Knowledge

Teatro Capranica

Source đź“ť

163: 116: 28: 313: 159:. However, the new theatre still lacked a public entrance opening onto the street. Audiences could only enter through the workshop of a carpenter on the ground floor of the palazzo. His lease required him to close his workshop during the opera season and to provide at his own expense a wooden staircase to enable the spectators to climb into the theatre. It was a situation that was not rectified until the 19th century. 288:
After the closure of the Cinema Capranica in 2000, the 800-seat theatre with its now minimal stage was re-opened as a conference and performance venue available on a hire basis. Under the proprietorship of the Hotel Nazionale and managed by Montecitorio Eventi S.r.l., it has hosted four small-scale
269:
decked in all their bravery. Here came the shoemaker, the tailor, and the small artisan, all with their wives or women, and with them the wealthy peasant who had ten cents to pay for entrance. Here the audience wept and laughed, applauded the actors, and talked to each other from one side of the
99:
which suggest that the palace may have incorporated an earlier building on the site. In the late 1670s, another member of the family, Pompeo Capranica, had a private theatre carved out from existing family apartments without changing the exterior of the building. The theatre was inaugurated on 6
252:
expressly for the theatre. The theatre went through several more renovations, closures, and proprietors starting in the second half of the 18th century. By the 19th century, it had ceased being a leading opera house in the city and tended to concentrate on comic operas and plays (often in
184:, public theatrical performances were once again forbidden and the theatre remained closed from 1699 to 1711. When the prohibition on public performances was lifted, the Capranica brothers re-opened the theatre and soon attracted the patronage of 192:, to renovate the stage. The two decades after the re-opening marked the heyday of the theatre which would become Rome's primary public opera house and see the premieres of many new operas and innovative sets designed by Filippo Juvarra and 595:
word used particularly in the early 19th century to denote a class of newly well-off artisans and workers in the city (both men and women) who displayed their status by wearing ostentatious clothes and jewelry. It is thought to derive from
69:. The Capranica ceased operating as a full-scale theatre and opera house in 1881 and in 1922 was converted into a cinema. Following the closure of the cinema in 2000, it has functioned on a hire basis as a conference and performance venue. 143:) who completely rebuilt the theatre in 1694 transforming it into the standard U-shape with rich ornamentation and 6 tiers of 26 boxes each. It re-opened as a public theatre (Rome's second) on 18 January 1695 with a performance of 200:
was closely associated with the Capranica which premiered several of his early operas beginning in 1679. When he returned to Rome in 1718 after his years in Naples, he produced his three finest operas for the theatre,
85:, a college for young clerics which he founded in 1457. One of the few remaining examples of Roman residential architecture of the early renaissance, it has a large side tower and a 903: 289:
