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Performing Arts Research and Training Studios

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696:. The jury awarded P.A.R.T.S. the prize for its study program. The motivation of the Silver Lion award reads as follows: “Instituted rather recently (1995), the P.A.R.T.S acquired immediate recognition throughout Europe as a center of pedagogical innovation, with a complete and intensive program of studies in which the most advanced techniques of contemporary dance dialogue with other artistic disciplines, in particular with theatre and music. A laboratory of movement which focuses not only on the development of the dancer’s skills, but on his search for artistic identity as well.” 612:) rehearsed. The idea of the choreographer was to train dancers who would have a look at other disciplines. Among the teachers, there were great people like Fernand Schirren (rhythm and percussion) and Alfons Goris (theatre acting). It was a gathering place for young people from all over the world, a meeting place for different generations of dancers and choreographers. There was both rigor and anarchy. It was a crucial place for me." As Mudra shared its housing with the Ballet of the 20th century, today P.A.R.T.S. shares its accommodation with Rosas and 584:'s dance school Mudra in Brussels had closed. In 1992, Anne Teresa De Keersmaeker became the choreographer-in-residence at the national opera De Munt and one of her ambitions was to answer the lack of educational possibilities for contemporary dance. Prior to the start of P.A.R.T.S. in 1995, Rosas, the dance company of Anne Teresa De Keersmaeker, and De Munt had already been organizing a dance course for students from different countries for a couple of years. With P.A.R.T.S., they wanted to give that dance education a permanent character. 577:. They initiated P.A.R.T.S. to fill the gap in professional training for contemporary dance. Their intention was to provide a pedagogical anchor for contemporary dance in Belgium, which had started in the early 1980s and had seen a quick and strong development since then. At that time, there were only a few institutions in Europe that were focused on artistic developments in dance. 188: 74: 33: 313: 254: 631:
During the program, much attention is paid to the repertoire of Rosas, the dance company of Anne Teresa De Keersmaeker. Each year students learn one complete Rosas choreography. In addition, the repertoire of other contemporary choreographers is addressed, such as Pina Bausch, William Forsythe and
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At its founding in 1995, the influential French critic Jean-Marc Adolphe stated that the school was a bad idea and predicted that it would only be a training college for Rosas. However, he revised his opinion six years later. Together with Alain Crombecque, director of the Festival d’Automne, he
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When P.A.R.T.S. marked its 20th anniversary in 2015, the school announced that approximately 860 students, teachers and staff had been involved with the school since its start in 1995. P.A.R.T.S. and HES-SO/Manufacture, the High School of Performing Arts that is part of the University of Applied
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Anne Teresa De Keersmaeker designed the pedagogical curriculum of P.A.R.T.S.. Originally, the program lasted three years. This changed in 2000, when some changes were made and the program was extended, with the option to specialize as a dancer or as a choreographer. The pedagogical curriculum
580:"At that time, contemporary Belgian dance was already internationally well-respected. But there was no longer a school to pass along that experience. That's why De Keersmaeker decided to set up P.A.R.T.S.”, said deputy director Theo Van Rompay in an interview in 2012. In 1988, 749:
Since 1998, P.A.R.T.S. has received grants from the Ministry of Education of the Flemish Community of Belgium. From 2002, this is arranged through contractual agreements that are renewed five-yearly. The school currently receives additional funding from the network
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The P.A.R.T.S. students regularly present their work to the audience. They do not only do this at the P.A.R.T.S. studios in Brussels, but also at wide range of theatres and art centres in Belgium and abroad (amongst others at the Kaaitheater in Brussels,
616:, the contemporary music ensemble. Mudra teacher Fernand Schirren even became one of the teachers at P.A.R.T.S.. And like Mudra, P.A.R.T.S. has become a meeting place for different generations of dancers and choreographers from all over the world. 587:
Anne Teresa de Keersmaeker expressed the philosophy, ambition and spirit of P.A.R.T.S. as follows: “I cannot teach anyone to dance. One learns to dance oneself. But perhaps I can give them a desire, an experience, create a space for challenges.”
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The first generation of P.A.R.T.S. students graduated in 1998, a group of dancers and choreographers who immediately found work in the main dance companies or attracted public and critical attention with their own creations.
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This book was conceived on the occasion of the 20th anniversary of P.A.R.T.S.. It comprises portraits of 50 P.A.R.T.S. students and an overview of the 860 students, teachers and staff who together have built out the school.
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in Paris. According to Alain Crombecque, they considered the school's activity to be exemplary, and they wanted to promote it in France. This initiative was repeated during the 2010 edition of the Festival d’Automne.
754:, that is co-financed by the European Commission (Creative Europe Program). Between 2001 and 2014 the school received additional funding from the DÉPARTS, that was also co-financed by the European Commission. 46: 604:
Anne Teresa De Keersmaeker was inspired by Mudra, where she had been a student herself, and which had moved with BĂ©jart to Switzerland. "Mudra was accommodated in an enormous hangar where also the
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P.A.R.T.S. has achieved international renown with its students and teachers from more than twenty countries, mainly Europe and the United States.
