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scene with him would be convulsed with laughter, and would have much ado to hold themselves together, the audience would never for a moment suspect him. An example of this occurs to me. I was in the cast with him in a war-piece written by
Augustus Thomas, called "Surrender." In this piece there was a court-martial, at which Mr. Aldrich enacted the part of the judge-advocate. There was an amusing interchange between the president of the court and the comedian. Now this comedian was a bit of a "guyer" himself, so they had several tilts. On this particular night, when the comedy man came up for examination, Mr. Aldrich straightened himself up, looked at the witness with severe, judicial dignity, and in a deep, portentous voice went on to say: "I know what you are about to tell me, sir. You would tell me," — and then proceeded to give the unfortunate wight's entire scene, gags and all. That comedian's face was a study." (Rose Eytinge (1905)
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had been cast for the part, and his name appeared on the posters, but at the last moment, Aldrich took his place. He remained at the Boston
Theatre for eight seasons, playing in the many old plays revived at that house, and supporting Forrest, Booth, Cushman, and others in leading roles. In 1870 he
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Though Louis
Aldrich was in the fullest and freest sense of the term a legitimate actor, there is no denying that he was also an inveterate "guyer," and he could "guy" so artistically, with so serious a face and so dignified a port, with so much poise and self-possession, that while those in the
170:, from 1858 through 1863, being billed as "Master Louis"; went with them in 1860 to California; and thence to Australia and New Zealand, where they remained two years and a half. In 1863 the troupe returned to California and disbanded after playing in San Francisco for four weeks.
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at the Union Square
Theatre in New York, playing Joe Saunders; and, in connection with Charles T. Parsloe, continued to present that melodrama for the season after season in almost every city and town in the United States through 1885. On September 11, 1888, he produced
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and other heroes of the classic drama before 1857, being billed under various titles, such as "The Ohio
Roscius" and "The Boy Prodigy." His name was Salma Lyon, but he finally took Louis Aldrich as his legal and professional designation.
234:, where he stayed through the following year; as a stock star at Wood's Museum in New York; with John T. Ford's company in Baltimore; at Booth's Theatre in New York, and for the seasons of 1877–78 and 1878–79 with
122:, he was born "on the state line" of Ohio. However, George Earlie Shankle records in his 1955 book on American nicknames that Aldrich was born at sea while his mother was sailing from
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Salma Lyon, (October 1, 1843 – June 17, 1901) was a stage actor who later became president of the
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to the United States. Shankle also writes that
Aldrich was later adopted by a family living in
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In 1893 he appeared in "The
Senator" at the Grand Opera House in New Bedford, Massachusetts.
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He became a member of the stock company at the Boston
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Aldrich was born on 1 October 1843. According to a 1913 profile in
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and other plays, with occasional returns to his popular success
469:, F. A. Stokes CompanyNew York, digitized by Google Books
406:"Notable Players of the Past and Present: Louis Aldrich"
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In the season of 1892–93, he played
General Colgate in
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485:Who's Who in America, Historical Voluma, 1607–1896
441:American nicknames; their origin and significance
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305:. He subsequently appeared in
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354:The Memories of Rose Eytinge)
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257:at the new
240:The Danites
144:Richard III
90:Stage actor
514:Categories
365:References
311:My Partner
263:The Editor
248:My Partner
191:Frank Mayo
128:Cincinnati
86:Occupation
81:Salma Lyon
47:1843-10-01
279:Surrender
112:Biography
501:Archived
196:Armadale
451:29 June
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152:Shylock
148:Macbeth
124:Germany
498:Online
301:, and
187:Nathan
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