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rated it at 6.2 out of 10 and explained, " have met what seems to be their goal: to resurrect the still-awesome power of classic UK post-punk for the umpteenth time. visceral thrills are accompanied by the nagging frustration that, out of the countless ways you can combine guitars and drums, so many
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editorial reviewer opined "the new vocal material certainly matches the high energy of their original instrumental work." Two tracks from the EP were also released on a 7" vinyl single, "No Way Out", in the UK through The
Passport Label, and the band played a handful of London shows in November 2005.
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s Roque Strew rated it at 7.6 and declared, "With mad scientific precision, they clone that factory-town aura of blankness and unrest, as well as the bohemian suspicions of structure and prettiness for its own sake." The band returned to the US to support tours for Ted Leo and the
Pharmacists and
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band formed in 2001. Their sound is characterised by a mix of energetic drumming, angular guitar and bass riffs, and call-and-response vocals.
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on drums, Luke Horton on guitar and vocals, and
Antonia Sellbach on vocals and bass guitar. The trio were described by Heather Phares of
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Their self-titled EP was released in
September 2006 on Unstable Ape Records, in the United States in January 2007 via
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Enon and two performances at SXSW festival in Austin, Texas which were the highlight for
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in
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In 2003, they released their debut instrumental album,
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American
Society of Composers, Authors and Publishers
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Love of
Diagrams were formed in Melbourne in 2001 by
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Whilst in the US, they recorded their second album,
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477:"No Way Out" (The Passport Label, UK 7" Vinyl 2005)
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51:. Unsourced material may be challenged and removed.
514:"Love of Diagrams | Biography & History"
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392:Antonia Sellbach – vocals, bass guitar
665:Reviewer, Craig Mathieson (1 March 2007).
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432:(Unstable Ape/Remote Control, August 2009)
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303:They released their first extended play,
111:Learn how and when to remove this message
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314:"No Way Out" was used on an episode of
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336:bands are choosing this exact one."
49:adding citations to reliable sources
722:"Pop: South by Southwest Festival"
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389:Luke Horton – guitar, vocals
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771:Victoria (state) musical groups
465:(Matador Records, January 2007)
36:needs additional citations for
136:Melbourne, Victoria, Australia
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459:(Unstable Ape Records, 2006)
776:Australian indie rock groups
633:Howe, Brian (1 March 2007).
453:(Unstable Ape Records, 2004)
438:(Bedroom Suck Records, 2015)
691:Strew, Roque (7 May 2007).
343:, in Chicago with producer
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756:The Passport Label website
480:"Forever" (August 2009)
483:"In My Dream" 2011. 7"
751:Matador Records Page
576:We Got Communication
574:"Love of Diagrams –
450:We Got Communication
412:Unstable Ape Records
306:We Got Communication
266:Unstable Ape Records
45:improve this article
693:"Love of Diagrams:
635:"Love of Diagrams:
541:JM (1 March 2006).
463:Love of Diagrams EP
362:Their third album,
278:Death Cab for Cutie
543:"Love of Diagrams"
372:Bear Creek Studios
366:, was produced by
318:in season three, "
294:The Rogers Sisters
237:are an Australian
60:"Love of Diagrams"
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408:The Target Is You
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730:. Retrieved
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368:Ryan Hadlock
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357:Steve Lamacq
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286:Les Savy Fav
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192:Unstable Ape
168:Years active
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101:January 2011
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43:Please help
38:verification
35:
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397:Discography
298:Sonic Youth
282:Electrelane
223:Luke Horton
765:Categories
732:19 January
676:19 January
583:Amazon.com
488:References
345:Bob Weston
311:Amazon.com
239:indie rock
158:indie rock
71:newspapers
701:Pitchfork
644:Pitchfork
349:Pitchfork
332:Pitchfork
290:Stereolab
148:Post punk
667:"Mosaic"
518:AllMusic
316:The O.C.
255:AllMusic
201:Passport
180:–present
671:The Age
549:(ASCAP)
523:30 June
472:Singles
414:, 2003)
378:Members
245:History
213:Members
197:Matador
174: (
153:no wave
85:scholar
706:2 July
695:Mosaic
650:2 July
615:6 July
589:2 July
553:2 July
419:Mosaic
341:Mosaic
270:Europe
185:Labels
141:Genres
133:Origin
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436:Blast
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274:Japan
92:JSTOR
78:books
734:2021
708:2017
678:2021
652:2017
617:2009
591:2017
555:2017
525:2017
296:and
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176:2001
172:2001
64:news
370:at
322:".
47:by
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
