1544: 1542: 1540: 1538: 1536: 1464:(Home Made Girl)," a "gem that sounds like 235:Rap Attack 3: African Rap To Global Hip Hop 2933:McGuire, Cara Mae (October–December 2010) 2755:"Eternal music, videos, stats, and photos" 2129:"Whatever Happened to Michael Bloomfield?" 1988: 1986: 1984: 1872:Baker, Robb, (June 8, 1969). "The Sound", 1826:"The Best of Rock: A Personal Discography" 31: 20: 2433:Marsh, Dave & Bernard, James (1994), 1590: 1588: 1586: 1584: 1582: 1580: 1570: 1568: 1566: 1564: 1562: 1217:LP and featured in the 1991 action film, 3069:Singer-songwriters from New York (state) 2478: 2476: 2302: 2300: 2298: 2296: 1625: 1623: 1621: 1619: 1617: 1615: 1613: 1611: 1609: 647: 580: 478:Lotti Golden and Ahmet Ertegun, NYC 1968 2935:"Interview: Lotti Golden: Then and Now" 2348: 2346: 2344: 1855: 1853: 1851: 1708: 1706: 1704: 1702: 1478: 1179:was looking for a hit single to launch 1086:) who participated in what rock critic 350:where she was a resident member of the 3064:20th-century American women guitarists 2235:The Virgin Encyclopedia of Dance Music 1223:. Golden and Faragher's work with the 374:Released on Atlantic Records in 1969, 2526:"Lace Around the Wound by E.G. Daily" 2337:"Electro-Funk: What Did It All Mean?" 2031:"MC Honky – What a Bringdown Track 6" 1422:, a 2011 memoir by rock photographer 925:visitation, characterize the sci-fi, 37:Lotti Golden, Lower East Side c. 1968 7: 2803:Krbechek, Randy (January 10, 1996). 2084:"Album Reviews" (December 5, 1970). 1915:"Hair on Hair" (February 16, 1970). 1828:. Sunday Section: Rock Recordings, 1250:Beverly Hills 90210: The Soundtrack 2966:. Record Store Day. April 16, 2016 2166:. Your Heart Out, 4th issue p. 14. 1341:(Island Records) to No. 20 on the 772:Beat Konducta Vol 1–2 Movie Scenes 14: 3034:American women singer-songwriters 2205:Fitzpatrick, Rob (May 14, 2014). 1231:(Giant Records) co-produced with 673:"The Space Queens (Silky Is Sad)" 3049:20th-century American guitarists 2817:"B.B. King Lyrics – Blues Songs" 2655:. March 12, 2012. Archived from 1992:Shannon, Mitchell (May 4, 2009) 1266:(EMI), certified 4× Platinum by 1168:and appeared on the hit TV show 1101:Universal Music Publishing Group 1054:Artists United Against Apartheid 552:In the years since its release, 2361:Grabel, Richard (May 21, 1983) 2268:Toop, David (January 5, 2007). 2179:. March 7, 2012. Archived from 2101:. Daily Entertainment, Vulture 1802:"Library: THE GIRLS—LETTING GO" 2730:"Whatever Happened ToEternal?" 2683:Dirtypop-dirtypop.blogspot.com 2097:Wolk, Douglas (July 9, 2010). 1932:. July 8, 2011. Archived from 1411:by Golden and the 92nd St. Y. 1160:(1989), featuring the single " 1052:. Golden worked with Baker on 704:"Get Together (With Yourself)" 654: 587: 568:TV miniseries and soundtrack, 439:by a female recording artist. 221:Pop Award for songwriting and 1: 3039:Guitarists from New York City 2164:"
Your Heart Out
For Dancers" 1654:"Dance to the Rhythm of Love" 318:1964–1968: Early music career 1361:I Should've Never Let You Go 233:, Golden is featured in the 3074:21st-century American women 1861:"Lotti Golden- Motor-Cycle" 1859:PATH ( May 29, 2008). 1969 1731:Galacticramble.blogspot.com 1667:"Artie's Hits & Misses" 1506:With Every Beat of My Heart 1373:, certified 2× Platinum by 1192:With Every Beat of My Heart 930:production teams using the 761:." 2006: Golden's African ( 753:, "widely considered to be 3090: 2805:"Music Reviews, Metronews" 2368:December 22, 2010, at the 2127:Golden, Lotti (May 1973), 1863:, Delorean, Tiny Mix Tapes 1811:. Newsweek. July 14, 1969. 1403:In collaboration with the 976:Red Hot Rhythm & Blues 757:(or "E") of the rock band 16:American singer-songwriter 2575:""Colin James biography"" 2397:Top Pop Singles 1955–1993 1290:In 1994, Golden co-wrote 1044:"Eight Arms to Hold You," 950:(May 2014) characterized 833:Mike (Michael) Bloomfield 714: 700: 683: 669: 661: 658: 630: 616: 602: 594: 591: 517:Golden was identified by 286:Lotti Golden was born in 148:Guitar, keyboards, vocals 30: 2999:Baron Wolman Photography 1954:Ellison, Harlan (1977). 1294:for veteran soul singer 870:1980–85: Electro/hip hop 861:and other publications. 797:GRT Records (U.S. Label) 3059:Brooklyn College alumni 2058:. (November 28, 1970). 1420:The Rolling Stone Years 1030:, co-writing the Latin 1007:featuring guest rapper 467:1968–69: The Making of 429:stream of consciousness 352:Henry Street Settlement 2915:Amazon. March 26, 2011 2628:"The New Classics: TV" 2435:New Book of Rock Lists 2395:Joel Whitburn (1994), 2326:, Volume 153, Issue 5. 