opera productions by the association "Aulico – Opera & Musica" and over the years has been the setting for numerous meetings of Italian political parties. In January 2013,
715: 338: 280:
on 1 March 1881. At first it was rented out as a furniture warehouse, but then stood completely empty from 1895 until 1922 when it was converted into a cinema.
261:
and spent a great deal of money renovating it. However, it never regained its former prestige. The American writer Henry P. Leland described it in 1863 as:
847: 343:
More than 50 works (including operas, oratorios, cantatas, and plays) have premiered at the Teatro Capranica. The first opera to be premiered there was
274:
Eventually, the costs of upkeep and dwindling audiences led to the Capranica's demise. It closed permanently following a performance of Verdi's opera
257:), acrobatic displays, and puppet shows. The theatre returned to the Capranica family in 1853 when Marchese Bartolomeo Capranica bought it back from 1045: 1055: 816: 500: 135:, Pompeo Capranica and his brother Federico received permission to enlarge the theatre and open it to the public. They entrusted the task to 1040: 162: 996: 115: 960: 944: 928: 897: 881: 786: 767: 298: 725: 1035: 1050: 96: 185: 446: 65: 302: 156: 44: 740: 434: 294: 213: 193: 148: 82: 59: 40: 833: 47:
Palazzo Capranica, it was the second public theatre to open in Rome. It was the site of many premieres of
31:
Facade of the Palazzo Capranica in 2009. The entrance to the theatre is the first large door on the right.
745: 27: 244:(1732), the Capranica gradually declined in importance, although in the 1750s it was much favoured by 429: 368: 203: 197: 120: 821: 394: 384: 136: 132: 389: 77:
The palazzo in which the theatre was situated had been originally constructed in 1451 by Cardinal
837: 537: 507:... palazzo Capranica, eretto nel 1451 inglobando case preesistenti e la cappella di S. Agnese... 452: 306: 78: 654:
The complete score is lost. However, one of its arias is preserved in the Biblioteca Estense in
972: 956: 940: 934: 924: 893: 877: 782: 776: 763: 757: 496: 490: 344: 317: 290: 258: 181: 105: 101: 950: 918: 887: 402: 352: 241: 188:
who contributed to the cost the renovation after its long closure and hired his architect,
459: 422: 417: 312: 189: 172: 167: 53: 864: 43:
of Rome. Originally constructed in 1679 by the Capranica family and housed in the early
233: 1029: 852: 592: 254: 152: 140: 48: 321: 237: 87: 492:
Roma e CittĂ  del Vaticano: le chiese, i palazzi, i musei, le piazze, l'archeologia
981: 804: 795: 17: 379: 373: 309:
resigned as party leader following his failure to form a coalition government.
464: 410: 371:. Like most of the operas premiered at the Capranica prior to 1750, it was an 1011: 998: 217:. Between 1718 and 1721, the Capranica also saw the premieres of Scarlatti's 904:"Bersani si dimette, il Pd senza vita, il Capranica e la notte piĂą profonda" 711: 364: 377:. The premieres at the theatre after 1750 were almost exclusively of the 360: 218: 716:"Elezioni: Berlusconi lascia Capranica, voci su malore ma lui smentisce" 441: 245: 226: 92: 655: 276: 305:
at the Capranica that lasted late into the night of 19 April 2013,
413:
for prose plays. Other operas premiered at the Capranica include:
311: 161: 114: 81:, to serve as both his own residence and the future home of the 26: 232:
With the construction of new public theatres in Rome such as the
973:
Images of the interior of the Teatro Capranica as it looks today
328:
