70:. However, more recently it has been shown that it was made by two copyists. Although their names are unknown, one appears to be identical with the principal scribe of another manuscript, P 267 (containing the violin sonatas and partitas, BWV 1001–1006), which places this part of the copy of the Partita in the first half of the 1720s. The other scribe is the one now known as "Anonymous 5", an employee of Bach who must have accompanied him when Bach moved from Köthen to Leipzig in 1723. This scribe is known from authentically dated copies of the Cantatas BWV 186 (11 July 1723) and BWV 154 (9 January 1724). On the basis of watermarks and textual criticism, the greater part of the manuscript was probably copied in Leipzig in 1723–1724, while the copyist of the first five lines of the Partita suggest it may have been begun slightly earlier, between 1722 and 1723 in Köthen.
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50:, for example, it must have been written after 1723. The title, however, is the work of 20th-century editors. The title in the only surviving 18th-century manuscript is "
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Bachforschung und
Bachinterpretation heute. Wissenschaftler und Praktiker im Dialog. Bericht uber das Bachfest-Symposium 1978 der Philipps-Universität Marburg
787:
381:, no. 6 (December–January 1986): 16–19. German version as "J. S. Bachs Solo pour la flûte traversière: Köthen oder Leipzig?", translated by Nikolaus Delius.
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46:. Its date of composition is uncertain, though on the basis of its advanced playing technique, which is more demanding than in the flute part for the
432:
Johann
Sebastian Bach: Partita in A Minor for Solo Flute BWV 1013, with Emphasis on the Allemande—Historical Clues and New Discoveries for Performers
377:, no. 13 (October): 15–21. Spanish version as "El Solo pour la flûte traversière de J.S. Bach: ¿Coethen o Leipzig?", translated by Antonio Torralba.
1013:
668:
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625:
455:
Rauterberg, Frauke. 1996. "Die
Klangrede einer Soloflöte: Zur rhetorischen Dispositio in der Allemande aus J.S.Bachs Partita a-moll BWV 1013".
776:
505:
388:
Graf, Peter-Lukas. 2000. "Vom Zwang der Metrik befreit: Zur
Interpretation von Johann Sebastian Bachs Allemande für Soloflöte BWV 1013".
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449:
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Marshall, Robert L. 1981. "Zur
Echtheit und Chronologie der Bachschen Flötensonaten: Biographische und stilistische Erwägungen". In
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1023:
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346:, Serie VI, Band 3 Werke für Flöte: Kritischer Bericht, 7–9 (Kassel, Basel, Paris, London, New York: Bärenreiter, 1963): 7–8.
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Performed by Juan Manuel GarcĂa-Cano Ruiz (YouTube) Transcription for oboe of
Partita in A minor for solo flute.
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Bruderhans, Zdenek. 1980. "Allemande from J.S. Bach's
Partita in A Minor for Solo Flute BWV 1013".
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17:
423:
Mather, Betty Bang. 2008. "De geheimen van Bachs allemande voor fluit solo ontrafeld". Part 2.
416:
Mather, Betty Bang. 2008. "De geheimen van Bachs allemande voor fluit solo ontrafeld". Part 1.
373:
Castellani, Marcello. 1985. "Il Solo pour la flûte traversière di J.S. Bach: Cöthen o Lipsia?"
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Bennett, William. 2011. "William
Bennett Tours the Landscape of the Bach Sarabande".
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Il flauto dolce: Rivista semestrale per lo studio e la pratica della musica antica
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Toeplitz, Uri. 1992. "Zur
Sarabande aus dem Solo für die Flöte (BWV 1013) ".
440:. 1992. "'Ein Ton': Das fis im zwanzigsten Takt von Bachs Flötenpartita". In
342:
Hans-Peter
Schmitz, "Partita A-moll fĂĽr Flauto traverso solo, BWV 1013", in
321:
Christoph Wolff and Walter Emery, "Bach, §III: (7) Johann Sebastian Bach",
39:
413:, edited by Reinhold Brinkmann, 48–71. Leipzig: Neue Bachgesellschaft.
509:
66:, believed it to be an autograph and this view was accepted by
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444:, edited by Mirjam Nastasi, 67–87. Celle: Hermann Moeck.
613:
Sonatas for viola da gamba and harpsichord, BWV 1027–1029
393:: Zeitschrift fĂĽr Orchesterkultur und Rundfunk-Chorwesen
368:
Miscellanea Musicologica: Adelaide Studies in Musicology
398:
Kobayashi, Yoshitake. 1991. "Noch einmal zu J.S. Bachs
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Canonic Sonata for oboe, violin and continuo, BWV 1040
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Tibia: Magazin für Freunde alter und neuer Bläsermusik
383:
Tibia: Magazin für Freunde alter und neuer Bläsermusik
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Musica antiqua: Revista illustrada de mĂşsica histĂłrica
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608:
Six Sonatas for Violin and Harpsichord, BWV 1014–1019
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Mather, Betty Bang, and Elizabeth Ann Sadilek. 2004.
