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179:, a slick commercial sound of music from late 1970s and early 1980s Japan. Although the genre is often described as being about Japan embracing an affluent consumerist lifestyle, Mark "Frosty" McNeill stated that the style is "more of a vibe classification than a collective movement." Forty years later, the genre had seen what James Hadfield of
185:
described as "something of a resurgence as pop music adjusts to a new technological paradigm dominated by streaming." Kitazawa stated that there were "no restrictions on style or a specific genre that we wanted to convey with these songs, this was music made by city people, for city people."
29:
384:
found that the album "covers a wide range of styles to the extent that there's virtually something here for every taste. It's impeccably executed and lovingly curated and the perfect soundtrack for a sunny day off with the ocean breeze in your hair."
378:." The review concluded that the album would be "best approached as an expertly sequenced mixtape rather than an exercise in musicology, and its arrival just before summer feels perfectly timed." Chris Ingalls of
661:
600:
804:
163:, Zach Cowie, a DJ and music supervisor, Yosuke Kitazawa, who oversees Light in the Attic's Japanese music series, Mark "Frosty" McNeill, founder of the online radio station
552:
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133:
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432:
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and vinyl with special editions that included a beach towel and a poster. The cover art of the album was by
428:
366:" was "mercifully absent" as well as other more "principal architects of the city pop sound, including
740:
269:
451:
445:
436:
136:
label's reissuing of
Japanese music. This release was a follow-up to releases by artists such as
374:, and it undermines the compilation’s claim to provide a definitive overview in the manner of
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36:
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was released by Light in the Attic
Records on May 3, 2019. The album was released on
181:
145:
553:"V/A - Pacific Breeze Pacific Breeze: Japanese City Pop, AOR & Boogie 1976-1986"
419:
400:
363:
198:
74:
156:
and
Cultures of Soul had previously released archival compilations of the genre.
710:"Pacific Breeze: Japanese City Pop, AOR & Boogie 1976-1986 - Various Artists"
512:
354:
series would be a better place to seek more hidden gems of the genre, but that "
117:
on May 3, 2019, as the third part of their Japan
Archival Series, starting with
62:
771:
485:
380:
281:
160:
91:
102:
Andy Cabic, Zach Cowie, Yosuke
Kitazawa, Mark "Frosty" McNeill, Matt Sullivan
205:, whose artwork was featured on several city pop album covers of the 1980s.
463:
Haruomi Hosono, Takahiko
Ishikawa, Masataka Matsutoya – "Bride of Mykonos"
713:
232:
176:
149:
67:
662:"City Pop: Why Does the Soundtrack to Tokyo's Tech Boom Still Resonate?"
164:
94:, Zach Cowie, Yosuke Kitazawa, Mark "Frosty" McNeill, Matt Sullivan
601:"'Pacific Breeze' collates the slick sound of Japanese city pop"
736:"Pacific Breeze: Japanese City Pop, AOR & Boogie 1976-1986"
148:. Although the label claimed it to be the first compilation of
153:
119:
Even a Tree Can Shed Tears: Japanese Folk & Rock 1969–1973
693:
McNeill, Mark "Frosty" (2019). "Seeking City Pop's
Essence".
695:
Pacific Breeze: Japanese City Pop, AOR and Boogie 1976-1986
638:
Pacific Breeze: Japanese City Pop, AOR and Boogie 1976-1986
195:
Pacific Breeze: Japanese City Pop, AOR and Boogie 1976–1986
130:
Pacific Breeze: Japanese City Pop, AOR and Boogie 1976–1986
110:
Pacific Breeze: Japanese City Pop, AOR and Boogie 1976–1986
22:
Pacific Breeze: Japanese City Pop, AOR and Boogie 1976–1986
767:"'Pacific Breeze' and the Lost Japanese Genre of City Pop"
497:
Mark "Frosty" McNeill – compiler, producer, liner notes
113:
is a 2019 compilation album. The album was released by
500:
Matt
Sullivan – compiler, producer, executive producer
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Yosuke
Kitazawa – compiler, producer, licensing, bios
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The music on the album was compiled and produced by
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85:
73:
61:
46:
35:
21:
632:
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628:
358:has its share of curios." The review noted that
697:(booklet). Light in the Attic Records. LITA163.
