Knowledge (XXG)

David Toop

Source πŸ“

25: 153: 1281: 1236: 1286: 935:"Review of Rap Attack 2: African Rap to Global Hip Hop; The Emergency of Black and the Emergence of Rap. A Special Issue of Black Sacred Music: A Journal of Theomusicology" 366:, featuring the work of Max Eastley, Hugh Davies, Evan Parker, Paul Lytton, Paul Burwell and himself. He was a founder member of the London Musicians Collective, 309:(born 5 May 1949) is an English musician, author, curator, and emeritus professor. From 2013 to 2021 he was professor of audio culture and improvisation at the 53: 33: 651: 1226: 613: 593: 1266: 1261: 1221: 1241: 633: 603: 1276: 623: 583: 573: 560: 547: 535: 525: 514: 126: 1067: 421:
Since the early 1970s, Toop has also been a presence on the British experimental and improvised music scene, collaborating with
1246: 497: 310: 1271: 1251: 107: 57: 49: 79: 1216: 38: 1126: 341:, Hertfordshire, where he grew up. He was educated at Broxbourne Grammar School, which he left in 1967 to study at 86: 42: 760: 484:
More experimentally, Toop has also actively engaged with 'sounding objects' from a range of museums. His opera
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and Collusion magazine, and in 1977 founded his record label, Quartz Publications. He published a book on
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Not Necessarily English Music: A Collection of Experimental Music from Great Britain, 1960–1977.
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Sugar & Poison: Tru-Life Soul Ballads for Sentients, Cynics, Sex Machines & Sybarites
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Into the Maelstrom: Music, Improvisation and the Dream of Freedom, Before 1970 (2016)
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was published, described as Toop's "poetic survey of contemporary musical life from
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Lost Shadows: In Defence of the Soul – Yanomami Shamanism, Songs, Ritual, 1978
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Sonic Boom: The Art of Sound (2000) ISBN 1-85332-208-3 – exhibition catalogue
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From 2013 to 2021 he was professor of audio culture and improvisation at the
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Inflamed Invisible: Collected Writings on Art and Sound 1976-2018 (2019)
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Two-Headed Doctor: Listening For Ghosts in Dr. John's Gris-Gris (2024)
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Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds (1995)
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through Ambient, Techno, and drum 'n' bass." Subsequent books include
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was performed as a Faster Than Sound Project at Aldeburgh in 2012.
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from the article and its talk page, especially if potentially
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The Myriad Creatures will be Transformed of their own accord
425:(playing guitar and flutes in their duo, Rain in the Face), 1179: 469:. He is a member of the improvising, genre-hopping quartet 292: 578:
Sinister Resonance: The Mediumship of the Listener (2010)
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English musician, author, curator, and emeritus professor
671:(with Max Eastley, Paul Burwell, Steve Beresford) (1980) 401:
He was a regular contributor to British music magazine
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Rap Attack: African Jive to New York Hip Hop (1984)
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Short film on Unknown Devices, the laptop orchestra
