17:
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326:"by the absence of traditional elements": chromatic, atonal, twelve-tone, functional, clear tonic, and/or traditional dissonance resolutions. "It has been applied...to diatonic music lacking harmonic consistency ...centricity". Slonimsky himself, making fun of the definition, quoted a professor calling pandiatonicism "C-major that sounds like hell".
45:
325:
The term has been criticized as one of many by which, "Stravinsky's music, everywhere and at once, is made to represent or encompass every conceivable technique", and that has, "become so vague a concept that it has very little meaning or use". Pandiatonic music is usually defined by what it is not,
31:
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263:...remains undiminished in pandiatonic harmony". An opposed point of view holds that pandiatonicism does not project a clear and stable tonic. Pandiatonicism is also referred to as "white-note music," though in fact occasional
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187:. The chord-building remains tertian, with the seventh, ninth, or thirteenth chords being treated as consonances functionally equivalent to the fundamental triad. (The
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aspects, with a distinct preference for major keys". Characteristic examples include the opening of
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1103:, second edition, revised; edited by Joyce Bourne. Oxford and New York: Oxford University Press.
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367:" as, "harmonically...one of their most intriguing, with its chains of pandiatonic clusters".
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306:, whereby melodies may be made up of seven different notes of the diatonic scale, and then be
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322:" may use progressions of seven different notes in each voice, with no vertical duplication.
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connotations.) Pan-diatonicism, as consolidation of tonality, is the favorite technique of
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sanctions the simultaneous use of any or all seven tones of the diatonic scale, with the
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van den Toorn, Pieter. 1975. "Some
Characteristics of Stravinsky's Diatonic Music".
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1184:. Cambridge Music Handbooks. Cambridge and New York: Cambridge University Press.
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A Geometry of Music: Harmony and
Counterpoint in the Extended Common Practice
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Slonimsky later came to regard pandiatonicism as a diatonic counterpart of
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due to the absence of chromatics. "Pandiatonicism possesses both tonal and
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1362:
1319:. Aldershot, Hants., and Burlington, Vermont: Ashgate Publishing.
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may be present. Other composers who employed the technique are
1087:. 1992. "Conversation between SJ and JS on the New Tonality".
213:
Pandiatonic music typically uses the diatonic notes freely in
205:
168:) are the most common,) while the "most elementary form" is a
38:
1255:
The
Listener's Companion: The Great Composers and Their Works
1257:, edited by Electra Yourke. New York: Schirmer Trade Books.
1055:
The
Beatles as Musicians: The Quarry Men Through Rubber Soul
579:
577:
575:
566:
1317:
Déodat de Séverac: Musical
Identity in Fin de Siècle France
672:
670:
70:
1038:
The
Beatles as Musicians: Revolver Through the Anthology
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655:
642:
640:
66:
1201:. New York: Schirmer Books; London: Collier Macmillan.
62:
797:
795:
793:
1150:, second edition. New York and London: W. W. Norton.
1273:. 1976. "Ned Rorem: String Quartet No. 2" (review).
375:
The following musical works include pandiatonicism.
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1627:
1587:
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1199:
Music of the
Twentieth Century: Style and Structure
329:Examples of pandiatonicism include the harmonies
1291:. Oxford and New York: Oxford University Press.
1057:. Oxford and New York: Oxford University Press.
784:
318:. According to this system, "strict pandiatonic
1141:. Oxford and New York: Oxford University Press.
1137:Latham, Alison (ed.). 1992. "Pandiatonicism ".
1002:The New Grove Dictionary of Music and Musicians
968:The New Grove Dictionary of Music and Musicians
1378:
700:
65:. Consider transferring direct quotations to
8:
1133:Kostelanetz appears to be quoting Slonimsky.
1018:Daniels, Arthur. 1966. "Heitor Villa-Lobos:
1357:Definition of pandiatonic from the glossary
1279:, second series 33, no. 1 (September): 166.
688:
583:
1413:
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1240:. Reprinted, Schirmer Trade Books, 1975.
1223:, second edition. New York: W. W. Norton.
952:. Amsterdam: Amsterdam University Press.
880:
844:
676:
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140:formations of any number up to all seven
1230:Thesaurus of Scales and Melodic Patterns
1028:, second series 22, no. 3 (March): 1108.