237:
805:Light in the Attic Records compilation albums
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582:
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175:The music on the album has been described as
16:2019 compilation album by Various artists
8:
760:
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651:
547:
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212:
27:
18:
409:Nanako Sato – "Subterranean Futari Bocci"
393:Track listing adapted from liner notes.
537:
218:
7:
527:D.Norsen Design – design and layout
239:
506:Patrick McCarthy – project manager
481:Credits adapted from liner notes.
406:Minako Yoshida – "Midnight Driver"
289:
14:
469:Hitomi Tohyama – "Exotic Yokogao"
503:Josh Wright – executive producer
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734:Mapes, Jillian (May 20, 2019).
599:Hadfield, James (May 1, 2019).
491:Zach Cowie – compiler, producer
472:Tazumi Toyoshima – "Machibouke"
765:Ingalls, Chris (May 3, 2019).
1:
660:Blistein, Jon (May 2, 2019).
442:Hiroshi Satoh – "Say Goodbye"
509:Lydia Hystop – proofreading
466:Yasuko Agawa – "L.A. Night"
826:
642:Light in the Attic Records
558:Light in the Attic Records
397:Tomoko Soryo – "I Say Who"
350:stated that Studio Mule's
134:Light in the Attic Records
115:Light in the Attic Records
524:Hiroshi Nagai – cover art
226:
223:
132:was part of the American
26:
800:2019 compilation albums
425:F.O.E. – "In My Jungle"
810:Pop compilation albums
460:– "Lady Pink Panther"
403:– "Kusuri Wo Takusan"
167:, and Matt Sullivan.
50:May 3, 2019
488:– compiler, producer
214:Professional ratings
144:collection of 1980s
418:Izumi Kobayashi – "
215:
452:Masayoshi Takanaka
446:Yukihiro Takahashi
437:Masataka Matsutoya
213:
209:Critical reception
152:outside of Japan,
80:Light in the Attic
565:on March 30, 2019
454:– "Bamboo Vendor"
448:– "Drip Dry Eyes"
372:Tatsuro Yamashita
352:Midnight in Tokyo
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37:Compilation album
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670:. Archived from
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644:. 2019. LITA163.
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708:Kellman, Andy.
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519:Elysian Masters
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439:– "Sun Bathing"
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360:Mariya Takeuchi
347:The Japan Times
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41:Various artists
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458:Shigeru Suzuki
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415:– "Sports Men"
413:Haruomi Hosono
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356:Pacific Breeze
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667:Rolling Stone
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389:Track listing
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376:Kankyo Ongaku
373:
369:
368:Eiichi Ohtaki
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219:Review scores
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203:Hiroshi Nagai
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182:Rolling Stone
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146:ambient music
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142:Kankyo Ongaku
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776:. Retrieved
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745:. Retrieved
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717:. Retrieved
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694:
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676:. Retrieved
672:the original
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637:
615:. Retrieved
611:the original
604:
567:. Retrieved
563:the original
556:
480:
433:Hiroshi Sato
420:Coffee Rumba
401:Taeko Ohnuki
392:
379:
375:
364:Plastic Love
355:
351:
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344:Hadfield of
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199:compact disc
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107:
719:November 8,
640:(booklet).
513:Dave Cooley
429:Akira Inoue
794:Categories
772:PopMatters
532:References
486:Andy Cabic
381:PopMatters
282:PopMatters
161:Andy Cabic
125:Production
92:Andy Cabic
54:2019-05-03
741:Pitchfork
270:Pitchfork
714:AllMusic
233:AllMusic
177:city pop
150:city pop
140:, and a
99:Compiler
87:Producer
68:City pop
47:Released
39: by
747:May 20,
477:Credits
190:Release
52: (
778:May 6,
678:May 2,
617:May 2,
569:May 2,
275:8.0/10
227:Rating
224:Source
165:Dublab
171:Style
75:Label
63:Genre
780:2019
749:2019
721:2019
680:2019
619:2019
571:2019
370:and
362:'s "
154:BGP
121:.
796::
769:.
757:^
738:.
712:.
664:.
650:^
627:^
603:.
579:^
555:.
540:^
435:,
431:,
782:.
751:.
723:.
682:.
621:.
573:.
422:"
56:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