876:(2000) – (2-CD set accompanying exhibition catalog) 568:Haunted Weather: Music, Silence, and Memory (2004) 520:Rap Attack 2: African Rap To Global Hip Hop (1992) 287: 283: 237: 227: 219: 211: 187: 164: 159: 143: 888:(2004) – (2-CD set intended to accompany his book) 846:(1996) – (2-CD set intended to accompany his book) 473:, active from 1977 to 1986 and reforming in 2015. 886:Haunted Weather : Music, Silence, and Memory 1282:Academics of the London College of Communication 390:, a winner of the American Book Awards in 2000, 553:Exotica: Fabricated Soundscapes in a Real World 476:In 2000, Toop curated the sound art exhibition 362:In 1974 Toop edited and co-published the book, 1072:The Wire Magazine – Adventures in Modern Music 831:(with Akio Suzuki and Lawrence English) (2021) 8: 1237:Musicians from the London Borough of Enfield 1047:Studies, Journal of Sonic (24 March 2021). 337:Soon after his birth, his parents moved to 1287:Writers from the London Borough of Enfield 1098:Journal of Conservation and Museum Studies 517:– republished with additional chapters as 151: 140: 56:about living persons that is unsourced or 1187:Perfect Sound Forever interview (08/1997) 1109: 1094:"Sounding the Object: a Timebase Archive" 127:Learn how and when to remove this message 980:Audio Culture: Readings in Modern Music, 652:New and Rediscovered Musical Instruments 907:"David Toop | British Music Collection" 898: 7: 862:Booming on Pluto: Electro for Droids 500:where he now holds emeritus status. 364:New/Rediscovered Musical Instruments 1197:Headphone Commute interview (2020) 1153:"University of the Arts Biography" 1127:"David Toop's Star-Shaped Biscuit" 14: 797:Field Recordings and Fox Spirits 681:Ancient Lights and the Blackcore 598:Flutter Echo (2017) in Japanese 23: 880:Not Necessarily "English Music" 803:On White, Indigo and Lamp Black 608:Flutter Echo (2019) in English 498:London College of Communication 311:London College of Communication 1227:English experimental musicians 1092:Toop, David (1 October 2012). 994:"Review of Sinister Resonance" 779:Entities Inertias Faint Beings 1: 1202:Tone Glow interview (10/2020) 992:Dixon, Martin Parker (2013). 378:in 1984. Eleven years later, 874:Sonic Boom: The Art of Sound 785:Dirty Songs Play Dirty Songs 34:biography of a living person 1267:American Book Award winners 1262:The Wire (magazine) writers 1222:English writers about music 819:Garden of Shadows And Light 61:must be removed immediately 1303: 809:Until the Night Melts Away 223:guitar, flute, electronics 1242:People from Waltham Cross 1010:10.1017/S0261143013000135 933:Fikentscher, Kai (1994). 747:(with Max Eastley) (2004) 735:(with Akio Suzuki) (2003) 677:(with Max Eastley) (1994) 655:(with Max Eastley) (1975) 407:and the British magazine 319:and the British magazine 215:author, musician, curator 150: 1277:Sub Rosa Records artists 1155:. University of the Arts 1053:Journal of Sonic Studies 333:Early life and education 763:, Lee Patterson) (2010) 645:Solo and collaborations 1247:Virgin Records artists 829:Breathing Spirit Forms 815:and Sharon Gal) (2021) 429:with the group abAna, 343:Hornsey College of Art 160:Background information 48:Please help by adding 1272:Incus Records artists 1252:Samadhi Sound artists 805:(with Avsluta) (2020) 465:. He was a member of 347:Watford School of Art 325:. He was a member of 1111:10.5334/jcms.1011203 791:Apparition Paintings 739:37th Floor at Sunset 717:Needle in the Groove 530:Rap Attack 3 (2000) 54:Contentious material 486:Star-shaped Biscuit 1217:Free improvisation 1049:"JSS Book reviews" 467:the Flying Lizards 396:Into the Maelstrom 392:Sinister Resonance 327:the Flying Lizards 204:free improvisation 1125:Burnett, Joseph. 850:Crooning on Venus 687:Screen Ceremonies 614:978-1-78760-152-9 594:978-1-6289-2769-6 301: 300: 137: 136: 129: 111: 37:needs additional 1294: 1183: 1182: 1180:Official website 1165: 1164: 1162: 1160: 1148: 1142: 1141: 1139: 1137: 1122: 1116: 1115: 1113: 1089: 1083: 1082: 1080: 1078: 1063: 1057: 1056: 1044: 1038: 1037: 989: 983: 977: 971: 970: 930: 924: 923: 921: 919: 903: 823:Ryuichi Sakamoto 463:Elaine Mitchener 447:Ryuichi Sakamoto 297: 294: 230: 178: 174: 172: 155: 141: 132: 125: 121: 118: 112: 110: 69: 50:reliable sources 27: 26: 19: 1302: 1301: 1297: 1296: 1295: 1293: 1292: 1291: 1207: 1206: 1178: 1177: 1174: 1169: 1168: 1158: 1156: 1150: 1149: 1145: 1135: 1133: 1124: 1123: 1119: 1091: 1090: 1086: 1076: 1074: 1065: 1064: 1060: 1046: 1045: 1041: 991: 990: 986: 978: 974: 939:Ethnomusicology 932: 931: 927: 917: 915: 912:Sound and Music 905: 904: 900: 895: 868:Guitars on Mars 838: 711:Museum of Fruit 647: 642: 506: 494: 455:Camille Norment 451:Sidsel Endresen 419: 368:Musics magazine 360: 355: 335: 304: 291: 279: 245:Obscure Records 228: 179: 176: 170: 168: 146: 133: 122: 116: 113: 70: 68: 47: 28: 24: 17: 12: 11: 5: 1300: 1298: 1290: 1289: 1284: 1279: 1274: 1269: 1264: 1259: 1254: 1249: 1244: 1239: 1234: 1229: 1224: 1219: 1209: 1208: 1205: 1204: 1199: 1194: 1189: 1184: 1173: 1172:External links 1170: 1167: 1166: 1143: 1117: 1084: 1058: 1039: 1004:(2): 315–318. 