154:, depicts travelers grabbing a hurried and impromptu dance on the road in early 1810s America (in rural Pennsylvania), and shows practices which would have been considered inelegant or shockingly informal in many socially genteel circles in Europe at the time (such as smoking in the presence of ladies, smoking indoors, a man taking off his tailcoat in the presence of ladies—leaving him wearing only his waistcoat and shirt on top—and holding onto one's horsewhip while dancing). Only one of the women has bothered to take off her bonnet. One of the dancing men isn't wearing socks/stockings.
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As secretary to the
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in
English. He left one of the first written depictions of black church music in the United States and launched the publication of the literary magazine
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At left, a couple is indulging in what could be considered an inappropriate public display of affection by some
European standards of
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Darden, Robert (1996). People Get Ready: A New
History of Black Gospel Music. New York: Continuum International Publishing Group.
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Voyage
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Svinyin was on friendly terms with many leading
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49:: Па́вел Петро́вич Свиньи́н; 19 June 1787 – 21 April 1839) was a prolific
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provides the music for the dance. Wagons can be seen outside the door.
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and its suburbs (in 5 volumes, 1816–28) and a catalogue of the
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between 1811 and 1813. He was an aide-de-camp to
General
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of 1806 and was employed at the
Russian consulate in
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