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Pantaleon Hebenstreit

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in August 1709. Having been passed over for the top job, Pantaleon left the Eisenach Court soon afterwards, probably still in 1709. Surviving records leave little doubt about Telemann's own admiration for Pantaleon's exceptional dexterity as a keyboard and violin performer ("eine ungemeine
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In 1718 Telemann wrote: "Monsieur Pantlon, sage ich, hatte nebst der Erfahrung auf vielerley Instrumenten zugleich in der Frantzösischen Music und Composition eine ungemeine Geschicklichkeit, woraus ich mehr Vortheil geschöpfet als ich hier anzuführen vermögend
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spotted the "famous Pantalon" in the house of Christian Sigmund Binder, who had succeeded Richter as head of court music. It was explained that the Duke felt unable to "let the instrument go". Hebenstreit's most notable pupils were the two
269:. Richter had already taken over some of his other court responsibilities including choir training, formally in 1729, and it appears that by now Hebestreit was reducing his workload. In 1740 he was appointed a privy councillor. 586:"Ungeachtet sich dieser excellente Meister des Jahres etwann einmahl vor dem Könige hören lasset, verdienet doch seine unverdrossene Mühe, die er von Jugend auff, bis hierher gewendet, ... dieses, und noch ein mehrers." 153:. By 1697 he was employed in Leipzig as a violinist, keyboard musician and dancing master (i.e. teacher). It must have been at this time that, during one of his regular visits to 203:
On returning from France, Hebenstreit set about finding a suitable court appointment in his home region. In 1707 he took a post as a musical director and dancing master in
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which he had constructed himself. In 1697 he was obliged to leave Leipzig in order to escape his creditors, and took a position as a private tutor in
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which he invented is largely forgotten, it would be wrong to think that Hebenstreit's reputation, which extended far beyond the confines of the
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Geschicklichkeit") which, writing in 1718, Telemann implied exceeded his own talent. Telemann himself left the Eisenach court in 1712.
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was so impressed both with the instrument and with Hebenstreit's mastery of it that he rechristened it "Le Pantalon": the name stuck.
678: 133:, a keyboard instrument which he invented and which subsequently came to be seen by some as a precursor of the modern pianoforte. 688: 366: 264: 613: 636: 169:, which gave him the opportunity to develop his instrument: shortly afterwards he was invited to demonstrate it to 543: 361: 302: 509: 441: 259: 307: 693: 662: 381: 212: 154: 313: 273: 255: 244: 607: 251:
in Leipzig, is on record with the view that Pantaleon Hebenstreit was well worth his salary, however.
713: 708: 228: 74: 385: 145:, a short distance west of Leipzig, in 1668. His father, described in one source as a "ThĂĽrmer" ( 391: 318: 569: 478: 459: 419: 289: 162: 115: 650: 624: 591: 565: 463: 272:
On 15 November 1750 Pantaleon Hebenstreit died. He was buried three days later in Dresden's
189: 185: 126:(27 November 1668 – 15 November 1750) was a German dance teacher, musician and composer. 603: 449: 293: 224: 170: 504: 445: 672: 587: 453: 357: 240: 236: 216: 208: 158: 248: 161:
