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Parody

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653:, parody can occur when whole elements of one work are lifted out of their context and reused, not necessarily to be ridiculed. Traditional definitions of parody usually only discuss parody in the stricter sense of something intended to ridicule the text it parodies. There is also a broader, extended sense of parody that may not include ridicule, and may be based on many other uses and intentions. The broader sense of parody, parody done with intent other than ridicule, has become prevalent in the modern parody of the 20th century. In the extended sense, the modern parody does not target the parodied text, but instead uses it as a weapon to target something else. The reason for the prevalence of the extended, recontextualizing type of parody in the 20th century is that artists have sought to connect with the past while registering differences brought by 565: 1769: 385:
satires are provocative and critical as they point to a specific vice associated with an individual or a group of people to mock them into correction or as a form of punishment. In contrast, parodies are more focused on producing playful humor and do not always attack or criticize its targeted work and/or genre. Of course, it is possible for a parody to maintain satiric elements without crossing into satire itself, as long as its "light verse with modest aspirations" ultimately dominates the work.
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memorials to the throne, and conference minutes. We have an exchange of letters between the Queue and the Beard and Eyebrows. We have a eulogy for a chamber pot. We have 'Research on Why Men Have Beards and Women Don't,' 'A Telegram from the Thunder God to His Mother Resigning His Post,' and 'A Public Notice from the King of Whoring Prohibiting Playboys from Skipping Debts.'"
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recommended that the UK should "create an exception to copyright for the purpose of caricature, parody or pastiche by 2008". Following the first stage of a two-part public consultation, the Intellectual Property Office reported that the information received "was not sufficient to persuade us that the
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Historian Christopher Rea writes that "In the 1910s and 1920s, writers in China's entertainment market parodied anything and everything.... They parodied speeches, advertisements, confessions, petitions, orders, handbills, notices, policies, regulations, resolutions, discourses, explications, sutras,
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usually has humorous, even satirical intent, in which familiar musical ideas or lyrics are lifted into a different, often incongruous, context. Musical parodies may imitate or refer to the peculiar style of a composer or artist, or even a general style of music. For example, "The Ritz Roll and Rock",
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distinguishes between the parody and the burlesque, "A good parody is a fine amusement, capable of amusing and instructing the most sensible and polished minds; the burlesque is a miserable buffoonery which can only please the populace." Historically, when a formula grows tired, as in the case of the
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Nearly all periods of artistic innovation have had a strong parodic impulse, advancing generic change. As the Russian formalist Boris Eichenbaum once put it: "In the evolution of each genre, there are times when its use for entirely serious or elevated objectives degenerates and produces a comic or
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was fair use, as the parody was a distinctive, transformative work designed to ridicule the original song, and that "even if 2 Live Crew's copying of the original's first line of lyrics and characteristic opening bass riff may be said to go to the original's 'heart,' that heart is what most readily
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Satires and parodies are both derivative works that exaggerate their source material(s) in humorous ways. However, a satire is meant to make fun of the real world, whereas a parody is a derivative of a specific work ("specific parody") or a general genre ("general parody" or "spoof"). Furthermore,
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issue was an obviously very large challenge to approach. Do we even put out an issue? What is funny at this time in American history? Where are the jokes? Do people want jokes right now? Is the nation ready to laugh again? Who knows. There will always be some level of division in the back
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advantages of a new parody exception were sufficient to override the disadvantages to the creators and owners of the underlying work. There is therefore no proposal to change the current approach to parody, caricature and pastiche in the UK."
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Christopher Rea, "Spoofing (e'gao) Culture on the Chinese Internet." In Humour in Chinese Life and Culture: Resistance and Control in Modern Times. Jessica Milner Davis and Jocelyn Chey, eds. Hong Kong: Hong Kong University Press, 2013, pp.
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Since the 20th century, parody has been heightened as the central and most representative artistic device, the catalysing agent of artistic creation and innovation. This most prominently happened in the second half of the century with
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travel to the Moon, engage in interplanetary war with the help of aliens they meet there, and then return to Earth to experience civilization inside a 200-mile-long creature generally interpreted as being a whale. This is a parody of
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A parody imitates and mocks a specific, recognizable work (e.g. a book, movie, etc.) or the characteristic style of a particular author. A spoof mocks an entire genre by exaggerating its conventions and cliches for humorous effect.
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However, following the Hargreaves Review in May 2011 (which made similar proposals to the Gowers Review) the Government broadly accepted these proposals. The current law (effective from 1 October 2014), namely Section 30A of the
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The burlesque primarily targets heroic poems and theater to degrade popular heroes and gods, as well as mock the common tropes within the genre. Simon Dentith has described this type of parody as "parodic anti-heroic drama".
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Genette individua la forma "piú rigorosa" di parodia nella "parodia minimale", consistente nella ripresa letterale di un testo conosciuto e nella sua applicazione a un nuovo contesto, come nella citazione deviata dal suo
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fiction, and a quotidian setting combine for a humor that is not directed at any of the characters or their authors. This combination of established and identifiable characters in a new setting is not the same as the
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A further, more constructive form of poetic parody is one that links the contemporary poet with past forms and past masters through affectionate parodying – thus sharing poetic codes while avoiding some of the
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or Robin Hood) whilst others settle for imitation which does not infringe copyright, but is clearly aimed at a popular (and usually lucrative) subject. The spy film craze of the 1960s, fuelled by the popularity of
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More aggressive in tone are playground poetry parodies, often attacking authority, values and culture itself in a carnivalesque rebellion: "Twinkle, Twinkle little star,/ Who the hell do you think you are?"
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Some countries do not like parodies and the parodies can be considered insulting. The person who makes the parody can be fined or even jailed. For instance in the UAE and North Korea, this is not allowed.
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A fourth approach was to use the target poem as a matrix for inserting unrelated (generally humorous) material – "To have it out or not? That is the question....Thus dentists do make cowards of us
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From these words, it can be inferred that Genette's conceptualisation does not diverge from Hutcheon's, in the sense that he does not mention the component of ridicule that is suggested by the prefix
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identifies parody as one of the "arts of the contact zone", through which marginalized or oppressed groups "selectively appropriate", or imitate and take over, aspects of more empowered cultures.
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is such an example. In this genre a rare, and possibly unique, example of a parody film taking aim at a non-comedic subject over which it actually holds copyright is the 1967 James Bond spoof
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A travesty imitates and transforms a work, but focuses more on the satirization of it. Because satire is meant to attack someone or something, the harmless playfulness of parody is lost.
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As of the implementation of the Copyright Modernization Act 2012, "Fair dealing for the purpose of research, private study, education, parody or satire does not infringe copyright."
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had anticipated this perspective. For the Russian formalists, parody was a way of liberation from the background text that enables to produce new and autonomous artistic forms.
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initially intended to make a serious film, but decided that it would not be able to compete with the established series of Bond films. Hence, he decided to parody the series.
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Parody is by no means necessarily satirical, and may sometimes be done with respect and appreciation of the subject involved, without being a heedless sarcastic attack.
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UK Intellectual Property Office. (2009) Taking Forward the Gowers Review of Intellectual Property: Second Stage Consultation on Copyright Exceptions. . Available at
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A pastiche imitates a work as a parody does, but unlike a parody, pastiche is neither transformative of the original work, nor is it humorous. Literary critic
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or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the
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stated that Yankovic's parodies of their respective songs were excellent, and many artists have considered being parodied by him to be a badge of honor.
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Parody is a prominent genre in online culture, thanks in part to the ease with which digital texts may be altered, appropriated, and shared. Japanese
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was the inventor of a kind of parody; by slightly altering the wording in well-known poems he transformed the sublime into the ridiculous. In ancient
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in 1693, who also appended an explanation, suggesting that the word was in common use, meaning to make fun of or re-create what you are doing.
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Blank parody, in which an artist takes the skeletal form of an art work and places it in a new context without ridiculing it, is common.
