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P.W. Long

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183: 245: 281: 63: 22: 466:, or at least not all that "slickly" to use his word. Instead, he used a variety of open tunings and such, coupled with a simple feel for what was right, to create his sound. Never bounded by the need for classic guitar solos, Long still put the guitar at the forefront with innovative melody lines and breaks. 389:
P.W. Long, who is particularly discreet with personal details, appears to have been raised in Las Vegas, Nevada; Ypsilanti, Michigan (see Mule's "Obion," and its reference to an "Ypsilanti Man"); and for periods in Virginia. He was stationed in Norfolk while serving in the US Navy's Atlantic Fleet.
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The self-titled album continued on with "I'm Hell", the rawking "What Every White Nigger Knows", the eerie "Drown", the trip into Old NorthWest folk music with "Now I Truly Understand", the duet with Munro on "Mama's Reason to Cry", "Lucky" and "Sugarcane Zuzu", with its admonition from P-Bone's
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in particular fitting the definition of hard to define. The song/story of "Searchlight" is evil, mean and foreboding. The down and dirty call and response duet by Long and Munro on "Rope and the Cuckold" is another highlight. "If I Don't Six" went in a slightly different direction, with some
665:, most notably shooting "On the Road With John McCain: A Video Report by Matt Taibbi." In 2008, one of Long's industrial documentaries garnered him an obscure media award at an annual medical convention in Philadelphia. Later that year, he relocated to London to work with 480:
s 'Ten Best Albums of 1993 You Didn't Hear' list and prompted endless touring by the band. New songs were always in progress, with Long sometimes simply humming or yodling words during live performances over the new music before lyrics were complete.
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was released on vinyl-only imprint Black Diamond, under Long's longtime European label, Southern Records. The album's song "Let 'em Roll" was featured in the Afghanistan War documentary film,
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piano, a bit more soul but just as much ass whuppin'. In particular, "Obion", "Nowhere's Back", and "Pent" are songs of raw power, loneliness, depression and yet beautiful soulfulness.
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in summer of 2000. In late 2000, Long moved to New York City and started writing professionally, beginning with a gig as the New York nightclub and restaurant critic for London's
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in 1997 and 1998 respectively—again with Quarterstick. After this, Long went on a musical hiatus, broken by occasional gigs. During this time he directed the
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sensibilities, Mule was quite different. The album opened with Long shouting "We left town to the sound of buckshot rain" on
145: 673:. In early 2009, Long returned to the U.S. to begin work on a documentary production with non-profit Project Noise and 117: 95: 87: 35: 503:
Long left the band in 1996, after their relocation to Philadelphia, and began playing local solo acoustic shows.
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In 2004, Long pursued a degree in Film/Directing and graduated in 2006. That same year his latest solo album
381:, writing, "both share the same kind of working-class, tough-guy, busted-knuckle, rattlesnake-eyed persona." 598: 543: 80: 131: 946: 208: 620: 604: 654:
Long began work in independent and industrial documentary filmmaking and in 2007 he again worked with
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grandfather that "You can wish in one hand, and shit in the other, and see which one fills up first."
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As Long. himself later admitted, he did not really know how to play guitar when he started with
899:(Purchase) Touch and Go Records 25th Anniversary footage of PW Long interview & performance 539: 302: 573: 519: 452: 369:
and P.W. Long's Reelfoot; most of his recorded work has been released and/or distributed by
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Please help update this article to reflect recent events or newly available information.
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2009: Video: George Clinton Interview: The Inauguration, Conspiracy Facts & F*** It
569: 562: 547: 433: 425: 358:(aka Preston Cleveland) is an American musician, journalist and documentary filmmaker. 138: 41: 940: 660: 610: 485: 374: 515: 437: 635:
on the now-defunct fuzz.com, project-noise.org, and other publications and sites.
