181:"While it lasts, it's a spectacular show of style. Pasinetti, a Venetian who is currently professor of Italian at U.C.L.A., seems to have derived his literary manner in equal measure from Marcel Proust, Ian Fleming, Bernard Shaw and Michelangelo Antonioni—for whom he has done odd jobs of scriptwriting. Like Antonioni, he writes pattern instead of plot, and composes episodes that go nowhere slowly. Like Proust, he wanders for pages in indirect discourse—A tells B what C said to D about E—to populate and inflect his social scene, and sinks continually into interior monologue to liberate a character's stream of consciousness.
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Department at UCLA, and is generally acknowledged as a pioneer in the cross-cultural study of literature in the original language. Active as a scholar well into his 90s, Pasinetti spoke on his bi-national identity as an
Italian-American writer at Mount Holyoke College (April 2000): "From Venice to LA
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Pasinetti wrote the screenplay with
Antonioni, who was related to him by marriage. In this film, he also appears among the group of guests waiting for the arrival of the actress Clara Manni (Lucia Bosè) at a private house. In 1973, Pasinetti played a small acting part in
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was
Pasinetti's older brother. Considered a seminal figure in Italian cinema F. Pasinetti played an important role in Italian cinema, writing the first history of Italian filmmaking in the late 1930s. The Pasinetti Prize is awarded annually at the
217:(1953) won the Academy Award for Best Art Direction, and was nominated for Best Actor in a Leading Role (Marlon Brando), Best Cinematography, Black-and-White, Best Music, Best Scoring of a Dramatic or Comedy Picture, and Best Picture.
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Pasinetti taught both comparative literature and
Italian at the University of California at Los Angeles for over 40 years. Pasinetti served as a founding editor with Yale's Maynard Mack of the critically acclaimed
190:"Her entire leg was in close contact with his, pressed against him from the hip to the ankle. He moved his hand over her face in a slow, strong caress. 'You know,' she said, 'I don't take tranquilizers any more.' "
150:(1993). Students of comparative literature may recall the Norton Anthology of World Masterpieces, versions in the 1970s and 1980s, and most recently, 1997. Pasinetti served as an editor, with lead-anthologist
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has been publishing this standard college text since the mid-1970s. Pasinetti's companion essays on
Erasmus' "In Praise of Folly," and Machievelli's classic
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Pasinetti made a range of small but fascinating contributions to filmmaking in
Southern California in addition to his teaching, scholarship, and writing. For
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After the war
Pasinetti returned to the United States in 1946, teaching briefly at Bennington College. He studied with
65:, was published in 1942. During World War II, he held lectureships in Goettingen, in lower Germany, and in Stockholm.
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126:(1960s-1990s), writing the popular column "Dall'estrema America" ("From Farthest America"). Among his novels are:
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is now in a seventh edition. Pasinetti also edited both the first and second editions of Norton's new "global"
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Pasinetti's family figures prominently in the artistic and cultural life of Venice. The famous
Italian director
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Like
Fleming, he prefers to imagine that all women' are beautiful and that sex is the supreme experience.
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110:. The Beverly Hills "Pasinetti House", built in 1959, was designed by Romanian-born, modernist architect
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61:. He had been publishing journalism pieces in Italy since the age of eighteen. His first book, three
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P. M. Pasinetti went to the U.S. in 1935 to study literature and writing. He spent some time at the
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Clark, William
Bedford. “WARREN AND PASINETTI: A STUDY IN FRIENDSHIP.” Clemson University.
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Like Shaw, Pasinetti hits off his minor personages with one swift stroke of wit:
89:. Until his death in 2006, Pasinetti divided his time between Venice, Italy and
85:. In 1949, he accepted a professorship in comparative literature and Italian at
36:, Italy – 8 July 2006, Venice, Italy) was a novelist, professor and journalist.
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The Norton Anthology of World Masterpieces; Expanded Edition in One Volume.
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and developed a friendship with "Southern Fellowship" poet and writer
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Pasinetti’s first published fiction in English appeared in the
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Italian Tales: An Anthology of Contemporary Italian Fiction.
321:"Italian Journalists - a Little History on P.M. Pasinetti"
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Pasinetti's work "5717" is included in Massimo Riva's 2007
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With such prose available, there should be no need."
159:and Back: Cosmopolitanism, Writing, and Memory"
118:Brief notes on his writing and professional life
319:Italian Los Angeles: An Oral History Project.
122:Pasinetti was a corresponding journalist for
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213:, Pasinetti served as a technical advisor.
220:Also produced in 1953, but in Italy, was
173:magazine review of P.M. Pasinetti’s book
341:Italian expatriates in the United States
254:guided generations of college students.
245:Norton Anthology of World Masterpieces.
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154:(Yale). Pasinetti helped found the
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366:20th-century Italian male writers
175:The Smile on the Face of the Lion
361:20th-century Italian journalists
293:Mack, Maynard (General Editor);
177:(Random House: 1965) said this:
81:(the first ever awarded) from
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260:Anthology of World Literature
233:'s compelling depiction of
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77:and earned a doctorate in
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248:W.W. Norton & Company
91:Beverly Hills, California
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207:'s critically acclaimed
140:From the Academy Bridge
136:Il ponte dell'Accademia
311:College Street Journal
222:Michelangelo Antonioni
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156:Comparative Literature
124:Il Corriere della Sera
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309:Mt. Holyoke College.
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112:Haralamb H. Georgescu
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205:Joseph L. Mankiewicz
108:Venice Film Festival
25:Pier Maria Pasinetti
346:Writers from Venice
103:Francesco Pasinetti
97:Influence in Venice
256:World Masterpieces
224:'s evocative film
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