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story is parodied as Dionysus dresses as Heracles to go to the Underworld, in an attempt to bring back a poet to save Athens. The
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said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including
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Some events, such as a national tragedy, can be difficult to handle. Chet Clem, Editorial Manager of the news parody publication
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Lucian delivers a story which exaggerates the hyperbole and improbable claims of those stories. Sometimes described as the first
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Shakespeare often uses a series of parodies to convey his meaning. In the social context of his era, an example can be seen in
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Finally, parody may be used to attack contemporary/topical targets by utilizing the format of a well-known piece of verse: "O
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for Best Original Screenplay, Brooks became one of the most famous film parodists and created spoofs in multiple film genres.
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In the US legal system the point that in most cases a parody of a work constitutes fair use was upheld in the case of
864: 54: 4853: 1982: 1813:", which satirized English neglect of Ireland by parodying emotionally disengaged political tracts; and, recently, 1512: 1050: 540: 2486: 1738:
of a technical paper or a particular writer. They are also called travesty generators and random text generators.
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Skits imitate works "in a satirical regime". But unlike travesties, skits do not transform the source material.
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parodic form....And thus is produced the regeneration of the genre: it finds new possibilities and new forms."
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is another prominent example of the modern "recontextualizing" parody. According to French literary theorist
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has now generally been supplanted by a more general meaning of the word. In its more contemporary usage,
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Parody was used in early Greek philosophical texts to make philosophical points. Such texts are known as
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are emblematic of the importance of parody in online cultures in Asia. Video mash-ups and other parodic
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had infringed upon the children's book because it did not provide a commentary function upon that work.
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to reprocess real text examples; alternatively, they may be hand-coded. Generated texts can vary from
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Parts of this article (those related to Changes from the Copyright Modernization Act, 2012) need to be
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archived at University of Idaho, English 506, Rhetoric and Composition: History, Theory, and Research
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Sometimes the reputation of a parody outlasts the reputation of what is being parodied. For example,
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has sometimes been taken to mean "counter-song", an imitation that is set against the original. The
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into the principal characters in a comedic perspective on the same events in the play (and film)
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Parody has also been used to facilitate dialogue between cultures or subcultures. Sociolinguist
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trope of using historical characters in fiction out of context to provide a metaphoric element.
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has referred to the pastiche as a "blank parody", or "parody that has lost its sense of humor".
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in 1598: "A Parodie, a parodie! to make it absurder than it was." The next citation comes from
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Signifyin(g), Sanctifyin', & Slam Dunking: A Reader in African American Expressive Culture
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moralistic melodramas in the 1910s, it retains value only as a parody, as demonstrated by the
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magazine, October 9, 1915. Caption "I did not raise my girl to be a voter" parodies the anti-
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Many parody films have as their target out-of-copyright or non-copyrighted subjects (such as
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Some artists carve out careers by making parodies. One of the best-known examples is that of
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of a pre-existing, copyrighted work, some countries have ruled that parodies can fall under
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is based on particular popular songs, it also often utilises wildly incongruous elements of
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Bakhtin, Mikhail; Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist (1981).
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Please help update this section to reflect recent events or newly available information.
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which parodied philosophers living and dead. The style was a rhetorical mainstay of the
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is a creative work designed to imitate, comment on, and/or mock its subject by means of
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The third type reversed (and so undercut) the sentiments of the poem parodied, as with
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More recently, parodies have taken on whole film genres at once. One of the first was
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allusive imitation of another cultural production or practice". The literary theorist
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The Stationery Office. (2006) Gowers Review of Intellectual Property. . Available at
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Jameson, Fredric (1983). "Postmodernism and Consumer Society". In Hal Foster (ed.).
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parodied well-established genres such as disaster, war and police movies with the
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Youtuber Shane Dawsons fans revolt after Sony pulls his Taylor Swift parody video
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conjures up the song for parody, and it is the heart at which parody takes aim."
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in an interview the questions that are raised when addressing difficult topics:
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Parody is often used to make a social or political statement. Examples include
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The 41-Year-Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It
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Stevens, Anne H. (2019). "Parody". In Evan R. Davis; Nicholas D. Nace (eds.).
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refers to a reworking of one kind of composition into another (for example, a
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series respectively. There is a 1989 film parody from Spain of the TV series
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Encyclopedia of Diderot & d'Alembert - Collaborative Translation Project
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Imitative work created to mock, comment on or trivialise an original work
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Don't Be a Menace to South Central While Drinking Your Juice in the Hood
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started his career with a Hitler parody as well. After his 1967 film
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Irony, Satire, Parody and the Grotesque in the Music of Shostakovich
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Watching with The Simpsons: Television, Parody, and Intertextuality
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The Signifying Monkey: A Theory of Afro-American Literary Criticism
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used extensive quotation from other vocal works such as motets or
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The first was to use parody to attack the author parodied, as in
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A Theory of Parody: The Teachings of Twentieth-Century Art Forms
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Elizabeth Bellalouna, Michael L. LaBlanc, Ira Mark Milne (2000)
2963:(Oakland, CA: University of California Press, 2015), pp. 52, 53. 2416: 1699: 1691: 833:(although Amadis is mentioned in the book). Another case is the 82: 4005: 2913:
Department of Asian Studies, The University of British Columbia
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Stavans, Ilan and Jesse H. Lytle, Jennifer A. Mattson (1997)
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Kiss kiss bang bang: the unofficial James Bond film companion
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tales, is much better known than the novel that inspired it,
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subjects". Indeed, the components of the Greek word are παρά
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Hutcheon, Linda (1985). "3. The Pragmatic Range of Parody".
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made a distinction: "Satire is a lesson, parody is a game."
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parody of the paper. Alan Donaldson, the judge in the case,
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providing commentary through popular characters. Don Draper
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The Funny Parts: A History of Film Comedy Routines and Gags
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as cowardly and unintelligent. The traditional trip to the
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The Age of Irreverence: A New History of Laughter in China
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Davis, Evan R.; Nace, Nicholas D. (2019). "Introduction".
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monologizing about a lack of independence while embracing
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Ancient Greek Epigrams: Major Poets in Verse Translation
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to necessitate the inclusion of a concept of ridicule."
