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Paradise Lost: Shadows and Wings

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the angels, and does so through routine and discipline. He sings the "This Is The Way" aria. Extasis is free-willed and passionate, and defies her brother Logos, who banishes her and her horse to the wilderness. Here she sings the "Butterflies" aria, which includes a high F#, Whitacre's wink at the Magic Flute. Inspired and incensed, Extasis raises an army of angels and leads them back to Paradise for "War." In the culminating battle, Logos accidentally stabs Extasis, and she dies in his arms. At one point in the story, the Choir of Angels performed a version of
289:; Sound Design in an Intimate Theater: Martin Carrillo; Lighting Design in an Intimate Theatre: Steven Young; and World Premier Musical, and Musical in an Intimate Theater. Martin Carrillo and Steven Young both received the Ovation award for their designs in the Intimate theater category. Additionally, Steven Young, and Martin Carrillo were both awarded the 2008 Los Angeles Garland Award for Lighting Design and Sound Design Respectively. The LA Weekly Award for lighting design was also given to Steven Young for the 2007 Pasadena production. 813: 191:
Logos's restless lover, Exstasis, experiences flashbacks of the night when the parents left the children. While her visions and memories are helping her better realize the true events of that life-changing night, Exstasis believes that there is a better world outside of the prison where they reside.
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February 11, 2003: Every morning, Extasis would read from the Book of Light to the other angels, retelling the story of Creation in the multi-movement piece "Genesis." A God-like character was referenced but never seen, the omniscient "One." Her brother Logos is charged with keeping order amongst
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in New York. The show featured many of the musicians from the world premiere, including soloists Hila Plitmann, Damon Kirsche, Sara Jean Ford, Doug Kreeger, Rodolfo Nieto, Marie Wallace, and Daniel Tatar; and DJ Greg Chun. The Carnegie Hall production also featured a 425-voice Chorus of Angels
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During the musical Logos and Ignis are tempted with the idea of power, while Fervio and Gravitas provide comic relief as a troublemaking loner and a thief while progressing the plot. Throughout, the largest struggle is the tribe constantly contemplating if it is worth breaking through the rock
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The musical begins with a prologue set years before. The angels of light leave their children behind a rock wall in preparation for the battle with the forces of darkness. The children are left without wings, which leaves them unarmed and mortal, until the war has ended. The angels of light
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Seventeen years later, the angels of light still have not returned. Logos and his henchman, Ignis, two of the many angel children who were left long ago, are creating a powerful army by engaging the tribe in nightly combats. This vigorous training is conducted because of Logos's belief of a
234:(AMTP) on February 11 and 12, 2006, conducted by Whitacre during his 12-day residency. The performances featured soprano Hila Plitmann, guest baritone Damon Kirsche, guest tenor Omar Gutierrez Crook, Northwestern University's Contemporary Music Ensemble, and student soloists. 222:
in the Lower East Side of New York. This concert featured the Duquesne University Concert Choir as the background "Choir of Angels." This concert featured soprano Hila Plitmann as Exstasis, baritone Damon Kirsche as Logos, and David Noroña as narrator.
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This captivity causes Exstasis to question if staying behind the rock, wingless, and preparing for war is the best life to live. Her faith in a better world compels her to begin a journey in search for the hidden wings in order to return home.
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to portray the story of an abandoned tribe of angels in search of their wings. Although it has various non-classical influences, it is meant to be performed by singers with operatic or musical theater backgrounds.
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The Carnegie Hall performance on June 15, 2010 included a greatly altered story (Logos and Extasis are now lovers, not brother and sister, more choral singing, and was produced as a one act concert).
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The audience and the characters are held in suspense until the end. Ultimately, the tribe breaks through the wall and experiences a musical and emotional victory.
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The opera has many Asian influences. The prologue and all past sequences (Exstasis's dreams and vision) are told through
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Paradise Lost received 10 LA Stage Alliance Ovation Awards Nominations, including Costume Design in an Intimate Theater:
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Krieger, Ed (October 2007), "Paradise Lost: Shadows and Wings; The Theater@Boston Court (Production Notebook)",
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drawn from the United States, Germany, Canada, and the acclaimed Enchiriadis Chamber Choir from Ireland.
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The story, characters, and music of Paradise Lost have evolved greatly from inception to present day.
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http://www.variety.com/review/VE1117934306.html?categoryid=33&cs=1
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On February 11, 2003, Paradise Lost was performed in concert at the
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promise to return soon, with wings and to bring the children home.
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at the Theatre at Boston Court and closed on September 2, 2007.
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Close Your Eyes (Exstasis, Exstasis's Mother, Chorus of Angels)
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Children of Paradise (Exstasis, Logos, Ignis, Chorus of Angels)
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in the summer of 2003, and a year later the opera debuted at
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The 29th Annual L.A. Weekly Theater Awards: The Rock Opera
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LA Stage Alliance Ovation Award Recipients Press Release
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Act I Finale – Logos, Fervio, Exstasis, & Company
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On July 28, 2007, the show had its world premiere in
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Index

musical
theatre
Eric Whitacre
David Noroña
opera
musical theater
electronic music
trance music
ambient music
techno
soprano
Hila Plitmann
baritone
tenor
bass
tenor
soprano
soprano
Berlin, Germany
California State University, Northridge
Angel Orensanz Foundation
Northwestern University
American Music Theatre Project
Pasadena, California
Distinguished Concerts International New York
Carnegie Hall
anime
taiko
martial arts
Kuroko

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