298:, et al.) to develop these art history based font sets. The floppy disks soon gave way in the late 1990s to CD-ROMs packaged in boxes with key charts. During this decade P22 moved locations three times within Buffalo to accommodate growth and manufacturing concerns. Later, with the adaptation of the internet as a means to deliver fonts, P22 reduced its staff and moved to its last Buffalo location. P22 went virtual for a few years when founder Richard Kegler became the Director of the Book Arts at
36:
140:
265:). The P22 Type Foundry retail font collection specializes in historical letterforms inspired by art, history, and science that otherwise have never been available previously in digital form. P22 works with museums and foundations to ensure the development of accurate historical typefaces, and with private clients to create custom bespoke fonts.
310:
P22 as independent type foundry consists of a few partners and outside contractors, who create the core P22 collection fonts. However P22 licenses new exclusive type designs from independent designers and makes them available via the
International House of Fonts (IHOF) collection, since 2001.
314:
In 2003, P22 acquired the collection of Ted
Staunton (briefly known as the Sherwood Type Collection), which consists of expertly designed alphabets that have historical basis, but tend toward the fanciful and mythic. Staunton continues to design and publish new fonts to this collection.
277:
correspondence. Once P22 started developing fonts, they began to sell them packaged on floppy disks. These were very popular in museum stores because of their art history focus. P22 began to work with museums and artist foundations
341:, to make his proprietary type designs available to a larger audience. Because Jim Rimmer is a Canadian national artistic treasure, the digital holdings of this division were repatriated to Patrick Griffin of Canada Type in 2012.
867:
435:
P22/Atom Smash
Records is P22's music publishing branch. Originally started to promote and publish local Buffalo, NY bands, they have gone on to produce nineteen releases, including reissues of
372:
P22 Cezanne Pro originally designed by
Michael Want 1996, and expanded in 2005. This script font is nearly ubiquitous and used on all kinds of commercial graphic design and packaging.
852:
322:, and continues to update and publish fonts from this renowned collection of type. Known as the Lanston Type Collection (LTC), it contains classic type designs from the likes of
810:
556:
273:
The name P22 has no specific significance and was used by founder
Richard Kegler prior to the type foundry as a label for various art projects including an ambitious
439:
records, a techno band called The
William Caslon Experience, and the latest release is a vinyl LP of Bruce Licher's demos called Tape Excavation to accompany the
411:
books (a collection of 3 volumes) in the early 2000s, to illuminate the work of small independent type designers. P22 produced a documentary film in 2011 called
398:
to learn the fate of Marcel Heuzé, a
Frenchman conscripted into labor during World War II, whose handwritten letters provided source material for the font.
345:
388:
862:
53:
857:
686:
119:
633:
530:
302:
in Aurora, NY. When Kegler ended his tenure at Wells in 2019, P22 once again coalesced into a studio location in
Rochester, NY.
100:
72:
57:
295:
352:
revivals. A portion of every sale of the
Hamilton Wood Type Collection (HWT) fonts goes to help fund the museum's mission.
765:"Book Review: Savage Impressions—An Aesthetic Expedition Through the Archives of Independent Project Records & Press"
659:
836:
287:
283:
79:
424:
331:
291:
250:
419:
as he developed a traditional metal font, from concept drawing through to casting in lead. P22 has also published
86:
46:
262:
68:
246:
394:
P22 Marcel is more than just a script typeface, it is the product of a journey undertaken by designer
376:
361:
P22 Underground Pro, originally published 1997 when the London
Transport Museum licensed the original
230:
395:
234:
366:
832:
476:
238:
93:
822:
423:, a comprehensive book on the work of artist and letterpress-printer Bruce Licher and his
362:
764:
258:
323:
242:
27:
Digital type foundry and letterpress printing studio, Rochester, NY, USA (created 1994)
846:
557:"Building Used by Frederick Douglass Now Home to Digital Font & Printing Company"
505:
319:
299:
279:
249:. The company is best known for its type designs, which have appeared in films (e.g.
811:
Building Used by Frederick Douglass Now Home to Digital Font & Printing Company
226:
35:
17:
139:
816:
738:
436:
416:
380:
338:
254:
349:
712:
608:
583:
327:
274:
798:
804:
60: in this article. Unsourced material may be challenged and removed.
531:"Wells Welcomes Richard Kegler as Director of the Book Arts Center"
384:
337:
In 2005, Richard Kegler initiated the Rimmer Type Foundry with
813:, Spectrum News, Rochester, NY, USA. Retrieved March 27, 2008.
