Palace of Ajuda - Knowledge (XXG)

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number of windows on the upper floor have veranda-like railings, surmounted by smaller square windows. The three-storey towers are also divided by Tuscan and Tuscan-Ionic columns: the first floor, have three windows and sills with angular cornices on the outside and rounded cornices on the interior; the intermediary floor has a comparable number of windows, while the third floor windows are surmounted by smaller windows (much like on the panels). The southern lateral façade has three storeys, with 19 windows in succession, comparable to the main entrance, although there are a series of niches at the base. The uncompleted western façade show signs of vestiges of various dependencies with a wall of open window sills/arches with Tuscan pillars and access to the central courtyard by three rounded arches. Embedded in the vast foyer with a vaulted edge supported by Tuscan columns, has twenty-two marble statues, some signed and dated.

3298: 2218:), was used for visiting ambassadors and members of the diplomatic corp, who waited in this room before being presented in the throne room. This room is full of classical motifs, presenting a ceiling with animals, figures and chariots, based on a Greek frieze, with painted walls and inlaid parquet floor. Three of the walls have tapestries with royal coats of arms and the last with a fireplace surmounted by mirror, with chairs assembled for the gathered visitors, all accented in red velvet and gold, and two large ornamental vases. Alongside is a small antechamber used so that visitors could wait as their name was presented to the monarchs, before appearing in the throne room. On the walls of this room are portraits of 2505: 1535: 2397: 2325: 2313: 1361: 36: 2445: 1720:), since it was used by King Luís and Queen Maria Pia to as a waiting room for formal guests. On the semi-vaulted ceiling there is an allegorical mural representing King John IV's departure for Brazil. In addition to various paintings and architectural elements, there are wooden cornices and a parquet floor, while over four doors there allegorical paintings interspersed by the eight large tapestries. The hall is occupied by a large desk with many gold-leaf wooden chairs covered in red velvet, with polished crests and chiselled bronze elements. 1558: 2409: 1955:), clad in green silk, with a white painted ceiling with golden elements, decorative paintings (including a large 1876 portrait of the royal family by Joseph Fortuné-Séraphin Layraud), green drapery and a parquet floors with geometric elements. A large fireplace/stove in white marble occupies one wall in rounded Rococo-style decoration, protected by the fire-guard in gold metal. This was a private room, used by the Queen to conduct official duties or receive visitors, but as well was the room where she gave birth to the royal heir 351:, very connected to regal authority, with the birth of the Neoclassic style from Italy. Further interruptions occurred, due to a lack of funds, political sanctions or disconnection between the workers and the authorities responsible for the project. The project was modified several times, but was generally authored by Manuel Caetano de Sousa (the last Baroque architect) and, later, Costa e Silva and Fabri, both of them Bolognese architects whose tastes crossed the architectural spectrum, but in which Neoclassicism predominated. 1547: 2481: 2457: 2373: 2433: 1245: 2349: 2469: 739:. With a new simplification of the plans, architect António Francisco Rosa continued the structural works. During this phase, painters Taborda, Sebastião José Alves, José Joaquim de Sousa, Bernardino de Sena Lemos da Rocha, Arcangelo Fuschini, Máximo Paulino dos Reis, Joaquim Gregório da Silva Rato, Piolti, João Pereira, José Pedro de Carvalho, and mason António Joaquim de Faria worked at the palace. In 1823, the staircase was decorated by painter Norberto José Ribeiro, and in 1825 2493: 2070: 2301: 1878:), which is not actually blue, is covered in white and gold silk walls and drapery, with matching chairs and cushioned sofa over a parquet floor. Between 1863 and 1865, it was remodelled by Possidónio da Silva in order to provide a Royal sitting room in the tastes of Queen Maria Pia. Avant-garde for its time it included visual effects that proportioned the space, including two grand mirrors on opposite walls (one over the fireplace and the other between two windows) and a 2089: 2060:, although the Queen was known to play with the King on occasion or with her piano teacher, Mrs. Cart. The room is an elaborate extension of the adjacent Dining Room, with a parquet floor, a wood fireplace, lateral wooden pilasters and dark wood grain-coloured walls, with a series of long bunk sofas against the walls. The large wood fireplace is composed of carved wood with cherubs and built-in mirror, while the central pool table occupies the majority of the space. 2078: 2421: 2337: 2046:), a private dining room was never planned in the 1802 design of the Palace, but by 1880 there was a need for a communal space. The final room was decorated in red silk and rich wood grain trim from floor to ceiling, with a wood fireplace/stove on one wall (surmounted by a large mirror), while the opposite wall provides an entrance to adjacent Billiard Room. The floor is cover in inlaid parquet floor with a bronze lustre. 1854:. The walls are painted simply in white with gold trim, divided in square panels, while the floor is paved in parquet. An ornate bed, table and white-velvet chairs decorate the room, with a writer's desk along one wall, while statues stand in the window niches on the opposite wall from the bed. Paintings of many of the Portuguese monarchs are located on one of the walls, while over the desk the full-size painting of King 1372: 596: 684:), the painters Vicente Paulo Rocha and João de Deus Moreira, painted the base boards, following the designs of Manuel Piolti (since José Francisco Ferreira quit the project). By May, Volkmar Machado proposed a new eastern façade, with a triangular apex and allegorical sculptures, alluding to the expulsion of the French during the Peninsular War, but the project was dropped. Between 1819 and 1920, sculptures of 2361: 2165:) totally decorated in natural silk, forming a tent-shaped ceiling, with chandeliers and small metal lamps, Chinese porcelain, and red doorways with gold trim, in Oriental motifs, completed by José Procópio Ribeira in 1865. From this place visitors to the monarchs residence, for galas or ceremonial events, were stratified into various rooms, depending on class structure, until the reaching the throne room. 2385: 2244:, with a bronze crystal chandelier, walls draped in red silk and floor covered in parquet and Aubusson carpet. On a small two-step platform are the two thrones of Luís and Maria Pia under a red draped canopy. The passageways, covered in drapery are surmounted by ancillary windows that permit light to cascade into the space. Red velvet chairs and bunks are strategically located around the open space. 583:(who created three sculptures), Carlo Amatucci (some), João José de Aguiar, and his assistant Gregório Viegas (executed ten statues), Joaquim José de Barros Laborão and Manuel Joaquim Laborão (completed six statues), while Faustino José Rodrigues and his son, Francisco Assis Rodrigues, were contracted to complete three sculptures. In 1803, Carlos Amatucci completed the sculpture of 1792:(by Volkmar Machado and Taborda), while the mouldings feature military motifs. On side of the room is an Italian black marble fireplace/stove, comprising two ionic columns, supporting a frieze ornamented by flowers and cornice, with fire-guard in metal. The parquet floor is formed into a geometric pattern and the space decorated with several gold-velvet chairs, large vases, 1523: 401: 2288:, months, seasons, and other allegorical figures, illuminated by three large bronze crystal chandeliers, and an upper gallery for musicians, who would play for visiting guests and diplomats. The opposite wing was altered by the adaption by actual activities in the space, and includes a staircase in the vestibule to connect the upper spaces and rooms. 2112:), which is preceded by a gallery with many of King Carlos' works of art. The room is lined with carvings in white, with a paneled ceiling, supported by equally spaced cornice and corbels, with windows framed by arches and canopies of false parapets, as well as a wooden staircase guarded by four foils leaked, the floor is parquet motif geometric. 1511: 896: 409: 339:. Lack of financial resources would also result in the scaling down of the project. The construction of the Ajuda Palace, which began in 1796 and lasted until the late 19th century, was a project plagued by various political, economic and artistic/architectural problems. It was invaded by Napoleon's troops in 1807, and discontinued by 754:, moved in. It was proposed to the architects that the project's scale be reduced, encompassing only one-third of the original design, making the eastern façade the main entrance and erecting a tower at the southern end. Its plan now reduced in half, it included one block, the construction of which was immediately interrupted by the 619:). Yet, Junot insisted that the building should continue. But in 1809, the French invasion of the Portuguese territory finally caused the suspension of the project. By 1812, Francisco Fabri returned to chef the project, since José da Costa e Silva had also joined the royal family in Brazil. Fabri's model was based on the 1003:) received new ceiling stucco with bas-relief ornamentation and gold-leaf. Renovations also proceeded in the palace chapel, Queen's washroom and dining room by Leandro Braga, who was also assisted by Atelier responsible for the King's painting studio and personal library. It was during this remodelling that the painting 1607:), named because it was occupied by the guard of honour (from 8:00 a.m. until 11:00 p.m.), is a hall illuminated by two windows and three rectangular doors, all with golden metal shields and covered in decorative paintings representing military victories. The vaulted hall ceiling is painted by 1307:

A new green-space was created to enhance the front (eastern) façade of the building in 1961, but in 1974 a fire destroyed a significant part of the north wing. Between 23 and 24 September the fire consumed King Luís' painting gallery and part of the north wing, which included 500 paintings, including

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In 1802 Manuel Caetano de Sousa died, and by 26 June, da Costa e Silva and Fabri were appointed official architects. Da Costa e Silva and Fabri respected what was already constructed, but introduced necessary alterations to change the royal palace into a more dignified, serious and majestic building.

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and crosses of the military orders, with the walls covered in pink silk and the floor in parquet. On one end is an enormous oak wood fireplace/stove, with several glass display cabinets with ornate friezes and cornices aligned on either side. The chimney and stove are adorned by golden phytomorphic

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elements and arms of Portugal and surrounded on several walls by paintings and . In the centre are musical instruments (although the King Luís was a baritone, he also accompanied with his cello, while the Queen was a pianist), which are surrounded by velvet-lined bunk seating and several paintings.

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The vestibule is the main access to the palace, the Library and Exhibition Gallery, which by is made through the vestibule, through a monumental staircase and rounded arches. The ample courtyard is paved in Portuguese calçada, and is surrounded by two four-storey tall wings (north and south): the

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to develop a plan to complete the building, which was deferred owing to the costs associated with the project. But the Republican government did inventory many of the furniture and artwork, and along with many of artefacts from other palaces, stored them in the Ajuda Palace. In 1938 the palace was

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Manuel Caetano da Silva Gaião joined the project in 1815 to assist the team. In 1817, Francisco Fabri died, and was replaced by his assistant, António Francisco Rosa, who was forced by the Royal Treasury to curb the scope of the project. Several individual projects were completed in 1818: Domingos

2262:), was used as the formal ballroom, and features an upper gallery (for the musicians) opposite the entrance, while two full-length portraits of Luís and Maria Pia flank the entrance. The walls are covered in red silk, with the ceiling divided into seven panels, the central showing the allegorical 1120:

By the end of the 19th century, new exterior restorations had begun, under the direction of Domingos Parente da Silva, while new additions continued within the interior: in 1875, a sculpture of Maria Pia was completed by Cesare Sighinolfi; in 1876, a painting in miniature of Luís and Maria Pia by

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Between the central body and towers are eight panels consisting of two-floors and a mezzanine, each panel divided by two orders of columns: on the first floor Tuscan and on the second floor Tuscan-Ionic columns. The first floor windows are moulded and trimmed sills with cornices, while a similar

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On 27 July 1820, a meeting was held by the royal palace inspector, da Costa e Silva, Volkmar Machado, de Magalhães, Rosa and da Silva Gayão to decide upon the first design for the eastern façade, or a new composition by Volkmar Machado. During these meetings the project for the vestibule was

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and/or Francisco Xavier Fabri (as long as it economized on the project costs). But, Manuel Caetano de Sousa designed an overcomplicated and intricate Baroque building (which was later criticized by da Costa e Silva and Fabri in 1801). But, with mounting confusion and difficulties between the

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to abandon the Palace of Necessidades. After being acclaimed king (22 December 1861), Luís moved temporarily with to the Palace of Paço de Arcos, while remodelling occurred at Ajuda to adapt the building to become the new royal residence. At the same time, a match was made between Luís and

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marble fountain, with tank and pinnacle structure. The fountain is surrounded by three bronze cranes, busts, two huge ornate bird cages, vases and cushioned chairs, typical of the outdoors. Potted and hanging plants also circle the room, which gives the impression of an enclosed outdoor