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His earliest work was with the band Wig, and it is his voice that you hear on the
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record. Sometime in the early 1990s, Long began a side project with the
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2007: Video: On the Road with John McCain: A Video Report by Matt Taibbi
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2008: Video: Th’ Legendary Shack Shakers: Agridustrial as all get out
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in 1994. Both are mid 1990s punkabilly/country metal standards, with
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flourishes. Critic Zac Johnson favorably compares Long's music to
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2008: Edit: Tom Morello on Obama and a Post-Inauguration World
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from the article and its talk page, especially if potentially
56: 15: 835:"P.W. Long - Remembered Album Reviews, Songs & More" 584:. After this, Long released his first solo album, 394:. Purported to be the brother of the frontman of 817:"PW Long | Touch and Go / Quarterstick Records" 8: 484:Mule followed up their debut album with the 912:2008: Article: 7 Books for a Good Mind F**k 596:Long's writing continued with work for the 309:of quality, and to make it neutral in tone. 50:Learn how and when to remove these messages 94:about living persons that is unsourced or 343:Learn how and when to remove this message 325:Learn how and when to remove this message 227:Learn how and when to remove this message 165:Learn how and when to remove this message 190:This article includes a list of general 808: 550:. The video received heavy rotation on 7: 888:Video Interview with P.W. Long: 2006 443:While it had the raucousness of the 428:in 1991 or 1992 containing the song 361:He is best known as lead singer and 409:' rhythm section, Kevin Munro and 196:it lacks sufficient corresponding 14: 882:PW Long info, photos, discography 31:This article has multiple issues. 279: 243: 181: 61: 20: 967:American documentary filmmakers 962:People from Ypsilanti, Michigan 473:Mule's first album ended up on 39:or discuss these issues on the 1: 782:God Bless The Drunkard's Dog 658:, this time on projects for 645:God Bless the Drunkard's Dog 72:biography of a living person 754:We Didn't See You on Sunday 742:- a split 7-inch w/ Shellac 524:We Didn't See You on Sunday 417:, but intelligent, clamor. 365:player for the groups Wig, 99:must be removed immediately 988: 952:American music journalists 506:Long then formed the band 390:He eventually wound up in 972:American male journalists 876:Touch and Go Records page 669:new internet TV venture, 252:This article needs to be 747:P.W. Long with Reelfoot: 565:, who were curating the 957:Musicians from Michigan 905:Video, Film and Writing 599:New York Sports Express 522:, releasing the albums 356:Preston Wright Long III 211:more precise citations. 796:You Ain't Know The Man 567:All Tomorrow's Parties 290:may be written from a 86:Please help by adding 864:Southern Records page 542:, produced by former 296:neutral point of view 614:Contributing Editor 398:but this is untrue. 371:Touch and Go Records 92:Contentious material 870:PW Long discography 436:recording engineer 420:Calling themselves 396:The Laughing Hyenas 292:fan's point of view 728:- 12-inch EP/CD/CS 561:In 2002, the band 457:Mississippi Breaks 424:, they released a 789:Young James Long: 697:Tennessee Hustler 605:The Buffalo Beast 540:Hank Williams III 536:You're the Reason 514:(1971–2005), and 430:Tennessee Hustler 403:Lying Next to You 353: 352: 345: 335: 334: 327: 273: 272: 237: 236: 229: 175: 174: 167: 149: 75:needs additional 54: 979: 852: 851: 849: 847: 831: 825: 824: 813: 712:To Love Somebody 544:Babes in Toyland 520:The Jesus Lizard 518:, ex-drummer of 348: 341: 330: 323: 319: 316: 310: 305:to conform to a 294:, rather than a 283: 282: 275: 268: 265: 259: 247: 246: 239: 232: 225: 221: 218: 212: 207:this