29:
713:"Marcel's Letters: A Font and the Search for One Man's Fate"
826:
868:
Defunct manufacturing companies based in New York (state)
407:
P22 self publishes from time to time. They published the
214:
634:"Greatest fonts countdown: 53 - P22 Underground Pro"
210:
202:
192:
178:
170:
162:
154:
146:
792:
318:In 2004, P22 acquired the Lanston Type Co. from
584:"Canada Type Acquires the Rimmer Type Foundry"
8:
853:Defunct companies based in Buffalo, New York
132:
206:Fonts, Books, Letterpress Printing Supplies
138:
131:
415:, to document the process of book artist
120:Learn how and when to remove this message
685:New York Times Staff (August 26, 2004).
346:Hamilton Wood Type & Printing Museum
819:, WROC News8. Retrieved March 27, 2008.
452:
425:Independent Project Records & Press
613:Hamilton Wood Type and Printing Museum
769:American Printing History Association
237:. The company was created in 1994 in
7:
823:P22 Type Foundry Ephemera Collection
499:
497:
470:
468:
466:
464:
462:
460:
458:
456:
58:adding citations to reliable sources
711:Strizver, Ilene (31 January 2018).
257:) and on commercial products (e.g.
25:
582:Griffin, Patrick (July 1, 2012).
504:Middendorp, Jan (February 2008).
475:Spring, Jessica (June 14, 2008).
174:Richard Kegler, Carima El-Behairy
837:RIT Cary Graphic Arts Collection
660:"100 Best Typefaces of All Time"
344:In 2012, P22 partnered with the
34:
763:Moxon, Paul (January 9, 2020).
45:needs additional citations for
383:and made available within the
1:
506:"Creative Characters #8, P22"
280:Frank Lloyd Wright Foundation
477:"P22: Fond Found Typography"
375:P22 Operina Pro designed by
288:Burchfield-Penney Art Center
839:. Retrieved March 27, 2008.
833:P22 Type Foundry collection
829:. Retrieved March 27, 2008.
807:. Retrieved March 27, 2008.
801:. Retrieved March 27, 2008.
795:. Retrieved March 27, 2008.
348:to publish a collection of
884:
863:Independent type foundries
691:The New York Times Company
292:Philadelphia Museum of Art
858:Commercial type foundries
687:"The Amateurs Are Coming"
296:Albright-Knox Art Gallery
137:
743:The Designers' Bookshelf
431:P22 / Atom Smash Records
369:to the P22 Type Foundry.
561:Spectrum News Rochester
69:"P22" type foundry
737:Showker, Fred (1999).
356:Notable P22 Typefaces
334:, among many others.
827:the Newberry Library
306:P22 Type Collections
263:Founders Brewing Co.
231:letterpress printing
54:improve this article
563:. December 18, 2019
235:Rochester, New York
194:Number of locations
183:Rochester, New York
134:
799:P22 at Adobe Fonts
640:. January 27, 2015
441:Savage Impressions
421:Savage Impressions
379:, was licensed by
367:London Underground
365:font made for the
215:http://www.p22.com
537:. August 26, 2014
284:Guggenheim Museum
247:Carima El-Behairy
239:Buffalo, New York
220:
219:
130:
129:
122:
104:
16:(Redirected from
875:
817:P22 Type Foundry
793:P22 Type Foundry
780:
779:
777:
775:
760:
754:
753:
751:
749:
734:
728:
727:
725:
723:
708:
702:
701:
699:
697:
682:
676:
675:
673:
671:
666:. April 30, 2014
656:
650:
649:
647:
645:
630:
624:
623:
621:
619:
605:
599:
598:
596:
594:
579:
573:
572:
570:
568:
553:
547:
546:
544:
542:
527:
521:
520:
518:
516:
501:
492:
491:
489:
487:
472:
403:P22 Publications
377:James Grieshaber
233:studio based in
223:P22 Type Foundry
142:
135:
133:P22 Type Foundry
125:
118:
114:
111:
105:
103:
62:
38:
30:
21:
18:P22 type foundry
883:
882:
878:
877:
876:
874:
873:
872:
843:
842:
789:
784:
783:
773:
771:
762:
761:
757:
747:
745:
736:
735:
731:
721:
719:
710:
709:
705:
695:
693:
684:
683:
679:
669:
667:
658:
657:
653:
643:
641:
632:
631:
627:
617:
615:
607:
606:
602:
592:
590:
581:
580:
576:
566:
564:
555:
554:
550:
540:
538:
529:
528:
524:
514:
512:
503:
502:
495:
485:
483:
474:
473:
454:
449:
433:
405:
363:Edward Johnston
358:
308:
271:
241:by co-founders
195:
188:
184:
158:Typeface design
126:
115:
109:
106:
63:
61:
51:
39:
28:
23:
22:
15:
12:
11:
5:
881:
879:
871:
870:
865:
860:
855:
845:
844:
841:
840:
830:
820:
814:
808:
805:P22 at MyFonts
802:
796:
788:
787:External links
785:
782:
781:
755:
729:
703:
677:
651:
625:
609:"Partnerships"
600:
574:
548:
522:
493:
451:
450:
448:
445:
432:
429:
404:
401:
400:
399:
396:Carolyn Porter
392:
381:Apple Computer
373:
370:
357:
354:
307:
304:
270:
267:
243:Richard Kegler
218:
217:
212:
208:
207:
204:
200:
199:
196:
193:
190:
189:
186:
182:
180:
176:
175:
172:
168:
167:
164:
160:
159:
156:
152:
151:
150:Graphic design
148:
144:
143:
128:
127:
42:
40:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
880:
869:
866:
864:
861:
859:
856:
854:
851:
850:
848:
838:
834:
831:
828:
824:
821:
818:
815:
812:
809:
806:
803:
800:
797:
794:
791:
790:
786:
770:
766:
759:
756:
744:
740:
739:"Indie Fonts"
733:
730:
718:
714:
707:
704:
692:
688:
681:
678:
665:
661:
655:
652:
639:
638:Creative Bloq
635:
629:
626:
614:
610:
604:
601:
589:
585:
578:
575:
562:
558:
552:
549:
536:
535:Wells College
532:
526:
523:
511:
507:
500:
498:
494:
482:
478:
471:
469:
467:
465:
463:
461:
459:
457:
453:
446:
444:
442:
438:
430:
428:
426:
422:
418:
414:
410:
402:
397:
393:
390:
386:
382:
378:
374:
371:
368:
364:
360:
359:
355:
353:
351:
347:
342:
340:
335:
333:
329:
325:
324:Fredric Goudy
321:
320:Gerald Giampa
316:
312:
305:
303:
301:
300:Wells College
297:
293:
289:
285:
281:
276:
268:
266:
264:
260:
256:
252:
248:
244:
240:
236:
232:
228:
225:is a digital
224:
216:
213:
209:
205:
201:
197:
191:
187:United States
181:
177:
173:
169:
165:
161:
157:
153:
149:
145:
141:
136:
124:
121:
113:
102:
99:
95:
92:
88:
85:
81:
78:
74:
71: –
70:
66:
65:Find sources:
59:
55:
49:
48:
43:This article
41:
37:
32:
31:
19:
772:. Retrieved
768:
758:
746:. Retrieved
742:
732:
720:. Retrieved
716:
706:
694:. Retrieved
690:
680:
668:. Retrieved
663:
654:
642:. Retrieved
637:
628:
616:. Retrieved
612:
603:
591:. Retrieved
587:
577:
565:. Retrieved
560:
551:
539:. Retrieved
534:
525:
513:. Retrieved
509:
484:. Retrieved
481:Boxcar Press
480:
440:
434:
420:
413:Making Faces
412:
408:
406:
343:
336:
332:Bruce Rogers
317:
313:
309:
272:
259:Trader Joe's
251:Harry Potter
227:type foundry
222:
221:
179:Headquarters
116:
107:
97:
90:
83:
76:
64:
52:Please help
47:verification
44:
717:CreativePro
409:Indie Fonts
389:Trattatello
110:August 2015
847:Categories
447:References
437:Rod McKuen
417:Jim Rimmer
339:Jim Rimmer
255:Suburbicon
80:newspapers
774:March 27,
748:March 27,
670:March 27,
644:March 27,
618:March 27,
593:March 27,
567:March 27,
541:March 27,
515:March 27,
486:March 27,
350:wood type
722:30 April
696:30 April
664:FontShop
328:Sol Hess
275:mail art
203:Products
147:Industry
510:MyFonts
269:History
211:Website
171:Founder
163:Founded
94:scholar
443:book.
96:
89:
82:
75:
67:
588:prMac
385:MacOS
155:Genre
101:JSTOR
87:books
776:2020
750:2020
724:2020
698:2020
672:2020
646:2020
620:2020
595:2020
569:2020
543:2020
517:2020
488:2020
245:and
229:and
166:1994
73:news
835:at
825:at
387:as
56:by
849::
767:.
741:.
715:.
689:.
662:.
636:.
611:.
586:.
559:.
533:.
508:.
496:^
479:.
455:^
427:.
330:,
326:,
294:,
290:,
286:,
282:,
261:,
253:,
185:,
778:.
752:.
726:.
700:.
674:.
648:.
622:.
597:.
571:.
545:.
519:.
490:.
391:.
278:(
198:1
123:)
117:(
112:)
108:(
98:·
91:·
84:·
77:·
50:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
