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159:. However, the new theatre still lacked a public entrance opening onto the street. Audiences could only enter through the workshop of a carpenter on the ground floor of the palazzo. His lease required him to close his workshop during the opera season and to provide at his own expense a wooden staircase to enable the spectators to climb into the theatre. It was a situation that was not rectified until the 19th century.
288:
After the closure of the Cinema
Capranica in 2000, the 800-seat theatre with its now minimal stage was re-opened as a conference and performance venue available on a hire basis. Under the proprietorship of the Hotel Nazionale and managed by Montecitorio Eventi S.r.l., it has hosted four small-scale
269:
decked in all their bravery. Here came the shoemaker, the tailor, and the small artisan, all with their wives or women, and with them the wealthy peasant who had ten cents to pay for entrance. Here the audience wept and laughed, applauded the actors, and talked to each other from one side of the
99:
which suggest that the palace may have incorporated an earlier building on the site. In the late 1670s, another member of the family, Pompeo
Capranica, had a private theatre carved out from existing family apartments without changing the exterior of the building. The theatre was inaugurated on 6
252:
expressly for the theatre. The theatre went through several more renovations, closures, and proprietors starting in the second half of the 18th century. By the 19th century, it had ceased being a leading opera house in the city and tended to concentrate on comic operas and plays (often in
184:, public theatrical performances were once again forbidden and the theatre remained closed from 1699 to 1711. When the prohibition on public performances was lifted, the Capranica brothers re-opened the theatre and soon attracted the patronage of
192:, to renovate the stage. The two decades after the re-opening marked the heyday of the theatre which would become Rome's primary public opera house and see the premieres of many new operas and innovative sets designed by Filippo Juvarra and
595:
word used particularly in the early 19th century to denote a class of newly well-off artisans and workers in the city (both men and women) who displayed their status by wearing ostentatious clothes and jewelry. It is thought to derive from
69:. The Capranica ceased operating as a full-scale theatre and opera house in 1881 and in 1922 was converted into a cinema. Following the closure of the cinema in 2000, it has functioned on a hire basis as a conference and performance venue.
143:) who completely rebuilt the theatre in 1694 transforming it into the standard U-shape with rich ornamentation and 6 tiers of 26 boxes each. It re-opened as a public theatre (Rome's second) on 18 January 1695 with a performance of
200:
was closely associated with the
Capranica which premiered several of his early operas beginning in 1679. When he returned to Rome in 1718 after his years in Naples, he produced his three finest operas for the theatre,
85:, a college for young clerics which he founded in 1457. One of the few remaining examples of Roman residential architecture of the early renaissance, it has a large side tower and a
903:
289:
opera productions by the association "Aulico – Opera & Musica" and over the years has been the setting for numerous meetings of
Italian political parties. In January 2013,
715:
338:
280:
on 1 March 1881. At first it was rented out as a furniture warehouse, but then stood completely empty from 1895 until 1922 when it was converted into a cinema.
261:
and spent a great deal of money renovating it. However, it never regained its former prestige. The
American writer Henry P. Leland described it in 1863 as:
847:
343:
More than 50 works (including operas, oratorios, cantatas, and plays) have premiered at the Teatro
Capranica. The first opera to be premiered there was
274:
Eventually, the costs of upkeep and dwindling audiences led to the
Capranica's demise. It closed permanently following a performance of Verdi's opera
257:), acrobatic displays, and puppet shows. The theatre returned to the Capranica family in 1853 when Marchese Bartolomeo Capranica bought it back from
1045:
1055:
816:
500:
135:, Pompeo Capranica and his brother Federico received permission to enlarge the theatre and open it to the public. They entrusted the task to
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Palazzo
Capranica, it was the second public theatre to open in Rome. It was the site of many premieres of
31:
Facade of the
Palazzo Capranica in 2009. The entrance to the theatre is the first large door on the right.
745:
27:
244:(1732), the Capranica gradually declined in importance, although in the 1750s it was much favoured by
429:
368:
203:
197:
120:
821:
394:
384:
136:
132:
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The palazzo in which the theatre was situated had been originally constructed in 1451 by
Cardinal
837:
537:
507:... palazzo Capranica, eretto nel 1451 inglobando case preesistenti e la cappella di S. Agnese...