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was a narrative poem imitating the style and prosody of
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Historical and theoretical approaches to English satire
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The second was to pastiche the author's style, as with
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On the other hand, the writer and frequent parodist
800:: the mixture of mythic characters, characters from 4892: 4815: 4767: 4717: 4614: 4539: 4511: 4463: 4454: 4409: 4326: 4283: 4241: 4195: 4047: 4040: 3809:David Bartholomae; Anthony Petroksky, eds. (1999). 3810: 3768: 2987:Literature of Developing Nations for Students: L-Z 1726:are computer programs which generate text that is 1333:considered poetic parody to take five main forms. 1244:Shriek If You Know What I Did Last Friday The 13th 1166:is also famous for its parodies, for example, the 302:and was the most common tone of the works made by 2297:"Handyman Corner" and "Handyman Tip" segments on 1360:: "As we get older we do not get any younger...." 3897:Los reflejos en juego (Una teoría de la parodia) 3817:(5th ed.). New York: Bedford/St. Martin's. 3775:. Austin and London: University of Texas Press. 3301:The Princeton Encyclopedia of Poetry and Poetics 3033: 3031: 3029: 3019: 3017: 2998: 2996: 2786:The Anti-Aesthetic: Essays on Postmodern Culture 1241:franchise. Other recent genre parodies include. 548:genre. Conversely, while the best-known work of 3087: 3003: 2865: 1853: 360:Parody exists in the following related genres: 1419:in which artists parody their own work (as in 213:"song". Thus, the original Greek word παρῳδία 4327:Cinema / television / video 4017: 2200:, a parody currency and internet meme (2011) 1772:Satirical political cartoon that appeared in 1667:Intellectual Property Office (United Kingdom) 8: 4861:Palimpsests: Literature in the Second Degree 3956:. Berkeley: University of California Press. 3578:Wisconsin Studies in Contemporary Literature 3070:Palimpsests: literature in the second degree 1295:, all of which have been critically panned. 884:In more recent times, the television sitcom 3394:Branch, Legislative Services (2019-11-15). 2669:Teaching Modern British and American Satire 2654:Teaching Modern British and American Satire 1860:room. It's also what keeps us on our toes. 1526:'s slaves, who were glad to be rid of her. 4460: 4247: 4044: 4024: 4010: 4002: 3748:Antiheroes: Mexico and its detective novel 2896:O. Henry and the Theory of the Short Story 1623:against a group which had published a pro- 352:'s stories of one-eyed giants, and so on. 3842:. Cambridge: Cambridge University Press. 2171:parody by an unknown ancient Greek author 1003:Learn how and when to remove this message 846:(1742), which was a parody of the gloomy 525:The musicological definition of the term 317:created a parody of travel texts such as 225:also has the non-antagonistic meaning of 3327:The Cambridge History of American Poetry 2328:parodies the genre of dance movies like 1034:An early parody film was the 1922 movie 3840:Parody: Ancient, Modern and Post-Modern 2499: 1663:Copyright, Designs and Patents Act 1988 1433:Copyright issues and other legal issues 890:is perhaps better known than the drama 3899:. Valencia (Spain): Tirant lo Blanch. 3345:Stanford Copyright and Fair Use Center 2579:Balducci, Anthony (28 November 2011). 1747:Many work by using techniques such as 1653:Gowers Review of Intellectual Property 1536:Dr. Seuss Enterprises v. Penguin Books 1443:Although a parody can be considered a 3861:. University of Massachusetts Press. 3771:The Dialogic Imagination: Four Essays 3238:(London 1990) Introduction p. xx–xxii 2798:Tilmouth, Michael and Richard Sherr. 2779: 2777: 2775: 2749: 2747: 2745: 2743: 2741: 2739: 2688: 2686: 2684: 2682: 2680: 2678: 1784:I Didn't Raise My Boy To Be A Soldier 1129:(1974) is a parody of western films, 735:Rosencrantz and Guildenstern Are Dead 677:in a 20th-century Irish context, and 534:a song and dance number performed by 270:, often with performers dressed like 7: 3667:Elices Agudo, Juan Francisco (2004) 3574:"An Interview with Vladimir Nabokov" 2695:The Cambridge Introduction to Satire 2639: 2373:Panty & Stocking with Garterbelt 2165:(battle between frogs and mice), an 877:has eclipsed the pastoral novels of 647:Pierre Menard, Author of the Quixote 240:even the gods could be made fun of. 3937:. Oxford: Oxford University Press. 1605:, although there is protection for 618:Modernist and post-modernist parody 209:"beside, counter, against" and ᾠδή 3214:Barnes, A. & Hearn, M. (1997) 1992:, an anonymous 17th century ballad 1671:Fair dealing in United Kingdom law 1477:Campbell v. Acuff-Rose Music, Inc. 250:as a glutton and the God of Drama 201:"but treating light, satirical or 25: 3102:Willett, Bec (17 December 2017). 2930:Rea, Christopher (2 March 2016). 2919:from the original on Aug 3, 2019. 2720:Satire: A Critical Reintroduction 2260:'s parody of 80s territory-style 2176:A Century of Parody and Imitation 1933:The Nymph's Reply to the Shepherd 1533:denied a fair use defense in the 1498:Eleventh Circuit Court of Appeals 1463:Parodies are protected under the 1186:(1979). In the 1980s the team of 1082:created a satirical comedy about 667:, which incorporates elements of 284:a famous example of which is the 3987: 3976: 2722:. University Press of Kentucky. 2214:, parody of various Disney songs 1974:The Knight of the Burning Pestle 1715:This section is an excerpt from 1569: 957: 135:A parody may also be known as a 3790:Gates, Henry Louis Jr. (1988). 3651:Parody (The New Critical Idiom) 1382:, Rushdie, it's a vile world" ( 1173:Monty Python and the Holy Grail 1135:(1981) is a historical parody, 127:shorts that mocked that genre. 3104:"Trapped in the Netflix at iO" 3002:Elices (2004) p.90 quotation: 2788:. Bay Press. pp. 111–125. 2756:Parody: The New Critical Idiom 2697:. Cambridge University Press. 2084:Memoirs of Martinus Scriblerus 1531:Ninth Circuit Court of Appeals 1121:Writers Guild of America Award 823:, which mocks the traditional 1: 4790:Pierre Menard, Author of the 4636:Archetypal literary criticism 4196:Literature / theatre 3992:The dictionary definition of 3442:(Accessed: 22 February 2011). 