2233:Larkin, Colin (1998), 1367:'s No. 1 debut album, 1329:for artists including 1229:The Right Kind of Love 979:album and TV Special, 879: 792: 687:"Who Are Your Friends" 479: 457:The Velvet Underground 442:Music critic Path, of 43:Background information 3054:Singers from Brooklyn 2363:"Burn This Disco Out" 2320:"Scifi Street Sounds" 2162:Pearce, Kevin (2009) 1733:. September 29, 2011. 1157:Lace Around the Wound 1150:to write and produce 1072:Grandmaster Melle Mel 877: 790: 606:"Motor-Cycle Michael" 477: 402:and Lotti Golden, to 2938:Helmet Hair Magazine 2335:Wilson, Greg (2003) 1747:(January 26, 2017). 1449:Warner Bros. Records 1292:Keep on Pushing Love 1282:", which topped the 1263:Always & Forever 1244:Entertainment Weekly 1238:Beverly Hills, 90210 1143:She's Out of Control 884:I Specialize in Love 791:Lotti Golden in 1971 2287:"The Face Magazine" 2270:"A to Z Of Electro" 2245:Google Book Search. 1359:In 2000, Golden's " 1345:, winning two 1999 1121:New York Daily News 755:Mark Oliver Everett 650: 583: 558:Mark Oliver Everett 2872:Officialcharts.com 2847:Officialcharts.com 2709:Officialcharts.com 1977:. August 15, 2008. 1831:The New York Times 921:(1983), a tale of 880: 793: 718:"You Can Find Him" 648: 581: 480: 427:is a synthesis of 416:The New York Times 302:Golden grew up in 2784:Soulwalking.co.uk 2734:Femalefirst.co.uk 2659:on March 12, 2012 2579:Canadianbands.com 2528:. January 1, 1989 1824:(March 8, 1970). 1399:Literacy advocacy 1170:California Dreams 1154:sophomore effort 1036:Pickin' Up Pieces 985:Jennifer Holliday 923:ancient astronaut 728: 727: 644: 643: 547:Dusty Springfield 196: 195: 68:November 27, 1949 3081: 2986: 2982: 2976: 2975: 2973: 2971: 2964:"SpecialRelease" 2960: 2954: 2953: 2952:(Press release). 2946: 2940: 2931: 2925: 2924: 2922: 2920: 2913:"Introducing..." 2909: 2903: 2902: 2889: 2883: 2882: 2880: 2878: 2864: 2858: 2857: 2855: 2853: 2839: 2833: 2832: 2830: 2828: 2823:on July 14, 2011 2819:. 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Starr 990:Say You Love Me 963:Chris Blackwell 872: 867: 865:Writer/producer 823: 785: 737: 729: 645: 578: 570:Pam & Tommy 506:The release of 501:Aretha Franklin 472: 446:, explains how 372: 364: 348:Lower East Side 320: 284: 279: 199: 184: 153: 132: 72: 69: 63: 61: 48: 38: 26: 17: 12: 11: 5: 3087: 3085: 3077: 3076: 3071: 3066: 3061: 3056: 3051: 3046: 3041: 3036: 3031: 3026: 3016: 3015: 3012: 3011: 3006: 3001: 2994: 2993:External links 2991: 2988: 2987: 2977: 2955: 2941: 2926: 2904: 2884: 2859: 2834: 2808: 2796: 2771: 2746: 2721: 2696: 2670: 2644: 2619: 2607: 2591: 2566: 2557: 2543: 2517: 2495: 2484: 2472: 2460:U2wanderer.org 2447: 2426: 2401: 2388: 2383:"Music Diva's" 2374: 2354: 2340: 2328: 2312: 2292: 2278: 2261: 2247: 2226: 2194: 2168: 2155: 2146: 2133: 2120: 2107: 2090: 2077: 2064: 2048: 2022: 1997: 1980: 1960: 1947: 1921: 1908: 1895: 1878: 1865: 1847: 1836: 1814: 1793: 1768: 1736: 1718: 1698: 1684: 1658: 1646: 1637: 1635:, pp. 76,76,78 1605: 1596: 1576: 1558: 1532: 1519: 1510: 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B. King 247:Diana Ross 239:David Toop 64:1949-11-27 49:Birth name 2919:March 26, 2877:March 26, 2852:March 26, 2789:March 26, 2764:March 26, 2739:March 26, 2714:March 26, 2689:March 26, 2663:March 26, 2653:"Eternal" 2637:March 26, 2616:Billboard 2584:March 26, 2532:March 26, 2510:March 26, 2465:March 26, 2419:March 26, 2256:"Electro" 2219:March 26, 2187:March 26, 2144:, pp. 12. 2116:Billboard 2086:Billboard 2060:Billboard 1940:March 26, 1906:, p. 234. 1893:, p. 155, 1786:March 26, 1316:B.B. King 1186:Billboard 1128:' album, 1080:Bob Dylan 1034:classic " 936:Newsweek' 807:Billboard 692:Bob Crewe 662:Writer(s) 595:Writer(s) 484:Bob Crewe 288:Manhattan 282:Childhood 2366:Archived 2324:Newsweek 2322:(1983), 2310:, p. 13. 2274:The Wire 2215:. London 2118:, p. 18. 2103:New York 2088:, p. 64. 2075:, p. 54. 1919:, p. 57. 1876:, p. S2. 1834:, p. M3. 1757:. 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Index

Lotti Golden, Lower East Side c. 1968
Rock
soul
funk
R&B
jazz
electro
hip hop
dance
Atlantic
GRT
www.lottigolden.com
Motor-Cycle
Atlantic Records
ASCAP
RIAA
electro
hip hop music
David Toop
Diana Ross
Celine Dion
Al Green
Patti LaBelle
B. B. King
Patti Austin
Sheena Easton
Manhattan
Billie Holiday
John Coltrane
Brooklyn

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