452:
306:
78:
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The complete score is lost. However, one of its arias is preserved in the Biblioteca Estense in
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who contributed to the cost the renovation after its long closure and hired his architect,
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of Rome. Originally constructed in 1679 by the Capranica family and housed in the early
233:
1029:
852:
592:
254:
152:
140:
48:
321:
237:
87:
492:
Roma e CittĂ del Vaticano: le chiese, i palazzi, i musei, le piazze, l'archeologia
981:
804:
795:
17:
379:
373:
309:
resigned as party leader following his failure to form a coalition government.
464:
410:
371:. Like most of the operas premiered at the Capranica prior to 1750, it was an
1011:
998:
217:. Between 1718 and 1721, the Capranica also saw the premieres of Scarlatti's
904:"Bersani si dimette, il Pd senza vita, il Capranica e la notte piĂą profonda"
711:
364:
377:. The premieres at the theatre after 1750 were almost exclusively of the
360:
218:
716:"Elezioni: Berlusconi lascia Capranica, voci su malore ma lui smentisce"
441:
245:
226:
92:
655:
276:
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at the Capranica that lasted late into the night of 19 April 2013,
413:
for prose plays. Other operas premiered at the Capranica include:
311:
161:
114:
81:, to serve as both his own residence and the future home of the
26:
232:
With the construction of new public theatres in Rome such as the
973:
Images of the interior of the Teatro Capranica as it looks today
328:
inaugurated the newly built Teatro Capranica on 6 January 1679.
749:, Vol. 31. Treccani. Online version retrieved 20 January 2014
248:
for their stagings of his plays. In 1760, he wrote his comedy
536:
Natuzzi p. 43; Casaglia. Rome's first public theatre was the
351:
which inaugurated the theatre in 1679. The 1728 premiere of
920:
Carlo Buratti: architettura tardo barocca tra Roma e Napoli
409:(1760), were specifically written to be performed as comic
127:, one of his many works to premiere at the Teatro Capranica
359:
was marked by the presence of his brother, the celebrated
293:
gave a two-hour speech there in which he introduced the
800:(translated by John Black), Vol. 2. Hunt & Clarke
39:
is a theatre situated at 101 Piazza Capranica in the
936:
Reclaiming Rome: Cardinals in the Fifteenth Century
806:Raccolta completa delle commedie di Carlo Goldoni
775:Franchi, Saverio and Sartori, Orietta (1997).
339:List of works premiered at the Teatro Capranica
874:Il Teatro Capranica dall'inaugurazione al 1881
848:"Rinasce il teatro lirico a palazzo Capranica"
579:Goldoni (1828) pp. 70–71; Goldoni (1829) p. 97
756:Ferrari-Bravo, Anna (General editor) (1999).
223:La gloriosa gara tra la SantitĂ e la Sapienza
95:windows as well as three windows in the late
8:
781:, Vol. 2. Edizioni di Storia e Letteratura.
832:Harper, John and Lindgren, Lowell (2001).
817:"Un passato senza pace per il «Capranica»"
548:
546:
401:(1770). Many of the shorter ones, such as
104:leading the orchestra for the premiere of
987:performed at the Capranica in March 2005
982:Photos of the small-scale production of
825:, p. 55. Retrieved 18 January 2014
618:Franchi and Sartori pp. xlv–xlvi; Groppi
176:which premiered at the Capranica in 1714
518:Ferrari-Bravo p. 353; Richardson p. 287
482:
975:on the website of the Hotel Nazionale
809:, Vol. 15. SocietĂ editrice (Firenze)
495:. Touring Editore. 2002. p. 122.
147:a three-act opera jointly composed by
677:
675:
673:
7:
815:Groppi, Angela (29 February 2004).
732:. L'Almanacco di Gherardo Casaglia
952:Essays on Handel and Italian Opera
889:Imperial City: Rome under Napoleon
876:. Edizioni Scientifiche Italiane.
25:
886:Nicassio, Susan Vandiver (2009).
917:Pezone, Maria Gabriella (2008).
902:Pace, Federico (19 April 2013).
846:Ketkoff, Landa (15 March 2005).
600:("eminent"). See Nicassio p. 72.
892:. University of Chicago Press.
170:'s preliminary set designs for
1046:Music venues completed in 1679
955:. Cambridge University Press.
1:
933:Richardson, Carol M. (2009).
527:Casaglia; Harper and Lindgren
299:2013 Italian general election
1056:1679 establishments in Italy
910:. Retrieved 18 January 2014
872:Natuzzi, Elisabetta (1999).