3422:(Accessed: 22 February 2011). 3341:"Summaries of Fair Use Cases" 3339:Richard Stim (4 April 2013). 2892:Theory of the "Formal Method" 2322:The "Get the Belt" sketch on 246:portrays the hero-turned-god 4602:Source criticism in the arts 4270:Readymades of Marcel Duchamp 3128:Ayers, Mike (24 July 2014). 2833:Sheinberg (2000) pp.141, 150 2693:Greenberg, Jonathan (2019). 2516:J.M.W. Thompson (May 2010). 2352:Attack on Titan: Junior High 2255:Southpaw Regional Wrestling, 1888:to be a parody of the king. 1543:decision, they found that a 1503:Suntrust v. Houghton Mifflin 1484:ruled that a rap parody of " 1132:History of the World, Part I 722:Rosencrantz and Guildenstern 592:The first usage of the word 570:Allegory of the Tulip omania 4803:Reality Hunger: A Manifesto 3935:The Oxford Book of Parodies 3857:Caponi, Gena Dagel (1999). 3794:. Oxford University Press. 3618:An interview with The Onion 1710:Computer-generated parodies 1469:United States copyright law 1226:directed by José Truchado. 983:the claims made and adding 881:which largely inspired it. 865:You Are Old, Father William 5023: 4909:Appropriation in sociology 3895:Pueo, Juan Carlos (2002). 3700:"Arts of the Contact Zone" 2219:Modern television examples 1714: 1436: 1406: 946: 852:Pamela, or Virtue Rewarded 796:all assemble in an inn in 438: 45:. Often its subject is an 4914:Articulation in sociology 4437:Revivalism (architecture) 4250: 3420:official-documents.gov.uk 2879:Hutcheon (1985) pp.28, 35 2602:– via Google Books. 2559:2027/spo.did2222.0000.811 2150:Through the Looking-Glass 1764:Social and political uses 1755:length to paragraphs and 1549:O.J. Simpson murder trial 1318:. In this case, producer 1162:The British comedy group 599:Oxford English Dictionary 219:Oxford English Dictionary 4626:Aesthetic interpretation 3952:Fain, Gordon L. (2010). 3933:John Gross, ed. (2010). 3831:Arts of the Contact Zone 3303:(Princeton 2012) p. 1003 2718:Griffin, Dustin (1994). 2325:A Black Lady Sketch Show 2236:parodies of Donald Trump 1369:All Things Dull and Ugly 1138:Robin Hood Men in Tights 1063:Dr. Pyckle and Mr. Pryde 596:in English cited in the 586:Jan Brueghel the Younger 457:into a keyboard work as 4868:The Pictures Generation 4647:The Death of the Author 3918:. New York: Routledge. 3914:Gray, Jonathan (2006). 3838:Rose, Margaret (1993). 3829:An anthology including 3737:Sheinberg, Esti (2000) 3729:Sangsue, Daniel (2006) 3714:: 33–40. Archived from 3649:Dentith, Simon (2000). 3400:laws-lois.justice.gc.ca 3325:Quoted in S. Burt ed., 3135:The Wall Street Journal 2820:(subscription required) 2804:(subscription required) 2754:Dentith, Simon (2000). 2621:Quoted in Hutcheon, 32. 2437:Parody in popular music 2228:parodies of Sarah Palin 1884:is introduced with his 1741:Their purpose is often 1704:Grass-Mud Horse Lexicon 1615:, the publisher of the 1510:to publish a parody of 1060:—parodied in the comic 1057:Dr. Jekyll and Mr. Hyde 792:, and an assortment of 645:'s (1939) short story " 608:Every Man in His Humour 449:, as a technical term, 313:In the 2nd century CE, 229:, "there is nothing in 102:Oxford Book of Parodies 4939:Copyright infringement 4919:Cultural appropriation 3753:Ore, Johnathan (2014) 3190:"The Producers (1967)" 3092: 3011: 2870: 2814:Burkholder, J. Peter. 2262:professional wrestling 2112:Ein musikalischer Spaß 1862: 1820:The Larry Sanders Show 1802: 1787: 1541:Campbell v. Acuff-Rose 1506:, upheld the right of 1413:A subset of parody is 1250:Not Another Teen Movie 1044:film that made fun of 744:Trapped in the Netflix 589: 96:The writer and critic 4966:Participatory culture 4934:Intellectual property 3985:at Wikimedia Commons 3876:Harries, Dan (2000). 3680:. New York: Methuen. 3288:Unauthorized Versions 3275:Unauthorized Versions 3262:Unauthorized Versions 3249:Unauthorized Versions 3236:Unauthorized Versions 1936:by Sir Walter Raleigh 1793: 1771: 1728:syntactically correct 1631:that parody is not a 1449:copyright limitations 1105:About 20 years later 716:is a closely related 567: 4641:Artistic inspiration 4465:Intertextual figures 4432:Parody advertisement 3626:, November 25, 2007. 3290:(London 1990) p. 355 3277:(London 1990) p. 319 3264:(London 1990) p. 107 3251:(London 1990) p. 429 3037:Hutcheon (1985) p.52 3023:Hutcheon (1985) p.50 2432:Parody advertisement 2029:The Rape of the Lock 1797:, a voice actor and 1393:anxiety of influence 1072:(1925), parodied as 924:When Sonny Gets Blue 762:about mansplaining, 580:, persiflage on the 556:for comedic effect. 476:). More commonly, a 55:1960s counterculture 4976:Recontextualisation 4929:Information society 4924:History of printing 4904:Academic dishonesty 4665:Genius (literature) 4354:Literal music video 4265:Photographic mosaic 4060:Chopped and screwed 3620:, David Shankbone, 3383:. 11 December 2008. 3314:Poetry's Playground 3156:Hamersly, Michael. 2522:Standpoint magazine 2518:"Close to the Bone" 2487:"Weird Al" Yankovic 2337:Save the Last Dance 2234:Saturday Night Live 2226:Saturday Night Live 2209:YouTube personality 2203:"After Ever After" 2144:Alice in Wonderland 1957:Miguel de Cervantes 901:"Weird Al" Yankovic 896:which it parodies. 780:, for example, mad 550:"Weird Al" Yankovic 512:reworks music from 4653:Divine inspiration 4442:Video game modding 4284:By source material 3457:Legislation.gov.uk 3438:2011-05-17 at the 3218:, Batsford, p. 63 3196:. 