inaugurated the newly built Teatro Capranica on 6 January 1679.
749:, Vol. 31. Treccani. Online version retrieved 20 January 2014 248:
for their stagings of his plays. In 1760, he wrote his comedy
536:
Natuzzi p. 43; Casaglia. Rome's first public theatre was the
351:
which inaugurated the theatre in 1679. The 1728 premiere of
920:
Carlo Buratti: architettura tardo barocca tra Roma e Napoli
409:(1760), were specifically written to be performed as comic 127:, one of his many works to premiere at the Teatro Capranica 359:
was marked by the presence of his brother, the celebrated
293:
gave a two-hour speech there in which he introduced the
800:(translated by John Black), Vol. 2. Hunt & Clarke 39:
is a theatre situated at 101 Piazza Capranica in the
936:
Reclaiming Rome: Cardinals in the Fifteenth Century
806:Raccolta completa delle commedie di Carlo Goldoni 775:Franchi, Saverio and Sartori, Orietta (1997). 339:List of works premiered at the Teatro Capranica 874:Il Teatro Capranica dall'inaugurazione al 1881 848:"Rinasce il teatro lirico a palazzo Capranica" 579:Goldoni (1828) pp. 70–71; Goldoni (1829) p. 97 756:Ferrari-Bravo, Anna (General editor) (1999). 223:La gloriosa gara tra la SantitĂ  e la Sapienza 95:windows as well as three windows in the late 8: 781:, Vol. 2. Edizioni di Storia e Letteratura. 832:Harper, John and Lindgren, Lowell (2001). 817:"Un passato senza pace per il «Capranica»" 548: 546: 401:(1770). Many of the shorter ones, such as 104:leading the orchestra for the premiere of 987:performed at the Capranica in March 2005 982:Photos of the small-scale production of 825:, p. 55. Retrieved 18 January 2014 618:Franchi and Sartori pp. xlv–xlvi; Groppi 176:which premiered at the Capranica in 1714 518:Ferrari-Bravo p. 353; Richardson p. 287 482: 975:on the website of the Hotel Nazionale 809:, Vol. 15. SocietĂ  editrice (Firenze) 495:. Touring Editore. 2002. p. 122. 147:a three-act opera jointly composed by 677: 675: 673: 7: 815:Groppi, Angela (29 February 2004). 732:. L'Almanacco di Gherardo Casaglia 952:Essays on Handel and Italian Opera 889:Imperial City: Rome under Napoleon 876:. Edizioni Scientifiche Italiane. 25: 886:Nicassio, Susan Vandiver (2009). 917:Pezone, Maria Gabriella (2008). 902:Pace, Federico (19 April 2013). 846:Ketkoff, Landa (15 March 2005). 600:("eminent"). See Nicassio p. 72. 892:. University of Chicago Press. 170:'s preliminary set designs for 1046:Music venues completed in 1679 955:. Cambridge University Press. 1: 933:Richardson, Carol M. (2009). 527:Casaglia; Harper and Lindgren 299:2013 Italian general election 1056:1679 establishments in Italy 910:. Retrieved 18 January 2014 872:Natuzzi, Elisabetta (1999). 856:. Retrieved 20 January 2014 840:. Retrieved 23 January 2014 739:Della Corte, Andrea (1936). 718:. Retrieved 20 January 2014 658:. See Harper and Lindgren. 1072: 1041:Theatres completed in 1679 724:Casaglia, Gherardo (2005). 336: 301:. During a meeting of the 259:Prince Alessandro Torlonia 949:Strohm, Reinhard (2008). 762:. Touring Club Italiano. 265:the resort for the Roman 863:Leland, Henry P. (1863) 186:Cardinal Pietro Ottoboni 157:Carlo Francesco Cesarini 842:(subscription required) 803:Goldoni, Carlo (1829). 794:Goldoni, Carlo (1828). 741:"Scarlatti, Alessandro" 283: 194:Francesco Galli Bibiena 149:Giovanni Lorenzo Lulier 83:Almo Collegio Capranica 447:Ercole su'l Termodonte 329: 272: 177: 131:With the accession of 128: 125:Il nemico di se stesso 66:Ercole su'l Termodonte 32: 939:. Koninklijke Brill. 