287:, et al.) to develop these art history based font sets. The floppy disks soon gave way in the late 1990s to CD-ROMs packaged in boxes with key charts. During this decade P22 moved locations three times within Buffalo to accommodate growth and manufacturing concerns. Later, with the adaptation of the internet as a means to deliver fonts, P22 reduced its staff and moved to its last Buffalo location. P22 went virtual for a few years when founder Richard Kegler became the Director of the Book Arts at
25:
129:
254:). The P22 Type Foundry retail font collection specializes in historical letterforms inspired by art, history, and science that otherwise have never been available previously in digital form. P22 works with museums and foundations to ensure the development of accurate historical typefaces, and with private clients to create custom bespoke fonts.
299:
P22 as independent type foundry consists of a few partners and outside contractors, who create the core P22 collection fonts. However P22 licenses new exclusive type designs from independent designers and makes them available via the
International House of Fonts (IHOF) collection, since 2001.
303:
In 2003, P22 acquired the collection of Ted
Staunton (briefly known as the Sherwood Type Collection), which consists of expertly designed alphabets that have historical basis, but tend toward the fanciful and mythic. Staunton continues to design and publish new fonts to this collection.
266:
correspondence. Once P22 started developing fonts, they began to sell them packaged on floppy disks. These were very popular in museum stores because of their art history focus. P22 began to work with museums and artist foundations
330:, to make his proprietary type designs available to a larger audience. Because Jim Rimmer is a Canadian national artistic treasure, the digital holdings of this division were repatriated to Patrick Griffin of Canada Type in 2012.
856:
424:
P22/Atom Smash
Records is P22's music publishing branch. Originally started to promote and publish local Buffalo, NY bands, they have gone on to produce nineteen releases, including reissues of
361:
P22 Cezanne Pro originally designed by
Michael Want 1996, and expanded in 2005. This script font is nearly ubiquitous and used on all kinds of commercial graphic design and packaging.
841:
311:, and continues to update and publish fonts from this renowned collection of type. Known as the Lanston Type Collection (LTC), it contains classic type designs from the likes of
799:
545:
262:
The name P22 has no specific significance and was used by founder
Richard Kegler prior to the type foundry as a label for various art projects including an ambitious
428:
records, a techno band called The
William Caslon Experience, and the latest release is a vinyl LP of Bruce Licher's demos called Tape Excavation to accompany the
400:
books (a collection of 3 volumes) in the early 2000s, to illuminate the work of small independent type designers. P22 produced a documentary film in 2011 called
387:
to learn the fate of Marcel Heuzé, a
Frenchman conscripted into labor during World War II, whose handwritten letters provided source material for the font.
334:
377:
851:
42:
846:
675:
108:
622:
519:
291:
in Aurora, NY. When Kegler ended his tenure at Wells in 2019, P22 once again coalesced into a studio location in
Rochester, NY.
89:
61:
46:
284:
341:
revivals. A portion of every sale of the
Hamilton Wood Type Collection (HWT) fonts goes to help fund the museum's mission.
754:"Book Review: Savage Impressions—An Aesthetic Expedition Through the Archives of Independent Project Records & Press"
648:
825:
276:
272:
68:
413:
320:
280:
239:
408:
as he developed a traditional metal font, from concept drawing through to casting in lead. P22 has also published
75:
35:
251:
57:
235:
383:
P22 Marcel is more than just a script typeface, it is the product of a journey undertaken by designer
365:
350:
P22 Underground Pro, originally published 1997 when the London
Transport Museum licensed the original
219:
384:
223:
355:
821:
465:
227:
82:
811:
412:, a comprehensive book on the work of artist and letterpress-printer Bruce Licher and his
351:
753:
247:
312:
231:
16:
Digital type foundry and letterpress printing studio, Rochester, NY, USA (created 1994)
835:
546:"Building Used by Frederick Douglass Now Home to Digital Font & Printing Company"
494:
308:
288:
268:
238:. The company is best known for its type designs, which have appeared in films (e.g.
800:
Building Used by Frederick Douglass Now Home to Digital Font & Printing Company
215:
24:
128:
805:
727:
425:
405:
369:
327:
243:
338:
701:
597:
572:
316:
263:
787:
793:
49: in this article. Unsourced material may be challenged and removed.
520:"Wells Welcomes Richard Kegler as Director of the Book Arts Center"
373:
326:
In 2005, Richard Kegler initiated the Rimmer Type Foundry with
802:, Spectrum News, Rochester, NY, USA. Retrieved March 27, 2008.