to have spent a lot of time practising his keyboard skills on an enlarged type of
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Hebenstreit's duties in charge of court music included playing the organ in the
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On 11 May 1714 Hebenstreit accepted an invitation to take a position at the
197: 177:. Hebenstreit was able to return to Leipzig, his debts apparently paid off. 166: 370:(in German), vol. 11, Leipzig: Duncker & Humblot, pp. 196–197 285: 204: 196:, quoting a French source, it was during this visit that the French king 142: 130: 106: 51: 45: 188:. In 1705 he travelled with his giant dulcimer to France. According to 174: 70: 298: 232: 114: 513:. Bayerische Staatsbibliothek (publication online). p. 168 211:. His virtuosity as a violinist was commended. In 1708 or 1709 149:), died in 1678. On 29 January 1691 Hebenstreit entered the 544:"Lebens-Lauff mein .... Entworffen in Franckfurth am Mayn" 455:
A History of Pianoforte-playing and Pianoforte-literature
606:; Irene Geiringer (1954). "Sebastian and his family". 485:. Vol. 15–16. Novello & Company. p. 205. 634: 609:
The Bach Family: Seven Generations of Creative Genius
413: 411: 409: 407: 405: 403: 401: 215:took a position at the same court, being appointed 101: 81: 59: 30: 23: 292:, died with him. In 1772 the English musicologist 546:. Internationale Telemann-Gesellschaft, Magdeburg 498: 496: 494: 492: 184:to work on the drama and music at the court of 612:. New York: Oxford University Press. p.  352: 350: 348: 346: 344: 342: 340: 338: 336: 8: 542:Georg Philipp Telemann (10 September 1718). 483:The New Music Review and Church Music Review 129:Today his notability rests primarily on the 180:Between 1698 and 1703 he was contracted by 20: 477:American Guild of Organists, ed. (1915). 641: 332: 182:Johann Georg, Duke of Saxe-Weissenfels 387:The Century Dictionary and Cyclopedia 284:Although, three centuries later, the 7: 420:"Pantaleon Hebenstreit (1667–1750)" 231:. His annual remuneration was 1200 14: 503:Lothar Hoffmann-Erbrecht (1969). 656: 644: 684:German male classical composers 367:Allgemeine Deutsche Biographie 1: 704:18th-century German educators 699:17th-century German educators 157:in Berlin, he is reported by 576:. Vol. 2. p. 237. 16:German musician (1668–1750) 730: 390:. The Century Co. p.  303:Johann Baptist Gumpenhuber 225:Electoral Court in Dresden 227:, the principal court of 119:A pantalon reconstruction 679:German Baroque composers 510:Neue Deutsche Biographie 260:Johann Christoph Richter 151:University of Wittenberg 141:Hebenstreit was born in 88:Dancing master (teacher) 570:"Der Orkester Kanzeley" 458:. G. Schirmer. p.  384:; Smith, B. E. (1906). 243:, the man who preceded 109:, a keyboard instrument 689:Musicians from Dresden 362:Hebenstreit, Pantaleon 213:Georg Philipp Telemann 155:Jean-Baptiste Volumier 120: 590:, quoted in print by 124:Pantaleon Hebenstreit 118: 25:Pantaleon Hebenstreit 314:Maximilian Hellmann 121: 290:Holy Roman Empire 163:hammered dulcimer 113: 112: 721: 661: 660: 659: 649: 648: 647: 640: 629: 628: 625:Internet Archive 622: 620: 600: 594: 592:Johann Mattheson 584: 578: 577: 566:Johann Mattheson 562: 556: 555: 553: 551: 539: 533: 529: 523: 522: 520: 518: 500: 487: 486: 474: 468: 467: 464:Internet Archive 442:Weitzmann, K. F. 438: 432: 431: 429: 427: 418:David Charlton. 