984: 972: 951:10.2307/851745 945:(2): 349–351. 925: 897: 896: 894: 891: 890: 889: 883: 877: 871: 865: 859: 853: 847: 843:Ocean of Sound 837: 836:Curated albums 834: 833: 832: 826: 816: 806: 800: 794: 788: 782: 776: 770: 764: 754: 748: 742: 736: 730: 724: 714: 708: 705:Hot Pants Idol 702: 696: 690: 684: 678: 672: 666: 656: 646: 643: 641: 638: 637: 636: 634:978-1913689605 626: 616: 606: 604:978-4866470115 596: 586: 576: 566: 563: 550: 540: 539: 538: 528: 505: 502: 493: 490: 443:Thurston Moore 418: 415: 380:Ocean of Sound 359: 356: 354: 351: 334: 331: 303:Musical artist 302: 299: 298: 289: 285: 284: 281: 280: 278: 277: 272: 267: 262: 257: 252: 247: 241: 239: 235: 234: 231: 225: 224: 221: 217: 216: 213: 209: 208: 207: 206: 201: 196: 189: 185: 184: 166: 162: 161: 157: 156: 148: 147: 144: 135: 134: 58:poorly sourced 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1299: 1288: 1285: 1283: 1280: 1278: 1275: 1273: 1270: 1268: 1265: 1263: 1260: 1258: 1257:Living people 1255: 1253: 1250: 1248: 1245: 1243: 1240: 1238: 1235: 1233: 1230: 1228: 1225: 1223: 1220: 1218: 1215: 1214: 1212: 1203: 1200: 1198: 1195: 1193: 1190: 1188: 1185: 1181: 1176: 1175: 1171: 1154: 1151:Toop, David. 1147: 1144: 1132: 1128: 1121: 1118: 1112: 1107: 1103: 1099: 1095: 1088: 1085: 1073: 1069: 1066:Bell, Clive. 1062: 1059: 1054: 1050: 1043: 1040: 1035: 1031: 1027: 1023: 1019: 1015: 1011: 1007: 1003: 999: 998:Popular Music 995: 988: 985: 981: 976: 973: 968: 964: 960: 956: 952: 948: 944: 940: 936: 929: 926: 914: 913: 908: 902: 899: 892: 887: 884: 881: 878: 875: 872: 869: 866: 863: 860: 857: 854: 851: 848: 845: 844: 840: 839: 835: 830: 827: 824: 820: 817: 814: 810: 807: 804: 801: 798: 795: 792: 789: 786: 783: 780: 777: 774: 771: 768: 765: 762: 761:Rhodri Davies 758: 757:Wunderkammern 755: 752: 749: 746: 745:Doll Creature 743: 740: 737: 734: 733:Breath-Taking 731: 728: 727:Black Chamber 725: 722: 718: 715: 712: 709: 706: 703: 700: 697: 694: 691: 688: 685: 682: 679: 676: 675:Buried Dreams 673: 670: 669:Whirled Music 667: 664: 660: 657: 654: 653: 649: 648: 644: 639: 635: 631: 627: 625: 624:9781912685165 621: 617: 615: 611: 607: 605: 601: 597: 595: 591: 587: 585: 584:1-4411-4972-4 581: 577: 575: 574:1-85242-812-0 571: 567: 564: 562: 561:1-85242-595-4 558: 554: 551: 549: 548:1-85242-743-4 545: 541: 537: 536:1-85242-627-6 533: 529: 527: 526:1-85242-243-2 523: 519: 518: 516: 515:0-89608-238-5 512: 508: 507: 503: 501: 499: 491: 489: 487: 483: 479: 474: 472: 468: 464: 460: 456: 452: 448: 444: 440: 436: 432: 428: 424: 416: 414: 412: 411: 406: 405: 399: 397: 393: 389: 385: 381: 377: 373: 369: 365: 357: 352: 350: 348: 344: 340: 339:Waltham Cross 332: 330: 328: 324: 323: 318: 317: 312: 308: 296: 293:davidtoopblog 290: 286: 282: 276: 273: 271: 268: 266: 263: 261: 260:Samadhi Sound 258: 256: 253: 251: 248: 246: 243: 242: 240: 236: 232: 226: 222: 220:Instrument(s) 218: 214: 212:Occupation(s) 210: 205: 202: 200: 197: 195: 192: 191: 190: 186: 182: 177:(age 75) 167: 163: 158: 154: 149: 142: 139: 131: 128: 120: 109: 106: 102: 99: 95: 92: 88: 85: 81: 78: β€“  77: 73: 72:Find sources: 66: 62: 59: 55: 51: 45: 44: 40: 35: 30: 21: 20: 1157:. 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Index

biography of a living person
citations
verification
reliable sources
Contentious material
poorly sourced
libelous
"David Toop"
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message

Enfield
Ambient
experimental
free improvisation
Obscure Records
Virgin
Sub Rosa
Samadhi Sound
Home Normal
ROOM40
Audika
davidtoopblog.com
London College of Communication
The Wire
The Face

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