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living statue. A doctor arrives as a violent storm breaks. Lightning fatally strikes the doctor, the policeman and the landlord. The FitzTollemaches raise the statue upright and kneel before it, as the heavenly choir again sings "Bill Bailey". The statue raises its hands in benediction, the band plays the national anthem and attendants pass through the auditorium ejecting the audience.
160:, which they can get from the plaster of the ceiling. They throw boots up to bring pieces of the ceiling down. Adolphus cannot force the plaster down this throat, and instead Magnesia reaches for a plaster bust of herself, which she bids Phyllis dissolve in hot water. Adolphus drinks the mixture, and with the poison neutralised he sinks into a deep sleep.
149:". A murderous figure enters, brandishing a dagger. Before he can stab Magnesia she wakes, and recognises her husband. Her admirer, Adolphus, demands admittance so that he can show her his new suit of evening clothes made of bright yellow and black cloth with a silver-spangled waistcoat and red kerchief.
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The FitzTollemaches' landlord appears, complaining at the noise from the room. He believes that the recumbent
Adolphus is dead, accuses the others of murdering him, and summons the police. The constable cannot rouse Adolphus, and discovers that the plaster has set inside him, turning him into a
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156:(soda-siphon) contains poison and Adolphus is soon writhing on the floor. Magnesia declares that with Adolphus dead she will have to devote all her energies to doting on her husband. Finding this prospect overwhelming, Fitz reveals that there is an antidote to the poison, namely
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Late at night, Phyllis, the maid, is combing the hair of her employer, Lady
Magnesia FitzTollemache. Phyllis expresses foreboding and the fear that she will never see her beloved mistress again. Magnesia retires to sleep, serenaded by a heavenly choir singing
52:
Shaw began writing the play in May 1905 and finished it on 4 June. It was published in Harry
Furniss's Christmas Annual 1905, and was privately printed for copyright purposes in the US in the same year. It first appeared in book form in
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Shaw wrote of the piece, "This tragedy was written at the request of Mr Cyril Maude, under whose direction it was performed repeatedly, with colossal success, in a booth in Regent's Park, for the benefit of
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broadcast a radio version of the play in 1926, and the early BBC television service transmitted another in 1939. The play was staged in London in 1945, and again as part of a Shaw
Festival at the
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44:. It is a comic mock-melodrama, written to raise funds for charity. It has been revived occasionally, in tandem with other short works by Shaw or by other playwrights.
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at his most surrealist. The piece was revived again at the Arts the following year in a triple bill with short comedies by
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in 1951. This was the last production in London during Shaw's lifetime. Later productions included one at the
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Period: "Not for an age but for all time". Scene: A bed sitting-room in a fashionable quarter of London.
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The original performers, from left to right: Vanbrugh, Price, Lewis, Maude, Pawle, Williams and
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stationed themselves outside the tent drumming up custom for the show.
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Choir of
Invisible Angels – Messrs Mason, Tucker, Maney, Humphreys
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402:"Opening Night! Opera & Oratorio Premieres - Philip Hagemann"
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Billington, Michael. "Triple bill given broad treatment",
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The
Intelligent Woman's Guide to Socialism and Capitalism
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The Fatal
Gazogene: a Brief Tragedy for Barns and Booths
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The
Adventures of the Black Girl in Her Search for God
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208:The play was adapted in 1975 for a comic opera,
308:, 20 January 1926, p. 10; and "Broadcasting",
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152:Fitz offers Adolphus a whisky and soda. The
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1110:SHAW: The Annual of Bernard Shaw Studies
443:. Harmondsworth and New York: Penguin.
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400:Stanford University Libraries (2019).
222:112). It was also made into operas by
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25:Notice for the first production, 1905
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857:How These Doctors Love One Another!
920:In Good King Charles's Golden Days
437:"Passion, Poison and Petrifaction"
420:The Complete Plays of Bernard Shaw
184:in 1967, of which the reviewer in
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801:Annajanska, the Bolshevik Empress
654:Passion, Poison, and Petrifaction
214:, by the Polish-Russian composer
31:Passion, Poison, and Petrifaction
1065:Charlotte Payne-Townshend (wife)
682:The Shewing-Up of Blanco Posnet
612:Captain Brassbound's Conversion
377:Operas in English: A Dictionary
147:Won't You Come Home Bill Bailey
90:Lady Magnesia FitzTollemache –
1096:George Bernard Shaw: His Plays
668:The Interlude at the Playhouse
255:"The Actors' Orphanage Fund",
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55:Translations and Tomfooleries
1144:Plays by George Bernard Shaw
717:The Dark Lady of the Sonnets
439:. In Dan H Laurence (ed.).
16:Play by George Bernard Shaw
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640:How He Lied to Her Husband
347:"Lively trifles by Shaw",
295:Shaw (1934), pp. 1118–1119
286:Shaw (1930), pp. 1115–1117
277:Shaw (1934), pp. 1114–1115
65:, on the 14th July 1905".
1154:Plays adapted into operas
989:Cashel Byron's Profession
696:The Fascinating Foundling
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404:, accessed 14 April 2019.
390:– via Google Books.
1048:Quintessence of Ibsenism
927:The British Party System
633:John Bull's Other Island
556:Mrs. Warren's Profession
364:, 23 February 1968, p. 7
338:, 22 February 1951, p. 8
102:George FitzTollemache –
1117:Twain and Shaw Do Lunch
619:The Admirable Bashville
351:, 1 February 1967, p. 5
321:"Chanticleer Theatre",
982:Love Among the Artists
899:Arthur and the Acetone
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703:The Glimpse of Reality
435:Bernard, Shaw (1987).
418:Shaw, Bernard (1934).
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780:The Inca of Perusalem
312:, 15 June 1939, p. 12
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1103:Great Contemporaries
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661:The Doctor's Dilemma
605:Caesar and Cleopatra
591:The Devil's Disciple
441:Selected Short Plays
325:, 26 July 1945, p. 8
268:Shaw (1934), p. 1113
259:, 15 July 1905, p. 8
194:Michel de Ghelderode
108:Adolphus Bastaple –
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1149:Plays set in London
850:Too True to Be Good
502:George Bernard Shaw
380:. Scarecrow Press.
334:"A Shaw Festival",
304:"Wirelessed Shaw",
216:Mieczysław Weinberg
120:Police Constable –
34:is a short play by
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948:Shakes versus Shav
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724:Fanny's First Play
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577:The Man of Destiny
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246:Shaw (1987)
226:(1976) and
110:Cyril Maude
98:Nancy Price
1139:1905 plays
1133:Categories
975:Immaturity
836:Saint Joan
598:The Gadfly
412:References
224:Bruce Taub
104:Eric Lewis
48:Background
752:Pygmalion
738:Overruled
459:647281428
362:The Times
349:The Times
336:The Times
323:The Times
310:The Times
306:The Times
257:The Times
186:The Times
126:Doctor –
230:(1988).
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57:, 1926.
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570:Candida
428:2606804
198:Chekhov
966:Novels
913:Geneva
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519:Plays
234:Notes
218:(his
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445:ISBN
424:OCLC
382:ISBN
220:Opus
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158:lime
137:Plot
77:Cast
69:and
174:BBC
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