766:, but was mysteriously removed from the project to be replaced by Nicolau Pires. In 1830, António Joaquim de Faria, responsible for many of the stonework within the palace, also died. Similarly, three years later, Sebastião José Alves died, being succeeded by Joaquim José Ventura Alves. 2019:(changing room and toilette), and also continues the original carpeted space from the Queen's bedroom, with large three-pane standing mirror, fireplace, chest of drawers and commode. It is decorated in rich brown and gold trim, phytomorphic elements and paintings of the figures of 716:) was completed by da Cruz and Taborda. In 1820, a new project for the south and eastern façades was authorized, which included a system of ramps and staircases created by Rosa. Metalsmiths João Pereira and Manuel António, and carpenter José Joaquim de Sousa completed the project. 995:, the walls were lined in pink velvet to house a collection from Saxony and the ceiling stucco was painted with representations of birds and views of Italy and Lisbon, by Giuseppe Cinatti and Achille Rambois, while the furniture was selected by Krieger, Suc. Racault of Paris. The 1490:, extending to two lateral towers. This façade is two floors high, the inferior level marked by three arches, surmounted by (and separated by) Tuscan-Ionian columns supporting the secondary floor/veranda. On the second floor of the main body, the space is protected by 2154:

for the monarchs King Luís and Queen Maria Pia, with a wide crown moulding, decorated with stars and military motifs on a very prominent cornice and meandering ornate frieze. The walls are covered with draperies of comparable fabric, while the floor is covered in

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in Lisbon, the King ordered the construction of a more permanent wooden building in the heights of Alto da Ajuda; the architects Petrónio Mazzoni and Veríssimo Jorge began building an elaborate structure from wood collected from the Vale de Figueira pinery. The

2100:. The enclosed staircase, is decorated with flourish carvings on the ceiling from the lower floor, which zigzags to the upper landing decorated with rounded stained glass with the royal coat of arms and painted ceiling. On the second floor of the palace lies: 1296:) branch examined the building to determine its condition (in 1956), which also predicted a large investment to completely restore the palace. After a period of restricted access (between 1940 and 1968), when only people who had an authorization card from the 2035:

over the doorways. The actual bathroom, more practical then decorative, nonetheless, includes decorated with painted mouldings and rich wood trim, and includes bathtub, double lavatory, double sink and bide, hygienic innovations that came from England around

2280:), the room is a long hall that includes two long tables for visitors and the main table (which intersects the other two) for the royal family. The ceiling is painted with an allegorical depiction as a tribute to John VI, depicting a sun chariot with 646:

Sequeira returned to direct the painting of the palace; the model for the south tower, authored by José Joaquim de Sousa was completed; on 26 September the vaulted ceiling was erected in the vestibule; and on 12 November, the decorative works in the

468:) was reconstructed from 1767 to 1786 by Giacomo Azzolini. The court remained at this site for nearly three decades, in a luxurious atmosphere of the golden age of enlightened despotism, until the King's death in 1777. Since his successor, Queen 728:), its access ramps and staircase; and the painting designs for the rooms by Piolti, which were executed by Anacleto José Narciso, Eugénio Joaquim Álvares, Eusébio de Oliveira, João de Deus, José António Narciso, José Tomás and Vicente Paulo. 556:

architects and contractors, on 21 January 1802, da Costa e Silva and Fabri were invited by the Crown to present a new project, in conjunction with António Francisco Rosa and Manuel Joaquim de Sousa, while excluding Manuel Caetano de Sousa.

1900:), an annex that served as a smoking-room, during a period when the men and women socialized independently. The space trimmed in oak, red-velvet drapery and chairs is decorated with paintings of King Luís's favourite ships, as well as oak 1981:), was lined with silk, the plaster ceiling is decorated with flowers, birds and butterflies; today its austere space is used to exhibit some toys and objects associated with the Infantes Carlos and Afonso. Located to the right of the 1611:

with the Portuguese Royal coat of arms, the windows and doors surmounted by paintings, and the floor, while paved in parquet, is covered partially in carpet. It is currently used as the principal entrance for visits to the Palace and

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main floor, with central arch and doorway is flanked by rectangular windows surmounted by smaller square windows; and the superior floors, are composed of veranda-windows with simple frames and cornices and balusters/guardrails.

2015:. The room is decorated in religious iconography, ornate wood furniture and highlighted by a large canopy bed (also in blue, gold and silver colors), while the floor is covered in carpet, with a polar bear hide. Alongside is the 1463: 1945:), a small room in pink silk, the room was specifically created to display the Queen's porcelain collection, with many figurines on display on sills on the walls, with the furniture painted in pink or cover in pink velvet. 1846:), covered in wood paneled wainscoting, painted white and gold remains as one of the few rooms in the Palace painted in its original un-restored wall colors. The painted ceiling, depicting an allegorical representation of 761:

In 1827, Piolti died, leaving behind the decorative painter António Inácio Vieira in charge of the interior design. Work on site began, and quickly ended in 1828, by the English mason John Johnston. He was responsible for

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framed by phytomorphic elements, with walls lined with red silk and a parquet flooring. The room is dominated by the full-length portrait of the 33-year-old Maria Pia in blue and white ball gown, opposite a portrait of

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One of the earliest neoclassical buildings in Lisbon, the palace is an irregular rectangular building, divided into four wings (with the western wing being incomplete) around a large quadrangle, paved with Portuguese

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Another attempt to renovate the palace was proposed in 1944, in a new project by Raul Lino, but never materialized, and in 1956, Arantes e Oliveira commissioned Raul Lino, once again to elaborate a new project. The

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With the start of Liberal and Absolutist factionalism, the country entered into a period of fragile stability, and the project, already moving slowly, stopped in 1833 with the entry of liberal forces in Lisbon.

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in geometric designs. Each wing is occupied by distinct entities: the eastern and southern wings are occupied by museum exhibitions of the Palace of Ajuda; the northern wing belongs to the installations of the

551:. The intervention of many architects resulted in a royal decree (9 December 1801) that stated that alterations to the project could only be made in agreement with Manuel Caetano de Sousa, Joaquim de Oliveira, 875:

attempted to complete the palace, under the revised plan of Joaquim Possidónio Narciso da Silva, but was unsuccessful. Yet, some projects continued inside the building: in 1836, the antechamber of the

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began to reside in the Palace of Necessidades, the palace (although residence of the Queen Mother) was reserved for official ceremonies, including banquets and receptions, such as those in honour of

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and João da Silva Moniz. When António Francisco Rosa took over the work in 1818, the project progressed at a slightly accelerated pace, on the assumption that the royal family would return. But, the

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During the second half of the 19th century, new works in the palace were specifically done to adapt the existing space to a permanent royal family residence: the windows in the antechamber of the

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by André Monteiro da Cruz was completed; in 1837, several paintings were repaired by Joaquim Rafael; in 1844, busts of the monarchs in wax were ordered, by Joaquim Rafael; and the sculpture of

1626:) was used to announce visitors, and consists of a false cupola to squares, formed by plain columns and Corinthian capitals that support triangular pediments. At the centre is an allegory of 3451: 731:

By 1821, when John VI of Portugal returned from Brazil, the palace had not yet been completed, and only permitted some state and ceremonial protocols (such as John's investiture in the

1971:) was used throughout its history for various purposes (washroom, oratory, workroom or writing room), and today displays various portraits, busts, chest of drawers and writing table. 3906: 1776:), another room with flattened vaulted ceiling, this space was used for state functions, and the King resolved official duties, typically on Thursdays. Its ceiling is painted with 3148: 923:

In order to become liveable, the King directed Possidónio da Silva and Costa Sequeira to renovate and remodel the building, primarily based on the tastes of the Queen. The old

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of France. Carlos made few changes to the palace, although he was responsible for ordering two large pots in Berlin from the Parisian factory of the Duke d'Angoulême, for the

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Over time, the project underwent several periods when the construction was stopped or slowed due to financial constraints or political conflicts. When the royal family had to

3490: 1407:(west). Although the palace occupies a block on the heights of Ajuda, its delineated space extends to several gardens and lands around the main building. This includes: the 3525: 700:

by Taborda (1766–1836) were completed, its doors first started by Piolti (1770–1823); the metal shields on the doors were provided by the Army arsenal; the ceiling of the

464:) was completed on 20 September 1761 (and the first baptism was held in its chapel), but, owing to risk of collapse, the theatre (which was considered a risk by architect 4513: 1999:

of 1861, which was popular in Europe at the time, and includes walls in blue silk with a silver pattern, surmounted by a ceiling painted with allegorical depictions of

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by Volkmar Machado, with perspectives by Piolti, figures by Joaquim Gregório da Silva Rato and ornamentation by André Monteiro da Cruz; skirting by bronzer and gilder

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Dias, Gabriel Palma (20–23 June 1994), "Os Primeiros Projectos Para o Palácio da Ajuda - O Desenho e a Realização de Manoel Caetano de Souza e Imediatos Seguidores",

638:(and his assistant Oliveira Góis), and Máximo Paulino dos Reis as painters, while decorator Manuel Piolti took over the interior layout. In 1814, Cyrillo painted the 2175:), with a wainscoting painted in pink, and walls covered in silk, the ceiling has ornate motifs, and meandering frieze, while the floor is covered in inlaid parquet. 4463: 2096:

During State functions or celebrations, invited guests would enter via the vestibule and ascend the main staircase to the second floor of the Palace by way of the

4926: 4473: 3891: 3101: 3069: 3046: 2960: 2928: 2841: 2818: 2795: 2772: 2749: 2726: 2132:), its walls painted are painted beige, with wainscoting and trim adorned with geometric elements and foliage, respectively, and focused on a panel representing 899:

Joaquim Possidónio Narciso da Silva, one of the many architects that were involved in the construction, remodelling and renovations at the Ajuda Palace over time

4916: 3297: 2504: 1868:), continues the wainscoting and painted friezes that adorn the main bedroom, and topped by coiled phytomorphic elements, that are repeated higher on the walls. 2567: 2266:, from which hang three crystal chandeliers. Along one wall is a large landscape depicting the return of John VI from Brazil, opposite windows and two mirrors. 1344: 560:

Consequently, the plan was simplified and reduced to a core structured around two courtyards, with the same level of ornamentation, but now much more refined.

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all work on the palace ceased and was closed, beginning a new phase of neglect that would later result in the flooding of the library by rainwater in 1925.

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refused to live under a residence of masonry, and took refuge in a wooden cabin next to the Palace of the Counts of Óbidos (packed with tapestries from the

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by Cirilo Volkmar Machado that includes figures, mythical figures and flowers in each corner, while the main ceiling is designed as a fanciful open-air

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of Italy, who were married in 1861; on 16 April 1862, the new King and his wife, moved into the palace transforming it into the formal royal residence.

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were executed by António Joaquim de Faria and the contractors Francisco de Paula, Severiano Henrique Pereira and Leandro Gomes. On 15 February, in the

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was destroyed by fire, although the fire-fighters were able to save the library and church. A more permanent dwelling was conceived by the architect

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On the main floor entrance hall, with a succession of the museum in lateral directions, there is a staircase beside two niches with the figures of

3901: 3333: 373: 4871: 4127: 4054: 3615: 3565: 4911: 3896: 3871: 2396: 579:, Fuschini and Calisto, while Italian decorators Manuel da Costa and Giuseppe Viale were hired to decorate the mansion. Similarly, sculptors 3192: 4846: 4720: 3989: 3212: 2444: 4660: 2276:), the grand dining hall for state dinners and ceremonial events (such as the acclamation of Miguel as King and the wedding of Carlos and 2122:), is a space covered in oak wood serving as library, including panels, doors, trim and the fireplace (flanked by two Atlantean warriors). 856:

in 1829, and the death of the architect Rosa, resulted in a slowing of the project, and the affected the north wing which fell into ruin.

4811: 4152: 3134: 2408: 4107: 3550: 2312: 2136:. A parquet wood floor with various shades of embossed wood cover the floor, while a bronze crystal chandelier hangs from the ceiling. 2056:), which replaced an older room on the second floor, and occupied King Luís after dinner, as the Queen and guests would retire to the 3911: 3560: 3535: 2480: 435:, the royal family was in Belém, and escaped the destruction of Lisbon by the earthquake and tsunami. Perturbed by the events, King 4710: 4680: 4428: 362:, their architect, Possidónio da Silva, introduced many aesthetic changes and turned one of the lateral façades into the main one. 3425: 4861: 4665: 4615: 3974: 3816: 3217: 2372: 747: 3979: 3733: 3683: 3643: 3267: 2456: 2146:), a relatively small rectangular space, with a plane ceiling, it is adorned with an allegorical scene, depicting the initials 789:) was decorated with a new rug, produced by the English firm Thomas Bontor & Company, which also produced new rugs for the 344: 2432: 4836: 4117: 3984: 3921: 3886: 3876: 3591: 2300: 4508: 4162: 4024: 3445: 1534: 365:

Most of the palace interiors were designed during King Luís I's reign by his wife, Queen Maria Pia and Possidónio da Silva.

