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666:. Noting that “21st century audiences warmly received” D’Andrea’s Nathan, Abraham stated that he believed “actors can have a role in diplomacy” and help “spread the message of peace” by performing in this play, because it presents a vision of characters from the “three great religions” able to “exist side by side.”
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cites the
Berkshire Theater Festival’s description of The Einstein Project as “a fascinating look at one of the titans of the 20th century: Albert Einstein. This truly unique theatrical experience seeks to humanize and contextualize a man that we all think we know. Through conversations with his son
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wrote that “he play attains a measure of holiness in its quest for a bond among
Jerusalem’s three great religions” and quoted D’Andrea as saying “I want to challenge people to transcend thinking in terms of the other in order to rethink in terms of commonality.” D’Andrea’s
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called the play “a ripping yarn, based on an unsolved FBI case, that shimmers with the enigmatic grandeur of a fairy tale.” The “unsolved FBI case” that The
Washington Post referred to is a real event which D’Andrea researched by traveling to the American town of
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to
Italian immigrant parents. His father was a professional surveyor and civil engineer who passed away when D’Andrea was 24. His mother was a seamstress who had left formal schooling after the 8th grade to start working full-time. D’Andrea attended
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wrote that “D’Andrea's radical adaptation for the 21st century of
Lessing's Nathan the Wise, centered on the idea of informed mutual respect, is taught in international conflict resolution courses both in the United States and abroad.” In 2003,
368:, pursuing a degree in Philosophy. His course of study in England was interrupted by an illness in the family, which forced him to return to Boston. Back at Harvard, he earned an MA in English literature and a PhD in
396:, where he raised theories on “new ideas that range across scholarly disciplines” and taught courses on humanities and science that offered equal amounts of mathematics and literary criticism, according to the
318:(born February 2, 1939) is an American playwright, academic and theatrical producer. D'Andrea is known for his plays exploring religious tolerance, gritty slivers of Americana, major world figures like
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through Much Ado about
Nothing to Sex and the City; the moral vision of contemporary drama; and Shakespeare.” In his article entitled, “Thou Starre of Poets: Shakespeare as DNA,” published by
487:, D’Andrea introduced the literary concept of Shakespeare as DNA, the idea that the Bard’s dramatic writing can be viewed as the genome sequence for much of the English language.
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Please remove or replace such wording and instead of making proclamations about a subject's importance, use facts and attribution to demonstrate that importance.
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Inspired by his interest in
Shakespeare the playwright, D’Andrea became one himself. D’Andrea was playwright-in-residence at the Sundance Institute and at
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called the play “a parable for our times” that “brings warmth and humor to a tale of Muslim, Jew, and
Christian in Crusade-ravaged 12-century Jerusalem.”
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353:, where he was class president and valedictorian. He won a Harvard National (full-ride) scholarship to Harvard University, where he earned a BA in
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Edmund and his colleagues, we are able to truly visualize the man who, however reluctantly, ushered in the Atomic Age." Critics have called
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as the artistic centerpiece at an inter-religious conclave on tolerance. For this production, the play was translated into
Italian as
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688:, which describes the play as “a highly theatrical journey into one of the most fascinating minds of the modern age.” In 2009,
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606:(which he wrote based on his wife Gisela D’Andrea’s translation of the original German Lessing play) was nominated for the
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as “a hilarious allegory” about the cultural winding-down of Europe and the energies needed to revive it. Debuting at the
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called the university’s “aggressive campaign to use more than $ 5 million to attract 20 star professors.”
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had won the 2014 Writers
Competition held by “Harvardwood, the Harvard University-sanctioned nonprofit.”
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commented that “D’Andrea may be one of the most original American theatrical voices since
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Outstanding Faculty Award for his teaching, playwriting, and scholarly work regarding
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endowed chair professor at George Mason University (along with physicist
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called it “a new model of understanding among diverse groups.”
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437:. While in Minnesota, he was elected as a board member of the
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from the article and its talk page, especially if potentially
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1026:"Paul D'Andrea, Professor Emeritus – The Robinson Professors"
891:"Paul D'Andrea, Professor Emeritus – The Robinson Professors"
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Dec. 11, The Associated Press | Posted-; P.m, 2014 at 12:52.
764:"Paul D'Andrea, Professor Emeritus – The Robinson Professors"
650:, and the performance was aired on Italian state television,
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won the CBS/Dramatists Guild Foundation Prize in 1987.
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and won ATL’s Great American Play Prize. D’Andrea’s play
552:, a book anthology of the best theatrical monologues.
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D’Andrea began his faculty career as a resident tutor in
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as Best Play West of 1978-79. The play is published by
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1002:"Nathan the Wise | The classic on religious tolerance"
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into their religious tolerance initiatives. In 2006,
433:, and then chairman of the humanities program at the
402:. His theories on Shakespeare have been published by
1107:"The Einstein Project, a CurtainUp Berkshire review"
460:, and Pulitzer-Prize winning civil rights activist
441:, where he focused on supporting rising artists.
