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866:. It actually found in one of the inner courtyards, which was covered by a floor up to the first floor and has qualified as a terrace. It contains a mixture of ceramic panels of the 18th century, garden furniture with mosaics made around 1900 and other decorative elements. To give light to the lower area of the courtyard has opened a skylight that takes some stepped pyramidal shape.
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329:, i.e. the contracts of indirect contributions. The Rabassa de Perellós family continued their business with the Generalitat, while occupying high positions in the political government of Valencia and accumulated skills and important heredities through intermarriage with other important Valencian noble families.
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also wears a laurel wreath. The Virgin of the Rosary is work in polychrome wood by
Ignacio Vergara in 1740 but it disappeared, it now see is a plaster copy made in 1866 by Francisco Cano Molineli. The niche has a lid that allows the concealment of the image; when the Marquises were outside the palace
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building by the year 1400, of three bodies willing around a courtyard, facade at north, embattled tower at northeast (left of the front), midpoint portal, loggia run under the eaves and tiled roof. Today and after numerous renovations, the palace has an irregular plan, organized around two courtyards
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Irregular floor room decorated made with plaster by the carver
Federico Blasco González. Called Hall of illustrious figures because in it is can see a series of five imaginary portraits of Valencian illustrious people made in oil on canvas by Jose Brel Giralt (Valencia 1841-Valencia 1894). They are:
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On the upper level and decorating the balconies continue the allegories: the
Sciences and the Letters with representations of books and astrolabes personified in the goddess Athena-Minerva, as goddess of wisdom; the war is represented in the person of the goddess Athena-Minerva (again) as goddess of
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Historians say, that the house of the
Marqueses of Dos Aguas was considered in Valencia for centuries, as a paragon of nobility and opulence and that its fortune came from the year 1500, at which time a family of merchants, the Rabassa, was enriched, first with the commercial treatment and then with
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Hall composed of two sections with a paint in oval shaped in each of its sections. Represent two allegories of the Glory of Mary painted by José Brel in 1863. The first is represented the Mary's
Triumph over the Evil (as anagram and stepping the serpent) and the second Angels musicians sang praises
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Small room equipped with four cupboards hidden in the wall that was used to store equipment. It provides for the cupboards of large mirrors that ennoble its use. So named because originally provided a skylight illuminating the room, skylight that in the recent renovation has been deleted. Complete
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On the facade facing the street of Poeta Querol, it find a second entrance much simpler than the main, is known as
Entrance of the carriages, and already its name tells us what it was for. The door dated between 1864 and 1867 has oak woodwork, while the panels that decorate it are of walnut. The
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of the
Marquises, the shield of the Rabassa de Perellós family and its various noble junctions. Embrace or rather protect the shield, the figures of two savages with maces. So between its quarters it can find the surnames Perellós (represented by some pears), Rabassa, the lineage of the Lanuza,
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In the inner courtyard (Patio de la fuente) were replaced the Gothic windows for Rococo balconies with allegorical figures in clay (terracotta) alluding to the interests and tastes of the
Marquis. These figures are sometimes represented as gods and goddesses of Greek and Roman pantheon.
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Is named by the type of decoration that looks on its walls, a type of oriental decoration very popular at the time. The decor is work by José Flores Vela (Valencia 1816-1880) and his brother
Vicente Pérez Vela (brother only of mother). At the corners of the room some small temples of
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etc. The vault rests on four pechinas in stucco subject by
Atlanteans and decorated by Luis Domingo with the four parts of the known world represented by its allegorical animals: America with a caiman, Africa with a lion, Asia with an elephant and Europe with a horse.
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was responsible for decorating the mansion. The facades were frescoed by Rovira with allegorical themes and blue hues, but soon disappeared, being repainted in 1770 by José Ferrer, alias Ferreret (1728-1782), although this decoration eventually also disappeared.