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protecting the three Roman arch-windows, surmounted by a frieze of garlands, and divided by six Tuscan-Ionic columns.

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and various plans, which envisioned the completion of the uncompleted wings and the extension of the gardens to the

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Diccionario Historico e Documental dos Architectos, Engenheiros e Construtores Portuguezes ou a serviço de Portugal

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The main Throne Room on the second floor of the Palace, with two thrones reserved for King Luís and Queen Maria Pia

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In 1814 and 1815 work progressed in the rooms and staircases that were completed, with Taborda, Fuschini, Calisto,

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and his disciples. On this floor, in a linear path, the visitor follows through the following chambers and halls:

1557: 1360: 1339:). The plan would also include the construction of two residential zones nearby that would cover 75% of the work. 388:

A depiction of how the palace was originally meant to look like once completed (detail of an 1802 portrait of the

35: 4568: 4395: 4370: 3771: 3766: 3584: 3282: 3277: 1588: 1312:. It was partially transformed into a museum in 1968, and served as the headquarters of the Ministry of Culture ( 1257: 580: 321: 285: 80: 511:

building, but the construction was interrupted shortly after. As of 19 May 1796 the project was supplied by the

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that reduced the power of the royal family. Artistically, it was a convergence of the Baroque styles from the

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remained in residence at the Palace of Necessidades following the death of the King and Crown Prince in the

1029:; an inlaid table was completed by Focentino Eugenio Azgnani (a wedding gift to Maria Pia, from the city of 871:'s age of majority, swearing allegiance to the Constitutional Charter in the throne room on 30 August 1834. 705: 661:, still in Brazil, began to show interest in the project, and presented the designs to his local architects 540: 500: 336: 335:

by French troops, the work proceeded very slowly with Fabri taking charge of the project, later followed by

305: 1085:; the execution of a bust of King Luís I, also by Anatole Calmels; in 1869, the execution of the sculpture 4760: 4745: 4695: 4385: 4112: 4072: 3916: 3781: 3713: 3658: 3480: 3440: 3262: 3202: 3026:(in Portuguese), Lisbon, Portugal: Serviço Educativo do Museu do Palácio Nacional da Ajuda, pp. 25–27 2360: 2336: 1568:

The interior is laid out with interconnecting halls, with a central corridor of staircases and elevators.

635: 432: 301: 4245: 2686: 1025:

Other additions to the palace followed in subsequent years: in 1863, a bust of Maria Pia was executed by

642:. In April 1815, the quarry of Lameiras was appointed to extract rock for the columns of the main floor. 4640: 4523: 4483: 4443: 4142: 4092: 3881: 3846: 3540: 3287: 3197: 1244: 1229: 1181: 1050: 1034: 473: 214: 4548: 4250: 3633: 2208:), the ceiling in this space is painted blue, with phytomorphic elements and festive elements in white. 908: 412:

An 1870 illustration of the Ajuda Palace, during its time as residence to the royal family of King Luís

355: 1158: 1037:(1809–1877); Maria Pia solicited Possidónio da Silva to substitute the painting in the ceiling of the 503:(with a secondary project under the supervision of German Xavier de Magalhães). It was conceived as a 4790: 4750: 4685: 4563: 4558: 4528: 4438: 4285: 4255: 4225: 4220: 4185: 4087: 4029: 3861: 3743: 3668: 3653: 2384: 1392: 1349: 872: 868: 864: 751: 575:

were contracted to paint the property, accompanied by Joaquim Gregório da Silva Rato, Manuel Prieto,

528: 504: 41: 1482:

The building evolved to a two-three storey structure, on an inclined plot of land, with a façade of

1142: 544: 4780: 4770: 4705: 4650: 4365: 4034: 3969: 3964: 3738: 3728: 3530: 3520: 3475: 3430: 3405: 3390: 3187: 3158: 2219: 2069: 1964: 1751: 1313: 952: 940: 846: 732: 658: 532: 508: 488: 469: 425: 389: 300:. Built on the site of a temporary wooden building constructed to house the royal family after the 280: 268: 3121: 2899:(in Portuguese), Lisbon, Portugal: Real Associação dos Architectos Civis e Archeologos Portugueses 2088: 1640:), as its name implies is the location of eight Spanish tapestries of various sizes, representing 1630:, with two medallions flanking it, representing John VI and Carlota Joaquina, over parquet floors. 1180:

After the death of her husband, Queen Maria Pia continued to live in the palace with her son, the

773:

were completed by Paul Sormani; new lace draperies from Switzerland were hung in the windows; the

4826: 4821: 4655: 4602: 4082: 4039: 3831: 3801: 3796: 3748: 3673: 3375: 3322: 3227: 2241: 2133: 1956: 1855: 1755: 1365: 1185: 1150: 1138: 1122: 1011: 947:). Possidónio da Silva also covered the ceiling murals with a painted ceiling covered in genies, 932: 917: 913: 830: 608: 436: 417: 359: 4360: 3415: 1093:; a painting of the King was also completed by the painter António Rodrigues da Silva; in 1870, 3115: 1077:

was completed by Godefroy, a joiner in the Belgian Royal House; the execution of the sculpture

4715: 4538: 4418: 3708: 3703: 3688: 3607: 3515: 3510: 3485: 3435: 3327: 3177: 3095: 3063: 3040: 2954: 2922: 2835: 2812: 2789: 2766: 2743: 2720: 2277: 2028: 2020: 1832: 1747: 1090: 1066: 984: 880: 834: 620: 568: 564: 393: 1486:

limestone. The main symmetrical façade is oriented towards the east, with a central body and

1220:). Similarly, on the occasion of the King Edward VII's visit, he also ordered new chairs for 354:

When the palace finally became a permanent residence of the royal family during the reign of

4775: 4700: 4423: 4325: 4315: 4200: 4137: 4132: 4077: 4067: 3999: 3866: 3851: 3821: 3806: 3723: 3718: 3628: 3410: 3400: 3370: 3182: 3126: 2223: 2024: 2012: 1996: 1901: 1324: 988: 624: 572: 477: 4856: 4675: 4433: 4350: 4335: 4320: 4295: 4210: 4195: 4009: 3959: 3949: 3678: 3385: 3365: 3272: 2236:), is a large space that occupies the southern tower of the Palace, with a ceiling of the 1233: 781:) was partitioned, with a lowered ceiling, and used as an office space with washroom; the 736: 428:; and the third reserved for a summer residence that never materialized during his reign. 348: 4345: 3944: 3360: 421: 4755: 4735: 4645: 4635: 4305: 4044: 4019: 4014: 3994: 3663: 3638: 3420: 1423:), in the north-eastern corner fronting the palace; the clock-tower, also known as the 1379:

The Ajuda National Palace is located on a hilltop of the central part of the parish of

1371: 1264: 1205: 1166: 1154: 1098: 740: 616: 595: 444: 332: 3576: 1375:

The southwest corner of the courtyard, showing the wall of the incomplete western wing

1323:

In 1989, the president of the IPPC, invited civil engineer Garcia Lamas and architect

4890: 4670: 4478: 4260: 4004: 3954: 3826: 3786: 3317: 3222: 1828: 904: 853: 524: 2560:

IGESPAR - Instituto Gestão do Patrimonio Arquitectónico e Arqueológico, ed. (2011),

404:

A plan of the Ajuda Palace (1866), by the Association of Portuguese Civil Architects

4468: 4340: 3505: 3257: 3252: 3247: 1985:, at one time there were Portuguese medallions and paintings of Italian landscapes. 1209: 1197: 755: 1364:

The interior façade from the palace courtyard looking towards the statue of King

1109:) by Joseph Godefroy; in 1874, paintings of the Princes Carlos and Afonso in the 654:) were cleaned by contractors Severiano Henrique Pereira and Francisco de Paula. 4740: 4625: 4448: 4310: 4205: 3395: 2852:

Plano de Pormenor de Salvaguarda da área envolvente do Palácio Nacional da Ajuda

1388: 1026: 628: 1831:, white and gold, with eight medallions representing the arms of Portugal, the 963:

stones (gifts from the Viceroy of Egypt) in addition to Portuguese marble. The

845:). Miguel also inhabited the palace for six months as the royal residence, the 424:; on the second parcel an oratory, which was eventually expanded, becoming the 4725: 4488: 3693: 1449: 1201: 1189: 960: 512: 3008:(in Portuguese), vol. 1, Lisbon, Portugal: Ministério das Obras Públicas 2999:(in Portuguese), vol. 1, Lisbon, Portugal: Ministério das Obras Públicas 2990:(in Portuguese), vol. 1, Lisbon, Portugal: Ministério das Obras Públicas 1348:, under Decree-Law 120/92. The palace's bibliothèque is the namesake for the 603:

By 1807, the painters, sculptors and decorators had been contracted, but the

120: 107: 4573: 4458: 4453: 4403: 3500: 1613: 1309: 1268: 829:

These changes were primarily due to the increase use of the palace. In 1828

536: 2895:

Freitas, Jordão de (1909), "A Capela Real e a Igreja Patriarcal na Ajuda",

2897:

Boletim da Real Associação dos Architectos Civis e Archeologos Portugueses

1522: 979:) was decorated tapestries found in the space (which were produced by the 4806: 1491: 1328: 1248:

Modern facade of the western wing, completed in 2021, which contains the

1053:, was substituted by one commissioned by Felisberto António Botelho; the 548: 297: 2185:), a fairly wide room, with a ceiling painting feature the depiction of 2092:

Painting of Queen Carlota Joaquina in the antechamber of the Throne Room

903:

Following the tragic deaths of members of the royal family in 1861 from

400: 4300: 2032: 1931: 1327:

to elaborate a project to finish the palace. The designers created two

599:

The eastern façade (and main entrance) to the Palácio Nacional da Ajuda

520: 309: 1930:

gifted to the royal family by the Portuguese Viceroy to Egypt, with a

1510: 1161:; in 1890, the portrait of Infante Carlos for the ante-chamber of the 1010:

In the meantime, on 28 September 1863, the Infante Carlos (later King

320:

and Francisco Xavier Fabri, who planned a magnificent building in the

4330: 4290: 2281: 1923: 1851: 1812: 1793: 1483: 1399:

on the eastern side of the property, but it is also transited by the

1384: 1030: 948: 313: 293: 90: 70: 1746:), which is a small room, with a ceiling painted with the figure of 895: 631:, with four main towers at its angles: the works restarted in 1813. 627:. He envisioned an ample palace design, directed South, towards the 408: 2084:

by Marciano Henrique da Silva, in the private Library of the Palace

1137:

by Mardel Magalhães was begun; a painting of a canvas representing

746:

The palace began to be used as a royal residence in 1826, when the

4280: 2881:(in Portuguese), Lisbon, Portugal: Fundação das Casas de Fronteira 2285: 2087: 2076: 2068: 1927: 1750:

and scenes from the hunt, while over the doors representations of

1556: 1545: 1533: 1521: 1509: 1469:

Institute for Architectural Management and Archaeological Heritage

1380: 1370: 1359: 1243: 956: 894: 594: 515:

Francisco António and Joaquim Baptista, who brought in stone from

443:). As the royal family continued to fear for the viability of the 407: 399: 383: 289: 3081:(in Portuguese), vol. 3, Lisbon, Portugal: Imprensa Nacional 2981:(in Portuguese), Lisbon, Portugal: Ministério das Obras Públicas 2972:(in Portuguese), Lisbon, Portugal: Ministério das Obras Públicas 195: 3580: 3130: 3017:(in Portuguese), Lisbon, Portugal: Livraria Universal - Editora 2908:(in Portuguese), Lisbon, Portugal: Fundação Calouste Gulbenkian 2904:

Godinho, Isabel Silveira; Ferreira, Maria Teresa Gomes (1987),

1464:

Instituto de Gestão do Património Arquitectónico e Arqueológico

1177:) commission by António Moreira Rato & sons was installed; 1149:

by Simões de Almeida was executed; in 1886, the a sculpture of

2886:

Ferreira, Rafael Laborde; Vieira, Victor Manuel Lopes (1985),

420:

acquired three estates in the parish of Belém: one became the

2988:

Relatório da Actividade do Ministério nos anos de 1957 e 1958

2759:

Monumentos e Edifícios Notáveis do Distrito de Lisboa, Lisboa

1157:; in 1887, paintings over the doors of the Queen's vanity by 372:, in 1862, until the republican revolution in 1910, when the 1145:

was also installed in the same year; in 1881, the sculpture

2782:

Os Três Arquitectos da Ajuda. Do Rocaille ao Neoclassicismo

1479:), the Ajuda Library and a gallery for temporary exhibits. 567:

to study the future paintings that would occupy its walls.