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148:, "used freely in democratic equality".
128:The term "pandiatonicism" was coined by
15:
1334:A System for Creating Pandiatonic Music
1073:1984. "Formulaic Openings in Debussy".
950:The Apollonian Clockwork: On Stravinsky
928:
832:
820:
661:
607:
556:
521:Concerto for Piano and Wind Instruments
291:(e.g., added sixth ninth chord) and in
172:. According to Slonimsky's definition,
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1232:. New York: Charles Scribner's Sons.
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812:
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772:
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287:. Pandiatonicism is also employed in
56:too many or overly lengthy quotations
7:
1310:14, no. 1. (Autumn-Winter): 104–138.
816:
259:. "The functional importance of the
225:, but always with a strong sense of
20:Pandiatonic chord from Stravinsky's
999:, and Brian Hyer. 2001. "Harmony".
1148:Introduction to Contemporary Music
1123:. London and New York: Routledge.
217:combinations without conventional
14:
567:Andriessen & Schönberger 2006
1800:
1791:
1790:
1121:A Dictionary of the Avant-Gardes
116:. Music using this technique is
43:
27:
1332:Woodward, James Charles. 2009.
948:, and Elmer Schönberger. 2006.
1664:Modes of limited transposition
1315:Waters, Robert Francis. 2008.
1101:The Oxford Dictionary of Music
965:Anon. 2001. "Pandiatonicism".
1:
1139:The Oxford Companion to Music
152:with added notes such as the
1336:. Arizona State University.
1005:, second edition, edited by
971:, second edition, edited by
453:Variations on "I Got Rhythm"
1714:Quartal and quintal harmony
1403:List of modernist composers
333:used in his populist work,
109:without the limitations of
1848:
1253:Slonimsky, Nicolas. 2000.
1228:Slonimsky, Nicolas, 1947.
1182:Gershwin: Rhapsody in Blue
1099:. 2006. "Pandiatonicism".
1778:
1400:
1307:Perspectives of New Music
1089:Contemporary Music Review
1079:8, no. 1 (Summer): 44–59.
351:, and the later works of
132:in the second edition of
221:and/or without standard
63:summarize the quotations
1146:Machlis, Joseph. 1979.
1053:Everett, Walter. 2001.
422:La cathédrale engloutie
195:harmony because of its
1832:Lists of musical works
1765:Second Viennese School
1758:Schools of composition
1197:Simms, Bryan R. 1986.
467:Le Tombeau de Couperin
211:
36:
1749:Twelve-tone technique
1020:String Quartet No. 10
785:Dahlhaus, et al. 2001
532:String Quartet No. 10
304:twelve-tone technique
174:
19:
1117:Kostelanetz, Richard
1013:. London: Macmillan.
979:. London: Macmillan.
500:String Quartet No. 2
239:Piano Concerto No. 3
1359:at www.arvopart.org
1071:Hepokoski, James A.
101:(as opposed to the
1827:Musical techniques
1271:Strassburg, Robert
1215:Slonimsky, Nicolas
1166:. 1963. "London".
1076:19th-Century Music
701:van den Toorn 1975
528:Heitor Villa-Lobos
433:La Damoiselle élue
408:Appalachian Spring
387:She's Leaving Home
336:Appalachian Spring
295:'s tone clusters.
223:chord progressions
37:
23:Symphony of Psalms
1814:
1813:
1623:
1622:
1297:978-0-19-971435-3
1109:978-0-19-861459-3
1063:978-0-19-514105-4
946:Andriessen, Louis
506:Déodat de Séverac
371:Pandiatonic music
300:Arnold Schoenberg
166:added tone chords
130:Nicolas Slonimsky
95:musical technique
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510:"Temps de neige"
481:The Desert Music
247:Valse diatonique
235:Sergei Prokofiev
183:determining the
170:nonharmonic bass
134:Music since 1900
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464:Rigaudon, from
448:George Gershwin
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251:Igor Stravinsky
243:Alfredo Casella
177:Pan-diatonicism
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201:NEO-CLASSICISM
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189:eleventh chord
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460:Maurice Ravel
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52:This article
50:
41:
40:
25:
24:
18:
1782:
1744:Tone cluster
1699:Polytonality
1688:
1644:Experimental
1333:
1316:
1305:
1288:
1274:
1254:
1229:
1218:
1198:
1181:
1167:
1147:
1138:
1120:
1100:
1088:
1074:
1054:
1037:
1023:
1022:" (review).