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The access to the interior of the palace is via the main entrance. Crossed the hall, it enter the courtyard described above. From here a door flanked by two sculptures in the round of Carrara de Saint Agnes with a lamb in her arms and the goddess Ceres. Next to
550:(the horn of Almatea) from which it spilling fruits (allegory of Agriculture and Prosperity) and the other with a vessel at its feet from out coins (allegory of Justice and Magnanimity). Flank the Virgin of the Rosary two pairs of small winged
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The interior of the palace was also decorated with beautiful paintings and artistic marble on floors and halls, which were famous dances with the performance of singers and musicians who moved to Valencia, specially invited by the
854:. On the threshold of access to the lobby it found the shield of the marquisate flanked by two atlases with maces representing Iberia and Spain. From the lobby it can access the garden terrace or the Hall of illustrious people.
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313:, married in the early 15th century to Joanna Perellós, the only daughter of the wealthy Mosen Gines de Rabassa. The descendants of this marriage took the surname of Rabassa de Perellós. This family acquired by purchase the
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In which stands rectangular in the center of the roof, an oil on canvas in oval shaped with a representation of "The light fecundating to the Creation" by Valencian Rafael Montesinos Ramiro dated in 1862.
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COLL, Jaume (coord.) The artistic and historical heritage of the Rabassa de Perellós and the Palacio de Dos Aguas. Valencia: Friends of the National Museum of Ceramics and Sumptuous Arts González Martí,
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The walls of the walls are stuccoed with alabaster of the mines of Niñerola -where also were extracted the alabaster marble blocks that Vergara used to build the entrance of the palace-, near the
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In the plinth of the walls, high reliefs in plaster with scenes from the Old and New Testament made by Francisco Molinelli in 1866. Presided over the oratorio an altarpiece with an image of the
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Room intended for leisure and relaxation, where they smoked and drank coffee on the desk. The roof has a series of paintings by Julio Cebrián Mezquita made in 1890 with representations of
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The interior is painted and decorated by good artists of the early-19th century: the roofs of the Chinesca hall were painted by José Flores Vela, the ceilings of the Pompeian hall by
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The decor of the room in plaster is based on hunting, food, fishing, gathering and farm motifs. Highlights in this sumptuous decor, the four female busts (allegories of the four
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balcony with undulating parapets supported on braces. During these renovations, a second tower was also built on the northwest side (to the right of the main entrance).
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ALADANA, Salvador. “The cover of the Palacio del Marqués de Dos Aguas in Valencia. Notes for a symbolic study”. Traza y Baza, 1976, nº 6, pp. 89–97.
1059:"MUSEO NACIONAL DE CERÁMICA Y ARTES SUNTUARIAS "GONZÁLEZ MARTÍ" -PALACIO MARQUÉS DE DOS AGUAS" City Hall of Valencia's website. valencia.es/ayuntamiento
600:(in Roman mythology: Faun). In addition it stand out among the rockery ornaments two sets of metal letters with the initials MD (Marqués de Dos Aguas).
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exterior facades and splendid Gothic interiors added in 15th century, was constructed by the Rabassa Perellós family. In its origin and at the view the
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SEBASTIÁN, Santiago. “New iconographic-iconological reading the cover of the Palacio del Marqués de Dos Aguas”. Goya, 1989, nº 211-212, p. 60-64.
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1029:"Palacio del Marqués de Dos Aguas National Museum of Ceramics and Sumptuous Arts "González Martí" Rinconada Federico Garcia Sanchíz, 6 jdiezarnal.com
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a bronze bust of the creator and founder of the museum Don Manuel Gonzalez Martí. On the lintel two reliefs with allegories of silk and agriculture.