2906:

Porcelana Europeia - reservas do Palácio Nacional da Ajuda

1304:), the palace was opened to the public on 20 August 1968. 2734:

Amacleto, Regina (1986), "Neoclassicismo e Romantismo",

1827:), which has a rectangular ceiling painting in tones of 735:

in 1823). Consequently, John VI decided to live in the

2638:

Francisco Santana and Eduardo Sucena (1994), pp.25-27

1007:, in the ballroom by the artist Fuschini disappeared. 487:

In November 1794, during the reign of Maria I and the

368:

Maria Pia lived in the palace from the day she became

1236:, during the tumultuous years before the revolution. 669:

were insecure about the expenses in completed Ajuda.

3006:

Relatório da Actividade do Ministério no Ano de 1962

2997:

Relatório da Actividade do Ministério no Ano de 1961

2979:

Relatório da Actividade do Ministério no ano de 1956

2970:

Relatório da Actividade do Ministério no ano de 1953

1439:), southwest and across the street from the palace. 4799: 4601: 4592: 4497: 4394: 4269: 4171: 4053: 3930: 3757: 3614: 3491:

United Kingdom of Portugal, Brazil and the Algarves

3468: 3346: 3305: 3165: 2945:Louro, Francisco; Godinho, Isabel Silveira (1987), 1518:

with visual effects that implied a greater grandeur

1431:), isolated in front of the palace; and the larger 708:(1751–1843); the ceiling of the antechamber of the 245: 237: 229: 221: 212: 208: 188: 180: 172: 167: 159: 154: 144: 136: 97: 86: 76: 66: 58: 53: 21: 3526:List of titles and honours of the Portuguese Crown 2879:Encontro Dos Alvores do Barroco à Agonia do Rococó 1415:) fronting the northern façade of the Palace; the 692:were completed by de Aguiar; the ceilings of the 672:On 11 January 1819, ten new flourishments in the 3907:National Museum of Natural History & Science 3546:Duarte Pio, Duke of Braganza (current pretender) 3459:Project for the Royal Palace in Campo de Ourique 3452:Juvarra's Project for the Royal Palace in Lisbon 2761:(in Portuguese), vol. III, Lisbon, Portugal 1959:. A small antechamber to the left (known as the 3033:O Palácio Nacional da Ajuda (resenha histórica) 2738:(in Portuguese), vol. 10, Lisbon, Portugal 1069:(1817–1882); in 1867, the parquet floor in the 1061:) was lined in silk; in 1866, a marble statue, 935:. An interior vestibule was transformed into a 611:'s forces immediately stopped the build as the 4514:Banda Sinfónica da Guarda Nacional Republicana 4474:Queer Lisboa International Queer Film Festival 2938:Património. Balanço e Perspectivas (2000-2006) 2715:(in Portuguese) (1 ed.), Lisbon, Portugal 1477:General Secretariat of the Ministry of Culture 1345:Portuguese Institute of Architectural Heritage 1342:On 26 May 1992 the palace was assigned to the 1033:); in 1865, the execution of the sculpture by 3592: 3142: 8: 4464:Olhares do Mediterrâneo - Cinema no Feminino 3022:Santana, Francisco; Sucena, Eduardo (1994), 2566:(in Portuguese), Lisbon, Portugal: IGESPAR, 1101:; in 1873, work on the parquet floor in the 44:in front of the main façade of Ajuda Palace. 1194:United Kingdom of Great Britain and Ireland 4598: 4584:Royal Patriarchal Music Seminary of Lisbon 3857:Museum of Art, Architecture and Technology 3599: 3585: 3577: 3149: 3135: 3127: 3100:: CS1 maint: location missing publisher ( 3068:: CS1 maint: location missing publisher ( 3045:: CS1 maint: location missing publisher ( 2959:: CS1 maint: location missing publisher ( 2927:: CS1 maint: location missing publisher ( 2840:: CS1 maint: location missing publisher ( 2817:: CS1 maint: location missing publisher ( 2794:: CS1 maint: location missing publisher ( 2771:: CS1 maint: location missing publisher ( 2748:: CS1 maint: location missing publisher ( 2725:: CS1 maint: location missing publisher ( 2634: 2632: 2630: 2628: 2626: 2624: 2622: 2620: 2618: 2616: 2614: 2612: 2610: 2608: 2606: 2604: 2555: 2553: 2551: 2549: 1882:arch opening that extends the gaze of the 887:by Benedetto Delisi was executed in 1860. 663:Auguste-Henri-Victor Grandjean de Montigny 563:On 2 July 1802, the monarch solicited the 18: 3086:Zagallo, Manuel C. de A. Cayolla (1961), 2602: 2600: 2598: 2596: 2594: 2592: 2590: 2588: 2586: 2584: 2547: 2545: 2543: 2541: 2539: 2537: 2535: 2533: 2531: 2529: 1473:Secretaria-Geral do Ministério da Cultura 4123:Santa Teresa de Jesus de Carnide Convent 2713:Barbear, pentear (Jornal d'um vagabundo) 3334:House of Braganza-Saxe-Coburg and Gotha 2685:Palácio Nacional da Ajuda, ed. (2010). 2525: 2296: 1817:), a small passage with inlaid parquet. 1542:, used by the Queen for official duties 1284:and silverware of the Royal Household. 981:Real Fábrica de Santa Bárbara de Madrid 971:) was constructed in carved wood. The 304:, it was originally begun by architect 3116:Ajuda National Palace Official Website 3093: 3061: 3038: 2952: 2920: 2833: 2810: 2787: 2764: 2741: 2718: 2680: 2678: 2676: 2674: 2672: 2670: 2668: 2666: 2664: 1796:furniture and red-velvet topped table. 1561:Portrait of Victor Emmanuel II in the 1530:showing the interior pinnacle fountain 1169:; in 1891, a new marble floor for the 1125:; in 1879, a new parquet floor in the 907:, there were many who counselled King 750:, Regent on behalf of the young Queen 4927:National monuments in Lisbon District 2662: 2660: 2658: 2656: 2654: 2652: 2650: 2648: 2646: 2644: 1459:Institute of Museums and Conservation 1280:) was opened in order to exhibit the 927:, the audience hall, was renamed the 316:building. Later, it was entrusted to 279: 244: 236: 228: 220: 211: 7: 4917:Houses completed in the 19th century 4847:Festroia International Film Festival 3990:Palace of the Marquises of Fronteira 3867:Museum of the Resistance and Liberty 3213:Portuguese succession crisis of 1580 3015:Belém e arredores através dos tempos 1778:Aurora trazendo a Felicidade Pública 1550:Portrait of the royal family in the 1272:opened as a museum, and in 1954 the 1117:) were completed by Joseph Layraud. 1045:), the allegorical scene painted by 3892:National Museum of Contemporary Art 3782:Carmo Convent Archaeological Museum 3608:Attractions and landmarks in Lisbon 3566:His Most Faithful Majesty's Council 3054:Sequeira, Gustavo de Matos (1961), 3031:Sequeira, Gustavo de Matos (1961), 2736:AA VV, História da Arte em Portugal 1383:overlooking the historic centre of 1302:General Directorate of the Treasury 480:at the time of Joseph's death, the 431:On 1 November 1755, the day of the 4907:Historic house museums in Portugal 4711:Lisbon & Estoril Film Festival 4429:Lisbon & Estoril Film Festival 3792:Casa-Museu Dr. Anastácio Gonçalves 3551:Family tree of Portuguese monarchs 3088:Palácio Nacional da Ajuda. Roteiro 2915:Os Mais Belos Palácios de Portugal 1704:). It was also referred to as the 863:With the restored Liberal regime, 805:) was divided into two rooms: the 150:Portuguese Republic (1910-present) 14: 4661:Condes de Castro Guimarães Museum 3912:National Theatre and Dance Museum 3561:Style of the Portuguese sovereign 3536:Pantheon of the House of Braganza 3090:(in Portuguese), Lisbon, Portugal 3058:(in Portuguese), Lisbon, Portugal 3035:(in Portuguese), Lisbon, Portugal 2949:(in Portuguese), Lisbon, Portugal 2917:(in Portuguese), Lisbon, Portugal 2830:(in Portuguese), Lisbon, Portugal 2807:(in Portuguese), Lisbon, Portugal 2784:(in Portuguese), Lisbon, Portugal 2689:(in Portuguese). Lisbon, Portugal 2570:from the original on 16 July 2011 1455:Instituto de Museus e Conservação 1298:Direcção Geral da Fazenda Pública 1290:Serviços dos Monumentos Nacionais 4922:Neoclassical palaces in Portugal 4153:Monastery of São Vicente de Fora 3975:Palace of the Counts of Azambuja 3817:Macau Science and Culture Centre 3296: 3238:Transfer of the Portuguese court 3218:War of the Portuguese Succession 3024:Dicionário da História de Lisboa 2503: 2491: 2479: 2467: 2455: 2443: 2431: 2419: 2407: 2395: 2383: 2371: 2359: 2347: 2335: 2323: 2311: 2299: 1866:Antechamber of the Royal Bedroom 1728:Antechamber of the Hall of Order 1395:. Its main access way is in the 720:approved; the decoration of the 288:monument in the civil parish of 34: 3980:Palace of the Counts of Redondo 3734:Torre do Tombo National Archive 3684:Lisbon Astronomical Observatory 3644:Biblioteca Nacional de Portugal 3268:Municipal Library Elevator Coup 2890:, Lisboa: Amigos do Livro, Lda. 852:The move of the Royal Court to 4837:Centro de Apoio Social de Runa 4681:Fort of Santo António da Barra 3985:Palace of the Dukes of Palmela 3922:Rafael Bordalo Pinheiro Museum 3887:National Museum of Ancient Art 3877:National Museum of the Azulejo 3872:National Museum of Archaeology 2826:Carvalho, A. Ayres de (1993), 2803:Carvalho, A. Ayres de (1973), 2780:Carvalho, A. Ayres de (1966), 1724:Antecâmara da Sala do Despacho 1634:Sala das Tapeçarias Espanholas 955:, on which were later applied 929:Sala das Tapeçarias Espanholas 867:took over as Regent until his 1: 4862:Monastery of Jesus of Setúbal 4766:Sintra Natural History Museum 4631:Cascais Citadel Palace Museum 4616:Casa das Histórias Paula Rego 3120:The Ajuda National Palace on 2196:Infante Afonso, Duke of Porto 4912:Royal residences in Portugal 4731:Palácio dos Condes da Guarda 4191:Afonso de Albuquerque Square 3902:National Museum of Ethnology 3313:Portuguese House of Burgundy 2849:CMIL Urbanismo, ed. (2011), 1736:Hall of Dom Carlos' Painting 1732:Sala do Retrato de D. Carlos 466:Giovanni Carlo Galli-Bibiena 215:Portuguese National Monument 148:Portuguese Crown (1795-1910) 4579:National Ballet of Portugal 4025:Quinta dos Lagares d'El-Rei 3897:National Museum of Clothing 3699:Mercado de Campo de Ourique 3056:O Palácio Nacional da Ajuda 3013:Sanches, José Dias (1940), 2947:O Palácio Nacional da Ajuda 2711:Almeida, Fialho D' (1910), 1730:), also referred to as the 613:royal family fled to Brazil 302:1755 earthquake and tsunami 4943: 4867:Palace of the High-Courier 4842:Ceramics Museum of Sacavém 4721:Museum of Portuguese Music 3777:Calouste Gulbenkian Museum 3243:Liberal Revolution of 1820 3233:Portuguese Restoration War 2240:, exalting the royalty of 2040:A Casa de Jantar da Rainha 1401:Calçada do Mirante à Ajuda 1294:National Monument Services 702:Hall of Spanish Tapestries 4852:Fort of Santiago do Outão 4569:Lisbon University Stadium 3772:Berardo Collection Museum 3767:Berardo - Art Deco Museum 3294: 3283:Royalist attack on Chaves 3278:5 October 1910 revolution 3122:Google Arts & Culture 2563:Palácio Nacional da Ajuda 2212:Sala do Corpo Diplomático 2179:Sala do Retrato da Rainha 2106:Atelier de Pintura do Rei 2011:, as well as a figure of 1862:Antecâmara do Quarto Real 1589:Joaquim Machado de Castro 1258:5 October 1910 Revolution 1079:Mulher com bilha à cabeça 849:, underwent remodelling. 581:Joaquim Machado de Castro 331:(in 1807), following the 277:Portuguese pronunciation: 257: 253: 193: 81:neoclassical architecture 49: 33: 26: 4817:Castle of Alcácer do Sal 4534:Cultural Centre of Belém 4509:Associação Gaita-de-fole 4216:Marquis of Pombal Square 4158:Monastery of the Mónicas 3837:Museu Nacional da Música 3812:José Saramago Foundation 3208:Battle of Alcácer Quibir 2757:Ataíde, M. Maia (1988), 2306:A detail of a sculpture. 2110:King's Painting Workshop 1995:), was decorated in the 1620:Sala do Porteiro da Cana 1135:Sala do Porteiro da Cana 1083:Célestin Anatole Calmels 517:Monsanto (Idanha-a-Nova) 121:38.7075944°N 9.1983278°W 4666:Convent of the Capuchos 4381:São Domingos de Benfica 3556:Portuguese Crown Jewels 3077:Viterbo, Sousa (1904), 2144:Initials L & M Room 2126:Sala de Trabalho do Rei 1282:Portuguese Crown Jewels 1250:Portuguese Crown Jewels 783:Sala de Trabalho do Rei 706:Pierre-Philippe Thomire 623:in Naples, designed by 501:Manuel Caetano de Sousa 376:was forced into exile. 