18:
702:"Marcel's Letters: A Font and the Search for One Man's Fate"
815:
857:
Defunct manufacturing companies based in New York (state)
396:
P22 self publishes from time to time. They published the
203:
623:"Greatest fonts countdown: 53 - P22 Underground Pro"
199:
191:
181:
167:
159:
151:
143:
135:
781:
307:In 2004, P22 acquired the Lanston Type Co. from
573:"Canada Type Acquires the Rimmer Type Foundry"
8:
842:Defunct companies based in Buffalo, New York
121:
195:Fonts, Books, Letterpress Printing Supplies
127:
120:
404:, to document the process of book artist
109:Learn how and when to remove this message
674:New York Times Staff (August 26, 2004).
335:Hamilton Wood Type & Printing Museum
808:, WROC News8. Retrieved March 27, 2008.
441:
414:Independent Project Records & Press
602:Hamilton Wood Type and Printing Museum
758:American Printing History Association
226:. The company was created in 1994 in
7:
812:P22 Type Foundry Ephemera Collection
488:
486:
459:
457:
455:
453:
451:
449:
447:
445:
47:adding citations to reliable sources
700:Strizver, Ilene (31 January 2018).
246:) and on commercial products (e.g.
14:
571:Griffin, Patrick (July 1, 2012).
493:Middendorp, Jan (February 2008).
464:Spring, Jessica (June 14, 2008).
163:Richard Kegler, Carima El-Behairy
826:RIT Cary Graphic Arts Collection
649:"100 Best Typefaces of All Time"
333:In 2012, P22 partnered with the
23:
752:Moxon, Paul (January 9, 2020).
34:needs additional citations for
372:and made available within the
1:
495:"Creative Characters #8, P22"
269:Frank Lloyd Wright Foundation
466:"P22: Fond Found Typography"
364:P22 Operina Pro designed by
277:Burchfield-Penney Art Center
828:. Retrieved March 27, 2008.
822:P22 Type Foundry collection
818:. Retrieved March 27, 2008.
796:. Retrieved March 27, 2008.
790:. Retrieved March 27, 2008.
784:. Retrieved March 27, 2008.
337:to publish a collection of
873:
852:Independent type foundries
680:The New York Times Company
281:Philadelphia Museum of Art
847:Commercial type foundries
676:"The Amateurs Are Coming"
285:Albright-Knox Art Gallery
126:
732:The Designers' Bookshelf
420:P22 / Atom Smash Records
358:to the P22 Type Foundry.
550:Spectrum News Rochester
58:"P22" type foundry
726:Showker, Fred (1999).
345:Notable P22 Typefaces
323:, among many others.
816:the Newberry Library
295:P22 Type Collections
252:Founders Brewing Co.
220:letterpress printing
43:improve this article
552:. December 18, 2019
224:Rochester, New York
183:Number of locations
172:Rochester, New York
123:
788:P22 at Adobe Fonts
629:. January 27, 2015
430:Savage Impressions
410:Savage Impressions
368:, was licensed by
356:London Underground
354:font made for the
204:http://www.p22.com
526:. August 26, 2014
273:Guggenheim Museum
236:Carima El-Behairy
228:Buffalo, New York
209:
208:
119:
118:
111:
93:
864:
806:P22 Type Foundry
782:P22 Type Foundry
769:
768:
766:
764:
749:
743:
742:
740:
738:
723:
717:
716:
714:
712:
697:
691:
690:
688:
686:
671:
665:
664:
662:
660:
655:. April 30, 2014
645:
639:
638:
636:
634:
619:
613:
612:
610:
608:
594:
588:
587:
585:
583:
568:
562:
561:
559:
557:
542:
536:
535:
533:
531:
516:
510:
509:
507:
505:
490:
481:
480:
478:
476:
461:
392:P22 Publications
366:James Grieshaber
222:studio based in
212:P22 Type Foundry
131:
124:
122:P22 Type Foundry
114:
107:
103:
100:
94:
92:
51:
27:
19:
872:
871:
867:
866:
865:
863:
862:
861:
832:
831:
778:
773:
772:
762:
760:
751:
750:
746:
736:
734:
725:
724:
720:
710:
708:
699:
698:
694:
684:
682:
673:
672:
668:
658:
656:
647:
646:
642:
632:
630:
621:
620:
616:
606:
604:
596:
595:
591:
581:
579:
570:
569:
565:
555:
553:
544:
543:
539:
529:
527:
518:
517:
513:
503:
501:
492:
491:
484:
474:
472:
463:
462:
443:
438:
422:
394:
352:Edward Johnston
347:
297:
260:
230:by co-founders
184:
177:
173:
147:Typeface design
115:
104:
98:
95:
52:
50:
40:
28:
17:
12:
11:
5:
870:
868:
860:
859:
854:
849:
844:
834:
833:
830:
829:
819:
809:
803:
797:
794:P22 at MyFonts
791:
785:
777:
776:External links
774:
771:
770:
744:
718:
692:
666:
640:
614:
598:"Partnerships"
589:
563:
537:
511:
482:
440:
439:
437:
434:
421:
418:
393:
390:
389:
388:
385:Carolyn Porter
381:
370:Apple Computer
362:
359:
346:
343:
296:
293:
259:
256:
232:Richard Kegler
207:
206:
201:
197:
196:
193:
189:
188:
185:
182:
179:
178:
175:
171:
169:
165:
164:
161:
157:
156:
153:
149:
148:
145:
141:
140:
139:Graphic design
137:
133:
132:
117:
116:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
869:
858:
855:
853:
850:
848:
845:
843:
840:
839:
837:
827:
823:
820:
817:
813:
810:
807:
804:
801:
798:
795:
792:
789:
786:
783:
780:
779:
775:
759:
755:
748:
745:
733:
729:
728:"Indie Fonts"
722:
719:
707:
703:
696:
693:
681:
677:
670:
667:
654:
650:
644:
641:
628:
627:Creative Bloq
624:
618:
615:
603:
599:
593:
590:
578:
574:
567:
564:
551:
547:
541:
538:
525:
524:Wells College
521:
515:
512:
500:
496:
489:
487:
483:
471:
467:
460:
458:
456:
454:
452:
450:
448:
446:
442:
435:
433:
431:
427:
419:
417:
415:
411:
407:
403:
399:
391:
386:
382:
379:
375:
371:
367:
363:
360:
357:
353:
349:
348:
344:
342:
340:
336:
331:
329:
324:
322:
318:
314:
313:Fredric Goudy
310:
309:Gerald Giampa
305:
301:
294:
292:
290:
289:Wells College
286:
282:
278:
274:
270:
265:
257:
255:
253:
249:
245:
241:
237:
233:
229:
225:
221:
217:
214:is a digital
213:
205:
202:
198:
194:
190:
186:
180:
176:United States
170:
166:
162:
158:
154:
150:
146:
142:
138:
134:
130:
125:
113:
110:
102:
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
761:. Retrieved
757:
747:
735:. Retrieved
731:
721:
709:. Retrieved
705:
695:
683:. Retrieved
679:
669:
657:. Retrieved
652:
643:
631:. Retrieved
626:
617:
605:. Retrieved
601:
592:
580:. Retrieved
576:
566:
554:. Retrieved
549:
540:
528:. Retrieved
523:
514:
502:. Retrieved
498:
473:. Retrieved
470:Boxcar Press
469:
429:
423:
409:
402:Making Faces
401:
397:
395:
332:
325:
321:Bruce Rogers
306:
302:
298:
261:
248:Trader Joe's
240:Harry Potter
216:type foundry
211:
210:
168:Headquarters
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
706:CreativePro
398:Indie Fonts
378:Trattatello
99:August 2015
836:Categories
436:References
426:Rod McKuen
406:Jim Rimmer
328:Jim Rimmer
244:Suburbicon
69:newspapers
763:March 27,
737:March 27,
659:March 27,
633:March 27,
607:March 27,
582:March 27,
556:March 27,
530:March 27,
504:March 27,
475:March 27,
339:wood type
711:30 April
685:30 April
653:FontShop
317:Sol Hess
264:mail art
192:Products
136:Industry
499:MyFonts
258:History
200:Website
160:Founder
152:Founded
83:scholar
432:book.
85:
78:
71:
64:
56:
577:prMac
374:MacOS
144:Genre
90:JSTOR
76:books
765:2020
739:2020
713:2020
687:2020
661:2020
635:2020
609:2020
584:2020
558:2020
532:2020
506:2020
477:2020
234:and
218:and
155:1994
62:news
824:at
814:at
376:as
45:by
838::
756:.
730:.
704:.
678:.
651:.
625:.
600:.
575:.
548:.
522:.
497:.
485:^
468:.
444:^
416:.
319:,
315:,
283:,
279:,
275:,
271:,
250:,
242:,
174:,
767:.
741:.
715:.
689:.
663:.
637:.
611:.
586:.
560:.
534:.
508:.
479:.
380:.
267:(
187:1
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.