10 November 1968 2857:No, not Bloomsbury 2854:Bradbury, Malcolm 2506:Dentith (2000) p.9 2422:Literary technique 2300:The Red Green Show 2185:R. Maynard Leonard 2135:The aged, aged man 2091:, Alexander Pope, 2062:Gulliver's Travels 1946:Alessandro Tassoni 1826:The Colbert Report 1803: 1788: 1612:Canwest v. Horizon 1554:The Cat in the Hat 1519:The Wind Done Gone 1513:Gone with the Wind 1320:Charles K. Feldman 1144:Young Frankenstein 1089:The Great Dictator 968:possibly contains 907:and Seattle-based 590: 519:Christmas Oratorio 463:Antonio de Cabezón 459:Girolamo Cavazzoni 315:Lucian of Samosata 308:Meleager of Gadara 4989: 4988: 4896:artistic concepts 4884:Russian formalism 4610: 4609: 4450: 4449: 4339:Anime music video 4322: 4321: 4314:Statue of Liberty 4112:Musical quotation 4055:Bootleg recording 3981:Media related to 3963:978-0-520-26579-0 3944:978-0-19-954882-8 3824:978-0-312-45413-5 3696:Mary Louise Pratt 3570:Nabokov, Vladimir 3566:Appel, Alfred Jr. 3224:978-0-7134-8182-2 3170:on March 30, 2024 2959:Christopher Rea, 2909:"Christopher Rea" 2704:978-1-107-68205-4 2592:978-0-7864-8893-3 2392:Anti-Barney Humor 2192:Internet examples 2162:Batrachomyomachia 1989:Dragon of Wantley 1941:La secchia rapita 1897:Historic examples 1869:Mary Louise Pratt 1811:A Modest Proposal 1724:Parody generators 1599: 1598: 1539:case. Citing the 1268:Meet the Spartans 1075:Yes, Yes, Nanette 1046:Rudolph Valentino 1013: 1012: 1005: 970:original research 874:Cold Comfort Farm 857:Samuel Richardson 777:At Swim-Two-Birds 643:Jorge Luis Borges 633:Russian formalism 187:Hegemon of Thasos 51:French Revolution 16:(Redirected from 5014: 4808: 4798: 4785: 4616:Related artistic 4582:Imitation in art 4552:Assemblage (art) 4461: 4260:Combine painting 4248: 4233:Verbatim theatre 4208:Cut-up technique 4107:Music plagiarism 4045: 4026: 4019: 4012: 4003: 3991: 3980: 3967: 3948: 3929: 3910: 3891: 3872: 3853: 3834: 3816: 3805: 3786: 3774: 3725: 3720: 3691: 3664: 3636: 3633: 3627: 3615: 3609: 3608: 3606: 3604: 3562: 3556: 3552: 3546: 3545: 3543: 3542: 3527: 3521: 3520: 3518: 3517: 3502: 3496: 3495: 3493: 3491: 3482: 3474: 3468: 3467: 3465: 3463: 3449: 3443: 3429: 3423: 3416: 3410: 3409: 3407: 3406: 3391: 3385: 3384: 3373: 3367: 3366: 3359:"Google Scholar" 3355: 3349: 3348: 3336: 3330: 3329:(Cambridge 2014) 3323: 3317: 3310: 3304: 3299:S. Cushman ed., 3297: 3291: 3284: 3278: 3271: 3265: 3258: 3252: 3245: 3239: 3232: 3226: 3212: 3206: 3205: 3203: 3201: 3186: 3180: 3179: 3177: 3175: 3166:. Archived from 3153: 3147: 3146: 3144: 3142: 3125: 3119: 3118: 3116: 3114: 3099: 3093: 3080: 3074: 3062: 3056: 3053: 3047: 3044: 3038: 3035: 3024: 3021: 3012: 3000: 2991: 2982: 2976: 2970: 2964: 2957: 2951: 2950: 2948: 2947: 2938:. Archived from 2927: 2921: 2920: 2905: 2899: 2889:Boris Eikhenbaum 2886: 2880: 2877: 2871: 2862:Boris Eikhenbaum 2852: 2846: 2840: 2834: 2831: 2822: 2821: 2812: 2806: 2805: 2796: 2790: 2789: 2781: 2770: 2769: 2751: 2734: 2733: 2715: 2709: 2708: 2690: 2673: 2672: 2664: 2658: 2657: 2649: 2643: 2637: 2631: 2628: 2622: 2619: 2613: 2610: 2604: 2603: 2601: 2599: 2576: 2570: 2569: 2567: 2565: 2543: 2537: 2536: 2534: 2533: 2524:. Archived from 2513: 2507: 2504: 2313:home improvement 2051:Northanger Abbey 1979:Francis Beaumont 1916:Geoffrey Chaucer 1911:Canterbury Tales 1834:Vladimir Nabokov 1717:Parody generator 1686:Internet culture 1594: 1591: 1585: 1573: 1572: 1565: 1486:Oh, Pretty Woman 1224:El equipo Aahhgg 1176:(1974), and the 1096:' short subject 1078:(1925). In 1940 1008: 1001: 997: 994: 988: 985:inline citations 961: 960: 953: 939:(9th Cir. 1986) 848:epistolary novel 578: 471:Josquin des Prez 191:Greek literature 100:observes in his 21: 5022: 5021: 5017: 5016: 5015: 5013: 5012: 5011: 4992: 4991: 4990: 4985: 4971:Pirate politics 4944:Derivative work 4897: 4895: 4888: 4811: 4806: 4796: 4783: 4772: 4770: 4763: 4759:Story structure 4754:Stock character 4734:Formula fiction 4722: 4720: 4719:Standard blocks 4713: 4619: 4617: 4606: 4535: 4507: 4456: 4446: 4405: 4334:Abridged series 4318: 4306:Michelangelo's 4298:Michelangelo's 4279: 4244: 4237: 4223:Jukebox musical 4191: 4036: 4030: 4000: 3974: 3964: 3951: 3945: 3932: 3926: 3913: 3907: 3894: 3888: 3880:. London: BFI. 3875: 3869: 3856: 3850: 3837: 3825: 3813:Ways of Reading 3808: 3802: 3789: 3783: 3766: 3763: 3761:Further reading 3721:on 2008-10-26. 3718: 3694: 3688: 3675: 3661: 3648: 3645: 3640: 3639: 3634: 3630: 3616: 3612: 3602: 3600: 3590:10.2307/1207097 3564: 3563: 3559: 3553: 3549: 3540: 3538: 3535:www.nbcnews.com 3529: 3528: 3524: 3515: 3513: 3504: 3503: 3499: 3489: 3487: 3480: 3476: 3475: 3471: 3461: 3459: 3451: 3450: 3446: 3440:Wayback Machine 3430: 3426: 3417: 3413: 3404: 3402: 3393: 3392: 3388: 3375: 3374: 3370: 3357: 3356: 3352: 3338: 3337: 3333: 3324: 3320: 3316:(2007) p. 45-52 3311: 3307: 3298: 3294: 3285: 3281: 3272: 3268: 3259: 3255: 3246: 3242: 3233: 3229: 3213: 3209: 3199: 3197: 3188: 3187: 3183: 3173: 3171: 3155: 3154: 3150: 3140: 3138: 3127: 3126: 3122: 3112: 3110: 3101: 3100: 3096: 3082:Sangsue (2006) 3081: 3077: 3063: 3059: 3055:Hutcheon (1985) 3054: 3050: 3045: 3041: 3036: 3027: 3022: 3015: 3001: 2994: 2983: 2979: 2972:Stavans (1997) 2971: 2967: 2958: 2954: 2945: 2943: 2936:The China Story 2929: 2928: 2924: 2907: 2906: 2902: 2887: 2883: 2878: 2874: 2853: 2849: 2842:Stavans (1997) 2841: 2837: 2832: 2825: 2819: 2813: 2809: 2803: 2797: 2793: 2783: 2782: 2773: 2766: 2753: 2752: 2737: 2730: 2717: 2716: 2712: 2705: 2692: 2691: 2676: 2666: 2665: 2661: 2651: 2650: 2646: 2638: 2634: 2629: 2625: 2620: 2616: 2611: 2607: 2597: 2595: 2593: 2578: 2577: 2573: 2563: 2561: 2545: 2544: 2540: 2531: 2529: 2515: 2514: 2510: 2505: 2501: 2496: 2491: 2452:Parody religion 2412:Intertextuality 2382: 2347: 2345:Anime and manga 2294:, respectively. 2221: 2194: 2189: 2119:Sartor Resartus 2018:A Tale of a Tub 1968:William Baldwin 1899: 1894: 1766: 1761: 1760: 1734:, often in the 1720: 1712: 1688: 1679: 1648: 1595: 1589: 1586: 1583: 1574: 1570: 1563: 1524:Scarlett O'Hara 1461: 1445:derivative work 1441: 1435: 1411: 1405: 1328: 1326:Poetic parodies 1301: 1274:Superhero Movie 1126:Blazing Saddles 1080:Charlie Chaplin 1069:No, No, Nanette 1017:genre theorists 1009: 998: 992: 989: 974: 962: 958: 951: 945: 871:'s comic novel 830:Amadis de Gaula 815: 746:uses parody to 620: 572: 562: 544:, parodies the 508:, such as when 447:classical music 443: 437: 428: 419: 411: 403:Fredric Jameson 399: 391: 382: 358: 337:science fiction 296:Timon of Phlius 280:spoudaiogeloion 266:which parodied 173: 133: 28: 23: 22: 15: 12: 11: 5: 5020: 5018: 5010: 5009: 5004: 4994: 4993: 4987: 4986: 4984: 4983: 4978: 4973: 4968: 4963: 4958: 4953: 4952: 4951: 4946: 4941: 4931: 4926: 4921: 4916: 4911: 4906: 4900: 4898: 4893: 4890: 4889: 4887: 4886: 4881: 4876: 4871: 4864: 4857: 4850: 4845: 4837: 4832: 