article by 198:inline citations 185: 184: 177: 170: 163: 159: 156: 150: 148: 107: 88:reliable sources 65: 64: 57: 46: 24: 23: 16: 987: 986: 982: 981: 980: 978: 977: 976: 937: 936: 861: 856: 855: 845: 843: 833: 832: 828: 815: 814: 810: 805: 687: 679:Axis of Justice 667:Vice magazine's 641: 618:and now called 594: 407:Laughing Hyenas 387: 349: 338: 337: 336: 331: 320: 314: 311: 307:higher standard 300: 284: 280: 269: 263: 260: 257: 248: 244: 233: 222: 216: 213: 203:Please help to 202: 186: 182: 171: 160: 154: 151: 108: 106: 85: 66: 62: 25: 21: 12: 11: 5: 985: 983: 975: 974: 969: 964: 959: 954: 949: 939: 938: 935: 934: 929: 924: 919: 914: 902: 901: 896: 885: 884: 873: 872: 860: 859:External links 857: 854: 853: 826: 807: 806: 804: 801: 800: 799: 786: 785: 778: 765: 764: 757: 744: 743: 736: 733:If I Don't Six 729: 722: 715: 704: 686: 683: 640: 639:Film and video 637: 593: 590: 570:music festival 548:Maureen Herman 493:If I Don't Six 491:and the album 447:, and certain 386: 383: 351: 350: 333: 332: 287: 285: 278: 271: 270: 251: 249: 242: 235: 234: 189: 187: 180: 173: 172: 96:poorly sourced 69: 67: 60: 55: 29: 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 984: 973: 970: 968: 965: 963: 960: 958: 955: 953: 950: 948: 947:Living people 945: 944: 942: 933: 930: 928: 925: 923: 920: 918: 915: 913: 910: 909: 908: 906: 900: 897: 895: 892: 891: 890: 889: 883: 880: 879: 878: 877: 871: 868: 867: 866: 865: 858: 842: 841: 836: 830: 827: 822: 818: 812: 809: 802: 797: 793: 792: 791: 790: 783: 779: 776: 772: 771: 770: 769: 762: 761:Push Me Again 758: 755: 751: 750: 749: 748: 741: 737: 734: 730: 727: 723: 720: 716: 713: 709: 705: 702: 698: 694: 693: 692: 691: 684: 682: 680: 676: 672: 668: 664: 662: 661:Rolling Stone 657: 652: 650: 646: 638: 636: 634: 630: 628: 627:Vice Magazine 623: 622: 617: 613: 612: 611:Rolling Stone 607: 606: 601: 600: 591: 589: 587: 583: 579: 575: 571: 568: 564: 559: 557: 553: 549: 545: 541: 537: 534:for the song 533: 529: 528:Push Me Again 525: 521: 517: 513: 510:with bassist 509: 504: 501: 498: 494: 490: 487: 482: 479: 477: 471: 467: 465: 460: 458: 454: 450: 446: 441: 439: 435: 431: 427: 423: 418: 416: 412: 408: 404: 399: 397: 393: 384: 382: 380: 376: 375:country music 372: 368: 364: 359: 357: 347: 344: 329: 326: 318: 308: 304: 298: 297: 293: 288:This article 286: 277: 276: 267: 255: 250: 241: 240: 231: 228: 220: 210: 206: 200: 199: 193: 188: 179: 178: 169: 166: 158: 147: 144: 140: 137: 133: 130: 126: 123: 119: 116: –  115: 111: 110:Find sources: 104: 100: 97: 93: 89: 83: 82: 78: 73: 68: 59: 58: 53: 51: 44: 43: 38: 37: 32: 27: 18: 17: 904: 903: 887: 886: 875: 874: 863: 862: 844:. 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Long: 740:Soul Sound 735:- LP/CD/CS 721:- LP/CD/CS 586:Remembered 558:magazine. 315:April 2023 264:April 2023 217:April 2023 192:references 155:April 2023 125:newspapers 36:improve it 821:Tgrec.com 621:The Beast 77:citations 42:talk page 846:29 April 840:AllMusic 714:- 7-inch 708:I'm Hell 703:- 7-inch 582:The Fall 546:bassist 508:Reelfoot 103:libelous 798:- CD EP 784:- LP/CD 780:2006 - 773:2003 - 759:1998 - 756:- LP/CD 752:1997 - 738:1997 - 731:1994 - 724:1994 - 717:1993 - 706:1992 - 695:1992 - 633:The Fix 629:/London 592:Writing 563:Shellac 434:Nirvana 415:redneck 392:Detroit 301:Please 254:updated 205:improve 139:scholar 671:VBS.TV 649:At War 445:Hyenas 426:single 363:guitar 194:, but 141:  134:  127:  120:  112:  794:2007 726:Wrung 690:Mule: 663:Video 497:Wrung 489:Wrung 385:Music 146:JSTOR 132:books 70:This 848:2023 777:- CD 763:- CD 719:Mule 580:and 578:Wire 526:and 476:Spin 464:Mule 451:and 449:punk 422:Mule 367:Mule 118:news 79:for 677:'s 624:), 574:Rye 572:in 552:CMT 538:by 943:: 907:: 837:. 819:. 651:. 631:, 602:, 486:EP 459:. 90:. 45:. 850:. 823:. 710:/ 699:/ 478:' 346:) 340:( 328:) 322:( 317:) 313:( 299:. 266:) 262:( 256:. 230:) 224:( 219:) 215:( 201:. 168:) 162:( 157:) 153:( 143:· 136:· 129:· 122:· 105:. 84:. 52:) 48:(

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Mule

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