856:. Retrieved 20 January 2014
840:. Retrieved 23 January 2014
739:Della Corte, Andrea (1936).
718:. Retrieved 20 January 2014
658:. See Harper and Lindgren.
1072:
1041:Theatres completed in 1679
724:Casaglia, Gherardo (2005).
336:
301:. During a meeting of the
259:Prince Alessandro Torlonia
949:Strohm, Reinhard (2008).
762:. Touring Club Italiano.
265:the resort for the Roman
863:Leland, Henry P. (1863)
186:Cardinal Pietro Ottoboni
157:Carlo Francesco Cesarini
842:(subscription required)
803:Goldoni, Carlo (1829).
794:Goldoni, Carlo (1828).
741:"Scarlatti, Alessandro"
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194:Francesco Galli Bibiena
149:Giovanni Lorenzo Lulier
83:Almo Collegio Capranica
447:Ercole su'l Termodonte
329:
272:
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131:With the accession of
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125:Il nemico di se stesso
66:Ercole su'l Termodonte
32:
939:. Koninklijke Brill.
746:Enciclopedia italiana
570:Della Corte; Casaglia
540:which opened in 1671.
315:
263:
225:, and several of his
165:
145:Clearco in Negroponte
118:
30:
1036:Opera houses in Rome
834:"Pasquini, Bernardo"
759:Guida d'Italia: Roma
561:Ferrari-Bravo p. 353
295:Popolo della LibertĂ
209:Marco Attilio Regolo
198:Alessandro Scarlatti
51:including Caldara's
1051:Rome R. III Colonna
1012:41.9002°N 12.4778°E
1008: /
923:. Alinea Editrice.
869:. Charles T. Evans
822:Corriere della Sera
778:Drammaturgia romana
714:(25 January 2013).
399:La donna di spirito
349:Dov'è amore è pietĂ
326:Dov'è amore è pietĂ
324:. Pasquini's opera
303:Partito Democratico
297:candidates for the
270:house to the other.
133:Pope Alexander VIII
110:Dov'è amore è pietĂ
91:lit by three cross
838:Grove Music Online
797:Memoirs of Goldoni
699:Natuzzi pp. 7, 170
609:Leland pp. 154–155
538:Teatro Tor di Nona
330:
307:Pier Luigi Bersani
178:
129:
100:January 1679 with
79:Domenico Capranica
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866:Americans in Rome
502:978-88-365-2623-9
367:, in the role of
357:L'isola di Alcina
318:Bernardo Pasquini
291:Silvio Berlusconi
182:Pope Innocent XII
106:Bernardo Pasquini
102:Arcangelo Corelli
18:Palazzo Capranica
16:(Redirected from
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383:genre, such as
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333:Opera premieres
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284:Today's theatre
250:Pamela maritata
196:. The composer
190:Filippo Juvarra
173:Tito e Berenice
168:Filippo Juvarra
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316:Portrait of
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690:Della Corte
450:(1723) and
411:intermezzos
380:opera buffa
374:opera seria
240:(1727) and
45:Renaissance
1030:Categories
1003:12°28′40″E
1000:41°54′01″N
961:0521088356
945:9004171835
929:8860553032
898:0226579743
882:8881147858
787:8887114064
768:8836513247
473:References
465:La Statira
393:(1756) or
712:Adnkronos
636:Adnkronos
430:Scarlatti
365:Farinelli
121:Scarlatti
108:'s opera
681:Casaglia
598:eminente
460:Albinoni
453:Giustino
435:Griselda
395:Piccinni
369:Ruggiero
361:castrato
345:Pasquini
236:(1718),
227:cantatas
219:oratorio
214:Griselda
204:Telemaco
60:Griselda
706:Sources
589:Minenti
442:Vivaldi
418:Caldara
385:Galuppi
363:singer
267:minenti
246:Goldoni
166:One of
93:mullion
73:History
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896:
880:
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656:Modena
499:
468:(1726)
456:(1724)
438:(1721)
426:(1714)
277:Ernani
180:Under
984:Tosca
591:is a
478:Notes
957:ISBN
941:ISBN
925:ISBN
894:ISBN
878:ISBN
783:ISBN
764:ISBN
645:Pace
497:ISBN
397:'s
211:and
155:and
35:The
462:'s
444:'s
432:'s
420:'s
405:'s
387:'s
355:'s
347:'s
320:by
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123:'s
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20:)
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