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510:, with a firm touch and striking colors. His heads display a great deal of expression and character and his talents were suited to easel paintings as well as large murals. From very early in his career, he favored the use of black and white chalk on blue paper with some slight
465:. A strong advocate of the Académie, Louis de Boullogne supported its students with his lessons and his protection. He was the sworn enemy of the pochades and bambochades, claiming that only those with great skill and a fully formed taste could be allowed to paint.
362:, who trained his four children, feared rivalry between the two brothers if Louis the younger became a painter and so at first opposed his wish to do so. However, his vocation finally won through and every evening Louis crossed Paris to go with Bon to draw at the
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et ordres du roi, and the younger receiver general of finances for Tours) and two daughters (of which one married Jean-Pierre
Richarol, receiver general of finances, with whom she had the painter
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Louis
Boullogne was buried at Saint-Eustache, parish of his birth. He left a vast fortune to four children he had had with Bacquet - two sons (the eldest was councilor to the
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for him and his descendants. In 1722, Boullogne became the
Director of the Académie, a position he retained until his death in 1733. His students included
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Returning through
Lombardy and Venice in 1680, Louis arrived in Paris and soon won a great reputation. In 1681 he was received as a member of the
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Louis de
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Boullogne produced religious paintings for
Parisian churches and mythological subjects for royal residences.
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for both composition and figure studies. In some, the features are fixed and the shadows are faded.
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Les
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made many different tapestries for the French king. He won a prize at the
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in 1676, when his brother returned from there. He made copies after
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In general, his compositions displayed a firm understanding of
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In 1722, he was chosen to design the medals and mottos for the
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Members of the Académie royale de peinture et de sculpture
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and others reproduced many of his works as engravings.
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for a drawing of "Alexander
Cutting the Gordian Knot".
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60:. Unsourced material may be challenged and removed.
691:"Rinaldo and Armida", Christie's, December 4, 2014
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702:"Zephyr crowning Flora", Chrustie's, May 25, 1999
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69:"Louis de Boullogne"
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262:1722–1733
258:In office
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