4829:De Copia Rerum 4825: 4819: 4817: 4813: 4812: 4810: 4809: 4799: 4786: 4775: 4773: 4768: 4765: 4764: 4762: 4761: 4756: 4751: 4746: 4741: 4736: 4731: 4725: 4723: 4718: 4715: 4714: 4712: 4711: 4706: 4701: 4696: 4691: 4686: 4685: 4684: 4674: 4673: 4672: 4667: 4662: 4650: 4643: 4638: 4633: 4628: 4622: 4620: 4615: 4612: 4611: 4608: 4607: 4605: 4604: 4599: 4594: 4589: 4584: 4579: 4574: 4569: 4564: 4559: 4554: 4549: 4543: 4541: 4540:Other concepts 4537: 4536: 4534: 4533: 4528: 4523: 4517: 4515: 4509: 4508: 4506: 4505: 4500: 4495: 4490: 4485: 4480: 4475: 4469: 4467: 4458: 4452: 4451: 4448: 4447: 4445: 4444: 4439: 4434: 4429: 4424: 4419: 4413: 4411: 4407: 4406: 4404: 4403: 4398: 4393: 4388: 4383: 4378: 4377: 4376: 4366: 4364:Re-cut trailer 4361: 4356: 4351: 4346: 4341: 4336: 4330: 4328: 4324: 4323: 4320: 4319: 4317: 4316: 4311: 4303: 4295: 4287: 4285: 4281: 4280: 4278: 4277: 4272: 4267: 4262: 4257: 4251: 4245: 4242: 4239: 4238: 4236: 4235: 4230: 4225: 4220: 4215: 4210: 4205: 4199: 4197: 4193: 4192: 4190: 4189: 4184: 4179: 4174: 4169: 4164: 4159: 4154: 4149: 4144: 4139: 4134: 4132:Plunderphonics 4129: 4124: 4119: 4114: 4109: 4104: 4099: 4094: 4089: 4084: 4079: 4074: 4073: 4072: 4062: 4057: 4051: 4049: 4042: 4038: 4037: 4031: 4029: 4028: 4021: 4014: 4006: 3998:at Wiktionary 3975: 3973: 3972:External links 3970: 3969: 3968: 3962: 3949: 3943: 3930: 3924: 3911: 3905: 3892: 3886: 3873: 3867: 3854: 3848: 3835: 3823: 3806: 3800: 3787: 3781: 3762: 3759: 3758: 3757: 3751: 3743: 3735: 3727: 3692: 3686: 3673: 3665: 3659: 3644: 3641: 3638: 3637: 3628: 3610: 3584:(2): 127–152. 3557: 3547: 3522: 3497: 3469: 3444: 3424: 3411: 3386: 3368: 3350: 3331: 3318: 3305: 3292: 3286:K. Baker ed., 3279: 3273:K. Baker ed., 3266: 3260:K. Baker ed., 3253: 3247:K. Baker ed., 3240: 3234:K. Baker ed., 3227: 3207: 3181: 3148: 3120: 3094: 3075: 3065:Gérard Genette 3057: 3048: 3039: 3025: 3013: 2992: 2977: 2965: 2952: 2922: 2900: 2881: 2872: 2860:p.53, quoting 2847: 2835: 2823: 2807: 2791: 2771: 2764: 2735: 2728: 2710: 2703: 2674: 2659: 2644: 2642:, p. 201. 2632: 2630:(Hutcheon, 32) 2623: 2614: 2605: 2591: 2571: 2538: 2508: 2498: 2497: 2495: 2492: 2490: 2489: 2484: 2479: 2474: 2469: 2464: 2459: 2457:Parody science 2454: 2449: 2444: 2439: 2434: 2429: 2424: 2419: 2414: 2409: 2404: 2402:Drawn Together 2399: 2394: 2389: 2383: 2381: 2378: 2377: 2376: 2369: 2362: 2355: 2346: 2343: 2342: 2341: 2320: 2317:do-it-yourself 2295: 2264: 2252: 2238: 2230: 2220: 2217: 2216: 2215: 2201: 2193: 2190: 2188: 2187: 2181:Walter Jerrold 2172: 2158: 2153:is parodic of 2130:Ways and Means 2126: 2124:Thomas Carlyle 2115: 2107:A Musical Joke 2099: 2093:John Arbuthnot 2080: 2078:Alexander Pope 2069: 2067:Jonathan Swift 2058: 2047: 2036: 2034:Alexander Pope 2025: 2023:Jonathan Swift 2014: 2004: 1993: 1985: 1970: 1963:Beware the Cat 1959: 1948: 1937: 1929: 1918: 1900: 1898: 1895: 1893: 1890: 1816:The Daily Show 1765: 1762: 1730:, but usually 1721: 1713: 1711: 1708: 1687: 1684: 1678: 1675: 1647: 1646:United Kingdom 1644: 1597: 1596: 1590:September 2012 1577: 1575: 1568: 1562: 1559: 1551:and parody of 1460: 1457: 1434: 1431: 1407:Main article: 1404: 1401: 1388: 1387: 1376: 1372: 1361: 1346: 1341:'s mimicry of 1327: 1324: 1300: 1297: 1280:Disaster Movie 1099:You Nazty Spy! 1086:with the film 1051:Blood and Sand 1029:Western movies 1011: 1010: 965: 963: 956: 947:Main article: 944: 941: 933:Fisher v. Dees 905:Chamillionaire 869:Stella Gibbons 844:Henry Fielding 814: 811: 807:post-modernist 707:minimal parody 703:Gérard Genette 697:. The work of 684:The Waste Land 627:, but earlier 619: 616: 561: 558: 541:Silk Stockings 531:musical parody 506:Baroque period 467:Alonso Mudarra 439:Main article: 436: 433: 427: 424: 418: 415: 410: 407: 398: 395: 390: 387: 381: 378: 357: 354: 260:Ancient Greeks 172: 169: 132: 129: 63:Linda Hutcheon 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 5019: 5008: 5005: 5003: 5000: 4999: 4997: 4982: 4981:Remix culture 4979: 4977: 4974: 4972: 4969: 4967: 4964: 4962: 4959: 4957: 4954: 4950: 4947: 4945: 4942: 4940: 4937: 4936: 4935: 4932: 4930: 4927: 4925: 4922: 4920: 4917: 4915: 4912: 4910: 4907: 4905: 4902: 4901: 4899: 4891: 4885: 4882: 4880: 4879:Postmodernism 4877: 4875: 4872: 4870: 4869: 4865: 4863: 4862: 4858: 4856: 4855: 4851: 4849: 4846: 4844: 4843: 4838: 4836: 4833: 4831: 4830: 4826: 4824: 4821: 4820: 4818: 4814: 4805: 4804: 4800: 4794: 4793: 4787: 4782: 4781: 4777: 4776: 4774: 4769:Epoch-marking 4766: 4760: 4757: 4755: 4752: 4750: 4747: 4745: 4744:Jazz standard 4742: 4740: 4739:Genre fiction 4737: 4735: 4732: 4730: 4727: 4726: 4724: 4716: 4710: 4709:Western canon 4707: 4705: 4702: 4700: 4697: 4695: 4694:Genre studies 4692: 4690: 4687: 4683: 4680: 4679: 4678: 4675: 4671: 4668: 4666: 4663: 4661: 4660: 4656: 4655: 4654: 4651: 4648: 4644: 4642: 4639: 4637: 4634: 4632: 4629: 4627: 4624: 4623: 4621: 4613: 4603: 4600: 4598: 4595: 4593: 4590: 4588: 4585: 4583: 4580: 4578: 4575: 4573: 4570: 4568: 4565: 4563: 4560: 4558: 4555: 4553: 4550: 4548: 4545: 4544: 4542: 4538: 4532: 4529: 4527: 4524: 4522: 4519: 4518: 4516: 4514: 4510: 4504: 4501: 4499: 4496: 4494: 4491: 4489: 4486: 4484: 4481: 4479: 4476: 4474: 4471: 4470: 4468: 4466: 4462: 4459: 4453: 4443: 4440: 4438: 4435: 4433: 4430: 4428: 4425: 4423: 4422:Internet meme 4420: 4418: 4415: 4414: 4412: 4408: 4402: 4399: 4397: 4394: 4392: 4389: 4387: 4384: 4382: 4379: 4375: 4374:Shot-for-shot 4372: 4371: 4370: 4367: 4365: 4362: 4360: 4357: 4355: 4352: 4350: 4349:Found footage 4347: 4345: 4342: 4340: 4337: 4335: 4332: 4331: 4329: 4325: 4315: 4312: 4310: 4309: 4304: 4302: 4301: 4296: 4294: 4293: 4289: 4288: 4286: 4282: 4276: 4273: 4271: 4268: 4266: 4263: 4261: 4258: 4256: 4253: 4252: 4249: 4246: 4240: 4234: 4231: 4229: 4226: 4224: 4221: 4219: 4216: 4214: 4211: 4209: 4206: 4204: 4201: 4200: 4198: 4194: 4188: 4185: 4183: 4180: 4178: 4175: 4173: 4170: 4168: 4165: 4163: 4162:Sound collage 4160: 4158: 4155: 4153: 4150: 4148: 4145: 4143: 4140: 4138: 4135: 4133: 4130: 4128: 4125: 4123: 4120: 4118: 4115: 4113: 4110: 4108: 4105: 4103: 4100: 4098: 4095: 4093: 4092:Interpolation 4090: 4088: 4085: 4083: 4082:Cover version 4080: 4078: 4075: 4071: 4068: 4067: 4066: 4063: 4061: 4058: 4056: 4053: 4052: 4050: 4046: 4043: 4039: 4034: 4033:Appropriation 4027: 4022: 4020: 4015: 4013: 4008: 4007: 4004: 3999: 3997: 3996: 3990: 3984: 3979: 3971: 3965: 3959: 3955: 3950: 3946: 3940: 3936: 3931: 3927: 3925:0-415-36202-4 3921: 3917: 3912: 3908: 3906:84-8442-559-2 3902: 3898: 3893: 3889: 3887:0-85170-802-1 3883: 3879: 3874: 3870: 3868:1-55849-183-X 3864: 3860: 3855: 3851: 3849:0-521-41860-7 3845: 3841: 3836: 3833: 3832: 3826: 3820: 3815: 3814: 3807: 3803: 3801:0-19-503463-5 3797: 3793: 3788: 3784: 3782:0-292-71527-7 3778: 3773: 3772: 3765: 3764: 3760: 3756: 3752: 3750: 3749: 3744: 3742: 3741: 3736: 3734: 3733: 3728: 3724: 3717: 3713: 3709: 3705: 3701: 3697: 3693: 3689: 3687:0-252-06938-2 3683: 3679: 3674: 3672: 3671: 3666: 3662: 3660:0-415-18221-2 3656: 3653:. Routledge. 