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On the canvas it can see allegories of the four parts of the known world, represented by female characters with allusive animals: Africa with a
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and Vicente Aznar Porcar. The dining by Rafael Montesinos y Ramiro, the ballroom by Salustiano Asenjo Arozamena, the bedroom of the marquis by
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In the 18th century, the manor of the Rabassa de Perellós underwent a radical renovation carried out in 1740 by the 3rd Marquis of Dos Aguas,
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Ramón Ximénez Cros (1862-1867) balustered the balconies, decorated with rockeries the jambs and lintels of doors and windows. Add figures of
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On a third level and the top of the balconies of the second floor six medallions with busts of various gods: Apollo, Athena, Dionysus,
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At a lower level it see allegories of the Fine Arts as female characters and related elements to the same: thus it see displayed the
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vases and porcelains. The oriental furniture is original of the time, is painted in black and is the work of Federico Noguera Picó.
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and a vessel by whose mouth pour the water. On this set one of the two great figures referred to above and higher up decoration of
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to Mary. In this painting it can read a caption that says Regina Coeli Laetare Allelvia (Hail Queen of the Heaven, Alleluyah).
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and covers. The decoration of balconies and windows is made in stucco, plaster or terracotta and the facades are painted with
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All this iconographic program is a true reflection of the tastes, interests, desires and base of the fortune of the marquis.
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and with three towers on three of its corners. Its elevation is developed on ground floor, main floor and second floor.
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nobility palace, historically important in the city. It is located in one of the most central locations in the city of
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the image of the Virgin was hidden, and if they were inside the palace the image appeared in full view to the people.
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with his trident and various utensils and marine animals as representing the maritime interests and finally the god
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In the center of the courtyard it was placed a small marble fountain whose central motif is a child who rides a
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represented by a woman who is on her lap and her feet the fruits of the land and the labor represented by a
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372:(1706-1765) as a sign of his power and lineage. The three main architects of the renovations were
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The space in which it is located is believed that was probably originally the field intended to a
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454:. It is made of alabaster by the Valencian, Ignacio Vergara Gimeno, founder and professor of the
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of the 1st and 3rd centuries, due to the findings in one of its courtyards on September 9, 1743.
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in his hands, god of the arts represented with various elements relating to this discipline.
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Between 1991 and 1998 was placed a glass skylight to protect the courtyard from the weather.
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representations of the same author. The furniture in the room is lush. On the wall there a
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In the composition of this magnificent entrance made in 1745 reference to the two largest
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In the upper body of the entrance, in a niche artistic, the image to natural size of the
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the decor of the room some cabinets with dining utensils put with decorative nature.
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Ebony rosewood and cabinet, iron, brass, tortoiseshell and brass. (c. 19th century).
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stucco simulating marble in gray and pink. The crests are decorated with terracotta
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The frescoes in the vault form a set of characters and gods of classical mythology:
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Climbing the stairs access to the first floor and the first room we found is the:
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This space is made in the 20th century to adapt the palace to its function as a
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structure entirely; it stands out above all its main entrance gives onto the
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with the horn of Almatea, alluding to the abundance; and right the goddess
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as deity of wisdom with shield, helmet and spear (the spear now defunct).
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goddess of hunting represented with various elements of hunting with a
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In the small square that forms this space there a romantic fountain.
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On the right side of the entrance it see represented two heads of
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among floral ornaments. In the corners four small roundels with
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Bien de Interés Cultural landmarks in the Province of Valencia
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González Martí National Museum of Ceramics and Decorative Arts
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pour water in clear reference to the title of the Marquises.
1049:, Architecture of the National Museums. Ministry of Culture.
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Palacio del Marqués de Dos Agüas, c. 1870, photographed by
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and is currently owned by the Spanish State. It houses the
511:. Complete the set diverse decoration of plant type and a
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294:). It is a stately mansion that was the property of the
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Palau del Marqués de Dosaigües designation1_date =
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Rocafull, Boil, Hijar and Maza de Lizana among others.
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Buildings and structures completed in the 18th century
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Buildings and structures completed in the 15th century
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and the toilets and the red hall by José Brel Giralt.
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Location of Palacio del Marqués de Dos Aguas in Spain
846:Chaired by a niche with a sculpture of the goddess
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46:. Unsourced material may be challenged and removed.
