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as the ballerinas danced with demure lightness, delicacy, and poise. The steps demand that each area of classical ballet technique is executed. These areas include adagio movements, petite allegro, grand allegro, fast footwork, graceful changes of position, and the elegant and fluid arm movements
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Each ballerina has an individual variation, which are performed in succession between an opening and finale that are danced by all the ballerinas together. These variations were choreographed for the ballerina premiering in each role, and were designed to display the best features of each.
328:, husband and wife. Wright and Dolin had known each other since Wright was a young dancer. She had won a Pavlova Award and caught Dolin's attention. Wright was a principal with Dolin's Festival Ballet after years with the
214:(12 July 1845), it caused a sensation with the critics and the public alike. The reason for this was that it brought together, on one stage, the four greatest ballerinas of the time – in order of appearance,
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but only used for the four performances in July 1845 at Her
Majesty's Theatre with the great ballerinas Grahn, Grisi, Cerrito and Taglioni. No further performance took place in the next decades.
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The publisher Julien issued Pugni's piano version immediately following the sussessful premiere. Pugni's autograph orchestral score is preserved in the archives of the
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The order of appearance of the ballerinas was done by age, from youngest to oldest, to squelch further confrontations between them. The original cast of
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from the original piano score. Since then several other composers created orchestral versions from the piano score of Cesare Pugni, like
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234:, had been invited to take part but declined to do so; she was replaced by the young Lucile Grahn who accepted without hesitation.)
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467:"Introduction. Pas de quatre dansé par Mme Taglioni, Mle Carl.ta Grisi, M. Cerrito et Melle Grhan. Ces. Pugni", autograph score
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This article is about the ballet divertissement to music by Cesare Pugni. For the general ballet term, see
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may not be staged, performed, produced or recorded without their permission and their doing the staging.
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Images of the dance : historical treasures of the Dance
Collection 1581-1861
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as Marie
Taglioni. Since then many ballet companies have performed the piece.
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were in attendance on 17 July 1845, at the third of these four performances.
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Nearly one hundred years later, in 1941, a new version of
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417:LearnToDance.com. Accessed Feb. 16, 2015.
262:only danced four performances together;
245:that have become a signature element of
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348:The original music was composed by
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357:Bibliothèque Nationale de France
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240:captured the essence of the
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392:Moore, Lillian. (1965).
514:Ballets by Cesare Pugni
504:Ballets by Jules Perrot
485:American Ballet Theatre
318:English National Ballet
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203:, to music composed by
122:Her Majesty's Theatre,
428:"Jelko Yuresha Papers"
301:as Fanny Cerrito, and
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519:1845 ballet premieres
450:"Grand Pas de Quatre"
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179:Grand Pas de Quatre
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89:London, 1845
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373:Peter March
287:Anton Dolin
133:Created for
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379:References
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402:466091730
344:The music
63:(center),
434:June 24,
115:Premiere
59:(left),
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168:Ballet
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