3652: 3647: 3646: 3642: 3632: 3629: 3625: 3624: 3619: 3614: 3611: 3599: 3595: 3591: 3587: 3583: 3579: 3575: 3571: 3567: 3561: 3558: 3551: 3548: 3536: 3532: 3526: 3523: 3511: 3507: 3501: 3498: 3486: 3479: 3473: 3470: 3458: 3454: 3448: 3445: 3441: 3437: 3434: 3428: 3425: 3421: 3415: 3412: 3401: 3397: 3390: 3387: 3382: 3378: 3372: 3369: 3364: 3360: 3354: 3351: 3346: 3342: 3335: 3332: 3328: 3322: 3319: 3315: 3309: 3306: 3302: 3296: 3293: 3289: 3283: 3280: 3276: 3270: 3267: 3263: 3257: 3254: 3250: 3244: 3241: 3237: 3231: 3228: 3225: 3221: 3217: 3211: 3208: 3195: 3191: 3185: 3182: 3169: 3165: 3164: 3159: 3152: 3149: 3137: 3136: 3131: 3124: 3121: 3109: 3105: 3098: 3095: 3091: 3085: 3079: 3076: 3072: 3071: 3066: 3061: 3058: 3052: 3049: 3043: 3040: 3034: 3032: 3030: 3026: 3020: 3018: 3014: 3010: 3008: 2999: 2997: 2993: 2989: 2988: 2981: 2978: 2975: 2969: 2966: 2962: 2956: 2953: 2942:on 2020-04-11 2941: 2937: 2933: 2926: 2923: 2918: 2914: 2910: 2904: 2901: 2897: 2893: 2890: 2885: 2882: 2876: 2873: 2869: 2863: 2859: 2858: 2851: 2848: 2845: 2839: 2836: 2830: 2828: 2824: 2817: 2811: 2808: 2801: 2795: 2792: 2787: 2780: 2778: 2776: 2772: 2767: 2765:0-415-18221-2 2761: 2758:. 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Bach 2465: 2463: 2460: 2458: 2455: 2453: 2450: 2448: 2445: 2443: 2440: 2438: 2435: 2433: 2430: 2428: 2425: 2423: 2420: 2418: 2415: 2413: 2410: 2408: 2407:Internet meme 2405: 2403: 2400: 2398: 2395: 2393: 2390: 2388: 2385: 2384: 2379: 2375: 2374: 2370: 2368: 2367: 2366:One Punch Man 2363: 2361: 2360: 2356: 2354: 2353: 2349: 2348: 2344: 2339: 2338: 2333: 2332: 2327: 2326: 2321: 2318: 2314: 2310: 2306: 2302: 2301: 2296: 2293: 2290: 2287: 2283: 2279: 2278: 2274: 2270: 2269: 2265: 2263: 2259: 2256: 2253: 2251: 2250: 2245: 2242: 2241:Square One TV 2239: 2237: 2235: 2231: 2229: 2227: 2223: 2222: 2218: 2213: 2210: 2206: 2202: 2199: 2196: 2195: 2191: 2186: 2182: 2178: 2177: 2173: 2170: 2169: 2164: 2163: 2159: 2156: 2152: 2151: 2146: 2145: 2140: 2139:Lewis Carroll 2136: 2132: 2131: 2127: 2125: 2121: 2120: 2116: 2113: 2109: 2108: 2103: 2100: 2098: 2094: 2090: 2086: 2085: 2081: 2079: 2075: 2074: 2070: 2068: 2064: 2063: 2059: 2057: 2053: 2052: 2048: 2046: 2042: 2041: 2037: 2035: 2031: 2030: 2026: 2024: 2020: 2019: 2015: 2013: 2009: 2005: 2003: 2002:Samuel Butler 1999: 1998: 1994: 1991: 1990: 1986: 1984: 1983:John Fletcher 1980: 1976: 1975: 1971: 1969: 1965: 1964: 1960: 1958: 1954: 1953: 1949: 1947: 1943: 1942: 1938: 1935: 1934: 1930: 1928: 1924: 1923: 1919: 1917: 1913: 1912: 1907: 1906: 1902: 1901: 1896: 1891: 1889: 1887: 1883: 1879: 1878: 1872: 1870: 1865: 1861: 1858: 1852: 1850: 1849: 1844: 1843: 1837: 1835: 1830: 1828: 1827: 1822: 1821: 1817: 1812: 1808: 1800: 1796: 1792: 1785: 1781: 1777: 1776: 1770: 1763: 1758: 1754: 1750: 1749:Markov chains 1746: 1744: 1739: 1737: 1733: 1729: 1725: 1718: 1709: 1707: 1705: 1701: 1697: 1693: 1685: 1683: 1676: 1674: 1672: 1668: 1664: 1658: 1655: 1654: 1645: 1643: 1640: 1638: 1634: 1630: 1626: 1622: 1618: 1617:Vancouver Sun 1614: 1613: 1608: 1604: 1593: 1581: 1576: 1567: 1566: 1560: 1558: 1556: 1555: 1550: 1546: 1542: 1538: 1537: 1532: 1529:In 2007, the 1527: 1525: 1521: 1520: 1515: 1514: 1509: 1508:Alice Randall 1505: 1504: 1499: 1496:In 2001, the 1494: 1491: 1487: 1483: 1482:Supreme Court 1479: 1478: 1472: 1470: 1466: 1459:United States 1458: 1456: 1454: 1450: 1446: 1440: 1432: 1430: 1428: 1427: 1422: 1421:Ricky Gervais 1418: 1417: 1410: 1402: 1400: 1396: 1394: 1385: 1381: 1377: 1373: 1370: 1366: 1362: 1359: 1358:Chard Whitlow 1355: 1352:'s parody of 1351: 1347: 1344: 1340: 1336: 1335: 1334: 1332: 1331:Kenneth Baker 1325: 1323: 1321: 1317: 1316: 1315:Casino Royale 1311: 1306: 1298: 1296: 1294: 1293: 1288: 1287: 1286:Vampires Suck 1282: 1281: 1276: 1275: 1270: 1269: 1264: 1263: 1258: 1257: 1252: 1251: 1246: 1245: 1240: 1239: 1234: 1233: 1227: 1225: 1221: 1220: 1215: 1214: 1209: 1208: 1203: 1202: 1197: 1193: 1189: 1185: 1184: 1183:Life of Brian 1179: 1175: 1174: 1169: 1165: 1160: 1158: 1157: 1152: 1151: 1146: 1145: 1140: 1139: 1134: 1133: 1128: 1127: 1122: 1118: 1117:Academy Award 1114: 1113: 1112:The Producers 1108: 1103: 1101: 1100: 1095: 1094:Three Stooges 1091: 1090: 1085: 1081: 1077: 1076: 1071: 1070: 1065: 1064: 1059: 1058: 1053: 1052: 1047: 1043: 1039: 1038: 1032: 1030: 1026: 1022: 1018: 1007: 1004: 996: 986: 982: 978: 972: 971: 966:This section 964: 955: 954: 950: 943:Film parodies 942: 940: 938: 935: 934: 929: 928:Johnny Mathis 925: 921: 916: 914: 910: 906: 902: 897: 895: 894: 889: 888: 882: 880: 876: 875: 870: 866: 862: 861:Lewis Carroll 858: 854: 853: 849: 845: 841: 840: 836: 832: 831: 826: 825:knight errant 822: 821: 812: 810: 808: 803: 799: 795: 791: 787: 783: 779: 778: 773: 772:Flann O'Brien 769: 765: 761: 757: 753: 750:contemporary 749: 745: 741: 738:. Similarly, 737: 736: 731: 727: 723: 719: 715: 710: 708: 704: 700: 696: 695: 690: 686: 685: 680: 676: 675: 670: 666: 665: 660: 656: 652: 648: 644: 640: 636: 634: 630: 626: 625:postmodernism 617: 615: 613: 609: 605: 601: 600: 595: 587: 583: 579: 576: 571: 566: 559: 557: 555: 551: 547: 546:rock and roll 543: 542: 538:in the movie 537: 532: 528: 523: 521: 520: 515: 511: 507: 503: 499: 495: 491: 487: 483: 482:missa parodia 479: 475: 472: 468: 464: 460: 456: 452: 448: 442: 434: 432: 425: 423: 416: 414: 408: 406: 404: 396: 394: 388: 