345:constitutional monarchy 306:Manuel Caetano de Sousa 168:Design and construction 4832:Christ the King statue 4776:Queluz National Palace 4761:Sintra National Palace 4746:Santa Marta Lighthouse 4696:Horasis Global Meeting 4063:Conceição Velha Church 3842:Museu das Comunicações 3659:Campo Pequeno Bullring 3481:Kingdom of the Algarve 3441:Sintra National Palace 3263:31 January 1891 revolt 3203:Battle of Alfarrobeira 3157:Topics related to the 2330:King Luis I's bedroom. 2216:Diplomatic Corp's Room 2093: 2085: 2074: 1968: 1886:into the neighbouring 1815:/Chest of Drawers Room 1686:Departure for the Hunt 1565: 1554: 1543: 1531: 1519: 1376: 1368: 1317: 1253: 1063:Tangedoura do Pandeiro 944: 900: 636:Cirilo Volkmar Machado 600: 433:1755 Lisbon earthquake 413: 405: 397: 337:António Francisco Rosa 272: 126:38.7075944; -9.1983278 4857:Mafra National Palace 4641:Cascais Jazz Festival 4554:Estádio José Alvalade 4524:Cinemateca Portuguesa 4484:Super Bock Super Rock 4444:Lisbon Christmas tree 4143:Madre de Deus Convent 4093:Igreja do Menino Deus 3940:Ajuda National Palace 3882:National Coach Museum 3847:Museu de Arte Popular 3624:Águas Livres Aqueduct 3541:Most Faithful Majesty 3411:Rio de Janeiro Palace 3288:Monarchy of the North 3198:Battle of Aljubarrota 2828:Dar Futuro ao Passado 2183:Queen's Portrait Room 2091: 2080: 2072: 1840:Quarto do Rei D. Luís 1806:), also known as the 1638:Spanish Tapestry Hall 1609:José da Cunha Taborda 1560: 1549: 1537: 1525: 1513: 1374: 1363: 1318:Ministério da Cultura 1247: 1171:Sala dos Embaixadores 1047:José da Cunha Taborda 1035:Odoardo Fantacchiotti 1005:Chegada de D. João VI 898: 833:was acclaimed by the 743:became head painter. 698:Cane Concierge's Hall 648:Sala dos Embaixadores 598: 577:José da Cunha Taborda 553:José da Costa e Silva 497:José da Costa e Silva 411: 403: 387: 318:José da Costa e Silva 308:, who planned a late 4751:Sanctuary of Peninha 4741:Pena National Palace 4564:Hot Club of Portugal 4559:Gulbenkian Orchestra 4544:Estádio da Tapadinha 4529:Coliseu dos Recreios 4439:Lisbon Half Marathon 4256:Restauradores Square 4231:Praça de Entrecampos 4221:Monsanto Forest Park 4186:Avenida da Liberdade 4128:Santo Estêvão Church 4103:Santo António Church 3862:Museum of the Orient 3744:Vasco da Gama Bridge 3714:Rossio Train Station 3669:Casa Fernando Pessoa 3426:São Cristóvão Palace 3258:Portuguese Civil War 3173:Battle of São Mamede 2888:Estatuária de Lisboa 2510:Private Dining Room. 2450:Grand Dispatch Room. 2140:Sala das Incias L.M. 1894:Gabinete de Carvalho 1888:Gabinete de Carvalho 1744:Dom Sebastian's Hall 1740:Sala de D. Sebastião 1694:Return from the Hunt 1654:Walking in Andaluzia 1650:Passeio na Andaluzia 1538:The interior of the 1393:Monsanto Forest Park 1350:Cancioneiro da Ajuda 748:Infanta Isabel Maria 333:invasion of Portugal 62:Royal palace, museum 42:Carlos I of Portugal 16:Monument in Portugal 4781:Quinta da Regaleira 4771:Summer architecture 4651:Castle of the Moors 4621:Casa de Santa Maria 4163:St. George's Church 4108:São Domingos Church 4073:Jerónimos Monastery 4055:Religious buildings 3970:Necessidades Palace 3965:Monteiro-Mor Palace 3739:Vasco da Gama Tower 3531:Council of Portugal 3521:Portuguese nobility 3496:Portuguese Monarchs 3476:Kingdom of Portugal 3406:Quinta da Boa Vista 3391:Necessidades Palace 3188:Manifestis Probatum 3159:Portuguese monarchy 2936:IPPAR, ed. (2000), 2913:Gil, Júlio (1992), 2414:Grand Waiting Room. 2284:, encircled by the 2264:Concílio dos Deuses 2260:King John VI's Hall 2256:Sala de D. João VI 2220:John VI of Portugal 2044:Queen's Dining Room 1800:Sala dos Contadores 1682:Partida para a caça 1624:Cane Concierge Hall 1579:, which access the 1308:a self-portrait by 1095:Maria Pia mascarada 1075:Sala dos Contadores 916:, daughter of King 847:Necessidades Palace 797:); also, the older 733:Order of the Garter 470:Maria I of Portugal 426:Necessidades Palace 117: / 77:Architectural style 54:General information 4827:Castle of Almourol 4822:Castle of Alenquer 4786:Quinta da Ribafria 4656:Citadel of Cascais 4603:Portuguese Riviera 4549:Estádio do Restelo 4409:Festival da Canção 4251:Praça Martim Moniz 4118:Santa Luzia Church 4083:Igreja da Madalena 4040:Sotto Mayor Palace 3832:Museu da Marioneta 3802:Electricity Museum 3797:Cordoaria Nacional 3749:25 de Abril Bridge 3674:Cordoaria Nacional 3634:Ascensor da Glória 3446:Vila Viçosa Palace 3376:Citadel of Cascais 3228:Forty Conspirators 2805:O Palácio da Ajuda 2378:The Royal Thrones. 2366:State Dining Room. 2242:Miguel of Portugal 2226:on opposite walls. 2094: 2086: 2075: 1856:Carlos of Portugal 1601:Sala dos Archeiros 1581:Sala dos Archeiros 1566: 1555: 1544: 1532: 1520: 1377: 1369: 1366:Carlos of Portugal 1320:), IPPAR and IPM. 1254: 1186:Carlos of Portugal 1151:Victor Emmanuel II 1139:Umberto I of Italy 1123:Michele Gordigiani 1051:Arcangelo Fuschini 1014:) was born in the 1012:Carlos of Portugal 933:Maria Pia of Savoy 918:Victor Emmanuel II 914:Maria Pia of Savoy 901: 831:Miguel of Portugal 678:Sala dos Archeiros 609:Jean-Andoche Junot 601: 418:John V of Portugal 414: 406: 398: 360:Maria Pia of Savoy 322:neoclassical style 246:Reference no. 4902:Museums in Lisbon 4897:Palaces in Lisbon 4884: 4883: 4880: 4879: 4872:Setúbal Cathedral 4791:Quinta do Relógio 4716:Monserrate Palace 4686:Fountain of Armés 4594:Metropolitan area 4419:Lisboa Games Week 4371:Santa Maria Maior 4356:Parque das Nações 4241:Praça do Comércio 4226:Praça da Figueira 4148:Mártires Basilica 4098:National Pantheon 4088:Igreja da Memória 4030:São Bento Mansion 3709:Prazeres Cemetery 3704:Pillory of Lisbon 3689:Lisbon Oceanarium 3654:Café A Brasileira 3574: 3573: 3516:Portuguese Cortes 3511:Portuguese Empire 3486:Kingdom of Brazil 3436:Santa Cruz Estate 3339: 3328:House of Braganza 3323:House of Habsburg 3178:Battle of Ourique 3004:MOP, ed. (1963), 2995:MOP, ed. (1962), 2986:MOP, ed. (1959), 2977:MOP, ed. (1957), 2968:MOP, ed. (1954), 2486:Palace Vestibule. 2278:Amelia of Orleans 2202:Sala dos Gobelins 1922:), is covered in 1908:Jardim de Inverno 1833:House of Braganza 1714:Sala de Audiência 1175:Ambassador's Hall 1165:was completed by 1127:Sala do Archeiros 1091:Cesare Sighinolfi 1065:was completed by 985:Francisco de Goya 945:Jardim de Inverno 835:Portuguese Cortes 775:Quarto de D. Luís 764:English staircase 674:Ambassador's Hall 652:Ambassador's Hall 621:Palace of Caserta 569:Domingos Sequeira 565:Marquis of Alorna 394:Domingos Sequeira 370:queen of Portugal 261: 260: 233:National Monument 155:Technical details 4934: 4706:Lawrence's Hotel 4599: 4424:Lisbon Book Fair 4326:Campo de Ourique 4246:Praça do Império 4236:Praça de Espanha 4201:Eduardo VII Park 4173:Squares, streets 4138:Lisbon Synagogue 4133:Lisbon Cathedral 4113:São Roque Church 4078:Igreja dos Anjos 4068:Estrela Basilica 4035:São Bento Palace 4000:Palacio Belmonte 3852:Museum of Lisbon 3807:Ephemeral Museum 3729:São Jorge Castle 3724:Santa Justa Lift 3719:Rua Augusta Arch 3649:British Cemetery 3629:Ascensor da Bica 3601: 3594: 3587: 3578: 3431:São Jorge Castle 3337: 3300: 3183:Treaty of Zamora 3151: 3144: 3137: 3128: 3105: 3099: 3091: 3082: 3073: 3067: 3059: 3050: 3044: 3036: 3027: 3018: 3009: 3000: 2991: 2982: 2973: 2964: 2958: 2950: 2941: 2932: 2926: 2918: 2909: 2900: 2891: 2882: 2873: 2872: 2870: 2864: 2857: 2845: 2839: 2831: 2822: 2816: 2808: 2799: 2793: 2785: 2776: 2770: 2762: 2753: 2747: 2739: 2730: 2724: 2716: 2699: 2698: 2696: 2694: 2682: 2639: 2636: 2579: 2578: 2577: 2575: 2557: 2507: 2495: 2483: 2471: 2459: 2447: 2435: 2423: 2411: 2399: 2387: 2375: 2363: 2354:Hall of John VI. 2351: 2339: 2327: 2315: 2303: 2224:Carlota Joaquina 2013:John the Baptist 1997:Napoleonic style 1989:Quarto da Rainha 1939:Sala Cor-de-Rosa 1902:chest of drawers 1844:King Luís's Room 1808:Sala das Cómodas 1804:Accountants Hall 1770:Sala do Despacho 1690:Regresso da Caça 1514:The avant-garde 1437:Botanical Garden 1409:Jardim das Damas 1333:Jardim das Damas 1184:. Although King 1163:Sala do Despacho 1159:Ernesto Condeixa 1071:Sala do Despacho 989:Carlota Joaquina 983:with designs by 877:Sala do Despacho 771:Sala do Despacho 710:Sala do Despacho 625:Luigi Vanvitelli 573:Vieira Portuense 531:, tile from the 478:Palace of Queluz 283: 281:[ɐˈʒuðɐ] 278: 273:Palácio da Ajuda 204: 201: 199: 197: 176:Giacomo Azzolini 132: 131: 129: 128: 127: 122: 118: 115: 114: 113: 110: 38: 28:Palácio da Ajuda 19: 4942: 4941: 4937: 4936: 4935: 4933: 4932: 4931: 4887: 4886: 4885: 4876: 4795: 4691:Guia Lighthouse 4676:Fort of Guincho 4588: 4500: 4493: 4434:Lisbon Marathon 4390: 4361:Penha de França 4272: 4265: 4211:Gulbenkian Park 4196:Bela Vista Park 4175: 4167: 4049: 4010:Penafiel Palace 3960:Galveias Palace 3950:Bemposta Palace 3926: 3753: 3679:Gare do Oriente 3610: 3605: 3575: 3570: 3464: 3416:Ramalhão Palace 3366:Bemposta Palace 3348: 3342: 3301: 3292: 3273:Lisbon Regicide 3161: 3155: 3112: 3092: 3085: 3076: 3060: 3053: 3037: 3030: 3021: 3012: 3003: 2994: 2985: 2976: 2967: 2951: 2944: 2940:(in Portuguese) 2935: 2919: 2912: 2903: 2894: 2885: 2876: 2868: 2866: 2862: 2855: 2848: 2832: 2825: 2809: 2802: 2786: 2779: 2763: 2756: 2740: 2733: 2717: 2710: 2702: 2692: 2690: 2684: 2683: 2642: 2637: 2582: 2573: 2571: 2559: 2558: 2527: 2518: 2511: 2508: 2499: 2496: 2487: 2484: 2475: 2472: 2463: 2460: 2451: 2448: 2439: 2436: 2427: 2424: 2415: 2412: 2403: 2400: 2391: 2388: 2379: 2376: 2367: 2364: 2355: 2352: 2343: 2340: 2331: 2328: 2319: 2316: 2307: 2304: 2295: 2238:Virtude Heróica 2098:Escadaria Nobre 2067: 1993:Queen's Bedroom 1916:Sala de Mármore 1597: 1587:) completed by 1508: 1471:), part of the 1445: 1433:Jardim Botânico 1429:Rooster's Tower 1391:, south of the 1358: 1242: 1234:Lisbon Regicide 893: 891:Royal residence 879:with scenes of 827: 756:Liberal victory 737:Bemposta Palace 593: 547:, Vila Chã and 458:Paço de Madeira 441:Quinta de Baixo 382: 349:Palace of Mafra 292:in the city of 276: 265:Palace of Ajuda 217: 194: 184:Royal Residence 149: 125: 123: 119: 116: 111: 108: 106: 104: 103: 45: 29: 17: 12: 11: 5: 4940: 4938: 4930: 4929: 4924: 4919: 4914: 4909: 4904: 4899: 4889: 4888: 4882: 4881: 4878: 4877: 4875: 4874: 4869: 4864: 4859: 4854: 4849: 4844: 4839: 4834: 4829: 4824: 4819: 4814: 4809: 4807:Comporta Coast 4803: 4801: 4797: 4796: 4794: 4793: 4788: 4783: 4778: 4773: 4768: 4763: 4758: 4756:Seteais Palace 4753: 4748: 4743: 4738: 4736:Palmela Palace 4733: 4728: 4723: 4718: 4713: 4708: 4703: 4698: 4693: 4688: 4683: 4678: 4673: 4668: 4663: 4658: 4653: 4648: 4646:Casino Estoril 4643: 4638: 4636:Cascais Marina 4633: 4628: 4623: 4618: 4613: 4611:Alapraia Caves 4607: 4605: 4596: 4590: 4589: 4587: 4586: 4581: 4576: 4571: 4566: 4561: 4556: 4551: 4546: 4541: 4539:Estádio da Luz 4536: 4531: 4526: 4521: 4516: 4511: 4505: 4503: 4495: 4494: 4492: 