746:Enciclopedia italiana 570:Della Corte; Casaglia 540:which opened in 1671. 315: 263: 225:, and several of his 165: 145:Clearco in Negroponte 118: 30: 1036:Opera houses in Rome 834:"Pasquini, Bernardo" 759:Guida d'Italia: Roma 561:Ferrari-Bravo p. 353 295:Popolo della LibertĂ  209:Marco Attilio Regolo 198:Alessandro Scarlatti 51:including Caldara's 1051:Rome R. III Colonna 1012:41.9002°N 12.4778°E 1008: /  923:. Alinea Editrice. 869:. Charles T. Evans 822:Corriere della Sera 778:Drammaturgia romana 714:(25 January 2013). 399:La donna di spirito 349:Dov'è amore è pietĂ  326:Dov'è amore è pietĂ  324:. Pasquini's opera 303:Partito Democratico 297:candidates for the 270:house to the other. 133:Pope Alexander VIII 110:Dov'è amore è pietĂ  91:lit by three cross 838:Grove Music Online 797:Memoirs of Goldoni 699:Natuzzi pp. 7, 170 609:Leland pp. 154–155 538:Teatro Tor di Nona 330: 307:Pier Luigi Bersani 178: 129: 100:January 1679 with 79:Domenico Capranica 33: 866:Americans in Rome 502:978-88-365-2623-9 367:, in the role of 357:L'isola di Alcina 318:Bernardo Pasquini 291:Silvio Berlusconi 182:Pope Innocent XII 106:Bernardo Pasquini 102:Arcangelo Corelli 18:Palazzo Capranica 16:(Redirected from 1063: 1023: 1022: 1020: 1019: 1018: 1017:41.9002; 12.4778 1013: 1009: 1006: 1005: 1004: 1001: 990: 978: 913: 859: 843: 828: 812: 791: 772: 752: 735: 728:Teatro Capranica 721: 700: 697: 691: 688: 682: 679: 668: 665: 659: 652: 646: 643: 637: 634: 628: 625: 619: 616: 610: 607: 601: 586: 580: 577: 571: 568: 562: 559: 553: 550: 541: 534: 528: 525: 519: 516: 510: 509: 487: 403:Antonio Sacchini 353:Riccardo Broschi 242:Teatro Argentina 63:, and Vivaldi's 41:Colonna district 37:Teatro Capranica 21: 1071: 1070: 1066: 1065: 1064: 1062: 1061: 1060: 1026: 1025: 1016: 1014: 1010: 1007: 1002: 999: 997: 995: 994: 988: 976: 969: 911: 857: 841: 826: 810: 789: 770: 750: 733: 719: 703: 698: 694: 689: 685: 680: 671: 666: 662: 653: 649: 644: 640: 635: 631: 627:Ketkoff; Groppi 626: 622: 617: 613: 608: 604: 587: 583: 578: 574: 569: 565: 560: 556: 551: 544: 535: 531: 526: 522: 517: 513: 503: 489: 488: 484: 475: 423:Tito e Berenice 383:genre, such as 341: 335: 333:Opera premieres 286: 284:Today's theatre 250:Pamela maritata 196:. The composer 190:Filippo Juvarra 173:Tito e Berenice 168:Filippo Juvarra 75: 54:Tito e Berenice 23: 22: 15: 12: 11: 5: 1069: 1067: 1059: 1058: 1053: 1048: 1043: 1038: 1028: 1027: 992: 991: 979: 968: 967:External links 965: 964: 963: 947: 931: 915: 900: 884: 870: 861: 844: 830: 813: 801: 792: 773: 754: 737: 722: 702: 701: 692: 683: 669: 660: 647: 638: 629: 620: 611: 602: 581: 572: 563: 554: 542: 529: 520: 511: 501: 481: 474: 471: 470: 469: 457: 439: 427: 337:Main article: 334: 331: 285: 282: 234:Teatro Alibert 139:(a student of 74: 71: 57:, Scarlatti's 49:Baroque operas 24: 14: 13: 10: 9: 6: 4: 3: 2: 1068: 1057: 1054: 1052: 1049: 1047: 1044: 1042: 1039: 1037: 1034: 1033: 1031: 1024: 1021: 986: 985: 980: 974: 971: 970: 966: 962: 958: 954: 953: 948: 946: 942: 938: 937: 932: 930: 926: 922: 921: 916: 909: 908:Magazine Roma 905: 901: 899: 895: 891: 890: 885: 883: 879: 875: 871: 868: 867: 862: 855: 854: 853:La Repubblica 849: 845: 839: 835: 831: 824: 823: 818: 814: 808: 807: 802: 799: 798: 793: 788: 784: 780: 779: 774: 769: 765: 761: 760: 755: 748: 747: 742: 738: 731: 729: 723: 