386: 379: 377: 375: 371: 367: 363: 356:Related terms 355: 353: 351: 347: 342: 338: 334: 333: 328: 327: 322: 321: 316: 311: 309: 305: 301: 297: 293: 289: 288: 283: 281: 275: 273: 269: 265: 261: 257: 253: 249: 245: 244: 239: 234: 232: 228: 224: 220: 216: 212: 208: 204: 200: 196: 192: 188: 184: 183: 178: 175:According to 170: 168: 166: 162: 158: 154: 150: 146: 142: 138: 130: 128: 126: 125:Buster Keaton 121: 120:Denis Diderot 117: 116: 111: 107: 103: 99: 94: 92: 88: 84: 80: 76: 72: 68: 64: 60: 56: 52: 48: 47:original work 44: 41: 37: 33: 19: 4894:Related non- 4866: 4859: 4852: 4841: 4827: 4816:Theorization 4801: 4791: 4778: 4657: 4572:Found object 4567:Détournement 4482: 4401:YouTube poop 4396:Video mashup 4344:Collage film 4307: 4299: 4290: 4218:Found poetry 4213:Flarf poetry 4122:Parody music 4102:Music mashup 4077:Contrafactum 3994: 3986: 3953: 3934: 3915: 3896: 3877: 3858: 3839: 3830: 3828: 3812: 3791: 3770: 3747: 3739: 3731: 3722: 3716:the original 3710:. New York: 3707: 3703: 3677: 3669: 3650: 3635:Pratt (1991) 3631: 3621: 3613: 3601:. Retrieved 3581: 3577: 3560: 3550: 3539:. Retrieved 3537:. 2014-07-23 3534: 3525: 3514:. Retrieved 3512:. 2013-12-23 3510:the Guardian 3509: 3500: 3488:. Retrieved 3484: 3472: 3460:. Retrieved 3456: 3447: 3427: 3414: 3403:. Retrieved 3399: 3389: 3380: 3371: 3362: 3353: 3344: 3334: 3326: 3321: 3313: 3308: 3300: 3295: 3287: 3282: 3274: 3269: 3261: 3256: 3248: 3243: 3235: 3230: 3215: 3210: 3198:. Retrieved 3193: 3184: 3174:12 September 3172:. Retrieved 3168:the original 3163:Miami Herald 3161: 3151: 3141:12 September 3139:. Retrieved 3133: 3123: 3111:. Retrieved 3097: 3088: 3078: 3069: 3060: 3051: 3042: 3006: 3004: 2986: 2980: 2968: 2960: 2955: 2944:. Retrieved 2940:the original 2935: 2925: 2912: 2903: 2895: 2891: 2884: 2875: 2866: 2856: 2850: 2838: 2810: 2800:"Parody (i)" 2794: 2785: 2755: 2719: 2713: 2694: 2668: 2662: 2653: 2647: 2635: 2626: 2617: 2612:(Denith, 10) 2608: 2596:. 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Retrieved 2526:the original 2521: 2511: 2502: 2477:Subvertising 2447:Parody music 2397:Détournement 2371: 2364: 2357: 2350: 2335: 2329: 2323: 2311:, parodying 2298: 2275: 2266: 2254: 2247: 2233: 2225: 2174: 2166: 2160: 2148: 2142: 2134: 2128: 2117: 2111: 2105: 2096: 2082: 2071: 2060: 2049: 2038: 2027: 2016: 1995: 1987: 1972: 1961: 1950: 1939: 1931: 1920: 1909: 1903: 1875: 1873: 1866: 1863: 1857:September 11 1854: 1846: 1840: 1838: 1831: 1824: 1814: 1804: 1801:impersonator 1799:Barack Obama 1795:Reggie Brown 1773: 1740: 1722: 1694:and Chinese 1689: 1680: 1659: 1651: 1650:In 2006 the 1649: 1641: 1610: 1607:Fair Dealing 1603:Canadian law 1600: 1587: 1579: 1552: 1540: 1534: 1528: 1517: 1511: 1501: 1495: 1475: 1473: 1467:doctrine of 1462: 1453:fair dealing 1442: 1424: 1414: 1412: 1397: 1389: 1368: 1365:Monty Python 1357: 1329: 1313: 1305:Frankenstein 1304: 1302: 1290: 1284: 1278: 1272: 1266: 1260: 1254: 1248: 1242: 1236: 1230: 1228: 1223: 1217: 1211: 1205: 1199: 1196:Jerry Zucker 1192:Jim Abrahams 1188:David Zucker 1181: 1171: 1164:Monty Python 1161: 1154: 1148: 1147:(1974), and 1142: 1136: 1130: 1124: 1115:won both an 1110: 1104: 1097: 1087: 1084:Adolf Hitler 1073: 1067: 1061: 1055: 1049: 1037:Mud and Sand 1035: 1033: 1019:, following 1014: 999: 990: 967: 937:794 F.2d 432 931: 923: 917: 898: 891: 887:'Allo 'Allo! 885: 883: 872: 850: 837: 828: 818: 816: 786:Finn MacCool 782:King Sweeney 775: 768:codependency 760:mansplaining 743: 733: 711: 706: 692: 682: 672: 662: 650: 641: 637: 621: 607: 597: 593: 591: 568: 560:English term 539: 536:Fred Astaire 526: 524: 517: 481: 450: 444: 441:Parody music 429: 420: 412: 400: 392: 383: 364:, travesty, 359: 332:True History 330: 324: 318: 312: 294:philosopher 285: 278: 276: 268:tragic plays 241: 235: 230: 226: 222: 218: 214: 210: 206: 194: 180: 174: 164: 160: 156: 152: 148: 144: 140: 136: 134: 115:Encyclopédie 113: 101: 95: 31: 29: 4961:Open source 4749:Plot device 4699:Originality 4682:Fan fiction 4547:After (art) 4503:Translation 4359:Parody film 4243:Visual arts 4172:Tribute act 4035:in the arts 3878:Film Parody 3312:J. Thomas, 3086:quotation: 2894:(1925) and 2816:"Borrowing" 2442:Parody film 2387:Abridgement 2305:Steve Smith 2282:film review 2073:The Dunciad 2056:Jane Austen 2045:Henry Carey 2040:Namby Pamby 2012:John Dryden 2008:MacFlecknoe 1952:Don Quixote 1927:Luigi Pulci 1855:I know the 1780:World War I 1732:meaningless 1625:Palestinian 1619:launched a 1490:2 Live Crew 1416:self-parody 1409:Self-parody 1403:Self-parody 1384:Cat Stevens 1354:T. S. Eliot 1339:J K Stephen 1238:Scary Movie 1168:King Arthur 1042:Stan Laurel 949:Parody film 893:Secret Army 820:Don Quixote 754:shows like 748:deconstruct 740:Mishu Hilmy 726:Shakespeare 699:Andy Warhol 694:The Inferno 679:T. S. Eliot 659:James Joyce 612:John Dryden 582:tulip mania 573: [ 554:pop culture 478:parody mass 469:all did to 326:The Odyssey 264:satyr plays 203:mock-heroic 131:Terminology 4996:Categories 4854:Nachahmung 4840:Dionysian 4780:L.H.O.O.Q. 4704:Simulacrum 4513:Adaptation 4493:Plagiarism 4427:Joke theft 4410:Other arts 4203:Assemblage 4065:Contrafact 3732:La parodia 3704:Profession 3643:References 3541:2023-07-06 3516:2023-01-11 3433:ipo.gov.uk 3405:2023-03-06 3363:google.com 3200:17 October 3108:Performink 3046:Yunck 1963 2946:2019-02-17 2532:2011-02-26 2482:Tom Lehrer 2462:Persiflage 2427:Metaparody 2309:Rick Green 2284:shows and 2212:Jon Cozart 2207:series by 2157:schooling. 2141:. Much of 1905:Sir Thopas 1880:where the 1439:Plagiarism 1437:See also: 1350:Henry Reed 1343:Wordsworth 1310:James Bond 1262:Epic Movie 1256:Date Movie 1219:The A-Team 1207:Hot Shots! 1150:Spaceballs 1107:Mel Brooks 977:improve it 926:to parody 859:. 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Index

Parodic
satirical
ironic
imitation
original work
French Revolution
1960s counterculture
polemical
Linda Hutcheon
literature
music
theater
television
film
animation
gaming
John Gross
pastiche
burlesque
Encyclopédie
Denis Diderot
Buster Keaton
Aristotle
Poetics
Hegemon of Thasos
Greek literature
epics
mock-heroic
Old Comedy
The Frogs

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