4491: 4486: 4481: 4476: 4471: 4466: 4461: 4456: 4451: 4446: 4441: 4436: 4431: 4426: 4421: 4416: 4414:Globos de Ouro 4411: 4406: 4400: 4398: 4392: 4391: 4389: 4388: 4383: 4378: 4373: 4368: 4363: 4358: 4353: 4348: 4343: 4338: 4333: 4328: 4323: 4318: 4313: 4308: 4306:Avenidas Novas 4303: 4298: 4293: 4288: 4283: 4277: 4275: 4267: 4266: 4264: 4263: 4258: 4253: 4248: 4243: 4238: 4233: 4228: 4223: 4218: 4213: 4208: 4203: 4198: 4193: 4188: 4182: 4180: 4169: 4168: 4166: 4165: 4160: 4155: 4150: 4145: 4140: 4135: 4130: 4125: 4120: 4115: 4110: 4105: 4100: 4095: 4090: 4085: 4080: 4075: 4070: 4065: 4059: 4057: 4051: 4050: 4048: 4047: 4045:Verride Palace 4042: 4037: 4032: 4027: 4022: 4020:Pimenta Palace 4017: 4015:Pestana Palace 4012: 4007: 4002: 3997: 3995:Palacete Mayer 3992: 3987: 3982: 3977: 3972: 3967: 3962: 3957: 3952: 3947: 3942: 3936: 3934: 3928: 3927: 3925: 3924: 3919: 3914: 3909: 3904: 3899: 3894: 3889: 3884: 3879: 3874: 3869: 3864: 3859: 3854: 3849: 3844: 3839: 3834: 3829: 3824: 3819: 3814: 3809: 3804: 3799: 3794: 3789: 3784: 3779: 3774: 3769: 3763: 3761: 3755: 3754: 3752: 3751: 3746: 3741: 3736: 3731: 3726: 3721: 3716: 3711: 3706: 3701: 3696: 3691: 3686: 3681: 3676: 3671: 3666: 3664:Casa dos Bicos 3661: 3656: 3651: 3646: 3641: 3636: 3631: 3626: 3620: 3618: 3612: 3611: 3606: 3604: 3603: 3596: 3589: 3581: 3572: 3571: 3569: 3568: 3563: 3558: 3553: 3548: 3543: 3538: 3533: 3528: 3523: 3518: 3513: 3508: 3503: 3498: 3493: 3488: 3483: 3478: 3472: 3470: 3466: 3465: 3463: 3462: 3455: 3448: 3443: 3438: 3433: 3428: 3423: 3421:Ribeira Palace 3418: 3413: 3408: 3403: 3398: 3393: 3388: 3383: 3378: 3373: 3368: 3363: 3358: 3352: 3350: 3344: 3343: 3341: 3340: 3330: 3325: 3320: 3315: 3309: 3307: 3303: 3302: 3295: 3293: 3291: 3290: 3285: 3280: 3275: 3270: 3265: 3260: 3255: 3250: 3245: 3240: 3235: 3230: 3225: 3220: 3215: 3210: 3205: 3200: 3195: 3193:1383–85 Crisis 3190: 3185: 3180: 3175: 3169: 3167: 3163: 3162: 3156: 3154: 3153: 3146: 3139: 3131: 3125: 3124: 3118: 3111: 3110:External links 3108: 3107: 3106: 3083: 3074: 3051: 3028: 3019: 3010: 3001: 2992: 2983: 2974: 2965: 2942: 2933: 2910: 2901: 2892: 2883: 2874: 2865:on 22 May 2011 2846: 2823: 2800: 2777: 2754: 2731: 2707: 2706: 2701: 2700: 2640: 2580: 2524: 2523: 2522: 2517: 2514: 2513: 2512: 2509: 2502: 2500: 2497: 2490: 2488: 2485: 2478: 2476: 2473: 2466: 2464: 2461: 2454: 2452: 2449: 2442: 2440: 2437: 2430: 2428: 2425: 2418: 2416: 2413: 2406: 2404: 2401: 2394: 2392: 2390:Painting Room. 2389: 2382: 2380: 2377: 2370: 2368: 2365: 2358: 2356: 2353: 2346: 2344: 2341: 2334: 2332: 2329: 2322: 2320: 2317: 2310: 2308: 2305: 2298: 2294: 2291: 2290: 2289: 2267: 2245: 2227: 2209: 2199: 2191:Justiça Divina 2176: 2173:Imperial Salon 2166: 2156: 2137: 2123: 2113: 2066: 2063: 2062: 2061: 2050:Sala de Bilhar 2047: 2037: 1986: 1972: 1969:Sala Encarnada 1946: 1936: 1905: 1891: 1869: 1859: 1837: 1821:Sala de Música 1818: 1797: 1767: 1721: 1706:Sala do Dossel 1658:Jogo de Cartas 1631: 1617: 1596: 1593: 1507: 1504: 1444: 1441: 1417:Sala da Física 1405:Rua dos Marcos 1397:Largo da Ajuda 1357: 1354: 1265:Duarte Pacheco 1241: 1238: 1208:and President 1206:German Emperor 1182:Infante Afonso 1155:Joaquim Santos 1143:A. Jangiovanni 1099:Joseph Layraud 1067:Giovanni Dupré 1039:Sala de Música 925:Sala do Dossel 892: 889: 826: 823: 799:Sala de Bilhar 741:Joaquim Rafael 640:Sala do Dossel 617:Rio de Janeiro 592: 591:Peninsular War 589: 539:provided from 445:Ribeira Palace 416:In 1726, King 381: 378: 358:and his wife, 343:who imposed a 341:Liberal forces 329:flee to Brazil 259: 258: 255: 254: 251: 250: 247: 243: 242: 239: 235: 234: 231: 227: 226: 223: 219: 218: 213: 210: 209: 206: 205: 191: 190: 186: 185: 182: 178: 177: 174: 170: 169: 165: 164: 161: 157: 156: 152: 151: 146: 142: 141: 138: 134: 133: 101: 95: 94: 88: 84: 83: 78: 74: 73: 68: 64: 63: 60: 56: 55: 51: 50: 47: 46: 40:A monument to 39: 31: 30: 27: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 4939: 4928: 4925: 4923: 4920: 4918: 4915: 4913: 4910: 4908: 4905: 4903: 4900: 4898: 4895: 4894: 4892: 4873: 4870: 4868: 4865: 4863: 4860: 4858: 4855: 4853: 4850: 4848: 4845: 4843: 4840: 4838: 4835: 4833: 4830: 4828: 4825: 4823: 4820: 4818: 4815: 4813: 4810: 4808: 4805: 4804: 4802: 4798: 4792: 4789: 4787: 4784: 4782: 4779: 4777: 4774: 4772: 4769: 4767: 4764: 4762: 4759: 4757: 4754: 4752: 4749: 4747: 4744: 4742: 4739: 4737: 4734: 4732: 4729: 4727: 4724: 4722: 4719: 4717: 4714: 4712: 4709: 4707: 4704: 4702: 4701:Guincho Beach 4699: 4697: 4694: 4692: 4689: 4687: 4684: 4682: 4679: 4677: 4674: 4672: 4671:Cresmina Dune 4669: 4667: 4664: 4662: 4659: 4657: 4654: 4652: 4649: 4647: 4644: 4642: 4639: 4637: 4634: 4632: 4629: 4627: 4624: 4622: 4619: 4617: 4614: 4612: 4609: 4608: 4606: 4604: 4600: 4597: 4595: 4591: 4585: 4582: 4580: 4577: 4575: 4572: 4570: 4567: 4565: 4562: 4560: 4557: 4555: 4552: 4550: 4547: 4545: 4542: 4540: 4537: 4535: 4532: 4530: 4527: 4525: 4522: 4520: 4519:Casino Lisboa 4517: 4515: 4512: 4510: 4507: 4506: 4504: 4502: 4501:entertainment 4496: 4490: 4487: 4485: 4482: 4480: 4479:Sophia Awards 4477: 4475: 4472: 4470: 4467: 4465: 4462: 4460: 4457: 4455: 4452: 4450: 4447: 4445: 4442: 4440: 4437: 4435: 4432: 4430: 4427: 4425: 4422: 4420: 4417: 4415: 4412: 4410: 4407: 4405: 4402: 4401: 4399: 4397: 4393: 4387: 4384: 4382: 4379: 4377: 4376:Santo António 4374: 4372: 4369: 4367: 4364: 4362: 4359: 4357: 4354: 4352: 4349: 4347: 4344: 4342: 4339: 4337: 4334: 4332: 4329: 4327: 4324: 4322: 4319: 4317: 4314: 4312: 4309: 4307: 4304: 4302: 4299: 4297: 4294: 4292: 4289: 4287: 4284: 4282: 4279: 4278: 4276: 4274: 4273:neighborhoods 4271:Districts and 4268: 4262: 4261:Rossio Square 4259: 4257: 4254: 4252: 4249: 4247: 4244: 4242: 4239: 4237: 4234: 4232: 4229: 4227: 4224: 4222: 4219: 4217: 4214: 4212: 4209: 4207: 4204: 4202: 4199: 4197: 4194: 4192: 4189: 4187: 4184: 4183: 4181: 4179: 4174: 4170: 4164: 4161: 4159: 4156: 4154: 4151: 4149: 4146: 4144: 4141: 4139: 4136: 4134: 4131: 4129: 4126: 4124: 4121: 4119: 4116: 4114: 4111: 4109: 4106: 4104: 4101: 4099: 4096: 4094: 4091: 4089: 4086: 4084: 4081: 4079: 4076: 4074: 4071: 4069: 4066: 4064: 4061: 4060: 4058: 4056: 4052: 4046: 4043: 4041: 4038: 4036: 4033: 4031: 4028: 4026: 4023: 4021: 4018: 4016: 4013: 4011: 4008: 4006: 4005:Panaca Palace 4003: 4001: 3998: 3996: 3993: 3991: 3988: 3986: 3983: 3981: 3978: 3976: 3973: 3971: 3968: 3966: 3963: 3961: 3958: 3956: 3955:Burnay Palace 3953: 3951: 3948: 3946: 3943: 3941: 3938: 3937: 3935: 3933: 3929: 3923: 3920: 3918: 3915: 3913: 3910: 3908: 3905: 3903: 3900: 3898: 3895: 3893: 3890: 3888: 3885: 3883: 3880: 3878: 3875: 3873: 3870: 3868: 3865: 3863: 3860: 3858: 3855: 3853: 3850: 3848: 3845: 3843: 3840: 3838: 3835: 3833: 3830: 3828: 3827:Museu Benfica 3825: 3823: 3822:Museu da Água 3820: 3818: 3815: 3813: 3810: 3808: 3805: 3803: 3800: 3798: 3795: 3793: 3790: 3788: 3787:Carris Museum 3785: 3783: 3780: 3778: 3775: 3773: 3770: 3768: 3765: 3764: 3762: 3760: 3756: 3750: 3747: 3745: 3742: 3740: 3737: 3735: 3732: 3730: 3727: 3725: 3722: 3720: 3717: 3715: 3712: 3710: 3707: 3705: 3702: 3700: 3697: 3695: 3692: 3690: 3687: 3685: 3682: 3680: 3677: 3675: 3672: 3670: 3667: 3665: 3662: 3660: 3657: 3655: 3652: 3650: 3647: 3645: 3642: 3640: 3637: 3635: 3632: 3630: 3627: 3625: 3622: 3621: 3619: 3617: 3613: 3609: 3602: 3597: 3595: 3590: 3588: 3583: 3582: 3579: 3567: 3564: 3562: 3559: 3557: 3554: 3552: 3549: 3547: 3544: 3542: 3539: 3537: 3534: 3532: 3529: 3527: 3524: 3522: 3519: 3517: 3514: 3512: 3509: 3507: 3504: 3502: 3499: 3497: 3494: 3492: 3489: 3487: 3484: 3482: 3479: 3477: 3474: 3473: 3471: 3469:Miscellaneous 3467: 3461: 3460: 3456: 3454: 3453: 3449: 3447: 3444: 3442: 3439: 3437: 3434: 3432: 3429: 3427: 3424: 3422: 3419: 3417: 3414: 3412: 3409: 3407: 3404: 3402: 3401:Queluz Palace 3399: 3397: 3394: 3392: 3389: 3387: 3384: 3382: 3379: 3377: 3374: 3372: 3371:Buçaco Palace 3369: 3367: 3364: 3362: 3359: 3357: 3354: 3353: 3351: 3345: 3336: 3335: 3331: 3329: 3326: 3324: 3321: 3319: 3318:House of Aviz 3316: 3314: 3311: 3310: 3308: 3304: 3299: 3289: 3286: 3284: 3281: 3279: 3276: 3274: 3271: 3269: 3266: 3264: 3261: 3259: 3256: 3254: 3251: 3249: 3246: 3244: 3241: 3239: 3236: 3234: 3231: 3229: 3226: 3224: 3223:Iberian Union 3221: 3219: 3216: 3214: 3211: 3209: 3206: 3204: 3201: 3199: 3196: 3194: 3191: 3189: 3186: 3184: 3181: 3179: 3176: 3174: 3171: 3170: 3168: 3164: 3160: 3152: 3147: 3145: 3140: 3138: 3133: 3132: 3129: 3123: 3119: 3117: 3114: 3113: 3109: 3103: 3097: 3089: 3084: 3080: 3075: 3071: 3065: 3057: 3052: 3048: 3042: 3034: 3029: 3025: 3020: 3016: 3011: 3007: 3002: 2998: 2993: 2989: 2984: 2980: 2975: 2971: 2966: 2962: 2956: 2948: 2943: 2939: 2934: 2930: 2924: 2916: 2911: 2907: 2902: 2898: 2893: 2889: 2884: 2880: 2875: 2861: 2854: 2853: 2847: 2843: 2837: 2829: 2824: 2820: 2814: 2806: 2801: 2797: 2791: 2783: 2778: 2774: 2768: 2760: 2755: 2751: 2745: 2737: 2732: 2728: 2722: 2714: 2709: 2708: 2704: 2703: 2688: 2681: 2679: 2677: 2675: 2673: 2671: 2669: 2667: 2665: 2663: 2661: 2659: 2657: 2655: 2653: 2651: 2649: 2647: 2645: 2641: 2635: 2633: 2631: 2629: 2627: 2625: 2623: 2621: 2619: 2617: 2615: 2613: 2611: 2609: 2607: 2605: 2603: 2601: 2599: 2597: 2595: 2593: 2591: 2589: 2587: 2585: 2581: 2569: 2565: 2564: 2556: 2554: 2552: 2550: 2548: 2546: 2544: 2542: 2540: 2538: 2536: 2534: 2532: 2530: 2526: 2520: 2519: 2515: 2506: 2501: 2494: 2489: 2482: 2477: 2470: 2465: 2458: 2453: 2446: 2441: 2438:Queen's Room. 2434: 2429: 2426:Grand Stairs. 