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Johann Sebastian Bach, Neue Ausgabe sämtlicher Werke
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Sonatas and Partitas for Solo Violin, BWV 1001–1006
557:
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Travers und controvers: Festschrift Nikolaus Delius
62:The discoverer of the sole surviving manuscript,
361:Flute: The Journal of the British Flute Society
323:The New Grove Dictionary of Music and Musicians
27:Flute partita composed by Johann Sebastian Bach
971:List of compositions by Johann Sebastian Bach
521:
8:
664:Sonata for two flutes and continuo, BWV 1039
712:Sinfonia for violin and orchestra, BWV 1045
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752:For two harpsichords in C minor, BWV 1060
496:Performed by Tommaso Benciolini (YouTube)
483:International Music Score Library Project
291:The movements of the Partita are marked:
274:Performed on a modern flute by Scott Goff
253:Performed on a modern flute by Scott Goff
232:Performed on a modern flute by Scott Goff
211:Performed on a modern flute by Scott Goff
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190:Performed on a traverso by Alex Murray
169:Performed on a traverso by Alex Murray
148:Performed on a traverso by Alex Murray
127:Performed on a traverso by Alex Murray
777:Orchestral Suite in G minor, BWV 1070
333:(London: Macmillan Publishers, 2001).
239:Partita for Solo Flute - 3. Sarabande
197:Partita for Solo Flute - 1. Allamande
155:Partita for Solo Flute - 3. Sarabande
113:Partita for Solo Flute - 1. Allamande
54:p flûte traversière par J. S. Bach".
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694:Violin Concerto in E major, BWV 1042
689:Violin Concerto in A minor, BWV 1041
218:Partita for Solo Flute - 2. Courente
134:Partita for Solo Flute - 2. Courente
260:Partita for Solo Flute - 4. Bourrée
176:Partita for Solo Flute - 4. Bourrée
699:Concerto for Two Violins, BWV 1043
459:50, No. 1 (January–February): 2–8.
282:Problems playing these files? See
25:
732:Keyboard concertos, BWV 1052–1065
500:Partita for solo oboe in G Minor.
494:Partita in A minor for solo flute
32:Partita in A minor for solo flute
18:Partita in A minor for solo flute
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772:Orchestral Suites, BWV 1066–1069
592:Partita for Solo Flute, BWV 1013
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1014:Suites by Johann Sebastian Bach
400:Solo pour la flûte traversière
42:in four movements composed by
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857:Everything's Gonna Be Alright
92:Partita in A Minor (BWV 1013)
325:, second edition, edited by
871:Jesu, Joy of Man's Desiring
587:Cello Suites, BWV 1007–1012
363:30, no. 4 (December) 16–19.
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747:No. 4 in A major, BWV 1055
742:No. 2 in E major, BWV 1053
737:No. 1 in D minor, BWV 1052
48:Fifth Brandenburg Concerto
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385:14, no. 4 (1989): 567–73.
420:16, no. 2 (March): 9–11.
106:Performed by Alex Murray
1024:Compositions in A minor
427:16, no. 3 (June): 9–12.
911:A Whiter Shade of Pale
892:Sheep may safely graze
479:Partita for solo Flute
85:
905:Trio Sonata, BWV 525a
718:Brandenburg Concertos
550:Johann Sebastian Bach
84:
44:Johann Sebastian Bach
929:Bach's Greatest Hits
851:Bach-Busoni Editions
797:The Musical Offering
654:in E major, BWV 1035
649:in E minor, BWV 1034
643:in C major, BWV 1033
638:in A major, BWV 1032
621:in B minor, BWV 1030
957:Switched-On Bach II
943:Jazz Sebastian Bach
831:Air on the G String
490:by Blair Johnston.
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1029:1718 compositions
1019:Solo flute pieces
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488:Short description
406:16, no. 1:379–82.
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16:(Redirected from
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805:The Art of Fugue
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541:orchestral works
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481:: Scores at the
438:Michel, Winfried
434:. : Falls House.
395:48, no. 5:19–23.
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705:Triple Concerto
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354:Further reading
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936:Back to Bach
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64:Karl Straube
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38:1013, is a
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823:Adaptations
812:discography
402:BWV 1013".
1008:Categories
885:Lady Lynda
807:, BWV 1080
799:, BWV 1079
779:(doubtful)
707:, BWV 1044
645:(doubtful)
634:(doubtful)
370:11:258–66.
284:media help
845:Ave Maria
681:Concertos
468:78:85–89.
301:Sarabande
295:Allemande
74:Movements
838:Alphabet
629:♭
601:Ensemble
543:by, and
298:Corrente
547:after,
58:History
40:partita
984:Portal
921:Albums
764:Suites
457:Musica
448:
788:Fugal
725:No. 5
580:No. 3
575:No. 2
425:Fluit
418:Fluit
309:Notes
899:They
626:in E
558:Solo
539:and
446:ISBN
329:and
52:Solo
30:The
878:Joy
36:BWV
1010::
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20:)
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