1011:John Tyrrell
1000:
997:Richard Cohn
977:John Tyrrell
966:
949:
929:Daniels 1966
924:
912:
900:
888:
876:
864:
852:
840:
833:Everett 1999
828:
821:Everett 2001
780:
768:
756:
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732:
720:
708:
696:
684:
662:Machlis 1979
627:
615:
608:Kennedy 2006
603:
591:
486:
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465:
431:
406:
374:
357:William Mann
349:Philip Glass
334:
328:
324:
320:counterpoint
297:
293:Henry Cowell
254:
246:
212:
204:
176:
175:
136:to describe
133:
127:
117:
90:
89:
76:
61:Please help
53:
26:3rd movement
21:
1694:Polyrhythms
1669:Neotonality
1557:Szymanowski
917:Waters 2008
869:Schiff 1997
632:Latham 1992
475:Steve Reich
381:The Beatles
361:The Beatles
345:Steve Reich
312:retrograded
265:accidentals
219:resolutions
118:pandiatonic
79:August 2023
1821:Categories
1739:Surrealism
1734:Stochastic
1724:Sound mass
1659:Microtonal
1631:techniques
1629:Genres and
1577:Stravinsky
1537:Skalkottas
1442:Schoenberg
1040:. Oxford.
893:Jaffe 1992
802:Jaffe 1992
773:Jaffe 1992
647:Simms 1986
596:Anon. 2001
552:References
359:describes
353:John Adams
341:minimalist
339:, and the
285:Roy Harris
256:Pulcinella
203: [
111:functional
71:Wikisource
1719:Serialism
1639:Atonality
1567:Prokofiev
1410:Composers
1169:The Times
819:cited in
817:Mann 1963
751:, 188n31.
496:Ned Rorem
343:music by
215:dissonant
103:chromatic
67:Wikiquote
54:contains
1796:Category
1729:Spectral
1654:Futurism
1588:Americas
1572:Scriabin
1543:Hungary
1518:Germany
1502:Messiaen
1497:Koechlin
1473:Finland
1463:Czechia
1457:Pousseur
1453:Belgium
1423:Austria
1287:. 2011.
1217:. 1938.
1180:. 1997.
1119:. 2013.
1036:. 1999.
775:, 30–31.
649:, 63–64.
540:See also
488:Tehillim
428:, book 1
426:Préludes
394:This Boy
365:This Boy
308:inverted
227:tonality
114:tonality
99:diatonic
1781: ←
1709:Process
1598:Antheil
1563:Russia
1553:Poland
1533:Greece
1527:Strauss
1507:Milhaud
1492:Jolivet
1483:France
1477:Bergman
938:Sources
622:, xxii.
424:" from
197:quartal
185:harmony
158:seventh
144:of the
142:degrees
124:History
1806:Portal
1608:Cowell
1603:Carter
1547:Bartók
1512:Varèse
1447:Webern
1437:Mahler
1432:Krenek
1417:Europe
1340:
1323:
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883:, 256.
859:, 188.
835:, 109.
727:, iii.
703:, 105.
691:, 517.
664:, 163.
586:, 465.
440:Voiles
283:, and
249:, and
209:].
162:second
150:Triads
1684:Noise
1522:Reger
1487:Henry
1276:Notes
1025:Notes
895:, 29.
871:, 81.
847:, 48.
823:, 204
804:, 28.
679:, iv.
569:, 57.
314:, or
231:modal
193:tonic
160:, or
154:sixth
138:chord
107:scale
93:is a
1613:Ives
1467:Hába
1427:Berg
1338:ISBN
1321:ISBN
1293:ISBN
1259:ISBN
1242:ISBN
1234:ISBN
1203:ISBN
1186:ISBN
1152:ISBN
1125:ISBN
1105:ISBN
1059:ISBN
1042:ISBN
1009:and
975:and
954:ISBN
763:, 2.
739:, 3.
715:, 1.
316:both
289:jazz
181:bass
363:' "
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206:sic
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