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Park of the Laments

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poplar, are built into the edge of an amphitheater of stairs, vines, and stones. The viewer begins their experience by walking down a concrete platform flanked on both sides with limestone-filled gabion baskets and indigenous shrubbery. During their walk, the baskets become taller in the form of a progressive step system that correlates with the actual topography of the landscape; the minimum height is approximately 2 feet (0.61 m) and the maximum is about 12 feet (3.7 m). At that point, the viewer is taken underground through a dark, pre-cast concrete box
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towards the light, they approach stairs that lead them above ground into the center of the park where they are greeted by an isolated, calm, and secluded area conducive to meditation and lamentation. Like many of Jaar's Interventions, the intention of the space's design is to initiate a physical, emotional, and psychological journey within the viewer, ultimately drawing parallels between the experience of physical space and human emotion.
223:, Jaar has created more than sixty "Public Interventions" around the world. Alfredo Jaar incorporates photography, film, text, and sculpture into works that look at the relationship between ethics and aesthetics. His works draw from first-hand witness accounts and research on issues such as toxic waste in Africa, gold mining in Brazil, and 189:
no other portion of the Art & Nature Park is visible due to both the surrounding gabion baskets and natural woodlands. There the visitor may sit or interact with the space and be surrounded by over 53 different indigenous plant species located within the installation (more than 3,000 plants total).
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tunnel (made of nine individual segments, attached and mortared together) and directed towards the sunlit area on the other end of the tunnel. The entire length of the tunnel is approximately 72 feet (22 m) in length. The visitor then proceeds up the stairs to reach the enclosed park area, where
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is a project that follows along the lines of Jaar's Public Intervention series in which the viewer/visitor is an active participant within the environment and contributes to the underlying theme or concept of the project. Visitors enter the work outside the park and continue through a tunnel. Moving
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is situated in the woodland area southeast of the lake in 100 acres. The overall form of the park is a square within a square—one is rigid and made of limestone-filled gabion baskets, while the other consists of indigenous trees and shrubs. Natural, minimalist wooden benches, made from kiln-treated
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baskets, and the outer from indigenous trees and shrubs. The park space is only accessible by a concrete enclosed tunnel. The installation has a landscape design that consists of over 3,000 individual plant species from 53 different genera.
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Alfred Jaar (b. 1956) is an artist, architect, and filmmaker who lives and works in New York and was born in Santiago de Chile. He attended Instituto Chileno-Norteamericano de Cultura, Santiago (1979) and
782: 673: 1643: 227:. Jaar has received many awards, including a John D. and Catherine T. MacArthur Foundation Award (2000); a Louis Comfort Tiffany Foundation Award (1987); and fellowships from the 1430: 152: 1041: 877: 793: 441: 941: 309:
Peters, Nicole; Richard McCoy (2011). "The Outdoor Sculptures of 100 Acres: A Report for the Objects and Variable Art Laboratory at the Indianapolis Museum of Art".
