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only appears as a secondary plot. Some of the later chapters incorporate narrative experiments in which several alternating stories, set during widely divergent eras and having no immediately apparent connection with José Cemí, are interwoven and eventually merged. (In a letter to
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as being highly unsatisfactory, in part because of Lezama's poor punctuation and stylistic errors. With Lezama's blessing, Cortázar personally edited the text for a subsequent
Mexican edition, correcting "thousands of errors and ambiguities."
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encountered controversy and publication problems. Today it is widely read in the
Spanish-speaking world but has not achieved the same fame in English-speaking countries despite a translation by the American translator
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Despite having written one of the most accomplished novels in Cuba's history, Lezama said he never considered himself a novelist, but rather a poet who wrote a poem that became a novel.
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style, the narrative follows the childhood and youth of José Cemí, and depicts many scenes which resonate with Lezama's own life as a young poet in
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The novel relates Cemí's struggles with a mysterious childhood illness, describes the death of his father, and explores his
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Because of the graphic homosexual scenes and the novel's ambivalence towards the political situation of the day,
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Recopilación de textos sobre José Lezama Lima. Ed. Pedro Simon
Martinez. La Habana: Ediciones
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The novel was originally published in Cuba in an edition regarded by the
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and literary sensibilities. He lives in the world of pre-Castro Havana, and the
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Letter dated
October 21, 1966, reproduced in Aurora Bernárdez, et al.,
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can thus be considered a kind of long poem, just as well as a
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