717: 713: 710: 709: 708: 707: 696: 693: 687: 684: 678: 676: 674: 670: 664: 661: 657: 651: 648: 642: 639: 633: 630: 624: 621: 615: 612: 606: 603: 599: 594: 593:Roman dialect 590: 585: 582: 576: 573: 567: 564: 558: 555: 549: 547: 543: 539: 533: 530: 524: 521: 515: 512: 508: 504: 498: 494: 493: 486: 483: 480: 479: 472: 467: 466: 461: 458: 455: 454: 449: 448: 443: 440: 437: 436: 431: 428: 425: 424: 419: 416: 415: 414: 412: 408: 404: 400: 396: 392: 391: 386: 382: 381: 376: 375: 370: 366: 362: 358: 354: 350: 346: 340: 332: 327: 323: 319: 314: 310: 308: 304: 300: 296: 292: 281: 279: 278: 271: 268: 262: 260: 256: 255:Roman dialect 251: 247: 243: 239: 235: 230: 228: 224: 220: 216: 215: 210: 206: 205: 199: 195: 191: 187: 183: 175: 174: 169: 164: 160: 158: 154: 153:Tommaso Gaffi 150: 146: 142: 141:Carlo Fontana 138: 137:Carlo Buratti 134: 126: 122: 119:Libretto for 117: 113: 111: 107: 103: 98: 94: 90: 89: 84: 80: 72: 70: 68: 67: 62: 61: 56: 55: 50: 46: 42: 38: 29: 19: 993: 989:(in Italian) 983: 977:(in Italian) 951: 935: 919: 912:(in Italian) 907: 888: 873: 865: 858:(in Italian) 851: 827:(in Italian) 820: 811:(in Italian) 805: 796: 790:(in Italian) 777: 771:(in Italian) 758: 751:(in Italian) 744: 734:(in Italian) 727: 720:(in Italian) 705: 704: 695: 686: 667:Strohm p. 70 663: 650: 641: 632: 623: 614: 605: 597: 588: 584: 575: 566: 557: 552:Pezone p. 78 532: 523: 514: 506: 491: 485: 477: 476: 463: 451: 445: 433: 421: 407:La vendemmia 406: 398: 390:La cantarina 388: 378: 372: 356: 348: 342: 325: 322:Andrea Pozzo 316:Portrait of 287: 275: 273: 266: 264: 249: 238:Teatro Valle 231: 222: 212: 208: 202: 179: 171: 144: 130: 124: 109: 97:Gothic style 88:piano nobile 86: 76: 64: 58: 52: 36: 34: 1015: / 690:Della Corte 450:(1723) and 411:intermezzos 380:opera buffa 374:opera seria 240:(1727) and 45:Renaissance 1030:Categories 1003:12°28′40″E 1000:41°54′01″N 961:0521088356 945:9004171835 929:8860553032 898:0226579743 882:8881147858 787:8887114064 768:8836513247 473:References 465:La Statira 393:(1756) or 712:Adnkronos 636:Adnkronos 430:Scarlatti 365:Farinelli 121:Scarlatti 108:'s opera 681:Casaglia 598:eminente 460:Albinoni 453:Giustino 435:Griselda 395:Piccinni 369:Ruggiero 361:castrato 345:Pasquini 236:(1718), 227:cantatas 219:oratorio 214:Griselda 204:Telemaco 60:Griselda 706:Sources 589:Minenti 442:Vivaldi 418:Caldara 385:Galuppi 363:singer 267:minenti 246:Goldoni 166:One of 93:mullion 73:History 959:  943:  927:  896:  880:  785:  766:  656:Modena 499:  468:(1726) 456:(1724) 438:(1721) 426:(1714) 277:Ernani 180:Under 984:Tosca 591:is a 478:Notes 957:ISBN 941:ISBN 925:ISBN 894:ISBN 878:ISBN 783:ISBN 764:ISBN 645:Pace 497:ISBN 397:'s 211:and 155:and 35:The 462:'s 444:'s 432:'s 420:'s 405:'s 387:'s 355:'s 347:'s 320:by 151:, 123:'s 1032:: 906:. 850:. 836:. 819:. 743:, 672:^ 545:^ 505:. 229:. 221:, 207:, 112:. 914:. 860:. 829:. 753:. 736:. 730:" 726:" 20:)

Index

Palazzo Capranica

Colonna district
Renaissance
Baroque operas
Tito e Berenice
Griselda
Ercole su'l Termodonte
Domenico Capranica
Almo Collegio Capranica
piano nobile
mullion
Gothic style
Arcangelo Corelli
Bernardo Pasquini

Scarlatti
Pope Alexander VIII
Carlo Buratti
Carlo Fontana
Giovanni Lorenzo Lulier
Tommaso Gaffi
Carlo Francesco Cesarini

Filippo Juvarra
Tito e Berenice
Pope Innocent XII
Cardinal Pietro Ottoboni
Filippo Juvarra
Francesco Galli Bibiena

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