415: 396: 395: 378: 372: 371: 354: 322: 311: 268: 207:at the court of 190:Johann Mattheson 66: 54:(sources differ) 41:27 November 1668 40: 38: 21: 729: 728: 724: 723: 722: 720: 719: 718: 669: 668: 667: 663:Classical music 657: 655: 645: 643: 635: 633: 632: 618: 616: 602: 601: 597: 585: 581: 564: 563: 559: 549: 547: 541: 540: 536: 530: 526: 516: 514: 502: 501: 490: 476: 475: 471: 440: 439: 435: 425: 423: 422:. Classical Net 417: 416: 399: 380: 379: 375: 356: 355: 334: 329: 316: 305: 301:Pantaleonists, 282: 262: 192:writing in his 139: 97: 77: 68: 64: 55: 49: 44:Kleinheringen, 42: 36: 34: 26: 17: 12: 11: 5: 727: 725: 717: 716: 711: 706: 701: 696: 694:Dance teachers 691: 686: 681: 671: 670: 666: 665: 653: 631: 630: 604:Karl Geiringer 595: 579: 574:Critica Musica 557: 534: 524: 488: 469: 433: 397: 382:Whitney, W. D. 373: 331: 330: 328: 325: 294:Charles Burney 281: 278: 274:Johanniskirche 194:Critica musica 138: 135: 111: 110: 105:Inventing the 103: 102:Known for 99: 98: 96: 95: 92: 89: 85: 83: 79: 78: 69: 67:(aged 81) 61: 57: 56: 43: 32: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 726: 715: 712: 710: 707: 705: 702: 700: 697: 695: 692: 690: 687: 685: 682: 680: 677: 676: 674: 664: 654: 652: 642: 638: 626: 615: 611: 610: 605: 599: 596: 593: 589: 588:Johann Kuhnau 583: 580: 575: 571: 567: 561: 558: 545: 538: 535: 528: 525: 512: 511: 506: 499: 497: 495: 493: 489: 484: 480: 473: 470: 465: 461: 457: 456: 451: 447: 443: 437: 434: 421: 414: 412: 410: 408: 406: 404: 402: 398: 393: 389: 388: 383: 377: 374: 369: 368: 363: 359: 358:Robert Eitner 353: 351: 349: 347: 345: 343: 341: 339: 337: 333: 326: 324: 320: 315: 309: 304: 300: 295: 291: 287: 279: 277: 275: 270: 266: 261: 257: 252: 250: 246: 242: 241:Johann Kuhnau 238: 237:chamber music 234: 230: 226: 221: 218: 217:Kapellmeister 214: 210: 209:Saxe-Eisenach 206: 201: 199: 195: 191: 187: 183: 178: 176: 172: 168: 164: 160: 159:Johann Kuhnau 156: 152: 148: 144: 136: 134: 132: 127: 125: 117: 108: 104: 100: 93: 90: 87: 86: 84: 80: 76: 72: 62: 58: 53: 47: 33: 29: 22: 19: 623:– via 617:. Retrieved 608: 598: 582: 573: 560: 548:. Retrieved 537: 527: 515:. Retrieved 508: 482: 479:"Editorials" 472: 462:– via 454: 436: 424:. Retrieved 386: 376: 365: 283: 271: 256:Chapel Royal 253: 249:Thomaskantor 222: 202: 193: 179: 147:look-out man 146: 140: 128: 123: 122: 65:(1750-05-15) 18: 714:1750 deaths 709:1668 births 619:8 September 550:8 September 517:7 September 446:LeĂźmann, O. 426:7 September 317: [ 306: [ 263: [ 186:Weissenfels 82:Occupations 63:15 May 1750 673:Categories 327:References 280:Reputation 245:J. S. Bach 37:1668-11-27 651:Biography 450:Baker, T. 360:(1880), " 198:Louis XIV 171:the court 167:Merseburg 568:(1725). 452:(1897). 299:Viennese 286:Pantalon 205:Eisenach 143:Eisleben 131:pantalon 107:pantalon 94:composer 91:musician 52:Eisleben 46:Naumburg 637:Portals 233:Thalers 175:Dresden 71:Dresden 229:Saxony 75:Saxony 532:bin." 321:] 310:] 267:] 621:2015 552:2015 519:2015 428:2015 392:4262 312:and 137:Life 60:Died 31:Born 614:193 460:256 364:", 247:as 173:in 50:or 675:: 572:. 507:. 491:^ 481:. 448:; 444:; 400:^ 335:^ 323:. 319:de 308:de 276:. 265:de 239:. 73:, 639:: 627:. 554:. 521:. 466:. 430:. 394:. 48:; 39:) 35:(

Index

Naumburg
Eisleben
Dresden
Saxony
pantalon

pantalon
Eisleben
University of Wittenberg
Jean-Baptiste Volumier
Johann Kuhnau
hammered dulcimer
Merseburg
the court
Dresden
Johann Georg, Duke of Saxe-Weissenfels
Weissenfels
Johann Mattheson
Louis XIV
Eisenach
Saxe-Eisenach
Georg Philipp Telemann
Kapellmeister
Electoral Court in Dresden
Saxony
Thalers
chamber music
Johann Kuhnau
J. S. Bach
Thomaskantor

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