344:D’Andrea was born in the South End neighborhood of
853:"13 Va. college faculty members to receive awards"
618:was filmed and produced as a 90-minute feature on
479:, Philosophy and Literature; views of gender from
406:, and his scholarly work has been recognized with
813:Dr. Paul D'Andrea Oral History Interview Segment
247:, potentially preventing the article from being
716:premiered at Theater of the First Amendment in
1132:"Harvardwood 2014 Writers Competition Winners"
1050:"Nathan the Wise - Full Length Plays - Browse"
326:, and the moral responsibility of scientists.
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471:While at George Mason, D’Andrea won the 2015
8:
875:: CS1 maint: numeric names: authors list (
536:in the starring role and was chosen by the
518:D’Andrea’s first major theatrical success,
73:promotes the subject in a subjective manner
50:Learn how and when to remove these messages
834:"GEORGE MASON HIRES A JEWEL FOR ITS CROWN"
473:Virginia State Council of Higher Education
267:reliable, independent, third-party sources
144:about living persons that is unsourced or
303:Learn how and when to remove this message
285:Learn how and when to remove this message
215:Learn how and when to remove this message
95:Learn how and when to remove this message
680:With Jon Klein, D’Andrea wrote the play
261:by replacing them with more appropriate
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498:in Chicago. He also became a member of
244:too closely associated with the subject
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742:reported that D’Andrea’s one-act play
444:In 1985, he was recruited to become a
918:"Paul D'Andrea | Playwrights' Center"
733:is published by Dramatic Publishing.
610:for Outstanding New Play at the 2002
565:Humana Festival of New American Plays
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538:American Theater Critics Association
1172:American dramatists and playwrights
970:"'Nathan': A Parable for Our Times"
585:'s classic on religious tolerance,
70:This article contains wording that
1207:Alumni of the University of Oxford
581:In 2001, D’Andrea’s adaptation of
75:without imparting real information
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1130:Team, The Deadline (2014-02-01).
557:A Full-Length Portrait of America
31:This article has multiple issues.
942:"Author Profile - Paul D'Andrea"
242:may rely excessively on sources
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1192:University of Minnesota faculty
1182:George Mason University faculty
39:or discuss these issues on the
1073:Sommers, Pamela (1992-02-01).
384:D'Andrea has had positions at
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1187:University of Chicago faculty
1075:"'EINSTEIN': A BRAIN IN PAIN"
642:and Centro Dionysia—featured
968:Horwitz, Jane (2001-10-30).
662:starred in a performance of
561:Actors Theater of Louisville
532:in Los Angeles, it featured
122:biography of a living person
640:Italian Ministry of Culture
149:must be removed immediately
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1177:Harvard University faculty
1054:www.dramaticpublishing.com
1030:robinsonprofessors.gmu.edu
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895:robinsonprofessors.gmu.edu
768:robinsonprofessors.gmu.edu
694:Berkshire Theater Festival
788:"The Trouble with Europe"
712:In 2008, D’Andrea’s play
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492:Dale Wasserman’s Playlabs
412:Woodrow Wilson Foundation
530:Mark Taper Forum Theater
485:Harvard University Press
404:Harvard University Press
340:Early life and education
686:Dramatists Play Service
608:Charles MacArthur Award
546:The Trouble with Europe
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520:The Trouble with Europe
435:University of Minnesota
394:George Mason University
1202:Harvard College alumni
838:www.washingtonpost.com
599:Washington Jewish Week
464:) as part of what the
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408:Rockefeller Foundation
370:Renaissance literature
329:The Hollywood Reporter
136:Please help by adding
684:. It is published by
431:University of Chicago
390:University of Chicago
366:Fulbright scholarship
703:The Einstein Project
692:was produced at the
690:The Einstein Project
682:The Einstein Project
671:The Einstein Project
446:Clarence J. Robinson
360:. He then attended
316:Paul Philip D’Andrea
142:Contentious material
792:Concord Theatricals
416:McKnight Foundation
351:Belmont High School
1197:American producers
816:, 6 September 2016
739:Deadline Hollywood
727:Skidmore, Missouri
612:Helen Hayes Awards
423:English Literature
386:Harvard University
1111:www.curtainup.com
731:Two-Bit Taj Mahal
714:Two-Bit Taj Mahal
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660:F. Murray Abraham
559:premiered at the
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857:www.ksl.com
636:the Vatican
374:Shakespeare
334:Sam Shepard
275:August 2024
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85:August 2024
1156:Categories
1141:2024-04-02
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750:References
496:Hull House
454:Hugh Heclo
259:improve it
249:verifiable
175:newspapers
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1087:0190-8286
982:0190-8286
736:In 2014,
263:citations
127:citations
42:talk page
1136:Deadline
871:cite web
698:Playbill
622:station
504:New York
324:Einstein
153:libelous
744:Win Win
624:WETA-TV
595:WETA-TV
427:Harvard
355:Physics
320:Saladin
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