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Paris Blues

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attends a meeting with a record producer, Bernard, who dismisses a composition Ram has been working on, dashing his hopes of a more prominent and respected music career. However, he tells Ram that he has the potential to become a serious composer, if he works hard and truly studies music. Crushed, he tracks down Lillian, and agrees to leave for America with her. But as the women depart, Ram arrives late and tells Lillian that he will not be joining her, as he does not want to give up on his music. As the train carrying Connie and Lillian leaves the station, Ram walks away with Eddie. In the final shot, French workers cover a billboard advertising Wild Man Moore's appearance with a promo for Larousse publishing.
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experiences far less bigotry and discrimination, is able to carve out a career as a talented musician. Lillian tries to convince Ram to enter into a more committed relationship and move back to the U.S. with her. Ram, aware that she has two children from a previous marriage and lives in a small town, breaks off their relationship, telling her he is dedicated to his music. Meanwhile, Eddie and Connie declare their love for one another. They discuss getting married, but this falls through when Eddie states his refusal to live in the United States for a full year. Their hearts broken by their respective lovers, Connie and Lillian make plans to return home early.
315:, the four of them leave the club in the early morning. When Ram suggests that he and Connie go off to have a private breakfast together, she becomes offended, and Ram is angered at being rejected. However, Lillian, undeterred by Ram's attraction to her friend, convinces him to apologize before pursuing him. The two sleep together while Connie and Eddie continue to walk around 768: 763: 758: 753: 748: 482:
demanded that aspect be changed, not believing the American public was ready for such a thing. The finished film briefly teases at the idea before abandoning it. Years after the release, Sidney Poitier stated "Cold feet maneuvered to have it twisted around - lining up the colored guy with the colored
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Connie, in a desperate last attempt to reach out to Eddie, follows him to a party where she tells him she is leaving Paris for good. Unwilling to lose her, Eddie decides to return to America to join Connie, but will follow in a few weeks as he needs to wrap up his affairs in Paris before leaving. Ram
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Over the following weeks the couples grow closer, but Connie is angry that Eddie has abandoned America for France, insisting that the only way race relations can improve in the U.S. is if people stay and work together in order to change things. Eddie says he is content to stay in Paris, where he
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On his way to see Wild Man Moore at the train station, Ram Bowen, a jazz musician living in Paris, encounters a newly arrived tourist named Connie Lampson and invites her to see him perform that night at Club 33. Connie is not interested, but her friend Lillian insists they go see him. After Ram
708:, however, was quite critical of the release stating: "both movie and music, in my opinion, were disappointing examples of how too many cooks spoil the broth... for the main NYC sessions, no less than five drummers were brought in, who lamentably failed to swing the big band as the absent 36: 1649: 1644: 1584: 1205: 1599: 1421: 1397: 1629: 1619: 1589: 1624: 1107: 1609: 1594: 1319: 647: 583: 1075: 1574: 1373: 1153: 295: 124: 907: 1055: 1664: 1659: 1604: 1639: 1569: 1291: 20: 1634: 1614: 1579: 1453: 1437: 674: 668: 1445: 1312: 1171: 789: 1365: 1209: 1509: 712:
could have done all by himself. One of the few moments of truth occurs in the finale, "Paris Blues," when
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as trombone-playing Ram Bowen. The two men romance two vacationing American tourists, Connie Lampson (
1357: 1305: 1093: 1654: 1564: 1525: 639: 268:). The film also deals with American racism of the time contrasted with Paris's open acceptance of 1517: 1381: 976: 1541: 1493: 1257: 1149: 1145: 385: 1533: 1341: 1046:, the film has an aggregate score of 69% based on 9 positive and 4 negative critic reviews. 1023: 911: 604: 565: 499: 448: 291: 56: 1405: 1349: 1175: 1043: 960: 942: 875: 793: 632: 612: 466: 361: 355: 343: 279: 265: 261: 110: 106: 98: 35: 373: 1461: 966: 955: 934: 928: 866: 643: 608: 552: 504: 479: 400: 391: 349: 283: 253: 245: 170: 144: 114: 102: 1558: 1429: 1284: 1138: 1004: 980: 951: 947: 915: 903: 816: 713: 705: 442: 379: 367: 698:(both the film and the soundtrack) is worth owning by jazz collectors". A review in 972: 885: 820: 709: 663: 655: 651: 624: 540: 483:
girl." and that United Artists had "chickened out" and "took the spark out of it."
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While the first draft of the screenplay was primarily about interracial romance,
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Music cues recorded at Reeves Sound Studios, New York on May 2 & 3, 1961.
272:. The film was based on the 1957 novel of the same name by Harold Flender. 1501: 1485: 1027: 991: 893: 659: 286:; both play music within the film. It was produced by Sam Shaw, directed by 276: 451:(brother of Django Reinhardt) as a guest at a roof-top party (uncredited). 1279: 1191: 1031: 938: 919: 739: 687: 620: 1273: 1251: 1477: 879: 406:
Emilien Antille as Man With Alto Sax In Jazz Cave When Armstrong Enters
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awarded the album 3 stars and stated: "Although not a classic,
844:"A Return Reservation" (Spoken dialogue from the film) - 0:33 808:"What's Paris Blues?" (Spoken dialogue from the film) - 0:45 799:"You Know Something?" (Spoken dialogue from the film) - 0:24 838:"I Wasn't Shopping" (Spoken dialogue from the film) - 0:21 631:. It features performances by Ellington's Orchestra with 19:
This article is about the 1961 film. For other uses, see
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in 1996 with additional dialogue from the film and the
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All compositions by Duke Ellington except as indicated
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for films from 1961, Ellington was nominated for the
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Univ of North Carolina Press. p.  1111:film review; September 23, 1961, p. 150. 648:Best Music, Scoring of a Musical Picture 1206:"Duke Ellington Paris Blues Soundtrack" 1067: 1097:film review; September 27, 1961, p. 7. 1398:Hemingway's Adventures of a Young Man 724: 427:RenĂ© Hell as Man With Dog In The Park 282:(as Wild Man Moore) and jazz pianist 7: 584:First Time! The Count Meets the Duke 1645:Films with screenplays by Jack Sher 1585:African-American diaspora in Paris 424:Michel Garland as Club 33 Customer 14: 1422:The Spy Who Came In from the Cold 747: 460:AndrĂ© Tomasi as Club 33 Bartender 454:Claude Rollet as Club 33 Customer 1208:. JazzTimes, Inc. Archived from 1140:Sidney Poitier: Man, Actor, Icon 766: 761: 756: 751: 746: 430:Jo Labarrère as Club 33 Customer 1600:American romantic musical films 1022:, Dave Jackson, Jimmy Johnson, 615:, recorded and released on the 1630:Films scored by Duke Ellington 1620:Films based on American novels 1590:American black-and-white films 1056:List of American films of 1961 619:label in 1961 and reissued on 421:HĂ©lène DieudonnĂ© as The Pusher 1: 1625:Films directed by Martin Ritt 1204:Dance, Stanley (March 1999). 433:Jack Lenoir as Club 33 Waiter 294:, and with cinematography by 1610:1960s English-language films 1595:American musical drama films 1292:AFI Catalog of Feature Films 1076:"1961 Rentals and Potential" 185:September 27, 1961 64:Lulla Rosenfeld (adaptation) 21:Paris Blues (disambiguation) 397:Guy Pedersen as Bass Player 1681: 1136:Goudsouzian, Aram (2004). 1082:. 10 Jan 1961. p. 58. 963:- alto saxophone, clarinet 18: 1575:1961 romantic drama films 1336: 1169:A Duke Ellington Panorama 732: 729: 559: 403:as Michel "Gypsy" Devigne 388:as Mustachio, The Drummer 33: 635:guesting on two tracks. 463:MarĂ­a Velasco as Pianist 16:1961 film by Martin Ritt 832:"Wild Man Moore" - 1:49 826:"Autumnal Suite" - 3:14 275:The film also features 264:) and Lillian Corning ( 1374:The Sound and the Fury 1194:accessed May 14, 2010. 1178:accessed May 14, 2010. 159:Pennebaker Productions 841:"Guitar Amour" - 2:02 835:"Paris Stairs" - 3:05 802:"Battle Royal" - 4:31 290:from a screenplay by 1665:1960s American films 1660:United Artists films 1605:American drama films 1454:The Great White Hope 1358:The Long, Hot Summer 847:"Paris Blues" - 5:53 805:"Bird Jungle" - 1:59 720:Professional ratings 1640:Films shot in Paris 1570:1960s musical films 1212:on 14 January 2010. 721: 716:is briefly heard". 640:34th Academy Awards 523:May 2 & 3, 1961 412:as Fausto, The Moor 358:as "Wild Man" Moore 241:is a 1961 American 1635:Films set in Paris 1615:Films about racism 1580:1961 musical films 1542:Stanley & Iris 1446:The Molly Maguires 1382:Five Branded Women 1328:Films directed by 1269:TCM Movie Database 1174:2017-09-09 at the 1108:Harrison's Reports 977:baritone saxophone 882:(tracks 3 & 9) 790:Take the "A" Train 719: 346:as Lillian Corning 1552: 1551: 969:- tenor saxophone 775: 774: 596: 595: 592: 591: 364:as Connie Lampson 248:film directed by 234: 233: 161:Diane Productions 78:by Harold Flender 1672: 1526:Murphy's Romance 1366:The Black Orchid 1342:Edge of the City 1322: 1315: 1308: 1299: 1239: 1238: 1236: 1234: 1220: 1214: 1213: 1201: 1195: 1188: 1179: 1166: 1160: 1159: 1143: 1133: 1127: 1118: 1112: 1104: 1098: 1090: 1084: 1083: 1072: 1024:Philly Joe Jones 912:Murray McEachern 771: 770: 769: 765: 764: 760: 759: 755: 754: 750: 749: 722: 605:soundtrack album 566:The Great Summit 561: 560: 500:Soundtrack album 491: 449:Joseph Reinhardt 296:Christian Matras 292:Walter Bernstein 192: 190: 125:Christian Matras 57:Walter Bernstein 38: 26: 1680: 1679: 1675: 1674: 1673: 1671: 1670: 1669: 1555: 1554: 1553: 1548: 1470:Pete 'n' Tillie 1438:The Brotherhood 1350:No Down Payment 1332: 1326: 1248: 1243: 1242: 1232: 1230: 1228:Rotten Tomatoes 1222: 1221: 1217: 1203: 1202: 1198: 1192:Allmusic Review 1189: 1182: 1176:Wayback Machine 1167: 1163: 1156: 1135: 1134: 1130: 1119: 1115: 1105: 1101: 1091: 1087: 1074: 1073: 1069: 1064: 1052: 1044:Rotten Tomatoes 1040: 985:Harry Smiles - 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Index

Paris Blues (disambiguation)

Martin Ritt
Walter Bernstein
Paul Newman
Joanne Woodward
Sidney Poitier
Louis Armstrong
Diahann Carroll
Serge Reggiani
Christian Matras
Roger Dwyre
Duke Ellington
United Artists
musical
romantic drama
Martin Ritt
Sidney Poitier
Paul Newman
Diahann Carroll
Joanne Woodward
black people
trumpeter
Louis Armstrong
Aaron Bridgers
Martin Ritt
Walter Bernstein
Christian Matras
expatriate
Paris

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