2422: 2417: 2410: 2405: 2398: 2393: 2386: 2381: 2374: 2369: 2362: 2357: 2350: 2345: 2338: 2333: 2326: 2321: 2314: 2309: 2302: 2297: 2292: 2287: 2283: 2279: 2275: 2271: 2268: 2265: 2261: 2257: 2253: 2249: 2248:Sala de Baile 2246: 2243: 2239: 2235: 2231: 2230:Sala do Trono 2228: 2225: 2221: 2217: 2213: 2210: 2207: 2206:Gobelins Room 2203: 2200: 2197: 2192: 2188: 2184: 2180: 2177: 2174: 2170: 2167: 2164: 2160: 2157: 2153: 2149: 2145: 2141: 2138: 2135: 2131: 2130:King's Office 2127: 2124: 2121: 2117: 2114: 2111: 2107: 2103: 2102: 2101: 2099: 2090: 2083: 2079: 2071: 2064: 2059: 2055: 2054:Billiard Room 2051: 2048: 2045: 2041: 2038: 2034: 2030: 2026: 2022: 2018: 2014: 2010: 2006: 2002: 1998: 1994: 1990: 1987: 1984: 1980: 1976: 1973: 1970: 1966: 1962: 1958: 1957:Prince Carlos 1954: 1950: 1947: 1944: 1940: 1937: 1933: 1929: 1925: 1921: 1917: 1913: 1912:Winter Garden 1909: 1906: 1903: 1899: 1895: 1892: 1889: 1885: 1881: 1877: 1873: 1870: 1867: 1863: 1860: 1857: 1853: 1849: 1845: 1841: 1838: 1834: 1830: 1826: 1822: 1819: 1816: 1814: 1809: 1805: 1801: 1798: 1795: 1791: 1787: 1783: 1779: 1775: 1774:Hall of Order 1771: 1768: 1765: 1761: 1757: 1753: 1749: 1745: 1741: 1737: 1733: 1729: 1725: 1722: 1719: 1718:Audience Hall 1715: 1711: 1707: 1703: 1699: 1695: 1691: 1687: 1683: 1679: 1675: 1671: 1667: 1663: 1659: 1655: 1651: 1647: 1643: 1639: 1635: 1632: 1629: 1625: 1621: 1618: 1615: 1610: 1606: 1605:Archer's Hall 1602: 1599: 1598: 1594: 1592: 1590: 1586: 1582: 1578: 1574: 1569: 1564: 1559: 1553: 1548: 1541: 1536: 1529: 1528:Winter Garden 1524: 1517: 1512: 1505: 1503: 1499: 1495: 1493: 1489: 1485: 1480: 1478: 1474: 1470: 1466: 1465: 1460: 1456: 1451: 1442: 1440: 1438: 1434: 1430: 1426: 1425:Torre do Galo 1422: 1418: 1414: 1413:Lady's Garden 1410: 1406: 1402: 1398: 1394: 1390: 1386: 1382: 1373: 1367: 1362: 1355: 1353: 1351: 1347: 1346: 1340: 1338: 1337:Lady's Garden 1334: 1330: 1326: 1325:Gonçalo Byrne 1321: 1319: 1315: 1311: 1305: 1303: 1299: 1295: 1291: 1285: 1283: 1279: 1275: 1270: 1267:commissioned 1266: 1261: 1259: 1251: 1246: 1239: 1237: 1235: 1231: 1227: 1223: 1219: 1215: 1214:Sala do Trono 1211: 1207: 1203: 1199: 1195: 1191: 1187: 1183: 1178: 1176: 1172: 1168: 1164: 1160: 1156: 1152: 1148: 1147:O Saltimbanco 1144: 1140: 1136: 1132: 1131:Archer's Hall 1128: 1124: 1118: 1116: 1112: 1108: 1104: 1100: 1096: 1092: 1088: 1084: 1080: 1076: 1072: 1068: 1064: 1060: 1056: 1052: 1048: 1044: 1040: 1036: 1032: 1028: 1023: 1021: 1017: 1013: 1008: 1006: 1002: 998: 994: 993:Winter Garden 990: 986: 982: 978: 974: 970: 966: 962: 958: 954: 950: 946: 942: 938: 937:Winter Garden 934: 930: 926: 921: 919: 915: 910: 906: 905:typhoid fever 897: 890: 888: 886: 882: 878: 874: 870: 866: 861: 857: 855: 854:Queluz Palace 850: 848: 844: 840: 836: 832: 824: 822: 820: 819:Imperial Hall 816: 812: 808: 804: 803:Billiard Room 800: 796: 792: 788: 784: 780: 776: 772: 767: 765: 759: 757: 753: 749: 744: 742: 738: 734: 729: 727: 723: 722:Sala da Tocha 717: 715: 711: 707: 703: 699: 695: 694:Archer's Hall 691: 687: 683: 682:Archer's Hall 679: 675: 670: 668: 664: 660: 655: 653: 649: 643: 641: 637: 632: 630: 626: 622: 618: 614: 610: 606: 597: 590: 588: 586: 582: 578: 574: 570: 566: 561: 557: 554: 550: 546: 542: 541:Pêro Pinheiro 538: 534: 530: 526: 525:calcium oxide 522: 518: 514: 510: 506: 502: 498: 494: 490: 489:Prince Regent 485: 484:was vacated. 483: 482:Royal Barraca 479: 475: 471: 467: 463: 462:Wooden Palace 459: 455: 451: 446: 442: 438: 434: 429: 427: 423: 419: 410: 402: 395: 391: 390:Prince Regent 386: 379: 377: 375: 371: 366: 363: 361: 357: 352: 350: 346: 342: 338: 334: 330: 325: 323: 319: 315: 311: 307: 303: 299: 295: 291: 287: 282: 274: 270: 266: 256: 252: 248: 240: 232: 224: 216: 207: 203: 192: 187: 183: 179: 175: 171: 166: 162: 158: 153: 147: 143: 139: 135: 130: 109:38°42′27.34″N 102: 100: 96: 92: 89: 85: 82: 79: 75: 72: 69: 65: 61: 57: 52: 48: 43: 37: 32: 25: 20: 4469:Portugal Day 4346:Misericórdia 4341:Lisbon Baixa 3945:Belém Palace 3939: 3917:Naval Museum 3506:Sebastianism 3457: 3450: 3386:Mafra Palace 3381:Évora Palace 3361:Belém Palace 3356:Ajuda Palace 3355: 3332: 3306:Royal houses 3253:April Revolt 3248:Vilafrancada 3166:Major events 3087: 3078: 3055: 3032: 3023: 3014: 3005: 2996: 2987: 2978: 2969: 2946: 2937: 2914: 2905: 2896: 2887: 2878: 2867:, retrieved 2860:the original 2851: 2827: 2804: 2781: 2758: 2735: 2712: 2691:. Retrieved 2572:, retrieved 2562: 2498:Throne Room. 2462:Oak Offices. 2402:Marble Room. 2273: 2270:Sala da Ceia 2269: 2263: 2259: 2255: 2251: 2247: 2237: 2233: 2229: 2215: 2211: 2205: 2201: 2190: 2186: 2182: 2178: 2172: 2169:Sala Império 2168: 2163:Chinese Room 2162: 2159:Sala Chinesa 2158: 2151: 2147: 2143: 2139: 2129: 2125: 2119: 2115: 2109: 2105: 2097: 2095: 2081: 2065:Second floor 2057: 2053: 2049: 2043: 2039: 2016: 2008: 2004: 2000: 1992: 1988: 1982: 1978: 1975:Sala de Saxe 1974: 1960: 1952: 1948: 1942: 1938: 1935:environment. 1919: 1915: 1911: 1907: 1897: 1893: 1887: 1883: 1875: 1871: 1865: 1861: 1847: 1843: 1839: 1824: 1820: 1811: 1807: 1803: 1799: 1789: 1785: 1781: 1777: 1773: 1769: 1763: 1759: 1743: 1739: 1735: 1731: 1727: 1723: 1717: 1713: 1709: 1705: 1701: 1697: 1693: 1689: 1685: 1681: 1677: 1673: 1669: 1665: 1661: 1657: 1653: 1649: 1645: 1641: 1637: 1633: 1627: 1623: 1619: 1604: 1600: 1585:Archers Hall 1584: 1580: 1576: 1572: 1570: 1567: 1562: 1551: 1539: 1527: 1526:View of the 1515: 1500: 1496: 1481: 1476: 1472: 1468: 1462: 1458: 1454: 1446: 1436: 1432: 1428: 1424: 1421:Physics Hall 1420: 1416: 1412: 1408: 1404: 1403:(north) and 1400: 1396: 1378: 1356:Architecture 1343: 1341: 1336: 1332: 1322: 1306: 1301: 1297: 1293: 1289: 1286: 1277: 1273: 1262: 1255: 1225: 1222:Sala da Ceia 1221: 1217: 1213: 1210:Emile Loubet 1198:Alfonso XIII 1179: 1174: 1170: 1162: 1146: 1134: 1130: 1126: 1119: 1114: 1110: 1106: 1102: 1094: 1086: 1078: 1074: 1070: 1062: 1058: 1054: 1042: 1038: 1024: 1019: 1015: 1009: 1004: 1000: 996: 992: 980: 976: 972: 969:Smoking Room 968: 965:Sala do Fumo 964: 936: 928: 924: 922: 902: 884: 876: 862: 858: 851: 842: 838: 828: 825:Liberal Wars 818: 815:Sala Império 814: 811:Chinese Room 810: 807:Sala Chinesa 806: 802: 798: 795:Chinese Hall 794: 791:Sala Chinesa 790: 787:King's Study 786: 782: 779:D. Luís Room 778: 774: 770: 768: 763: 760: 745: 730: 725: 721: 718: 713: 709: 701: 697: 693: 689: 685: 681: 677: 673: 671: 666: 656: 651: 647: 644: 639: 633: 602: 584: 562: 558: 519:, sand from 492: 486: 481: 461: 457: 453: 450:Real Barraca 449: 440: 430: 422:Belém Palace 415: 374:royal family 367: 364: 353: 326: 286:neoclassical 264: 262: 249:IPA.00004722 241:16 June 1910 173:Architect(s) 140:17 July 1795 112:9°11′53.98″W 22:Ajuda Palace 4812:Bugio Tower 4626:Casa Sommer 4499:Culture and 4449:LPFP Awards 4386:São Vicente 4366:Santa Clara 4311:Bairro Alto 4206:Estufa Fria 3639:Belém Tower 3396:Pena Palace 2474:Music Room. 2274:Supper Room 2234:Throne Room 1920:Marble Hall 1898:Oak Cabinet 1710:Canopy Room 1595:First floor 1389:Tagus River 1226:Dining Room 1218:Throne Room 1167:José Malhoa 1027:Santo Varni 843:Dining Room 841:(today the 839:Cortes Hall 629:Tagus River 472:lived with 225:Non-movable 124: / 99:Coordinates 4891:Categories 4726:NewsMuseum 4489:Web Summit 3694:Lisbon Zoo 3349:residences 3338:(disputed) 2687:"História" 2516:References 2342:Pink Room. 2318:Blue Room. 2116:Biblioteca 1983:Green Room 1965:Portuguese 1953:Green Room 1949:Sala Verde 1880:Romanesque 1825:Music Room 1782:Abundância 1552:Green Room 1540:Green Room 1314:Portuguese 1274:Casa Forte 1202:Wilhelm II 1200:of Spain, 1190:Edward VII 1133:) and the 1043:Music Room 1020:Green Room 1016:Sala Verde 1001:Green Room 997:Sala Verde 961:chalcedony 941:Portuguese 813:) and the 726:Torch Room 714:Order Room 527:cooked in 493:royal tent 454:Royal Tent 296:, central 269:Portuguese 238:Designated 93:, Portugal 4574:MEO Arena 4459:NOS Alive 4454:Ludopolis 4404:Doclisboa 4286:Alcântara 3616:Landmarks 3501:Miguelism 2058:Blue Room 2005:Esperança 1979:Saxe Room 1943:Pink Room 1884:Blue Room 1876:Blue Room 1872:Sala Azul 1698:Caçadores 1662:Card Game 1614:concierge 1577:Prudência 1516:Blue Room 1492:balusters 1329:maquettes 1310:Rembrandt 1269:Raul Lino 1263:In 1934, 1256:With the 1230:Manuel II 1115:Pink Room 1111:Sala Rosa 1107:Blue Room 1103:Sala Azul 1059:Blue Room 1055:Sala Azul 977:Blue Room 973:Sala Azul 885:Inocência 758:in 1833. 585:Liberdade 537:limestone 529:Alcântara 474:Peter III 181:Known for 3096:citation 3064:citation 3041:citation 2955:citation 2923:citation 2836:citation 2813:citation 2790:citation 2767:citation 2744:citation 2721:citation 2568:archived 2252:Ballroom 2187:Vingança 2155:parquet. 2017:toucador 2009:Caridade 1961:Red Room 1858:is hung. 1702:Huntsmen 1670:Fountain 1563:Red Room 1506:Interior 1488:tympanum 1443:Exterior 1240:Republic 953:chimeras 869:daughter 865:Peter IV 752:Maria II 690:Prudence 549:Monsanto 533:Alhandra 298:Portugal 230:Criteria 198:.pnajuda 160:Material 87:Location 4351:Olivais 4336:Estrela 4321:Benfica 4301:Arroios 4296:Areeiro 3932:Palaces 3759:Museums 2869:12 July 2705:Sources 2693:12 July 2574:12 July 2293:Gallery 2120:Library 2082:O Mouro 2033:Minerva 1932:Carrara 1790:Justiça 1786:Mentira 1760:Science 1752:Mercury 1674:Merenda 1628:Justiça 1573:Justiça 1461:), the 1450:calçada 1192:of the 837:in the 686:Justice 659:John VI 605:arrival 535:, with 521:Alfeite 505:Baroque 476:in the 380:History 310:Baroque 284:) is a 200:.imc-ip 189:Website 4396:Events 4331:Chiado 4291:Alfama 2282:Apollo 2134:Saturn 1924:marble 1890:annex. 1852:Cupola 1813:Lowboy 1794:lowboy 1756:Vulcan 1696:) and 1484:ashlar 1385:Lisbon 1031:Faenza 949:sphinx 667:Cortes 513:masons 509:Rococo 507:-late 491:, the 456:), or 437:Joseph 356:Luís I 314:Rococo 294:Lisbon 137:Opened 91:Lisbon 71:Palace 59:Status 4800:Other 4316:Belém 4281:Ajuda 4178:parks 3347:Royal 2863:(PDF) 2856:(PDF) 2521:Notes 2286:Horae 2254:) or 2036:1880. 2029:Venus 2021:Diana 1928:agate 1914:) or 1829:sepia 1764:Peace 1748:Diana 1738:) or 1712:) or 1678:Lunch 1666:Fonte 1646:Dance 1642:Dança 1381:Ajuda 1278:Vault 1153:, by 957:agate 881:Diana 873:Peter 657:King 545:Belas 392:, by 290:Ajuda 163:Brick 145:Owner 4176:and 3102:link 3070:link 3047:link 2961:link 2929:link 2871:2011 2842:link 2819:link 2796:link 2773:link 2750:link 2727:link 2695:2011 2576:2011 2222:and 2189:and 2150:and 2104:the 2031:and 2025:Juno 2007:and 1926:and 1788:and 1762:and 1575:and 1387:and 1087:Leda 1073:and 1049:and 959:and 951:and 909:Luís 696:and 688:and 571:and 263:The 222:Type 67:Type 1848:Paz 1688:), 1680:), 1672:), 1664:), 1656:), 1648:), 1228:). 1141:by 1097:by 1089:by 1081:by 1022:). 821:). 762:the 607:of 202:.pt 196:www 4893:: 3098:}} 3094:{{ 3066:}} 3062:{{ 3043:}} 3039:{{ 2957:}} 2953:{{ 2925:}} 2921:{{ 2838:}} 2834:{{ 2815:}} 2811:{{ 2792:}} 2788:{{ 2769:}} 2765:{{ 2746:}} 2742:{{ 2723:}} 2719:{{ 2643:^ 2583:^ 2528:^ 2027:, 2023:, 2003:, 2001:Fé 1967:: 1963:, 1784:, 1780:, 1758:, 1754:, 1352:. 1316:: 1204:, 1196:, 943:: 587:. 543:, 523:, 396:). 324:. 275:, 271:: 3600:e 3593:t 3586:v 3150:e 3143:t 3136:v 3104:) 3072:) 3049:) 2963:) 2931:) 2844:) 2821:) 2798:) 2775:) 2752:) 2729:) 2697:. 2272:( 2258:( 2250:( 2232:( 2214:( 2204:( 2198:. 2181:( 2171:( 2161:( 2152:M 2148:L 2142:( 2128:( 2118:( 2108:( 2052:( 2042:( 1991:( 1977:( 1951:( 1941:( 1918:( 1910:( 1904:. 1896:( 1874:( 1864:( 1842:( 1823:( 1810:( 1802:( 1772:( 1766:. 1742:( 1734:( 1726:( 1716:( 1708:( 1700:( 1692:( 1684:( 1676:( 1668:( 1660:( 1652:( 1644:( 1636:( 1622:( 1616:. 1603:( 1583:( 1475:( 1467:( 1457:( 1435:( 1427:( 1419:( 1411:( 1335:( 1300:( 1292:( 1276:( 1252:. 1224:( 1216:( 1173:( 1129:( 1113:( 1105:( 1057:( 1041:( 1018:( 999:( 975:( 967:( 939:( 817:( 809:( 801:( 793:( 785:( 777:( 724:( 712:( 680:( 650:( 615:( 460:( 452:( 312:- 267:(

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