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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Sciences and Arts Western Switzerland (Lausanne), are 2013-2017 partner institutions for higher education in contemporary dance.
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In 2010, P.A.R.T.S. received the Silver Lion for Dance at the 7th International Festival of Contemporary Dance of the
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may contain an excessive amount of intricate detail that may interest only a particular audience
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which lasts three years and forms the basis of the course. The second part is the subsequent
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P.A.R.T.S School for Contemporary Dance was founded in 1995 by the Belgian choreographer
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currently consists of two independent parts (called cycles). The first part is the
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This book was conceived on the occasion of the 10th anniversary of P.A.R.T.S..
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invited the school for a one-month stay at the Théâtre de la Bastille and the
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any relevant information, and removing excessive detail that may be against
1436:, VTi / Vlaams Theater Instituut, May – July 2006, Issue 77, p. 23-28 1007: 17: 1277:
Choreografe Anne Teresa De Keersmaeker ontvangt Zilveren Leeuw in Venetië
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Eerste Zilveren Leeuw voor P.A.R.T.S. van Anne Teresa De Keersmaeker
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School van Anne Teresa De Keersmaeker wint Zilveren Leeuw in Venetië
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Venice Silver Lion goes to Anne Teresa De Keersmaeker’s P.A.R.T.S.
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Please help to demonstrate the notability of the topic by citing
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Some well-known alumni who graduated from P.A.R.T.S., are:
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P.A.R.T.S. - Performing Arts Research and Training Studios
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Theo Van Rompay over de impact van 10 jaar P.A.R.T.S.
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notability guidelines for companies and organizations
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Documenting 10 years of contemporary dance education
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Book publication P.A.R.T.S. 20 years - 50 portraits
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Anne Teresa De Keersmaeker, in: L’héritage de Mudra
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Graduation Tour 2014 1180:P.A.R.T.S. Graduation Tour 2014 1158:P.A.R.T.S. Graduation Tour 2016 1136:P.A.R.T.S. Graduation Tour 2016 1114:P.A.R.T.S. Graduation Tour 2014 1099:P.A.R.T.S. Graduation Tour 2014 1077:P.A.R.T.S. Graduation Tour 2014 1062:P.A.R.T.S. Graduation Tour 2016 1040:P.A.R.T.S. Graduation Tour 2016 1025:P.A.R.T.S. Graduation Tour 2016 957:Progress Cycle Research Studios 545:is an international school for 380:Dance school in Forest, Belgium 83:may not meet Knowledge (XXG)'s 50:or discuss these issues on the 814:, , P.A.R.T.S., 2016, 408 p., 1: 398: 1402:on the website of P.A.R.T.S. 1212:on the website of P.A.R.T.S. 845:on the website of P.A.R.T.S. 557:-Capital Region of Belgium. 1190:on the website ARTSFLANDERS 1087:on the website of DE Studio 1466: 767:, P.A.R.T.S., 2006, 211 p. 606:Ballet of the 20th Century 567:Anne Teresa De Keersmaeker 516:Anne Teresa De Keersmaeker 499:Anne Teresa De Keersmaeker 447:50.81813306°N 4.32426806°E 92:reliable secondary sources 81:The topic of this article 1226:, Knack Focus, 26/05/2010 1050:on the website of Vooruit 936:, in: De Tijd, 23/02/2000 665:, DE Studio and Monty in 628:, which lasts two years. 399: 395: 1450:Dance schools in Belgium 1251:P.A.R.T.S. in de prijzen 934:Dansfeest in de blekerij 1102:on the website of Monty 1065:on the website of CAMPO 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inappropriate 87: 820:978-90-902-9748-4 785:978-90-902-9748-4 745:Financial support 540: 539: 378: 377: 370: 360: 359: 352: 324:encyclopedic tone 305: 304: 297: 246: 245: 238: 180: 179: 172: 154: 82: 65: 16:(Redirected from 1457: 1428:Joris Janssens, 1403: 1397: 1391: 1386: 1380: 1375: 1369: 1368: 1361: 1355: 1354: 1347: 1338: 1337: 1330: 1324: 1323: 1316: 1307: 1306: 1299: 1293: 1286: 1280: 1275:Eric Rinckhout, 1273: 1267: 1262:Pieter T'jonck, 1260: 1254: 1247: 1241: 1233: 1227: 1219: 1213: 1197: 1191: 1175: 1169: 1153: 1147: 1131: 1125: 1109: 1103: 1094: 1088: 1072: 1066: 1057: 1051: 1035: 1029: 1020: 1014: 1005: 999: 990: 984: 979:Pieter TJonck , 977: 971: 965: 959: 954: 948: 943: 937: 932:Jeroen Peeters, 930: 924: 918: 912: 911: 909: 908: 893: 887: 878: 872: 865: 859: 854:Koen Van Boxem, 852: 846: 833: 822: 808: 779:, 2016, 408 p., 724:Mette Ingvartsen 626:Research Studios 458: 457: 455: 454: 453: 448: 444: 441: 440: 439: 436: 383: 373: 366: 355: 348: 344: 341: 335: 334:for 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