347:The building, originally long noted for the rich
996:) made in 1866 by José María García Martinez.
317:in 1496, being elevated to marquisate by King
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583:Fountain near the entrance of the carriages.
426:scenes, and the stairs were decorated with
418:Inside were placed pavements of polychrome
746:with caduceus and winged hat; the goddess
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442:Palacio del Marques de Dos Aguas, Entrance
411:On the entrance and protecting it built a
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106:Learn how and when to remove this message
917:influence intended to be decorated with
538:, chosen as special patron saint by the
456:Royal Academy of Fine Arts of San Carlos
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738:war; the trade represented by the god
683:. This same motif it can find in the
446:This renovation changed its previous
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1136:Buildings and structures in Valencia
702:(holding a plan of the palace), the
55:"Palace of the Marqués de Dos Aguas"
44:adding citations to reliable sources
465:of the Valencian community is: the
395:Current appearance, of 18th century
1141:Palaces in the Valencian Community
452:street of the Marqués de Dos Aguas
370:Ginés Rabassa de Perellós y Lanuza
264:Palace of the Marquis of Dos Aguas
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663:. Another recognizable figure is
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542:. At the foot of the Virgin two
325:the leases of the rights of the
272:Palacio del Marqués de Dos Aguas
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135:Palacio del Marqués de Dos Aguas
124:Palacio del Marqués de Dos Aguas
118:Historic site in Valencia, Spain
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819:and that names the marquisate.
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31:needs additional citations for
503:On the left side, a reclining
280:Palau del Marqués de Dosaigües
149:Palau del Marqués de Dosaigües
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1146:Rococo architecture in Spain
518:In the doorpost the complex
364:Building in the 18th century
343:Building in the 15th century
908:Far Eastern hall or tearoom
870:Hall of illustrious figures
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976:tapestry of 17th century.
810:Plácido Francés y Pascual
575:Entrance of the carriages
384:(1718-1767) (decorator).
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1102:39.4733194°N 0.3744028°W
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806:José Marcelo Contreras
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353:Plan of Father Tosca
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33:verification
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925:Dining room
708:agriculture
376:(painter),
211:Non-movable
130:Native name
1120:Categories
1000:References
994:Marquisate
758:, the god
657:Persephone
548:cornucopia
475:Atlanteans
405:J. Laurent
337:necropolis
96:April 2016
66:newspapers
825:St. Agnes
704:sculpture
590:rockeries
513:palm tree
486:crocodile
428:vegetable
321:in 1699.
276:Valencian
1043:Archived
947:elephant
919:Japanese
760:Poseidon
434:Entrance
420:azulejos
288:Valencia
177:Valencia
173:Location
980:Oratory
974:Flemish
966:cherubs
954:seasons
774:with a
772:Phoebus
764:Neptune
748:Artemis
740:Mercury
732:Minerva
720:Demeter
716:Olympus
712:spinner
653:scrolls
645:marbled
633:cherubs
625:Mercury
621:Jupiter
613:Minerva
564:trumpet
562:with a
544:matrons
479:buckets
413:corrido
282:) is a
268:Spanish
156:Catalan
142:Spanish
80:scholar
970:floral
939:parrot
915:Mongol
864:museum
768:Apollo
744:Hermes
728:Athena
694:Levels
665:Aurora
649:eagles
637:crests
594:fruits
552:sirens
520:shield
490:arrows
463:rivers
448:Gothic
357:Gothic
349:Gothic
284:Rococo
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1074:2005.
943:horse
848:Flora
834:Lobby
783:Flora
752:Diana
724:Ceres
661:Hades
617:Ceres
560:angel
509:giant
498:snake
471:Júcar
467:Turia
422:with
334:Roman
292:Spain
181:Spain
87:JSTOR
73:books
935:lion
891:and
776:lyre
756:deer
681:swan
651:and
592:and
505:lion
469:and
262:The
208:Type
59:news
1015:, "
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