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182:«Una delle prime azioni (per dir così) rappresentate in musica che in Roma si siano sentite».These words were used by Pietro della Valle, the author of the verses. See also: Pietro della Valle, Della musica dell’età nostra che non è punto inferiore, anzi è migliore di quella dell’età passata (16 genn. 1640), in G. B. Doni, Trattati di musica, Gori, Firenze, 1763, in ANGELO SOLERTI, «L’origine del melodramma», Bocca, Torino, 1903, p. 155
87:. Towards the end of his life he was much respected, if not renowned, by his fellow composers, as can be judged from dedications of collections of music to him; however, some of this may have been due less to the quality of his music than to his direct papal connections and immense influence.
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harmonies. Some of his books of madrigals are in two versions: one for singing by equal voice parts, in the old
Renaissance style, and another in what he calls the "empty" style, for single voice with instrumental accompaniment. These were examples of the new Baroque style of
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He wrote both sacred and secular vocal music, as well as some instrumental music. In his instrumental music, he makes little or no distinction between the style assigned to pieces with certain labels, such as
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to an aristocratic family. Most of his life he spent in the service of various royal and aristocratic families. In 1594 he became a Roman citizen, and between 1605 and 1608 Quagliati was employed by
Cardinal
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from around 1608 until his death. During that time he also served as organist for various formal occasions around the city, and eventually he became private
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composer. He wrote this large work for the wedding of the nephew of the pope to
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attempting to categorize music during this transitional period. Conventionally, a
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style imported from northern Italy, though it would have seemed tame to a
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34:(c. 1555 – 16 November 1628) was an Italian composer of the early
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around 1600 was a sectional instrumental piece, while a
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