392: 991: 1648: 1034: 1156: 884: 232: 167:. The artwork consists of an enclosed park space in the form of a square placed within a square, the inner parameter being made from limestone-filled 1653: 1273: 963: 954: 1142: 1336: 1244: 1230: 293: 28: 1367: 977: 849: 244: 1386: 1177: 240: 1020: 473: 970: 919: 829: 424: 1413: 1280: 1026: 934: 863: 228: 760: 683: 856: 1107: 842: 711: 467: 236: 1379: 1083: 656: 587: 80: 1374: 1355: 871: 688: 479: 1391: 1294: 1257: 1061: 927: 678: 433: 198: 71: 1054: 1013: 1004: 559: 490: 646: 1658: 1407: 1068: 905: 742: 662: 601: 788: 1638: 1613: 1549: 1527: 1215: 1170: 1076: 668: 1220: 1149: 1090: 836: 755: 608: 566: 552: 545: 517: 1488: 1439: 1203: 948: 462: 264: 257: 1225: 719: 765: 651: 1308: 1163: 983: 899: 821: 725: 629: 594: 538: 484: 417: 1603: 1571: 1520: 1506: 1467: 1420: 1184: 733: 216: 1608: 1287: 1123: 573: 803: 998: 892: 622: 580: 386: 350: 289: 325: 1564: 1534: 1322: 224: 1266: 704: 524: 410: 27: 402: 1400: 1361: 144: 1632: 1578: 1315: 1209: 798: 510: 164: 1481: 156: 148: 38: 63:
5,500 cm × 5,500 cm (2160 in × 2160 in)
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They Waz Nice White Folks While They Lasted (Sez One Gal to Another)
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Madonna and Child with St. John the Baptist and St. Mary Magdalene
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Galinthias Outwits Eileithyia by Announcing the Birth of Heracles
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100 Acres: The Virginia B. Fairbanks Art & Nature Park
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Virginia B. Fairbanks Art & Nature Park: 100 Acres
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The House of the Deaf Woman and the Belfry at Eragny
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Art installations in the Indianapolis Museum of Art
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Indianapolis Museum of Art. 2010. 978:The Banks of the Oise near Pontoise 245:Museum of Contemporary Art, Chicago 1649:Outdoor sculptures in Indianapolis 1231:Sumbanese woman's ceremonial skirt 1178:The Holy Family with the Dragonfly 241:Museum of Contemporary Art of Rome 14: 1021:The Flageolet Player on the Cliff 474:Magbo helmet mask for Oro society 197:The artwork was installed at the 971:Still Life with Profile of Laval 830:Battle Between Carnival and Lent 26: 1654:Public art in the United States 935:Rebecca and Eliezer at the Well 480:Palace plaque depicting warrior 229:National Endowment for the Arts 132:Alfredo Jaar and Galerie Lelong 886:Entry of Christ into Jerusalem 879:Entry of Christ into Jerusalem 684:Vase with carved peony scrolls 1: 1108:Haida ceremonial dance rattle 468:Senufo female ancestor figure 237:Museum of Fine Arts (Houston) 1281:La Hermana del Hombre Bóveda 1084:Triptych of the Annunciation 657:Covered jar with carp design 1356:Copy of Diana of Versailles 872:Enclosed Field with Peasant 689:Vase with nine peach design 1675: 928:Peasant with a Wheelbarrow 679:Shigaraki ware storage jar 647:Bowl with two violet spots 311:Indianapolis Museum of Art 199:Indianapolis Museum of Art 72:Indianapolis Museum of Art 1599: 1559: 1014:The Fifth Plague of Egypt 783:Angel of the Resurrection 743:The Quintet of the Silent 560:Preparing for the Matinee 491:Healing of Abiku Children 25: 1408:Sundial, Boy With Spider 663:Fine Wind, Clear Morning 1614:Colette Pierce Burnette 1528:Sewall Memorial Torches 1171:Moulin Rouge: La Goulue 1077:The Valkhof at Nijmegen 669:Ksitigarbha bodhisattva 219:(1981). 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Index


Alfredo Jaar
Indianapolis Museum of Art
Coordinates
39°49′37.73″N 86°11′18″W / 39.8271472°N 86.18833°W / 39.8271472; -86.18833 (Park of the Laments by Alfred Jaar (2010))
Chilean
Alfredo Jaar
Virginia B. Fairbanks Art & Nature Park: 100 Acres
Indianapolis
Indiana
United States
gabion
culvert
Indianapolis Museum of Art
University of Chile
genocide in Rwanda
National Endowment for the Arts
John Simon Guggenheim Memorial Foundation
Museum of Fine Arts (Houston)
Museum of Contemporary Art of Rome
Museum of Contemporary Art, Chicago
Team Building (Align)
Bench Around the Lake
ISBN
978-0-936260-88-4
"100 Acres to Roam, No Restrictions"
"News From Nowhere"
"Alfredo Jaar"
cite web
link

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