Knowledge (XXG)

Pavel Filonov

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365: 380: 320: 335: 350: 440: 410: 289: 425: 395: 194: 132: 280:, Filonov put forth a manner of working that proceeded from the particular to the general. He believed that objects and fields should be built up from small details and bits and stated that doing it the other-way-round was nothing short of "charlatanism". To this end, he worked, and required his students to work, with very small brushes in painting and the finest of points when drawing. 33: 511: 264:; however, the Soviet government forbade the exhibition. From 1932 onward, Filonov literally starved but still refused to sell his works to private collectors. He wanted to give all his works to the Russian Museum as a gift so as to start a Museum of Analytical Realism. He died of starvation on December 3, 1941, during the 245:. In 1923, he became a professor of St. Petersburg Academy of Arts and a member of the Institute for Artistic Culture (INKhUK). He organized a large arts school of Masters of Analytical Realism (over seventy artists, including an American sculptor and portrait painter 296:
Most of Filonov's works were saved by his sister Yevdokiya Nikolayevna Glebova. She stored the paintings in the Russian Museum's archives and eventually donated them as a gift. Exhibitions of Filonov's work were forbidden. In 1967, an exhibition of Filonov's works in
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represents objects using elements of their surface geometry but "analytical realists" should represent objects using elements of their inner soul. He was faithful to these principles for the remainder of his life.
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that Filonov's ghost protected his art and anybody trying to steal his paintings or to smuggle them abroad would soon die, become paralyzed, or have a similar misfortune.
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was permitted. In 1988, his work was allowed in the Russian Museum. In 1989 and 1990, the first international exhibition of Filonov's work was held in Paris.
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During the period of half-legal status of Filonov's works it was seemingly easy to steal them; however, there was a
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during this time. In the autumn of 1916, he enlisted for service in World War I, and served on the
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In 1919, he exhibited in the First Free Exhibit of Artists of All Trends at the
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and served as the Chairman of the Revolutionary War Committee of Dunay region.
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In 1929, a large retrospective exhibition of Filonov art was planned at the
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Painters of the Leningrad Union of Artists of 1932–1991
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During the years 1913 to 1915, Filonov was close to
83: 75: 63: 42: 23: 158:, where he took art lessons. In 1908, he entered 146:Filonov was born in Moscow on January 8, 1883 ( 556: 165:In 1910–1914, he took part in the arts group 97: 8: 234:front. Filonov participated actively in the 181:, in which, he formulated the principles of 119:; January 8, 1883 – December 3, 1941) was a 480:"Selected Poems with Postscript, 1907–1914" 386:The Formula of Contemporary Pedagogy of IZO 563: 549: 541: 185:, or "anti-Cubism". According to Filonov, 31: 20: 1469:Members of the Leningrad Union of Artists 224:Selected Poems with Postscript, 1907–1914 108:[ˈpavʲɪlnʲɪkɐˈlajɪvʲɪtɕfʲɪˈlonəf] 471: 315: 162:, from which, he was expelled in 1910. 106: 7: 202:, 1914, oil on canvas, 159x128 cm, 160:St. Petersburg Academy of Arts 136:Portrait of E. N. Glebova 199:A Peasant Family (The Holy Family) 14: 1499:20th-century Russian male artists 1494:Victims of the Siege of Leningrad 1489:Burials at Serafimovskoe Cemetery 1464:20th-century Russian male writers 222:. He co-illustrated Khlebnikov's 123:painter, art theorist, and poet. 536:MoMa's Collection: Pavel Filonov 509: 438: 423: 408: 393: 378: 363: 348: 341:A Man and a Woman (Adam and Eve) 333: 318: 177:. In 1912, he wrote the article 523:Pavel Filonov at Olga's Gallery 446:Countenances (Faces on an Icon) 1474:Painters from Saint Petersburg 1: 1479:20th-century Russian painters 818:Maria Kleschar-Samokhvalova 99:Па́вел Никола́евич Фило́нов 1515: 236:Russian Revolution of 1917 94:Pavel Nikolayevich Filonov 578: 249:). Their work influenced 98: 30: 154:). In 1897, he moved to 150:) or December 27, 1882 ( 1353:Rostislav Vovkushevsky 1168:Kapitolina Rumiantseva 293: 276:Under the umbrella of 207: 143: 1484:Russian male painters 1243:Nadezhda Shteinmiller 1203:Alexander Samokhvalov 1078:Vecheslav Ovchinnikov 518:at Wikimedia Commons 485:World Digital Library 460:Fine Art of Leningrad 291: 196: 179:The Canon and the Law 134: 1429:Deaths by starvation 1083:Vladimir Ovchinnikov 838:Alexander Koroviakov 356:The Banquet of Kings 1459:Soviet male writers 1439:Russian avant-garde 1434:Writers from Moscow 1273:Alexander Tatarenko 1133:Stepan Privedentsev 1118:Kuzma Petrov-Vodkin 1028:Anatoli Nenartovich 988:Valentina Monakhova 888:Aleksandr Laktionov 868:Yaroslav Krestovsky 603:Vladislav Anisovich 531:Filonov's biography 371:universal flowering 292:Self portrait, 1921 278:Universal Flowering 212:Vladimir Mayakovsky 169:created by artists 156:St. Petersburg 121:Russian avant-garde 1444:Russian male poets 1218:Alexander Semionov 1163:Galina Rumiantseva 1033:Samuil Nevelshtein 1008:Mikhail Natarevich 883:Marina Kozlovskaya 668:Mikhail Bernshtein 416:Two Heads. 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Index


Moscow, Russia
[ˈpavʲɪlnʲɪkɐˈlajɪvʲɪtɕfʲɪˈlonəf]

Russian avant-garde

Russian Museum
Gregorian calendar
Julian calendar
St. Petersburg
St. Petersburg Academy of Arts
Soyuz Molodyozhi
Elena Guro
Mikhail Matyushin
analytical realism
Cubism

A Peasant Family (The Holy Family)
Russian Museum
Vladimir Mayakovsky
Velimir Khlebnikov
futurists
Kazimir Malevich
Romanian
Russian Revolution of 1917
Hermitage
Helen Hooker
suprematism
expressionism
Russian Museum

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